View allAll Photos Tagged alien

Kenner 1993...

Another of the " fantasy " Alien designs by Kenner. He is my favorite. The transparent green with silver highlights is just cool !

An out take from the 52 week project for which this weeks theme was Up close / Macro..

 

I really like how alien this looks.

 

Reckless Times Redbubble

This is my idea for a lego alienvspredator dropship. Do you recognize the alien head shape?

  

Alien She

 

Photos and Video by Mario Gallucci

 

Alien She

Sep 3, 2015 â Jan 9, 2016

 

Alien She, curated by Astria Suparak + Ceci Moss, is the first exhibition to examine the lasting impact of Riot Grrrl on artists and cultural producers working today. A pioneering punk feminist movement that emerged in the early 1990s, Riot Grrrl has had a pivotal influence, inspiring many around the world to pursue socially and politically progressive careers as artists, activists, authors and educators. Emphasizing female and youth empowerment, collaborative organization, creative resistance and DIY ethics, Riot Grrrl helped a new generation to become active feminists and create their own culture and communities that reflect their values and experiences, in contrast to mainstream conventions and expectations.

 

Riot Grrrl formed in reaction to pervasive and violent sexism, racism and homophobia in the punk music scene and in the culture at large. Its participants adapted strategies from earlier queer and punk feminisms and â70s radical politics, while also popularizing discussions of identity politics occurring within academia, but in a language that spoke to a younger generation. This self-organized network made up of teenagers and twenty-somethings reached one another through various platforms, such as letters, zines, local meetings, regional conferences, homemade videos, and later, chat rooms, listservs and message boards. The movement eventually spread worldwide, with chapters opening in at least thirty-two states and twenty-six countries.* Its ethos and aesthetics have survived well past its initial period in the â90s, with many new chapters forming in recent years. Riot Grrrlâs influence on contemporary global culture is increasingly evident â from the Russian collective Pussy Riotâs protest against corrupt government-church relations to the popular teen website Rookie and the launch of Girls Rock Camps and Ladyfest music and art festivals around the world.

 

Alien

Alien She

 

Photos and Video by Mario Gallucci

 

Alien She

Sep 3, 2015 – Jan 9, 2016

 

Alien She, curated by Astria Suparak + Ceci Moss, is the first exhibition to examine the lasting impact of Riot Grrrl on artists and cultural producers working today. A pioneering punk feminist movement that emerged in the early 1990s, Riot Grrrl has had a pivotal influence, inspiring many around the world to pursue socially and politically progressive careers as artists, activists, authors and educators. Emphasizing female and youth empowerment, collaborative organization, creative resistance and DIY ethics, Riot Grrrl helped a new generation to become active feminists and create their own culture and communities that reflect their values and experiences, in contrast to mainstream conventions and expectations.

 

Riot Grrrl formed in reaction to pervasive and violent sexism, racism and homophobia in the punk music scene and in the culture at large. Its participants adapted strategies from earlier queer and punk feminisms and ‘70s radical politics, while also popularizing discussions of identity politics occurring within academia, but in a language that spoke to a younger generation. This self-organized network made up of teenagers and twenty-somethings reached one another through various platforms, such as letters, zines, local meetings, regional conferences, homemade videos, and later, chat rooms, listservs and message boards. The movement eventually spread worldwide, with chapters opening in at least thirty-two states and twenty-six countries.* Its ethos and aesthetics have survived well past its initial period in the ‘90s, with many new chapters forming in recent years. Riot Grrrl’s influence on contemporary global culture is increasingly evident – from the Russian collective Pussy Riot’s protest against corrupt government-church relations to the popular teen website Rookie and the launch of Girls Rock Camps and Ladyfest music and art festivals around the world.

 

Alien She focuses on seven people whose visual art practices were informed by their contact with Riot Grrrl. Many of them work in multiple disciplines, such as sculpture, installation, video, documentary film, photography, drawing, printmaking, new media, social practice, curation, music, writing and performance – a reflection of the movement’s artistic diversity and mutability. Each artist is represented by several projects from the last 20 years, including new and rarely seen works, providing an insight into the development of their creative practices and individual trajectories.

