View allAll Photos Tagged alternativeprocesses
Werken is Leven: "To work is to Live"
Veenhuizen, in the late 1800 and early 1900 a colony in the province of Drenthe, where very poor people and tramps were send to in order to be away from the cities and to learn to work. They had to work hard in the landreclaiming. In these houses the attendants lived.
Gumprint, 6 layers:
1 Paris blue
2 Gamboge gum medium
3 Alizarin Crimson
4 Gamboge Gum light
5 Krapprot tief
6 Paris blue light
Le résultat pourrait être pire, étant donné que le papier date de l'été dernier (été pourri = pas de cyanotype, proverbe photographique...)
Not as cool as they have usually been turning out, but hey! This one was taken in a tree, don't know what kind of tree though. Exposed from 01/10/10 to 08/10/10.
The "Green heart" is the unbuild peace of land between the big cities Amsterdam, The Hague, Rotterdam and Utrecht. Gouda is just in the middle of it.
Gumprint, paper Fabriano Artistico HP 300 gr.
Pigments:
1 Prusian blue
2 Madder red dark
3 Gamboge gum modern
4 Phthalo blue
So this will be my last #pinhole of the #year, its of my #brand #new #2013 #diary. Exposure time 30 mins
Elaine Duigenan has a longstanding connection with Wellcome Collection in London, a free museum and library that aims to challenge how we all think and feel about health. Those projects have covered subjects as diverse as forensics, miracles and charms, and outsider art.
In this interview she discusses work that brings a poetic precision to such diverse subject matter as the structure of plants, zoological specimens in a natural history museum, nylon stockings and the silvery trails left by snails. Here, even the most seemingly mundane subjects come to life and reveal subtle and sometimes eccentric qualities one might easily miss without this detailed way of seeing.
You can read more about Elaine Duigenan’s work – and how one of her images made it to the International Space Station – at Talking Pictures.
talking-pictures.net.au/2020/12/05/elaine-duigenan-the-pu...
Cyanotype printed on parchment using a hydrangea leaf.
1 hour exposure.
This is the latent image, before the water bath.
A black glass ambrotype portrait of Alexis, daughter of Photo Retro's owner Jason.
I'm still learning how to balance the color of the scans of the plates against the originals, so please be forgiving with these examples.
Interested in having a portrait session on black glass, looking like you were photographed in the late 1800s by us here at Photo Retro? Shoot us a PM for details or check the website for more information: www.photoretro.biz
website • blog • workshops • fine art • facebook • twitter • youtube • instagram • podcast • photo talk fridays
From a series of older images I retreated using the Van Dyke and Cyanotype processes (hand painted photo emulsions).
The small version of the Gingko grid at the Marysville Libray which should be at 16 by the time the Rosewood Gallery show opens.
Gumprint RGB, Church in Calico, Nevada.
1: Phthaloblue contrastnegative
2: Azo yellow contrastnegative
3: Krapprot light contrastnegative
4: Gummigut modern detail negative
5: Krapprot dark detailnegative
6: Paris blue detailnegative
Mari was our first paid black glass ambrotype client at @photo_retro_nh. Her mom Malissa bought her a session for her birthday and we spent a great evening making plates.
I love everything about shooting these.
I'm still learning how to balance the color of the scans of the plates against the originals, so please be forgiving with these examples.
Interested in having a portrait session on black glass, looking like you were photographed in the late 1800s by us here at Photo Retro? Shoot us a PM for details or check the website for more information: www.photoretro.biz
website • blog • workshops • fine art • facebook • twitter • youtube • instagram • podcast • photo talk fridays
amighetti's bakery , the hill, st. louis, missouri, cyanotype
want to see what I've been up to lately?
check it:
Done for Alternative Processes @ UMBC, contains Vandyke, Cyanotype, Ink Transfer and Lithography.
Text from the story story "A Rose for Emily" by William Faulkner.
Gumprint, paper Fabriano Artistico HP 300 gr.
Pigments:
1 Prusian blue
2 Madder red dark
3 Gamboge gum modern
4 Phthalo blue