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In Sovjet times this church was a radio factory. Now again a church.
Gum bichromate, 6 layers, size A4.
Hand-coated Canson Montzval watercolor paper exposed to sunlight for approximately eight minutes using a digital internegative. Original photo made on Ilford Delta P3200 film using a Leica M2 and Zeiss Sonnar 50mm f/1.5.
The uncanny/uneasy sense of welcome.
Life forms are irreducibly uncanny, is as much that the more we know about them the stranger they become.
Tuning.
Timothy Morton.
Be not inhospitable to strangers, lest they be angels in disguise.
Lovers at The Gun Club.
Jackie Leven.
Platinum/Palladium-toned Kallitype contact-printed on Hahnemuhle Platinum Rag paper (5x7") using a digital negative. Original photo made with a Nikon FM3A on Ilford HP5+ film, developed in Kodak HC-110 (63:1 dilution).
Platinum-toned Van Dyke print on hand-coated Arches Aquarelle watercolor paper (5 x 7 inches), contact-printed using a digital internegative made with Adobe Photoshop, and printed on Pictorico Ultra Premium OHP transparency film using an Epson P600 printer. Original photo made with a Fuji X-T1 and post-processed with Adobe Lightroom.
Gomdruk. maat A4.
Gebruikte pigmenten: Parijs blauw, gummigut, krapprood, magenta en phthalo blauw in 6 lagen.
Papier is Fabriano Artistico HP 300 gr.
And see: www.gomdruk.eu
Please see the coloured version :
www.flickr.com/photos/jonespointfilm/285967664/
Original picture made :
Home made 6x7 pinhole camera
- 41 mm focus
- 0.25 mm Lenox pinhole
- f164
- Pol. 600se camera back spacer no.2
- Mamiya 6x7 rollfilm back
- Arriflex 3x4 matte box
- Tiffen Red and ND3 Grad. filters
Film :
- Ilford Pan 50 neg.
Expo :
- 2 min.
Dev. :
- Forte Negafort (1:5) 4min. 20C
Post work :
- Epson RX425 scanner (3200 dpi)
- PS (invert, crop, level, frame)
Gomdruk, gumprint "gum bichromate print"
Paper Canson Montval 300 gr.
Layers:
1: Parijs blauw
2: Gummigut modern
3: Kraprood
4: Kadmium geel
5: Permanent karmijn
6: Phthalo blauw
Want to see what I've been up to lately?
Cyanotypes, also called sun prints, are one of the oldest photographic printing processes dating back to 1842. Sir John Herschel developed this first silver less photographic process using only 2 chemicals and the sun as a light source. These sun prints are decidedly low tech as the final image of a cyanotype appears only with the aid of sunlight as a light source and water for a developer. This inexpensive, simple and permanent process was used for the blue print process for copying architectural plans, hence the name
“Blue print.” The very first book of printed text and photographs by Anna Atkin used the Cyanotype process.
Platinum/palladium-toned Kallitype test print, 5.5" x 8.5", on Hahnemuhle Platinum Rag paper. In this series of test prints I'm trying to perfect my digitial negatives before I start to make large prints.
Gumprint, Gomdruk,
Paper Fabriano Artistico HP 300 gr.
6 layers:
1: Paris blue
2: Gamboge gum modern
3: Madder lake dark
4: Cadmium yellow
5: Purple Magenta
6: Phthalo blue
Gumprint, gomdruk.
Papier: Fabriano Artistico HP.
Maat: A4
Pigmenten:
Parijs blauw
Gummigut
Kraprood
Gummigut
Magenta
Phthalo blauw
Hand coated Canson Montzval paper contact printed for approximately eight minutes using sunlight and a digital inter-negative.
Lost in time, the small town flanks the castle, which in its day was considered Castelo Branco, a city of charms.
Chamonix 810V
Rodenstock Apo-Sironar S 240mm f/5.6
Ilford FP4+ 10x8 EI 64
N-development placing shadows at ZIII
2x 54” f/32, first with Nettles, second without
480mm bellows
Front and rear tilt forward
Pyrocat HD 2:2:100 in Stearman Press SP810, intermittent agitation
8’53” 21ºC
Acetic Acid Stop, TF2 Fix, Hypoclear, 10min wash, Ilfotol
Home-mixed 10% Classic Cyanotype, 31+31 drops + 1 of Tween 20 mix
Hahnemuehle Platinum Rag 11x15, 51% RH, 23ºC
Paper dried 3hrs40mins
42mins UV exposure, 2mins citric acid bath then 6mins tap water wash, dry
Hot Marjoram Tea toned, 10mins
File now updated to reflect further drying after a few weeks: happily contrast has improved further.
Chime Lhakhang Monastery, Punakha, Bhutan; Platinum/Palladium-toned Kallitype print (8x10"); original photo made with a Fuji X-E1
Van Dyke contact-printed from a digital negative onto Arches hot-pressed watercolor paper. Original photo made with a Nikon FM3A on Agfa APX 100 film and post-processed with Adobe Lightroom CC.
In the St. Jacob in Santiago de Compostella.
Paper Fabriano Artistico HP 300 gr.
size: 39X26,5 cm.
Pigments:
1: Paris blue
2: Gamboge gum
3: Madder red
4: Gamboge gum
5: Alizarin Crimson
6: Phthalo blue