View allAll Photos Tagged alien
Kenner 1993...
Another of the " fantasy " Alien designs by Kenner. He is my favorite. The transparent green with silver highlights is just cool !
An out take from the 52 week project for which this weeks theme was Up close / Macro..
I really like how alien this looks.
Alien She
Photos and Video by Mario Gallucci
Alien She
Sep 3, 2015 â Jan 9, 2016
Alien She, curated by Astria Suparak + Ceci Moss, is the first exhibition to examine the lasting impact of Riot Grrrl on artists and cultural producers working today. A pioneering punk feminist movement that emerged in the early 1990s, Riot Grrrl has had a pivotal influence, inspiring many around the world to pursue socially and politically progressive careers as artists, activists, authors and educators. Emphasizing female and youth empowerment, collaborative organization, creative resistance and DIY ethics, Riot Grrrl helped a new generation to become active feminists and create their own culture and communities that reflect their values and experiences, in contrast to mainstream conventions and expectations.
Riot Grrrl formed in reaction to pervasive and violent sexism, racism and homophobia in the punk music scene and in the culture at large. Its participants adapted strategies from earlier queer and punk feminisms and â70s radical politics, while also popularizing discussions of identity politics occurring within academia, but in a language that spoke to a younger generation. This self-organized network made up of teenagers and twenty-somethings reached one another through various platforms, such as letters, zines, local meetings, regional conferences, homemade videos, and later, chat rooms, listservs and message boards. The movement eventually spread worldwide, with chapters opening in at least thirty-two states and twenty-six countries.* Its ethos and aesthetics have survived well past its initial period in the â90s, with many new chapters forming in recent years. Riot Grrrlâs influence on contemporary global culture is increasingly evident â from the Russian collective Pussy Riotâs protest against corrupt government-church relations to the popular teen website Rookie and the launch of Girls Rock Camps and Ladyfest music and art festivals around the world.
Alien
Alien She
Photos and Video by Mario Gallucci
Alien She
Sep 3, 2015 – Jan 9, 2016
Alien She, curated by Astria Suparak + Ceci Moss, is the first exhibition to examine the lasting impact of Riot Grrrl on artists and cultural producers working today. A pioneering punk feminist movement that emerged in the early 1990s, Riot Grrrl has had a pivotal influence, inspiring many around the world to pursue socially and politically progressive careers as artists, activists, authors and educators. Emphasizing female and youth empowerment, collaborative organization, creative resistance and DIY ethics, Riot Grrrl helped a new generation to become active feminists and create their own culture and communities that reflect their values and experiences, in contrast to mainstream conventions and expectations.
Riot Grrrl formed in reaction to pervasive and violent sexism, racism and homophobia in the punk music scene and in the culture at large. Its participants adapted strategies from earlier queer and punk feminisms and ‘70s radical politics, while also popularizing discussions of identity politics occurring within academia, but in a language that spoke to a younger generation. This self-organized network made up of teenagers and twenty-somethings reached one another through various platforms, such as letters, zines, local meetings, regional conferences, homemade videos, and later, chat rooms, listservs and message boards. The movement eventually spread worldwide, with chapters opening in at least thirty-two states and twenty-six countries.* Its ethos and aesthetics have survived well past its initial period in the ‘90s, with many new chapters forming in recent years. Riot Grrrl’s influence on contemporary global culture is increasingly evident – from the Russian collective Pussy Riot’s protest against corrupt government-church relations to the popular teen website Rookie and the launch of Girls Rock Camps and Ladyfest music and art festivals around the world.
Alien She focuses on seven people whose visual art practices were informed by their contact with Riot Grrrl. Many of them work in multiple disciplines, such as sculpture, installation, video, documentary film, photography, drawing, printmaking, new media, social practice, curation, music, writing and performance – a reflection of the movement’s artistic diversity and mutability. Each artist is represented by several projects from the last 20 years, including new and rarely seen works, providing an insight into the development of their creative practices and individual trajectories.
