View allAll Photos Tagged alternativeprocesses
Been doing something a little different and having a go at cyanotypes and trying different papers to see what effects I get, if any!! Printed digital negatives from digital files and then coated different papers in the darkroom with cyanotype solution.
These 2 out of 4 negatives came out the best. For Big Ben I used a bought pre-coated paper and for St Pauls I used a watercolour paper I had coated myself. Its very hit and miss but good fun as you never know what you're gonna get
Reviewing prints at our Salted Paper Printing workshop with Dan Estabrook.
Photo by Geoffery Berliner
The second film I used was Ilford delta ISO 100, I got eight exposure but four useable ones. This is my first attempt to capture the #Olympic-rings hanging from #tower-brigde. Exposure time 1 min 40 secs
Reviewing prints at our Salted Paper Printing workshop with Dan Estabrook.
Photo by Geoffery Berliner
I had the opportunity finally!!! to shoot a bit more wP. It is astounding how deeply the process sees into the skin.
copyright ModernLight 2010
Palladium prints
These images are a mix of prints made from negatives taken by my father and photos I myself shot of the Yashica medium format camera he used to make those negatives, as well as a knife he owned during that period of his life that he gave to me when I grew older.
The woman in the images is my mother.
Three of Jesseca Ferguson's works from her series "From the Museum of Memory." From Left t Right: "Poznan bird/Z (constructed)", toned pinhole cyanotype, silk, found document, book board (2012), "Bird skull/text/eggcup (constructed)," pinhole cyanotype, silk, book boards (2012), and "Text Sphere/bottle/book," pinhole cyanotype (2012).
Works Mark Osterman and France Scully Osterman's series "The Light at Lacock, Sun Sketches in the Twilight of Photography" (2010). All of the works are Digital pigment prints from photogenic drawing (paper) negatives.
On the Left: "North Cloister Walk."
On the Right: "West Field Tree."
A image of my #old #analog #T.V. I'm finding it hard to let go, we've been through a lot numerous moves, the 90s, 00s and 10s but with regret we have to part ways. Exposure time 40 mins (#indoor-#pinhole)
One of the Talbot-style cameras that Mark Osterman and France Scully Osterman used to make the original photogenic drawing (paper) negatives for their series "The Light at Lacock, Sun Sketches in the Twilight of Photography" (2010).
My images from mP2009 in Concord. A wonderful time was had by all... the week was lightspeed.
copyright steve wilson/ModernLight2009
Anne discusses one of the many projects she created using processes that she invented and designed herself -- very innovative stuff!
From a series of older images I retreated using the Van Dyke and Cyanotype processes (hand painted photo emulsions).
A black glass ambrotype portrait of @tkalogeropoulos_ at @photo_retro_nh some weeks ago while we were doing some tests.
I'm having a hell of a time trying to color match the scans of these plates to the originals, so bare with me as I learn the process. :)
Interested in having a portrait session on black glass, looking like you were photographed in the late 1800s by us here at Photo Retro? Shoot us a PM for details or check the website for more information: www.photoretro.biz
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