View allAll Photos Tagged alternativeprocesses
Gumprint.
What will different paper and the blue do, try 2.
1 Paris blue
2 Madder lake dark
3 Gummigut modern
Paper Fabriano Artistico HP 300 gr.
Size 17 X 24 cm.
I enhanced the clouds (PS) and asked PS to put in a sunset. It did.
Wet plate collodion image. Quarter-plate trophy aluminum.
I'm still getting the hang of this process, but I'm pleased to be getting some results.
Platinum/Palladium-toned Kallitype print on Hahnemuhle Platinum Rag paper (5x7"). Original photo made with a Nikon FM3A on Agfa APX 100 film, developed in Kodak HC-110.
Another plate from my first field trip doing wet plate away from home. Once I felt good about exposure times, I tried some bigger plates. The problem, though, is that the morning got very hot very quickly, which I had not really prepared for. You can see on the top and the right hand side that the plate had started to dry before processing. Note for next time: bring a cooler and be sure to set up in the shade!
Gum bichromate, gumprint, gomdruk.
7 layers:
Size: 40X26 cm.
1 Phthalo blue, just very thin, to help further registration.
2 Gamboge gum
3 Madder red dark
4 Gamboge gum
5 Madder red dark
6 Prussian blue
7 Phthalo blue
Gumprint, Gomdruk. Original Nikon D80.
Size 41X28 cm.
Paper Saunders Waterford 300 gr.
Pigments used:
Paris blue
Gamboge gum modern
Madder lake red
Gamboge gum new
Madder lake red deep
Phthalo blue
Platinum/Palladium-toned Kallitype (5.5 x 6.5") contact printed from a 4 x 5" negative. Original photo made with a Graflex Crown Graphic on Ilford HP5+ film.
Gumprint, gomdruk.
Paper Saunders Waterford CP 300 gr.
Size 42X26cm
Pigments used:
1: Paris blue
2: Gamboge gum middle
3: Madder lake red
4: Gamboge gum new
5: Magenta
6: Phthalo blue
Of the mason's who built them, we can say that they both designed as they drew, and drew as they designed. But their designing, like their drawing, was a process of work, not a project of the mind.
Tim Ingold 'Making'
You are all invited, lots to see from Kate Mocak and me. Not only gumprints but also carbon and gumoil.
Wet plate collodion image. Quarter-plate trophy aluminum.
I'm still getting the hang of this process, but I'm pleased to be getting some results.
Gumprint.
1 Paris blue
2 Madder lake dark
3 Gummigut modern
4 Gummigut modern (slightly).
Paper Fabriano Artistico HP 300 gr.
Size 16 X 24 cm.
Still really proud of my final project, sorrryy for posting pictures but I think they're so beautiful and each have their own personalities but I love them all so much.
Gumprint, Gomdruk.
Size 41X28 cm.
Paper Saunders Waterford 300 gr.
Pigments used:
Paris blue
Gamboge gum modern
Madder lake red
Gamboge gum new
Madder lake red deep
Phthalo blue
Paper Fabriano Artistico, HP.
Size 28X40 cm.
Pigments used:
1: Prussian blue
2: Gamboge gum
3: Madder lake red
4: Gamboge gum
5: Magenta
6: Phthalo blue
Tricolor (3 negatives) gum print. Four layers, because the first layer (ultramarine) was too weak. Followed by phthalo blue-red shade, quinacridone rose, and naples yellow. Still having some registration problems....
Gumprint, gomdruk
Paper: Canson Montval.
Pigments:
Paynes grey
Italian red earth
English red
Size: 41X26 cm
Mansion Knip, Curaçao. taken in 2000.
Gomdruk, gumprint, 6 layers:
1: Paris blue
2: Gamboge gum
3: Madder lake dark
4: Cadmium yellow
5: Permanent Carmine
6: Phthalo blue
Size: 23,5 X 16 cm.
Cyanotype contact-printed from a digital negative onto Arches hot-pressed watercolor paper. Original photo made with a Nikon FM3A on Ilford HP5+ film.
Gumprint, Gomdruk,
Paper Fabriano Artistico HP 300 gr.
6 layers:
1: Paris blue
2: Gamboge gum modern
3: Madder lake dark
4: Cadmium yellow
5: Purple Magenta
6: Phthalo blue
I found a 6*9 cm photo of my mother where she is 18. That was in 1926. She died in 1996, almost 88 years old. She is at home.
I scanned the photo and made via a digital negative this salted paper print. Must do a better negative because in the original is more detail. Paper is Fabriano Artistico 300g. Size is 25*16cm.
Cyanotype contact-printed from a digital negative onto Arches hot-pressed watercolor paper. Original photo made with a Nikon FM3A on Ilford HP5+ film.
Visiting Liverpool in Oct. 2008. The outside of the Anglican Cathedral. A very massive building.
Gumprint, paper Fabriano Artistico HP 300 gr.
1. Prussian blue
2. Alizarin Crimson
3. Gamboge Gum modern
4. Phthalo blue
3-color gum bichromate print. Cerulean blue, hansa yellow deep, and quinacridone rose on Fabriano Artistico HP. From a 35mm color negative. Print size is 6 x 7.5 in.
Handmade platinum/palladium-toned Kallitype print (5.5" x 6.5"). Original photo made with a Graflex Crown Graphic 4x5 camera on Ilford HP5+ film and developed in Kodak HC-100 at 63:1 dilution.
I attended a course in Bromoil in Middelburg last weekend (with Kees Brandenburg). For me a difficult technique. This one was done on Kentmere Art Document which is not available anymore but a fine paper (we used the last sheets).
Of the mason's who built them, we can say that they both designed as they drew, and drew as they designed. But their designing, like their drawing, was a process of work, not a project of the mind.
Tim Ingold 'Making'
Handmade platinum/palladium-toned Kallitype print (5.5" x 6.5"). Original photo made with a Graflex Crown Graphic 4x5 camera on Ilford film and developed in Kodak HC-100 at 63:1 dilution.
Platinum/Palladium-toned Kallitype (4x4 image on 5x7" Hahnemuhle Platinum Rag paper) printed from a digital negative. Original photo made with a Nikon FM3A on Agfa film, developed in Kodak HC-110.
Believe me, 36 bridges.
Gumprint, Gomdruk,
Paper Fabriano Artistico HP 300 gr.
6 layers:
1: Paris blue
2: Gamboge gum modern
3: Madder lake dark
4: Cadmium yellow
5: Purple Magenta
6: Phthalo blue
The latest issue of Kestrel, a literary journal published out of Fairmont State University: www.fairmontstate.edu/kestrel/.
I made this plate back in the Fall of 2011.