Artists: Ginger Brooks Takahashi (Pittsburgh), Tammy Rae Carland (Oakland), Miranda July (Los Angeles), Faythe Levine (Milwaukee), Allyson Mitchell (Toronto), L.J. Roberts (Brooklyn), Stephanie Syjuco (San Francisco) and more.
Archival Materials from: dumba collective; EMP Museum, Seattle; Interference Archive; Jabberjaw; the Riot Grrrl Collection at the Fales Library & Special Collections, NYU; and many personal collections.
Collaborative Projects and Platforms include: Counterfeit Crochet Project, Feminist Art Gallery (FAG), General Sisters, Handmade Nation, Joanie 4 Jackie, Learning to Love You More, LTTR, projet MOBILIVRE-BOOKMOBILE project, Sign Painters and more
Women’s Studies Professors Have Class Privilege / I’m With Problematic, from the series Creep Lez, Allyson Mitchell, 2012.
Altered t-shirts with iron-on transfer and vinyl letters. Courtesy of the artist and Katharine Mulherin Gallery, Toronto.
Alien She is curated by Astria Suparak and Ceci Moss, and organized by the Miller Gallery at Carnegie Mellon University, Pittsburgh
Alien She is presented in two parts:
Museum of Contemporary Craft
724 NW Davis
Portland, OR 97209
511 Gallery @ PNCA
511 NW Broadway
Portland, OR 97209
Both venues are open Tuesday through Saturday from 11am to 6pm.
Alien She
Photos and Video by Mario Gallucci
Alien She
Sep 3, 2015 – Jan 9, 2016
Alien She, curated by Astria Suparak + Ceci Moss, is the first exhibition to examine the lasting impact of Riot Grrrl on artists and cultural producers working today. A pioneering punk feminist movement that emerged in the early 1990s, Riot Grrrl has had a pivotal influence, inspiring many around the world to pursue socially and politically progressive careers as artists, activists, authors and educators. Emphasizing female and youth empowerment, collaborative organization, creative resistance and DIY ethics, Riot Grrrl helped a new generation to become active feminists and create their own culture and communities that reflect their values and experiences, in contrast to mainstream conventions and expectations.
Riot Grrrl formed in reaction to pervasive and violent sexism, racism and homophobia in the punk music scene and in the culture at large. Its participants adapted strategies from earlier queer and punk feminisms and ‘70s radical politics, while also popularizing discussions of identity politics occurring within academia, but in a language that spoke to a younger generation. This self-organized network made up of teenagers and twenty-somethings reached one another through various platforms, such as letters, zines, local meetings, regional conferences, homemade videos, and later, chat rooms, listservs and message boards. The movement eventually spread worldwide, with chapters opening in at least thirty-two states and twenty-six countries.* Its ethos and aesthetics have survived well past its initial period in the ‘90s, with many new chapters forming in recent years. Riot Grrrl’s influence on contemporary global culture is increasingly evident – from the Russian collective Pussy Riot’s protest against corrupt government-church relations to the popular teen website Rookie and the launch of Girls Rock Camps and Ladyfest music and art festivals around the world.
Alien She focuses on seven people whose visual art practices were informed by their contact with Riot Grrrl. Many of them work in multiple disciplines, such as sculpture, installation, video, documentary film, photography, drawing, printmaking, new media, social practice, curation, music, writing and performance – a reflection of the movement’s artistic diversity and mutability. Each artist is represented by several projects from the last 20 years, including new and rarely seen works, providing an insight into the development of their creative practices and individual trajectories.
Artists: Ginger Brooks Takahashi (Pittsburgh), Tammy Rae Carland (Oakland), Miranda July (Los Angeles), Faythe Levine (Milwaukee), Allyson Mitchell (Toronto), L.J. Roberts (Brooklyn), Stephanie Syjuco (San Francisco) and more.
Archival Materials from: dumba collective; EMP Museum, Seattle; Interference Archive; Jabberjaw; the Riot Grrrl Collection at the Fales Library & Special Collections, NYU; and many personal collections.
