View allAll Photos Tagged alternativeprocesses
Van Dyke brown print of lens photograph (Mamiya C220, cropped). Digital transparency negative. Image is about 5" x 7".
Platinum-toned Kallitype on hand-coated Arches Aquarelle watercolor paper (5 x 7 inches), contact-printed using a digital internegative made with Adobe Photoshop, and printed on Pictorico Ultra Premium OHP transparency film using an Epson P600 printer. Original photo made with a Leica M2 and a Zeiss Sonnar 50mm lens on Agfa APX 400 film, developed in Kodak HC-110, scanned on a CanoScan FS2710, and post-processed with Adobe Lightroom.
Experiments in transaquatype.
Original pinhole image here.
Do an inkjet print on cheap paper, wet the frontside of the sheet, and see the ink coming tru the paper to the backside of the sheet.
Canon ChromaLife100 ink, on Xerox Premium Mulitpurpose Paper, 96 Bright, 24lb.
Transaquatype. I scanned this one wet. I inserted the wet print in an envelope of mylar before placing it on the scanner.
The original pinhole image is here.
Canon ChromaLife100 ink, on Xerox Premium Mulitpurpose Paper, 96 Bright, 24lb.
(Taking a break from photography for awhile while packing to move; meanwhile, going back through old stuff.)
I attended an Alternative Processes workshop earlier this year, hosted and taught by a local photographer friend. We created both cyanotypes and Vandyke Brown images; this is one of my first attempts at cyanotypes. Eventually I'll be exploring alt processes further----I'm really looking forward to it. :)
Cyanotype toned with coffee, 8"x8"
created from an 8x8 negative of
an image taken with a Holga 120CFN.
Gomdruk, gumprint.
Paper Fabriano Artistico
Size 28X40cm.
Pigments used:
1-Prussian blue
2-Gamboge gum
3-Madder lake
4-Gamboge gum
5-Magenta
6-Phthalo blue — bij Kutna Hora, Czech Republic.
Cyanotype contact-printed from a digital negative onto Arches hot-pressed watercolor paper. Original photo made with a Nikon FM3A on Ilford Delta 3200 @ ISO 1600.
Gomdruk, Gum bichromate. Gumprint.
Papier Fabriano Artistico HP 300 gr.
Maat 38X26 cm..
Pigmenten:
1: Parijs blauw
2: Gummigut
3: Kraprood
4: Gummigut
5: Kraprood
6: Phthalo blauw
Ratio: 1 t/m 3: 1:1,5
4 t/m 6: 1:1
tijden: 1 t/m 3: 1'
4 t/m 6: 1'30"
Gomdruk, gumprint, gum bichromate.
Paper Fabriano Artistico HP 300 gr.
Size: 37,5 X 25,5 cm.
Pigments:
1: Parijs blauw
2: Gummigut
3: Kraprood
4: Gummigut
5: Kraprood
6: Parijs blauw.
Lissen: Yellow Iris.
Gomdruk. Gumprint.
Paper Fabriano Artistico HP 300 gr.
Layer 1: Paris blue
Layer 2: Gamboge gum modern
Layer 3: Madder red dark
Layer 4: Phthalo blue
Gomdruk, gumprint
Paper Saunders Waterford CP 300 gr.
Size 42X26cm
Pigments used:
1: Paris blue
2: Gamboge gum middle
3: Madder lake red
4: Gamboge gum new
5: Magenta
6: Phthalo blue
Handmade platinum/palladium-toned Kallitype print (5.5" x 6.5"). Original photo made with a Graflex Crown Graphic 4x5 camera on Ilford film and developed in Kodak HC-100 at 63:1 dilution.
More on www.gomdruk.eu
Paper Fabriano Artistico,
layers:
1 paris blue
2 gamboge gum
3 madder red
4 lemon yellow
5 magenta
6 phathalo blue
Size A4
Platinum-toned Kallitype on hand-coated Arches Aquarelle watercolor paper (5 x 7 inches), contact-printed using a digital internegative made with Adobe Photoshop, and printed on Pictorico Ultra Premium OHP transparency film using an Epson P600 printer. Original photo made with a Nikon F100 on Kodak Tri-X film and post-processed with Adobe Lightroom
Wet plate collodion image. Quarter-plate trophy aluminum.
I'm still getting the hang of this process, but I'm pleased to be getting some results.
Paper Fabriano Artistico, HP.
Size 28X40 cm.
Pigments used:
1: Prussian blue
2: Gamboge gum
3: Madder lake red
4: Gamboge gum
5: Magenta
6: Phthalo blue
Owl
Gomdruk. Gumprint.
Paper Fabriano Artistico HP 300 gr.
Layer 1: Paris blue
Layer 2: Gamboge gum modern
Layer 3: Madder red dark
Layer 4: Phthalo blue
The result after drying to touch (dry-down is in fact about 1 stop, it seems), again with black- and white-points set using curves to emphasise the zonal contrast.
Zones 1-3 are all zone 1, zone 4 is on zone 2 (though with full texture), zone 5 is now zone 3, zone 6 is zone 5, zones 7 - 10 are all where they should be.
So this does suggest a stop more of film-speed would be advisable for more detail in shadows for this process; N development time now set.
More generally this also indicates the tonal change one can expect as prints dry with this process.
This second contact print was made from 6x7 FP4+ 125, Pyrocat HD 2:2:100, 22ºC, 8'05", 10secs manual agitation per minute.
Exposure was 6'15", full sun with cloud, 5/7/2020, 12:30pm
23.5ºC, RH 52%, paper dried for 1hr20mins, no prehumidification.
dwfnaturephoto.wordpress.com/2020/07/05/fp4-film-speed-an...
Gumprint, gomdruk.
Paper Saunders Waterford CP 300 gr.
Size 42X26cm
Pigments used:
1: Paris blue
2: Gamboge gum middle
3: Madder lake red
4: Gamboge gum new
5: Magenta
6: Phthalo blue
Paper Fabriano Artistico, HP.
Size 28X40 cm.
Pigments used:
1: Prussian blue
2: Gamboge gum
3: Madder lake red
4: Gamboge gum
5: Magenta
6: Phthalo blue