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This alien face sculpture is original and sculpted by me, Jane. He has many colors of swirling strands of cosmic energy on his face.These strands are made of twisted polymer clay. They undulate and seem to vibrate with energy. As I understand it, the colors and shapes convey his feelings and thoughts.
His eyes are made from clear glass cabochons. I hand painted the back of the glass to get the effect I wanted. His eyes are a glistening blue, purple and gold. This alien's face changes with the light and angle that you view him with! He does look a little scarey, but he is really a pretty nice alien.
I left my digital camera on while I fell asleep. Somehow I was transorealitized to another dimension. The aliens allowed me to take pictures of their military operations.
In the glittering dark of the galaxy there spins a worthless remote planet. Its inhospitable craggy surface only matched by the poison in its air. Above, orbits a silent corporate branded haven. The Vitruvius Space Station.
Inside, a lone technician stares in horror at the bank of security screens. A facade of life lurks in a distant hallway, silently waiting. Unnervingly still, it calculates its next opening to strike.
Long had the Weyland-Yutani Corporation tried and failed to manipulate the bio engineering practices of the xenomorph species. Long had they known failure.
However, another idea of malicious obsession arose. The company already had a sizable investment in synthetic androids to maintain authority on stations, ships, and colonies. Perhaps if the creatures’ behavior is what led to such prior loss of containment, a ground up rebuild would be necessary.
Building the prototype was relatively simple. The organic brain scanned and copied. The duplicate manufactured and tweaked to respond to company programming. Nurture would supplant nature.
What they had not known, is that in the digital sequencing, the strange Chemical A0-3959X.91 would be included within the synthetic genome. What they had not noticed, was the slow and methodical corruption of their next ‘perfect’ experiment.
The black goo had transcended organics. A self evolving and degenerating sentience within the machine. A virus. The reversion back to mimicry of its base animal instincts took little time. For the science crew, loss of control was all the quicker.
Out of the maddening quiet comes a shrieking din. A proximity alarm. A new ship prepares its docking harness. The cybernetic creature stirs for the first time in what feels like an eternity. Its mechanical frame shudders as it begins the hunt for its next kill.
Inspired by a weekend rewatch of all the alien movies and finally seeing ALIEN: Romulus
These are the prototypes for my 2 alien bitties. The little guy was inspired by either a cartoon or clipart, can't remember which. I might make the arm a different color, so it'll show up just a bit better.
The second of two semi-static posed figures is complete. This version depicts the creature as it appears in the deleted "crab-walker" scene from the 1979 film as Lambert and Parker make a desperate attempt to escape the Nostromo. This deleted scene however was thought comical by many, not well executed on film and revealed too much of the creature...reducing it to nothing more than a man in a rubber suit...something Ridley Scott was avoiding by using smoke and shadow.
Hand sculpted, hand painted. 1:18 scale. I borrowed resin cast parts from the original Alien figure I created a year earlier, made modifications to the torso, neck, shoulders
and legs.
When crouched or "crab walking", the figure is approx. 3" high from highest point on head to the feet. When standing, the figure is approx. 5.25" high, still not fully erect as the leg and hip joints limit the full motion (again, this was originally meant to be a static posed figure). Fortunately I was able to add several articulation points to the figure: Ball jointed neck, shoulders, elbows, wrists, hips, knees and ankles. Vacuum formed PETG dome is removable. The tail is static but is attached using a revoltech joint and can be switched out with a longer tail option.
Original was sculpted using Aves FIXIT sculpt, a two part epoxy. Parts were cast in resin and assembled to build this version. Used Model Masters Polly Scale and Tamiya acrylics.
#ALIEN #nostromo #alien79project #avesfixit #avesstudio #20thcenturyfox #hrgiger #miniature #sculpting #art #painting #monsters #deletedscene #crabwalker #lambertandparker #inspacenoonecanhearyouscream
Walking on beautiful and sometimes alien landscapes with some guys and girls from work..!
Great 8miles or so this time on Edale and the Southern Edges of Kinder Scout via Jacob’s Ladder..
Good weather to start but became rainy towards end.. But that was fine - It's just superb up there on Kinder!!