Collaborative Projects and Platforms include: Counterfeit Crochet Project, Feminist Art Gallery (FAG), General Sisters, Handmade Nation, Joanie 4 Jackie, Learning to Love You More, LTTR, projet MOBILIVRE-BOOKMOBILE project, Sign Painters and more
Women’s Studies Professors Have Class Privilege / I’m With Problematic, from the series Creep Lez, Allyson Mitchell, 2012.
Altered t-shirts with iron-on transfer and vinyl letters. Courtesy of the artist and Katharine Mulherin Gallery, Toronto.
Alien She is curated by Astria Suparak and Ceci Moss, and organized by the Miller Gallery at Carnegie Mellon University, Pittsburgh
Alien She is presented in two parts:
Museum of Contemporary Craft
724 NW Davis
Portland, OR 97209
511 Gallery @ PNCA
511 NW Broadway
Portland, OR 97209
Both venues are open Tuesday through Saturday from 11am to 6pm.
Head bite!
Featured on Life In Plastic: nerditis.com/2014/05/14/life-in-plastic-toy-review-the-al...
The nonfiction section of the library is divided by subject and is cataloged using the Dewey Decimal System.
000 GENERALITIES
000 Computers, Loch Ness, Bigfoot, UFOs, Aliens
020 Libraries
030 Encyclopedias & World Record Books
060 Museums
070 Newspapers
100 PHILOSOPHY
130 Ghosts, Witches & the Supernatural
150 Optical Illusions, Feelings
170 Emotions, Values, Animal Rights
200 RELIGION
220 Bible Stories
290 Mythology, World Religions
300 SOCIAL SCIENCES
300 Social Issues - immigration, racism, World Cultures
310 Almanacs
320 Government
330 Money, Working
340 Court System, Famous Trials
350 Armed Forces – Army, Navy, Air Force, etc.
360 Drugs, Environmental Issues, Titanic, Police, Firefighters
370 Schools
380 Transportation,
390 Holidays, Folktales, Fairy Tales
400 LANGUAGES
410 Sign Language
420 Dictionaries, Grammar
430 German Language
440 French Language
450 Italian Language
460 Spanish Language
490 Hieroglyphics, Japanese Language
500 SCIENCE AND MATH
500 Science Experiments, Science Sets,
510 Mathematics
520 Stars, planets, astronomy, space
530 Physical Science - force & motion, electricity,
magnetism, light
540 Chemistry, Atoms & Molecules, Rocks and Minerals
550 Volcanoes, Earthquakes, Weather, Hurricanes, Tornadoes
560 Dinosaurs, Prehistoric Animals, Fossils
570 Forests, Rain Forests, Deserts, Mountains, Oceans, Evolution
580 Plants, Flowers & Trees
590 Animals & Insects
592 Worms, Invertebrates
593 Corals, Sea Invertebrates
594 Seashells, Snails, Octopus
595 Insects, Spiders
597 Fish, Frogs, Toads, Reptiles, Amphibians, Snakes
598 Birds
599 Mammals of the Land and Ocean, Whales
600 PEOPLE USING SCIENCE and TECHNOLOGY
600 Inventions
610 Human body, Health
620 Rockets, Trains, Cars, Trucks
630 Farming, Farm Animals, Cats, Dogs, Pets, Horses
640 Cookbooks, Sewing
650 Secret Codes
660 How Food is made
670 Paper Making
680 Woodworking
690 Building
700 ARTS and RECREATION
710 Art Appreciation, History of Art
720 Houses, Buildings
730 Origami, Paper Crafts
740 Drawing, Crafts,
750 Painting
760 Printing
770 Photography
780 Music
790 Sports, Games, Magic, I Spy, Camping, Fishing, Racing, Hunting
800 LITERATURE
810 Poetry, Plays, Jokes & Riddles
820 Shakespeare
860 Poetry in Spanish
890 Japanese Poetry, Haiku
900 GEOGRAPHY AND HISTORY
910 Explorers, Atlases
920 Flags, People (Biography)
930 Archeology, Ancient Civilizations
940 Knights, Castles, World War I & II, European Countries
950 Asian & Middle Eastern Countries
960 African Countries
970 North & Central American Countries, Native American Tribes, American History, States
980 South American Countries
990 Pacific Islands, Australia, Hawaii, Arctic, Antarctica
Atention:This new versions of my "Alien's Landscapes" have the contribuition of my Flickr's friends Cutangos (Pepe)! He criated the vehicles that I put in the pictures!!!