 

Artists: Ginger Brooks Takahashi (Pittsburgh), Tammy Rae Carland (Oakland), Miranda July (Los Angeles), Faythe Levine (Milwaukee), Allyson Mitchell (Toronto), L.J. Roberts (Brooklyn), Stephanie Syjuco (San Francisco) and more.

 

Archival Materials from: dumba collective; EMP Museum, Seattle; Interference Archive; Jabberjaw; the Riot Grrrl Collection at the Fales Library & Special Collections, NYU; and many personal collections.

 

Collaborative Projects and Platforms include: Counterfeit Crochet Project, Feminist Art Gallery (FAG), General Sisters, Handmade Nation, Joanie 4 Jackie, Learning to Love You More, LTTR, projet MOBILIVRE-BOOKMOBILE project, Sign Painters and more

Women’s Studies Professors Have Class Privilege / I’m With Problematic, from the series Creep Lez, Allyson Mitchell, 2012.

 

Altered t-shirts with iron-on transfer and vinyl letters. Courtesy of the artist and Katharine Mulherin Gallery, Toronto.

 

Alien She is curated by Astria Suparak and Ceci Moss, and organized by the Miller Gallery at Carnegie Mellon University, Pittsburgh

  

Alien She is presented in two parts:

 

Museum of Contemporary Craft

724 NW Davis

Portland, OR 97209

 

511 Gallery @ PNCA

511 NW Broadway

Portland, OR 97209

 

Both venues are open Tuesday through Saturday from 11am to 6pm.

Alien She

 

Photos and Video by Mario Gallucci

 

Alien She

Sep 3, 2015 – Jan 9, 2016

 

Alien She, curated by Astria Suparak + Ceci Moss, is the first exhibition to examine the lasting impact of Riot Grrrl on artists and cultural producers working today. A pioneering punk feminist movement that emerged in the early 1990s, Riot Grrrl has had a pivotal influence, inspiring many around the world to pursue socially and politically progressive careers as artists, activists, authors and educators. Emphasizing female and youth empowerment, collaborative organization, creative resistance and DIY ethics, Riot Grrrl helped a new generation to become active feminists and create their own culture and communities that reflect their values and experiences, in contrast to mainstream conventions and expectations.

 

Riot Grrrl formed in reaction to pervasive and violent sexism, racism and homophobia in the punk music scene and in the culture at large. Its participants adapted strategies from earlier queer and punk feminisms and ‘70s radical politics, while also popularizing discussions of identity politics occurring within academia, but in a language that spoke to a younger generation. This self-organized network made up of teenagers and twenty-somethings reached one another through various platforms, such as letters, zines, local meetings, regional conferences, homemade videos, and later, chat rooms, listservs and message boards. The movement eventually spread worldwide, with chapters opening in at least thirty-two states and twenty-six countries.* Its ethos and aesthetics have survived well past its initial period in the ‘90s, with many new chapters forming in recent years. Riot Grrrl’s influence on contemporary global culture is increasingly evident – from the Russian collective Pussy Riot’s protest against corrupt government-church relations to the popular teen website Rookie and the launch of Girls Rock Camps and Ladyfest music and art festivals around the world.

 

Alien She focuses on seven people whose visual art practices were informed by their contact with Riot Grrrl. Many of them work in multiple disciplines, such as sculpture, installation, video, documentary film, photography, drawing, printmaking, new media, social practice, curation, music, writing and performance – a reflection of the movement’s artistic diversity and mutability. Each artist is represented by several projects from the last 20 years, including new and rarely seen works, providing an insight into the development of their creative practices and individual trajectories.

 

Artists: Ginger Brooks Takahashi (Pittsburgh), Tammy Rae Carland (Oakland), Miranda July (Los Angeles), Faythe Levine (Milwaukee), Allyson Mitchell (Toronto), L.J. Roberts (Brooklyn), Stephanie Syjuco (San Francisco) and more.

 

Archival Materials from: dumba collective; EMP Museum, Seattle; Interference Archive; Jabberjaw; the Riot Grrrl Collection at the Fales Library & Special Collections, NYU; and many personal collections.

 

Collaborative Projects and Platforms include: Counterfeit Crochet Project, Feminist Art Gallery (FAG), General Sisters, Handmade Nation, Joanie 4 Jackie, Learning to Love You More, LTTR, projet MOBILIVRE-BOOKMOBILE project, Sign Painters and more

Women’s Studies Professors Have Class Privilege / I’m With Problematic, from the series Creep Lez, Allyson Mitchell, 2012.

