View allAll Photos Tagged alternativeprocesses

5 layers gum bichromate on Canson Montval paper 300 grs. 26x34 cm

Contact print in platinum-palladium

Contact print in platinum-palladium

West Cork, Ireland

Contact print in platinum-palladium

Contact print in platinum-palladium

Palladium prints

 

These images are a mix of prints made from negatives taken by my father and photos I myself shot of the Yashica medium format camera he used to make those negatives, as well as a knife he owned during that period of his life that he gave to me when I grew older.

 

The woman in the images is my mother.

Exposure from 1/10/10 to 7/10/10. Claiming fingerprint as a watermark.. yes.. watermark.

Works Mark Osterman and France Scully Osterman's series "The Light at Lacock, Sun Sketches in the Twilight of Photography" (2010). All of the works are Digital pigment prints from photogenic drawing (paper) negatives.

 

On the Left: "North Cloister Walk."

On the Right: "West Field Tree."

Cocos Island | Costa Rica

Cyanotype on Rives BFK

Limited Edition of 20 Prints

 

© JOHANNA EVANS

all rights reserved

 

www.johannaevans.com

Center for Alternative Photography's Salted Paper & Albumen workshop with Brenton Hamilton. Fall 2010 workshops.

 

Photo by Alison Nguyen.

 

capworkshops.org

Contact print in platinum-palladium

Contact print in platinum-palladium

A image of my #old #analog #T.V. I'm finding it hard to let go, we've been through a lot numerous moves, the 90s, 00s and 10s but with regret we have to part ways. Exposure time 40 mins (#indoor-#pinhole)

One of the Talbot-style cameras that Mark Osterman and France Scully Osterman used to make the original photogenic drawing (paper) negatives for their series "The Light at Lacock, Sun Sketches in the Twilight of Photography" (2010).

The playground across the road, a little camera #shake and a little #over-exposed but I think its got character. Exposure time 15 secs

Some more #domestic #pinholes, my #toothbrush. Exposure time 20 mins

Contact print in platinum-palladium

Went up to #Sloane #Square to #pinhole the #couture #christmas tree outside the #Saatchi #gallery. Yes, you guessed it! Just as I opened the shutter the wind blow dec-cam over. Exposure time 10 secs

Contact print in platinum-palladium

West Cork, Ireland

Contact print in platinum-palladium

Anne discusses one of the many projects she created using processes that she invented and designed herself -- very innovative stuff!

Anne Arden McDonald presents her work after the break

From a series of older images I retreated using the Van Dyke and Cyanotype processes (hand painted photo emulsions).

Jesseca fields questions from the audience, a crowd of about 30

Contact print in platinum-palladium

#St #paul #cathedral, at 19:30 pm. Exposure time 5 mins 30 secs

My brand new #kitchen #clock from my #little #brother, Exposure time 25 mins

Contact print in platinum-palladium

Cyanotype process

Happy Birthday Clare!!!! exposure time 10 secs

#August #camera is a #box #brownie-camera converted to a #pinhole-camera. Throughout the month I will try out different formats the first will be colour film so updates will be less frequent !!!

Cyanotype of Davis Hall stairs, USAO (Chickasha, OK).

#St.#Martin in the #Fields #cathedral near# Trafalgar #Square, #London. Exposure time 6 secs

This Cyanotype is one of the pieces of paper I treated.

Gretjen Helene's photographic objects. All are painted liquid emulsion photographs printed on the insides of duck egg shells. All are 2011.

 

Works include: "A Blend Between Two Attractions," "Bursts of Sharing; The Binding Glue," "Pressing Needs into Dependency," "Shape a Complete New Feeling," and "The Best They Thought to Accomplish on Their Own."

Gretjen Helene's photographic objects. All are painted liquid emulsion photographs printed on the insides of duck egg shells. All are 2011. On the right is a poem by the artist.

Contact print in platinum-palladium

Contact print in platinum-palladium

I had the opportunity finally!!! to shoot a bit more wP. It is astounding how deeply the process sees into the skin.

 

copyright ModernLight 2010

Jesseca Ferguson's cabinet of curiosities, featuring "The Little White Bird (after J.M. Barrie)," book, pinhole cyanotypes (2011).

4 layers gum bichromate on Canson Montval paper 300grs. 24x25 cm

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