Thanks Cutangos!!!
Alien She
Photos and Video by Mario Gallucci
Alien She
Sep 3, 2015 – Jan 9, 2016
Alien She, curated by Astria Suparak + Ceci Moss, is the first exhibition to examine the lasting impact of Riot Grrrl on artists and cultural producers working today. A pioneering punk feminist movement that emerged in the early 1990s, Riot Grrrl has had a pivotal influence, inspiring many around the world to pursue socially and politically progressive careers as artists, activists, authors and educators. Emphasizing female and youth empowerment, collaborative organization, creative resistance and DIY ethics, Riot Grrrl helped a new generation to become active feminists and create their own culture and communities that reflect their values and experiences, in contrast to mainstream conventions and expectations.
Riot Grrrl formed in reaction to pervasive and violent sexism, racism and homophobia in the punk music scene and in the culture at large. Its participants adapted strategies from earlier queer and punk feminisms and ‘70s radical politics, while also popularizing discussions of identity politics occurring within academia, but in a language that spoke to a younger generation. This self-organized network made up of teenagers and twenty-somethings reached one another through various platforms, such as letters, zines, local meetings, regional conferences, homemade videos, and later, chat rooms, listservs and message boards. The movement eventually spread worldwide, with chapters opening in at least thirty-two states and twenty-six countries.* Its ethos and aesthetics have survived well past its initial period in the ‘90s, with many new chapters forming in recent years. Riot Grrrl’s influence on contemporary global culture is increasingly evident – from the Russian collective Pussy Riot’s protest against corrupt government-church relations to the popular teen website Rookie and the launch of Girls Rock Camps and Ladyfest music and art festivals around the world.
Alien She focuses on seven people whose visual art practices were informed by their contact with Riot Grrrl. Many of them work in multiple disciplines, such as sculpture, installation, video, documentary film, photography, drawing, printmaking, new media, social practice, curation, music, writing and performance – a reflection of the movement’s artistic diversity and mutability. Each artist is represented by several projects from the last 20 years, including new and rarely seen works, providing an insight into the development of their creative practices and individual trajectories.
Artists: Ginger Brooks Takahashi (Pittsburgh), Tammy Rae Carland (Oakland), Miranda July (Los Angeles), Faythe Levine (Milwaukee), Allyson Mitchell (Toronto), L.J. Roberts (Brooklyn), Stephanie Syjuco (San Francisco) and more.
Archival Materials from: dumba collective; EMP Museum, Seattle; Interference Archive; Jabberjaw; the Riot Grrrl Collection at the Fales Library & Special Collections, NYU; and many personal collections.
Collaborative Projects and Platforms include: Counterfeit Crochet Project, Feminist Art Gallery (FAG), General Sisters, Handmade Nation, Joanie 4 Jackie, Learning to Love You More, LTTR, projet MOBILIVRE-BOOKMOBILE project, Sign Painters and more
Women’s Studies Professors Have Class Privilege / I’m With Problematic, from the series Creep Lez, Allyson Mitchell, 2012.
Altered t-shirts with iron-on transfer and vinyl letters. Courtesy of the artist and Katharine Mulherin Gallery, Toronto.
Alien She is curated by Astria Suparak and Ceci Moss, and organized by the Miller Gallery at Carnegie Mellon University, Pittsburgh
Alien She is presented in two parts:
Museum of Contemporary Craft
724 NW Davis
Portland, OR 97209
511 Gallery @ PNCA
511 NW Broadway
Portland, OR 97209
Both venues are open Tuesday through Saturday from 11am to 6pm.
Supposedly, an actual human skull was used in the construction of the Alien's head.
Featured on Life In Plastic: nerditis.com/2014/01/31/life-in-plastic-toy-review-xenomo...
A smal "alien" in a cone of light.