 

Altered t-shirts with iron-on transfer and vinyl letters. Courtesy of the artist and Katharine Mulherin Gallery, Toronto.

 

Alien She is curated by Astria Suparak and Ceci Moss, and organized by the Miller Gallery at Carnegie Mellon University, Pittsburgh

  

Alien She is presented in two parts:

 

Museum of Contemporary Craft

724 NW Davis

Portland, OR 97209

 

511 Gallery @ PNCA

511 NW Broadway

Portland, OR 97209

 

Both venues are open Tuesday through Saturday from 11am to 6pm.

The nonfiction section of the library is divided by subject and is cataloged using the Dewey Decimal System.

 

000 GENERALITIES

000 Computers, Loch Ness, Bigfoot, UFOs, Aliens

020 Libraries

030 Encyclopedias & World Record Books

060 Museums

070 Newspapers

 

100 PHILOSOPHY

130 Ghosts, Witches & the Supernatural

150 Optical Illusions, Feelings

170 Emotions, Values, Animal Rights

 

200 RELIGION

220 Bible Stories

290 Mythology, World Religions

 

300 SOCIAL SCIENCES

300 Social Issues - immigration, racism, World Cultures

310 Almanacs

320 Government

330 Money, Working

340 Court System, Famous Trials

350 Armed Forces – Army, Navy, Air Force, etc.

360 Drugs, Environmental Issues, Titanic, Police, Firefighters

370 Schools

380 Transportation,

390 Holidays, Folktales, Fairy Tales

 

400 LANGUAGES

410 Sign Language

420 Dictionaries, Grammar

430 German Language

440 French Language

450 Italian Language

460 Spanish Language

490 Hieroglyphics, Japanese Language

 

500 SCIENCE AND MATH

500 Science Experiments, Science Sets,

510 Mathematics

520 Stars, planets, astronomy, space

530 Physical Science - force & motion, electricity,

magnetism, light

540 Chemistry, Atoms & Molecules, Rocks and Minerals

550 Volcanoes, Earthquakes, Weather, Hurricanes, Tornadoes

560 Dinosaurs, Prehistoric Animals, Fossils

570 Forests, Rain Forests, Deserts, Mountains, Oceans, Evolution

580 Plants, Flowers & Trees

590 Animals & Insects

592 Worms, Invertebrates

593 Corals, Sea Invertebrates

594 Seashells, Snails, Octopus

595 Insects, Spiders

597 Fish, Frogs, Toads, Reptiles, Amphibians, Snakes

598 Birds

599 Mammals of the Land and Ocean, Whales

 

600 PEOPLE USING SCIENCE and TECHNOLOGY

600 Inventions

610 Human body, Health

620 Rockets, Trains, Cars, Trucks

630 Farming, Farm Animals, Cats, Dogs, Pets, Horses

640 Cookbooks, Sewing

650 Secret Codes

660 How Food is made

670 Paper Making

680 Woodworking

690 Building

 

700 ARTS and RECREATION

710 Art Appreciation, History of Art

720 Houses, Buildings

730 Origami, Paper Crafts

740 Drawing, Crafts,

750 Painting

760 Printing

770 Photography

780 Music

790 Sports, Games, Magic, I Spy, Camping, Fishing, Racing, Hunting

 

800 LITERATURE

810 Poetry, Plays, Jokes & Riddles

820 Shakespeare

860 Poetry in Spanish

890 Japanese Poetry, Haiku

 

900 GEOGRAPHY AND HISTORY

910 Explorers, Atlases

920 Flags, People (Biography)

930 Archeology, Ancient Civilizations

940 Knights, Castles, World War I & II, European Countries

950 Asian & Middle Eastern Countries

960 African Countries

970 North & Central American Countries, Native American Tribes, American History, States

980 South American Countries

990 Pacific Islands, Australia, Hawaii, Arctic, Antarctica

This is what's left of what once to be a graceful lotus flower.

Atention:This new versions of my "Alien's Landscapes" have the contribuition of my Flickr's friends Cutangos (Pepe)! He criated the vehicles that I put in the pictures!!!

Thanks Cutangos!!!

