View allAll Photos Tagged alternativeprocesses
Hand coated Canson Montzval paper contact printed for approximately eight minutes using sunlight and a digital inter-negative.
Gumprint, Gomdruk. Original Nikon D80.
Size 41X28 cm.
Paper Saunders Waterford 300 gr.
Pigments used:
Paris blue
Gamboge gum modern
Madder lake red
Gamboge gum new
Madder lake red deep
Phthalo blue
Gumprint, gomdruk.
Papier: Fabriano Artistico HP.
Maat: A4
Pigmenten:
Parijs blauw
Gummigut
Kraprood
Gummigut
Magenta
Phthalo blauw
Gomdruk 6 lagen
Gumprint, gumbichromate, 6 layers.
1 Paris blue
2 Gamboge gum
3 Madder lake dark
4 Gamboge gum
5 Madder lake light
6 Paris blue
Platinum/Palladium-toned Van Dyke print on hand-coated Arches Aquarelle watercolor paper (5 x 7 inches), contact-printed using a digital internegative made with Adobe Photoshop, and printed on Pictorico Ultra Premium OHP transparency film using an Epson P600 printer. Original photo made with a Leica M2 and Zeiss Sonnar 50mm f/1.5 lens on Agfa APX 400 film, developed in Kodak HC-110, scanned on a CanoScan FS2710, and post-processed with Adobe Lightroom.
Platinum/Palladium-toned Kallitype (4x4 image on 5x7" Hahnemuhle Platinum Rag paper) printed from a digital negative. Original photo made with a Nikon FM3A on Agfa film, developed in Kodak HC-110.
Handmade platinum/palladium-toned Kallitype print (5.5" x 6.5"). Original photo made with a Graflex Crown Graphic 4x5 camera on Ilford HP5+ film and developed in Kodak HC-100 at 63:1 dilution.
This is my first ever cyanotype. Looking forward to making more when the weather becomes nice again.
Platinum/Palladium-toned Kallitype print on Hahnemuhle Platinum Rag paper (5x7"). Original photo made with a Nikon FM3A on Agfa APX 100 film, developed in Kodak HC-110.
Castle in Bratislava, Slovakia
Gumprint, pigments:
1 Paris blue
2 Gummigut modern
3 Madder lake
4 Gummigut modern
5 Alizarin Crimson
6 Phthalo blue
Madeira, november 2008
Gumprint, 6 layers. Paper Fabriano Artistico HP 300gr.
1. Prussian blue
2. Gamboge gum modern
3. Alizarin
4. Lemmon yellow
5. Purple magenta
6.Paris blue
Was in a dark room recently with some Liguid Light and coloured card, did some experimenting, and this is what I achieved! Its a composite of two different coloured cards overlayed in Photoshop.
Another plate from my first field trip doing wet plate away from home. Once I felt good about exposure times, I tried some bigger plates. The problem, though, is that the morning got very hot very quickly, which I had not really prepared for. You can see on the top and the right hand side that the plate had started to dry before processing. Note for next time: bring a cooler and be sure to set up in the shade!
Gumprint.
What will different paper and the blue do, try 2.
1 Paris blue
2 Madder lake dark
3 Gummigut modern
Paper Fabriano Artistico HP 300 gr.
Size 17 X 24 cm.
I enhanced the clouds (PS) and asked PS to put in a sunset. It did.
This was my first attempt at a Vandyke brown print for my Alternative Processes course. The course has been slow going as I've flubbed my first two film tests. I will need to do a third and plot some graphs to determine how to develop negatives to best suite each process. In the meantime, I have made two digital negatives (!) using a curve that my instructor created for the Vandyke and Cyanotype processes. I have only been able to print one however. It was a good learning experience and I look forward to doing more---mostly because I don't have a choice and need 6 images in the end for the final portfolio! ;]
Check out my classmate Emily's first cyanotypes.
Gum bichromate, gumprint, gomdruk.
7 layers:
Size: 40X26 cm.
1 Phthalo blue, just very thin, to help further registration.
2 Gamboge gum
3 Madder red dark
4 Gamboge gum
5 Madder red dark
6 Prussian blue
7 Phthalo blue
Gumprint, Gomdruk.
Size 41X28 cm.
Paper Saunders Waterford 300 gr.
Pigments used:
Paris blue
Gamboge gum modern
Madder lake red
Gamboge gum new
Madder lake red deep
Phthalo blue
I found a 6*9 cm photo of my mother where she is 18. That was in 1926. She died in 1996, almost 88 years old. She is at home.
I scanned the photo and made via a digital negative this salted paper print. Must do a better negative because in the original is more detail. Paper is Fabriano Artistico 300g. Size is 25*16cm.
Gumprint, gomdruk
Paper: Canson Montval.
Pigments:
Paynes grey
Italian red earth
English red
Size: 41X26 cm
Paper Fabriano Artistico, HP.
Size 28X40 cm.
Pigments used:
1: Prussian blue
2: Gamboge gum
3: Madder lake red
4: Gamboge gum
5: Magenta
6: Phthalo blue
Gumprint, gomdruk.
Paper Saunders Waterford CP 300 gr.
Size 42X26cm
Pigments used:
1: Paris blue
2: Gamboge gum middle
3: Madder lake red
4: Gamboge gum new
5: Magenta
6: Phthalo blue
Of the mason's who built them, we can say that they both designed as they drew, and drew as they designed. But their designing, like their drawing, was a process of work, not a project of the mind.
Tim Ingold 'Making'
You are all invited, lots to see from Kate Mocak and me. Not only gumprints but also carbon and gumoil.