The light source is my darkroom enlarger, a device to expose analog photographic paper :-)
See the blog post for more info: WonderCon 2007
This photo is licensed under a Creative Commons license. If you use this photo, please list the photo credit as "Scott Beale / Laughing Squid" and link the credit to laughingsquid.com.
By early day break "Alien Probes" had been spotted circling around Mr Jon's place in Thailand.
It is reported the probes had been seen during the night but was unable to verify until these recent photos came in .
This sighting was early Monday morning just as the probes started searching for likely victims.
Mr Jon, an affiliate with "Reporters That Can Run Boarders" brought us this news update just as the probes were crossing the river into his compound.
It is reported Mr Jon and family including the famed "WeeNee" and of course the "Worm" all escaped unharmed.
We here at news station WTF-D50 are awaiting for any updates as to where the Alien Probes might be rounding up cattle, sheep and people at this very moment.
Please use our Alien Probe Hot Line 24 hours a day to report any suspicious activity.
1-800-probe-an-alien, operators are standing by.......
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No animals, humans, aliens or insects were harmed during the shooting of this photo
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Alien She
Photos and Video by Mario Gallucci
Alien She
Sep 3, 2015 – Jan 9, 2016
Alien She, curated by Astria Suparak + Ceci Moss, is the first exhibition to examine the lasting impact of Riot Grrrl on artists and cultural producers working today. A pioneering punk feminist movement that emerged in the early 1990s, Riot Grrrl has had a pivotal influence, inspiring many around the world to pursue socially and politically progressive careers as artists, activists, authors and educators. Emphasizing female and youth empowerment, collaborative organization, creative resistance and DIY ethics, Riot Grrrl helped a new generation to become active feminists and create their own culture and communities that reflect their values and experiences, in contrast to mainstream conventions and expectations.
Riot Grrrl formed in reaction to pervasive and violent sexism, racism and homophobia in the punk music scene and in the culture at large. Its participants adapted strategies from earlier queer and punk feminisms and ‘70s radical politics, while also popularizing discussions of identity politics occurring within academia, but in a language that spoke to a younger generation. This self-organized network made up of teenagers and twenty-somethings reached one another through various platforms, such as letters, zines, local meetings, regional conferences, homemade videos, and later, chat rooms, listservs and message boards. The movement eventually spread worldwide, with chapters opening in at least thirty-two states and twenty-six countries.* Its ethos and aesthetics have survived well past its initial period in the ‘90s, with many new chapters forming in recent years. Riot Grrrl’s influence on contemporary global culture is increasingly evident – from the Russian collective Pussy Riot’s protest against corrupt government-church relations to the popular teen website Rookie and the launch of Girls Rock Camps and Ladyfest music and art festivals around the world.
Alien She focuses on seven people whose visual art practices were informed by their contact with Riot Grrrl. Many of them work in multiple disciplines, such as sculpture, installation, video, documentary film, photography, drawing, printmaking, new media, social practice, curation, music, writing and performance – a reflection of the movement’s artistic diversity and mutability. Each artist is represented by several projects from the last 20 years, including new and rarely seen works, providing an insight into the development of their creative practices and individual trajectories.
Artists: Ginger Brooks Takahashi (Pittsburgh), Tammy Rae Carland (Oakland), Miranda July (Los Angeles), Faythe Levine (Milwaukee), Allyson Mitchell (Toronto), L.J. Roberts (Brooklyn), Stephanie Syjuco (San Francisco) and more.
Archival Materials from: dumba collective; EMP Museum, Seattle; Interference Archive; Jabberjaw; the Riot Grrrl Collection at the Fales Library & Special Collections, NYU; and many personal collections.
Collaborative Projects and Platforms include: Counterfeit Crochet Project, Feminist Art Gallery (FAG), General Sisters, Handmade Nation, Joanie 4 Jackie, Learning to Love You More, LTTR, projet MOBILIVRE-BOOKMOBILE project, Sign Painters and more
Women’s Studies Professors Have Class Privilege / I’m With Problematic, from the series Creep Lez, Allyson Mitchell, 2012.
Altered t-shirts with iron-on transfer and vinyl letters. Courtesy of the artist and Katharine Mulherin Gallery, Toronto.