Fed 3 + Vilia camera

Alien She

 

Photos and Video by Mario Gallucci

 

Alien She

Sep 3, 2015 – Jan 9, 2016

 

Alien She, curated by Astria Suparak + Ceci Moss, is the first exhibition to examine the lasting impact of Riot Grrrl on artists and cultural producers working today. A pioneering punk feminist movement that emerged in the early 1990s, Riot Grrrl has had a pivotal influence, inspiring many around the world to pursue socially and politically progressive careers as artists, activists, authors and educators. Emphasizing female and youth empowerment, collaborative organization, creative resistance and DIY ethics, Riot Grrrl helped a new generation to become active feminists and create their own culture and communities that reflect their values and experiences, in contrast to mainstream conventions and expectations.

 

Riot Grrrl formed in reaction to pervasive and violent sexism, racism and homophobia in the punk music scene and in the culture at large. Its participants adapted strategies from earlier queer and punk feminisms and ‘70s radical politics, while also popularizing discussions of identity politics occurring within academia, but in a language that spoke to a younger generation. This self-organized network made up of teenagers and twenty-somethings reached one another through various platforms, such as letters, zines, local meetings, regional conferences, homemade videos, and later, chat rooms, listservs and message boards. The movement eventually spread worldwide, with chapters opening in at least thirty-two states and twenty-six countries.* Its ethos and aesthetics have survived well past its initial period in the ‘90s, with many new chapters forming in recent years. Riot Grrrl’s influence on contemporary global culture is increasingly evident – from the Russian collective Pussy Riot’s protest against corrupt government-church relations to the popular teen website Rookie and the launch of Girls Rock Camps and Ladyfest music and art festivals around the world.

 

Alien She focuses on seven people whose visual art practices were informed by their contact with Riot Grrrl. Many of them work in multiple disciplines, such as sculpture, installation, video, documentary film, photography, drawing, printmaking, new media, social practice, curation, music, writing and performance – a reflection of the movement’s artistic diversity and mutability. Each artist is represented by several projects from the last 20 years, including new and rarely seen works, providing an insight into the development of their creative practices and individual trajectories.

 

Artists: Ginger Brooks Takahashi (Pittsburgh), Tammy Rae Carland (Oakland), Miranda July (Los Angeles), Faythe Levine (Milwaukee), Allyson Mitchell (Toronto), L.J. Roberts (Brooklyn), Stephanie Syjuco (San Francisco) and more.

 

Archival Materials from: dumba collective; EMP Museum, Seattle; Interference Archive; Jabberjaw; the Riot Grrrl Collection at the Fales Library & Special Collections, NYU; and many personal collections.

 

Collaborative Projects and Platforms include: Counterfeit Crochet Project, Feminist Art Gallery (FAG), General Sisters, Handmade Nation, Joanie 4 Jackie, Learning to Love You More, LTTR, projet MOBILIVRE-BOOKMOBILE project, Sign Painters and more

Women’s Studies Professors Have Class Privilege / I’m With Problematic, from the series Creep Lez, Allyson Mitchell, 2012.

 

Altered t-shirts with iron-on transfer and vinyl letters. Courtesy of the artist and Katharine Mulherin Gallery, Toronto.

 

Alien She is curated by Astria Suparak and Ceci Moss, and organized by the Miller Gallery at Carnegie Mellon University, Pittsburgh

  

Alien She is presented in two parts:

 

Museum of Contemporary Craft

724 NW Davis

Portland, OR 97209

 

511 Gallery @ PNCA

511 NW Broadway

Portland, OR 97209

 

Both venues are open Tuesday through Saturday from 11am to 6pm.

Supposedly, an actual human skull was used in the construction of the Alien's head.

 

Featured on Life In Plastic: nerditis.com/2014/01/31/life-in-plastic-toy-review-xenomo...

A smal "alien" in a cone of light.

The light source is my darkroom enlarger, a device to expose analog photographic paper :-)

See the blog post for more info: WonderCon 2007

 

This photo is licensed under a Creative Commons license. If you use this photo, please list the photo credit as "Scott Beale / Laughing Squid" and link the credit to laughingsquid.com.

Kane's (John Hurt) spacesuit from Alien

Alien Conquest

By early day break "Alien Probes" had been spotted circling around Mr Jon's place in Thailand.

