View allAll Photos Tagged alternativeprocesses
Platinum-toned Kallitype on hand-coated Arches Aquarelle watercolor paper (5 x 7 inches), contact-printed using a digital internegative made with Adobe Photoshop, and printed on Pictorico Ultra Premium OHP transparency film using an Epson P600 printer. Original photo made with a Nikon F100 on Kodak Tri-X film and post-processed with Adobe Lightroom
Wet plate collodion image. Quarter-plate trophy aluminum.
I'm still getting the hang of this process, but I'm pleased to be getting some results.
Paper Fabriano Artistico, HP.
Size 28X40 cm.
Pigments used:
1: Prussian blue
2: Gamboge gum
3: Madder lake red
4: Gamboge gum
5: Magenta
6: Phthalo blue
Owl
Gomdruk. Gumprint.
Paper Fabriano Artistico HP 300 gr.
Layer 1: Paris blue
Layer 2: Gamboge gum modern
Layer 3: Madder red dark
Layer 4: Phthalo blue
The result after drying to touch (dry-down is in fact about 1 stop, it seems), again with black- and white-points set using curves to emphasise the zonal contrast.
Zones 1-3 are all zone 1, zone 4 is on zone 2 (though with full texture), zone 5 is now zone 3, zone 6 is zone 5, zones 7 - 10 are all where they should be.
So this does suggest a stop more of film-speed would be advisable for more detail in shadows for this process; N development time now set.
More generally this also indicates the tonal change one can expect as prints dry with this process.
This second contact print was made from 6x7 FP4+ 125, Pyrocat HD 2:2:100, 22ºC, 8'05", 10secs manual agitation per minute.
Exposure was 6'15", full sun with cloud, 5/7/2020, 12:30pm
23.5ºC, RH 52%, paper dried for 1hr20mins, no prehumidification.
dwfnaturephoto.wordpress.com/2020/07/05/fp4-film-speed-an...
Gumprint, gomdruk.
Paper Saunders Waterford CP 300 gr.
Size 42X26cm
Pigments used:
1: Paris blue
2: Gamboge gum middle
3: Madder lake red
4: Gamboge gum new
5: Magenta
6: Phthalo blue
Paper Fabriano Artistico, HP.
Size 28X40 cm.
Pigments used:
1: Prussian blue
2: Gamboge gum
3: Madder lake red
4: Gamboge gum
5: Magenta
6: Phthalo blue
Madeira, november 2008
Gumprint, 6 layers. Paper Fabriano Artistico HP 300gr.
1. Prussian blue
2. Gamboge gum modern
3. Alizarin
4. Lemmon yellow
5. Purple magenta
6.Paris blue
From my first session making plates this year. Just a table-top set-up in my backyard to make sure my chemistry was working. The real plan is to try this a bit further from home.
Quarter plate black trophy aluminum.
Today, I made some photograms in the darkroom. This one was a seven second exposure, using a glass jar full of folded pieces of paper, and some string. It's a really interesting techniques and creates x-ray style images.
A really nice holiday in the north of Spain in September 2010.
Gomdruk, gumprint.
Paper Fabriano Artistico 300 gr.
Size: 40X26,5cm.
Pigments:
Layer 1: Paris blue
Layer 2: Gamboge gum
Layer 3: Madder red dark
Layer 4: Gamboge gum
Layer 5: Alizarin Crimson
Layer 6: Phthalo blue
Results from my first "field trip" with my wet plate gear. I packed the car for a 90-second drive down to the bridge by my house.
Star Camera Company Anthony-style camera with a Darlot pillbox lens. Quarter-plate black trophy aluminum.
A Kodachromed rollercoaster in Silverwood, Idaho. I guess if the world is ending, you might as well go for one last ride.
Cross-processed kodachrome (HC110 B&W chemistry). Cross-processing leaves an odd powdery residue on the film, which is what gives it such an odd look, plus the almost cyanotype feel.
Platinum/Palladium-toned Kallitype on hand-coated Hahnemuhle Platinum Rag paper (5 x 7 inches), contact-printed using a digital internegative made with Adobe Photoshop, and printed on Pictorico Ultra Premium OHP transparency film using an Epson P600 printer. Original photo made with a Fuji X-T1 and a Fujinon XF16mm f/1.4 lens, post-processed using Adobe Lightroom.
Gomdruk. maat A4.
Gebruikte pigmenten: Parijs blauw, gummigut, krapprood, magenta en phthalo blauw in 6 lagen.
Papier is Fabriano Artistico HP 300 gr.
And see: www.gomdruk.eu
Transaquatype. Canon ChromaLife100 ink, on Xerox Premium Mulitpurpose Paper, 96 Bright, 24lb.
Original image click here.
Handmade platinum/palladium-toned Kallitype print (5.5" x 6.5"). Original photo made with a Graflex Crown Graphic 4x5 camera on Ilford film and developed in Kodak HC-100 at 63:1 dilution.
My second platinum-toned Kallitype. Printed on hand-coated watercolor paper from a digital negative. Original photo made with a Nikon FM3A and Nikkor 24mm f/2.8 AI-S on Ilford Delta 3200 @ ISO 1600.
Kallitype contact print (hand-coated photo-sensitive emulsion).
While walking around the `Iolani Palace grounds near Halekoa (the Palace Barracks), an inquisitive Manu-o-Kū (Fairy Tern) hovered in front of me for a moment.
I managed to photograph it as it carefully examined me.
Ghost Ship got Second Prize in Photography at the Evening reception Award of 2013 Biennale National Juried Show in Hilton Head Island, SC
All my thanks to Judge Paul Matheny III, curator of SC Museum, who appreciates alternative processes and most particularly Van Dyke
My website and blog
Black and white mountain
Gomdruk, 6 lagen, maat 24X16,
Papier Canson Montval 300gr.
Laag 1: Parijs blauw
Laag 2: Gummigut modern
Laag 3: Krapprood
Laag 4: Kadmium geel
Laag 5: Permanent Karmijn
Laag 6: Phthalo blauw
Solutions for Contrast Control, Preservative and Clearing bath for Carbon Printing.
The Ammonium Dichromate solutions are mixed at a 1:2 ratio with Acetone (or Isopropyl Alcohol) for Spirit Sensitising of the Carbon Tissues. The higher the concentration of the Ammonium Dichromate the lower the contrast.
The Sodium Bisulphitie is diluted in distilled water as a 3% solution as a clearing bath for the single transfer Carbon Print after the development stage and drying.
The 2% Thymol solution can be added to the glop to preserve it's keeping properties and to prevent mould growth within the glop during storage.
Gumprint, gomdruk.
Papier: Fabriano Artistico HP.
Maat: A4
Pigmenten:
Parijs blauw
Gummigut
Kraprood
Gummigut
Magenta
Phthalo blauw
See also www.gomdruk.eu