Alien She is curated by Astria Suparak and Ceci Moss, and organized by the Miller Gallery at Carnegie Mellon University, Pittsburgh
Alien She is presented in two parts:
Museum of Contemporary Craft
724 NW Davis
Portland, OR 97209
511 Gallery @ PNCA
511 NW Broadway
Portland, OR 97209
Both venues are open Tuesday through Saturday from 11am to 6pm.
This alien face sculpture is original and sculpted by me, Jane. He has many colors of swirling strands of cosmic energy on his face.These strands are made of twisted polymer clay. They undulate and seem to vibrate with energy. As I understand it, the colors and shapes convey his feelings and thoughts.
His eyes are made from clear glass cabochons. I hand painted the back of the glass to get the effect I wanted. His eyes primarily are a glistening violet and blue..This alien's face changes with the light and angle that you view him with! He does look a little scarey, but he is really a pretty nice alien.
This could be a wonderful conversation piece for your wall. And he could watch over you and make sure you are safe.
This wall hanging sculpture is 8 inches tall. A wire is on the back for easy hanging.
I dunno what is it, but it looks like a freaky face or an alien! it reminds me of the creepy, weird creatures and "macho" we see in anime!
Taken 11-27-07 in front of my garage in San Antonio, Texas.
A face of an alien, is what I see in the sky. Truly amazing!
Canon 40D- 10-22mm super wide angle lens.
Title - "Alien Chomping Bird"
Artist - Harry Fladd
Mixed Media Door Art - Pencil and notebook paper on paper plate with ribbon
Date - 23 July, 2009
Artist's Notes - "He's flying and he's in the rain. And then it's going to be sunny. And then the trees are going to grow."
⭐️👽 Are you planning to visit another planet or galaxy? Do you want to blend in with the aliens and avoid unwanted attention? If so, you might be interested in our alien glasses and headband set. This product is designed to make you look like an extraterrestrial creature, with SUPER 'realistic' eyes, antennae, and skin color. Whether you are going to Mars, Venus, or beyond, or waiting for the aliens to come to you, we have the perfect alien glasses and headband for you.
Buy your alien glasses and headband set today at Woodland Kids Event and get ready for an intergalactic adventure. Don’t miss this opportunity to explore the universe in style. 👽⭐️
maps.secondlife.com/secondlife/Forest%20Delight/137/152/1340
The aliens descended upon Great Malvern the other night, and Dave thought he had drunk too much because seven dwarfs appeared in the bar.
Holga CFN, Fuji Provia 400F, pushed to 800, cross processed.
Title: [Illus. for article "an alien anti-dumping bill" in The Literary Digest, May 7, 1921, p. 13, reprinting a cartoon by Hallahan for Providence Evening Bulletin, showing funnel bridging Atlantic with top at Europe crammed with emigrants and bottom at U.S. with Uncle Sam permitting immigrants to trickle through]
Other Title: The only way to handle it
Date Created/Published: [New York] : [Funk & Wagnalls], 1921.
Medium: 1 print : offset photomechanical.
Reproduction Number: LC-USZ62-44049 (b&w film copy neg.)
Rights Advisory: No known restrictions on publication.
Call Number: Illus. in AP2.L58 [item] [General Collections]
Repository: Library of Congress Prints and Photographs Division Washington, D.C. 20540 USA
Notes:
Title devised by Library staff.
Alternate title as published in Providence Evening Bulletin.
Reference copy available in LOT 7010.
This record contains unverified, old data from caption card, with subsequent revisions.
Subjects:
Emigration & immigration--United States--1920-1930.
Funnels--1920-1930.
Social policy--United States--1920-1930.
Uncle Sam (Symbolic character)--1920-1930.
Format:
Offset photomechanical prints--1920-1930.
Periodical illustrations--1920-1930.
Political cartoons--1920-1930.
Collections:
Miscellaneous Items in High Demand
Bookmark This Record:
www.loc.gov/pictures/item/2007680185/
View the MARC Record for this item.
Rights assessment is your responsibility.