It is reported the probes had been seen during the night but was unable to verify until these recent photos came in .

 

This sighting was early Monday morning just as the probes started searching for likely victims.

 

Mr Jon, an affiliate with "Reporters That Can Run Boarders" brought us this news update just as the probes were crossing the river into his compound.

 

It is reported Mr Jon and family including the famed "WeeNee" and of course the "Worm" all escaped unharmed.

 

We here at news station WTF-D50 are awaiting for any updates as to where the Alien Probes might be rounding up cattle, sheep and people at this very moment.

 

Please use our Alien Probe Hot Line 24 hours a day to report any suspicious activity.

 

1-800-probe-an-alien, operators are standing by.......

 

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No animals, humans, aliens or insects were harmed during the shooting of this photo

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Either that or lens flare caused by moonlight

 

Alien She

 

Photos and Video by Mario Gallucci

 

Alien She

Sep 3, 2015 – Jan 9, 2016

 

Alien She, curated by Astria Suparak + Ceci Moss, is the first exhibition to examine the lasting impact of Riot Grrrl on artists and cultural producers working today. A pioneering punk feminist movement that emerged in the early 1990s, Riot Grrrl has had a pivotal influence, inspiring many around the world to pursue socially and politically progressive careers as artists, activists, authors and educators. Emphasizing female and youth empowerment, collaborative organization, creative resistance and DIY ethics, Riot Grrrl helped a new generation to become active feminists and create their own culture and communities that reflect their values and experiences, in contrast to mainstream conventions and expectations.

 

Riot Grrrl formed in reaction to pervasive and violent sexism, racism and homophobia in the punk music scene and in the culture at large. Its participants adapted strategies from earlier queer and punk feminisms and ‘70s radical politics, while also popularizing discussions of identity politics occurring within academia, but in a language that spoke to a younger generation. This self-organized network made up of teenagers and twenty-somethings reached one another through various platforms, such as letters, zines, local meetings, regional conferences, homemade videos, and later, chat rooms, listservs and message boards. The movement eventually spread worldwide, with chapters opening in at least thirty-two states and twenty-six countries.* Its ethos and aesthetics have survived well past its initial period in the ‘90s, with many new chapters forming in recent years. Riot Grrrl’s influence on contemporary global culture is increasingly evident – from the Russian collective Pussy Riot’s protest against corrupt government-church relations to the popular teen website Rookie and the launch of Girls Rock Camps and Ladyfest music and art festivals around the world.

 

Alien She focuses on seven people whose visual art practices were informed by their contact with Riot Grrrl. Many of them work in multiple disciplines, such as sculpture, installation, video, documentary film, photography, drawing, printmaking, new media, social practice, curation, music, writing and performance – a reflection of the movement’s artistic diversity and mutability. Each artist is represented by several projects from the last 20 years, including new and rarely seen works, providing an insight into the development of their creative practices and individual trajectories.

 

Artists: Ginger Brooks Takahashi (Pittsburgh), Tammy Rae Carland (Oakland), Miranda July (Los Angeles), Faythe Levine (Milwaukee), Allyson Mitchell (Toronto), L.J. Roberts (Brooklyn), Stephanie Syjuco (San Francisco) and more.

 

Archival Materials from: dumba collective; EMP Museum, Seattle; Interference Archive; Jabberjaw; the Riot Grrrl Collection at the Fales Library & Special Collections, NYU; and many personal collections.

 

Collaborative Projects and Platforms include: Counterfeit Crochet Project, Feminist Art Gallery (FAG), General Sisters, Handmade Nation, Joanie 4 Jackie, Learning to Love You More, LTTR, projet MOBILIVRE-BOOKMOBILE project, Sign Painters and more

Women’s Studies Professors Have Class Privilege / I’m With Problematic, from the series Creep Lez, Allyson Mitchell, 2012.

 

Altered t-shirts with iron-on transfer and vinyl letters. Courtesy of the artist and Katharine Mulherin Gallery, Toronto.

 

Alien She is curated by Astria Suparak and Ceci Moss, and organized by the Miller Gallery at Carnegie Mellon University, Pittsburgh

  

Alien She is presented in two parts:

 

Museum of Contemporary Craft

724 NW Davis

Portland, OR 97209

 

511 Gallery @ PNCA

511 NW Broadway

Portland, OR 97209

 

Both venues are open Tuesday through Saturday from 11am to 6pm.

