View allAll Photos Tagged alternativeprocesses

while visiting Istanbul I was fortunate to see and photograph a group of whirling dervishes.

cyanotype, memorial cemetery , st. louis, missouri

Want to see more? Please visit my website at

www.freewebs.com/janelinders

www.etsy.com/shop/jalinde

 

Exposure from 1/10/10 to 7/10/10

Cyanotype printed on parchment using a fresh honeysuckle vine.

5 hour exposure.

Palladium toned Kallitype on Arches Platine.

Cyanotype on fabrianopaper

Black valley - Kerry, Ireland

Contact print in platinum-palladium

Ilford Multigrade III RC Deluxe 11 x14 in.

Van Dyke Brown print on canvas, run through a blueprint machine for exposure (it's really fast!)

 

strange succulents on cliff face reaching toward the pacific ocean in central CA (along route1, the coastal highway)

Salted Paper Printing workshop with Dan Estabrook.

 

Photo by Ruth Lauer-Maneti.

Exposure from Saturday 2nd to Monday 4th October.

Cyanotype printed on parchment using abelia leaves.

4 hour exposure.

Cyanotype - Digital Negative

October 7th 2010 to February 28th 2011

Kallitype process

In Camden town special thanks to our first male angel, Michael for taking part. Exposure time 1 min 33 secs

Cocos Island | Costa Rica

Cyanotype on Rives BFK

Limited Edition of 20 Prints

 

© JOHANNA EVANS

all rights reserved

 

www.johannaevans.com

Huis en Haard: "House and Fireplace".

 

Veenhuizen, in the late 1800 and early 1900 a colony in the province of Drenthe, where very poor people and tramps were send to in order to be away from the cities and to learn to work. They had to work hard in the landreclaiming. In these houses the attendants lived.

 

Gumprint, 6 layers:

 

1 Paris blue

2 Gamboge gum medium

3 Alizarin Crimson

4 Gamboge Gum light

5 Krapprot tief

6 Paris blue light

Gumprint RGB.

Hanneke in our small towngarden enjoying the first springsun in 2007.

1 Paris blue contrast

2 Gummigut modern contrast

3 Krapprot tief contrast

4 Azo yellow detail

5 Krapprot light detail

6 Phthaloblue detail

7 Azo yellow detail

8 Krapprot light detail

Ilford Multigrade III RC Deluxe 11 x14 in.

Dried flower cyanotype printed on parchment.

Kallitype process

Holga negative colored with sharpies

Contact print in platinum-palladium

Cyanotype printed on parchment using a dried clover.

30 minute exposure.

Kerry, Ireland

Contact print in platinum-palladium

Thomas Kellner makes buildings dance. His images are constructed from many individual detail shots recorded on film and printed directly from the resulting strips. This reworking of the old-school contact sheet on a grand scale has become both his modus and his artistic signature, instantly recognisable from New York to New Delhi. But how did it begin? What might it mean? And if, as Goethe and others have suggested, architecture is frozen music, what happens when it is unfrozen and begins to dance to the artist’s preternatural tune?

 

Thomas Kellner discusses the aesthetics, techniques and business skills behind his work at Talking Pictures.

 

talking-pictures.net.au/2021/07/10/thomas-kellner-a-dance...

Contact print in platinum-palladium

 

A black glass ambrotype portrait of Alexis, daughter of Photo Retro's owner Jason.

 

I'm still learning how to balance the color of the scans of the plates against the originals, so please be forgiving with these examples.

 

Interested in having a portrait session on black glass, looking like you were photographed in the late 1800s by us here at Photo Retro? Shoot us a PM for details or check the website for more information: www.photoretro.biz

  

website • blog • workshops • fine art • facebook • twitter • youtube • instagram • podcast • photo talk fridays

Occupy Wall Street

 

Salt Print

Contact print in platinum-palladium

Walking path near Gouda

 

Gumprint, pigments:

 

1 Paris blue

2 Gummigut modern

3 Madder lake

4 Gummigut modern

5 Madder lake

6 Paris blue

Kallitype process

Contact print in platinum-palladium

Palladium print version of this earlier image

Cyanotype printed on parchment using a dandelion leaf.

6 hour exposure.

Mari describes work she did with a 20x24 Polaroid camera

Gretjen describes the types of relationships she tried to capture in her work: liquid emulsion photographs printed on the inside of egg shells and presented within light-boxes

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