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Handmade platinum/palladium-toned Kallitype print (5.5" x 6.5"). Original photo made with a Graflex Crown Graphic 4x5 camera on Ilford film and developed in Kodak HC-100 at 63:1 dilution.
The latest issue of Kestrel, a literary journal published out of Fairmont State University: www.fairmontstate.edu/kestrel/.
I made this plate back in the Fall of 2011.
Kraslava in Latvia, 2005. We like wooden houses because all off them in Holland were burnt (by the French).
Phthaloblue
Krapprot tief
Gummigut modern
Paris blue
Krapprot light
Gumprint 5 layers, paper is Saunders Waterford 300 gr.
camera Nikon F70
Cyanotype contact-printed from a digital negative onto Arches hot-pressed watercolor paper. Original photo made with a Nikon FM3A on Ilford HP5+ film.
I participated in the 33rd Foreign Artists Exhibition in Nagoya from 30th October until 4th November. This year I exhibited prints from four 19th century processes: calotype, cyanotype, kallitype and Van Dyke Brown. This is one of the calotype (salt) prints.
Palladium toned Kallitype on Arches Platine. Looking south. Illumination by full moon. 15 minute exposure on Fuji Acros 100 rotary processed in Pyrocat-P 8.5 minutes 1:1:100.
Of the mason's who built them, we can say that they both designed as they drew, and drew as they designed. But their designing, like their drawing, was a process of work, not a project of the mind.
Tim Ingold 'Making'
Platinum-toned Van Dyke print on hand-coated Arches Aquarelle watercolor paper (5 x 7 inches), contact-printed using a digital internegative made with Adobe Photoshop, and printed on Pictorico Ultra Premium OHP transparency film using an Epson P600 printer. Original photo made with a Fuji X-T1 and post-processed with Adobe Lightroom.
The uncanny/uneasy sense of welcome.
Life forms are irreducibly uncanny, is as much that the more we know about them the stranger they become.
Tuning.
Timothy Morton.
Be not inhospitable to strangers, lest they be angels in disguise.
Lovers at The Gun Club.
Jackie Leven.
Gumprint, Gomdruk,
Paper Fabriano Artistico HP 300 gr.
6 layers:
1: Paris blue
2: Gamboge gum modern
3: Madder lake dark
4: Cadmium yellow
5: Purple Magenta
6: Phthalo blue
Platinum/Palladium-toned Kallitype print (8x10") on Hahnemuhle Platinum Rag paper. Original photo made with a Nikon FM3A on Agfa APX 400 film shot at ISO 800.
Always nice to see that a country knows how to name places. Forget Paris.
Gomdruk, gumprint, 6 layers:
1: Paris blue
2: Gamboge gum
3: Madder lake dark
4: Cadmium yellow
5: Permanent Carmine
6: Phthalo blue
Size: 24 X 15 cm.
Kaunas, 2005, Lithuania.
Phthaloblue
Krapprot tief
Gummigut modern
Paris blue
Krapprot light
Gumprint 5 layers, paper is Saunders Waterford 300 gr.
Camera Nikon F70.
Chime Lhakhang Monastery, Punakha, Bhutan; Platinum/Palladium-toned Kallitype print (8x10"); original photo made with a Fuji X-E1
Platinum/Palladium-toned Kallitype contact-printed on Hahnemuhle Platinum Rag paper (5x7") using a digital negative. Original photo made with a Nikon FM3A on Ilford HP5+ film, developed in Kodak HC-110 (63:1 dilution).
Platinum-toned Kallitype on hand-coated Arches Aquarelle watercolor paper (5 x 7 inches), contact-printed using a digital internegative made with Adobe Photoshop, and printed on Pictorico Ultra Premium OHP transparency film using an Epson P600 printer. Original photo made with a Nikon F100 on Kodak Tri-X film and post-processed with Adobe Lightroom
In the St. Jacob in Santiago de Compostella.
Paper Fabriano Artistico HP 300 gr.
size: 39X26,5 cm.
Pigments:
1: Paris blue
2: Gamboge gum
3: Madder red
4: Gamboge gum
5: Alizarin Crimson
6: Phthalo blue
Kallitype version of this picture slightly re-framed. I used a neutral density filter combined with a dark red filter on my ERTSi and made multiple exposures amounting to about a half minute.
Palladium toned kallitype on Arches Platine., Sonoma County. California. Original image on FP4+ rotary processed in Pyrocat-P 1+1+100 for 15 minutes at 23 degrees C.
You can see a print of this picture at the Tilt Gallery, in Phoenix, Arizona, from August 15 until September 19, 2008. It will be a part of the second annual Photography Re-imagined exhibition juried by Christopher James.
Wet plate collodion image. Quarter-plate trophy aluminum.
I'm still getting the hang of this process, but I'm pleased to be getting some results.
Please see the coloured version :
www.flickr.com/photos/jonespointfilm/285967664/
Original picture made :
Home made 6x7 pinhole camera
- 41 mm focus
- 0.25 mm Lenox pinhole
- f164
- Pol. 600se camera back spacer no.2
- Mamiya 6x7 rollfilm back
- Arriflex 3x4 matte box
- Tiffen Red and ND3 Grad. filters
Film :
- Ilford Pan 50 neg.
Expo :
- 2 min.
Dev. :
- Forte Negafort (1:5) 4min. 20C
Post work :
- Epson RX425 scanner (3200 dpi)
- PS (invert, crop, level, frame)
In Sovjet times this church was a radio factory. Now again a church.
Gum bichromate, 6 layers, size A4.
Hand-coated Canson Montzval watercolor paper exposed to sunlight for approximately eight minutes using a digital internegative. Original photo made with a Leica M2 on Ilford HP5+ film.
Wet plate collodion image. Quarter-plate trophy aluminum.
I'm still getting the hang of this process, but I'm pleased to be getting some results.
Gomdruk. maat A4.
Gebruikte pigmenten: Parijs blauw, gummigut, krapprood, magenta en phthalo blauw in 6 lagen.
Papier is Fabriano Artistico HP 300 gr.
And see: www.gomdruk.eu