This alien face sculpture is original and sculpted by me, Jane. He has many colors of swirling strands of cosmic energy on his face.These strands are made of twisted polymer clay. They undulate and seem to vibrate with energy. As I understand it, the colors and shapes convey his feelings and thoughts.

 

His eyes are made from clear glass cabochons. I hand painted the back of the glass to get the effect I wanted. His eyes primarily are a glistening violet and blue..This alien's face changes with the light and angle that you view him with! He does look a little scarey, but he is really a pretty nice alien.

 

This could be a wonderful conversation piece for your wall. And he could watch over you and make sure you are safe.

 

This wall hanging sculpture is 8 inches tall. A wire is on the back for easy hanging.

   

A desenha é mto bom idependente de onde

Detalhe meu primeiro trampo na rua.

I dunno what is it, but it looks like a freaky face or an alien! it reminds me of the creepy, weird creatures and "macho" we see in anime!

30,7 megapixel, sweetfx, .xml-tweaks,

DET cheat table (freecam | timestop | dof)

Made from a wine cork remover, plumb bob, Ford hubcap, bottle caps and other found objects.

Taken 11-27-07 in front of my garage in San Antonio, Texas.

A face of an alien, is what I see in the sky. Truly amazing!

Canon 40D- 10-22mm super wide angle lens.

Title - "Alien Chomping Bird"

Artist - Harry Fladd

Mixed Media Door Art - Pencil and notebook paper on paper plate with ribbon

Date - 23 July, 2009

 

Artist's Notes - "He's flying and he's in the rain. And then it's going to be sunny. And then the trees are going to grow."

⭐️👽 Are you planning to visit another planet or galaxy? Do you want to blend in with the aliens and avoid unwanted attention? If so, you might be interested in our alien glasses and headband set. This product is designed to make you look like an extraterrestrial creature, with SUPER 'realistic' eyes, antennae, and skin color. Whether you are going to Mars, Venus, or beyond, or waiting for the aliens to come to you, we have the perfect alien glasses and headband for you.

Buy your alien glasses and headband set today at Woodland Kids Event and get ready for an intergalactic adventure. Don’t miss this opportunity to explore the universe in style. 👽⭐️

maps.secondlife.com/secondlife/Forest%20Delight/137/152/1340

The aliens descended upon Great Malvern the other night, and Dave thought he had drunk too much because seven dwarfs appeared in the bar.

 

Holga CFN, Fuji Provia 400F, pushed to 800, cross processed.

 

the twilight zone

  

Title: [Illus. for article "an alien anti-dumping bill" in The Literary Digest, May 7, 1921, p. 13, reprinting a cartoon by Hallahan for Providence Evening Bulletin, showing funnel bridging Atlantic with top at Europe crammed with emigrants and bottom at U.S. with Uncle Sam permitting immigrants to trickle through]

Other Title: The only way to handle it

Date Created/Published: [New York] : [Funk & Wagnalls], 1921.

Medium: 1 print : offset photomechanical.

Reproduction Number: LC-USZ62-44049 (b&w film copy neg.)

Rights Advisory: No known restrictions on publication.

Call Number: Illus. in AP2.L58 [item] [General Collections]

Repository: Library of Congress Prints and Photographs Division Washington, D.C. 20540 USA

Notes:

Title devised by Library staff.

Alternate title as published in Providence Evening Bulletin.

Reference copy available in LOT 7010.

This record contains unverified, old data from caption card, with subsequent revisions.

Subjects:

Emigration & immigration--United States--1920-1930.

Funnels--1920-1930.

Social policy--United States--1920-1930.

Uncle Sam (Symbolic character)--1920-1930.

Format:

Offset photomechanical prints--1920-1930.

Periodical illustrations--1920-1930.

Political cartoons--1920-1930.

Collections:

Miscellaneous Items in High Demand

Bookmark This Record:

www.loc.gov/pictures/item/2007680185/

 

View the MARC Record for this item.

 

Rights assessment is your responsibility.

 

Alien themed bitty blocks for group 2 - Live Long and Prosper :D

1 2 ••• 39 40 42 44 45 ••• 79 80