Popped in the local pub after for warming snacks and drying out!!
Sigourney Weaver's character evolution through the Alien movie franchise.
An iconic look into Ellen Ripley's costume and weaponry:
- Alien (1979)
- Aliens (1986)
- Alien 3 (1992)
- Alien Resurrection (1997)
SOCIETY6
Prints: society6.com/omarrr/ALIENS-Ellen-Ripley-Icons_Print
T-Shirt: society6.com/omarrr/ALIENS-Ellen-Ripley-Icons_T-shirt
The second of two semi-static posed figures is complete. This version depicts the creature as it appears in the deleted "crab-walker" scene from the 1979 film as Lambert and Parker make a desperate attempt to escape the Nostromo. This deleted scene however was thought comical by many, not well executed on film and revealed too much of the creature...reducing it to nothing more than a man in a rubber suit...something Ridley Scott was avoiding by using smoke and shadow.
Hand sculpted, hand painted. 1:18 scale. I borrowed resin cast parts from the original Alien figure I created a year earlier, made modifications to the torso, neck, shoulders
and legs.
When crouched or "crab walking", the figure is approx. 3" high from highest point on head to the feet. When standing, the figure is approx. 5.25" high, still not fully erect as the leg and hip joints limit the full motion (again, this was originally meant to be a static posed figure). Fortunately I was able to add several articulation points to the figure: Ball jointed neck, shoulders, elbows, wrists, hips, knees and ankles. Vacuum formed PETG dome is removable. The tail is static but is attached using a revoltech joint and can be switched out with a longer tail option.
Original was sculpted using Aves FIXIT sculpt, a two part epoxy. Parts were cast in resin and assembled to build this version. Used Model Masters Polly Scale and Tamiya acrylics.
#ALIEN #nostromo #alien79project #avesfixit #avesstudio #20thcenturyfox #hrgiger #miniature #sculpting #art #painting #monsters #deletedscene #crabwalker #lambertandparker #inspacenoonecanhearyouscream
The second of two semi-static posed figures is complete. This version depicts the creature as it appears in the deleted "crab-walker" scene from the 1979 film as Lambert and Parker make a desperate attempt to escape the Nostromo. This deleted scene however was thought comical by many, not well executed on film and revealed too much of the creature...reducing it to nothing more than a man in a rubber suit...something Ridley Scott was avoiding by using smoke and shadow.
Hand sculpted, hand painted. 1:18 scale. I borrowed resin cast parts from the original Alien figure I created a year earlier, made modifications to the torso, neck, shoulders
and legs.
When crouched or "crab walking", the figure is approx. 3" high from highest point on head to the feet. When standing, the figure is approx. 5.25" high, still not fully erect as the leg and hip joints limit the full motion (again, this was originally meant to be a static posed figure). Fortunately I was able to add several articulation points to the figure: Ball jointed neck, shoulders, elbows, wrists, hips, knees and ankles. Vacuum formed PETG dome is removable. The tail is static but is attached using a revoltech joint and can be switched out with a longer tail option.
Original was sculpted using Aves FIXIT sculpt, a two part epoxy. Parts were cast in resin and assembled to build this version. Used Model Masters Polly Scale and Tamiya acrylics.
#ALIEN #nostromo #alien79project #avesfixit #avesstudio #20thcenturyfox #hrgiger #miniature #sculpting #art #painting #monsters #deletedscene #crabwalker #lambertandparker #inspacenoonecanhearyouscream
Aliens / Album-Reihe
Cover: Mark A. Nelson
Norbert Hethke Verlag (Deutschland; 1991)
Copyright: Twentieth Century Fox Film Corporation
Reprints from from Aliens (Dark Horse, 1988 series) #6 (July 1989)
ex libris MTP
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maps.secondlife.com/secondlife/Forest%20Delight/137/152/1340
One of Nottingham's most striking installations!
The trusty wide-angle allowed an unusual perspective.
The E.T. insurgent is tucked safely away behind the 6-foot chain link fence with the accommodating barb wire atop chain links. The ONLY entry into Detention Camp Georgetown is through the highly secure military gates that are guarded by armed military guards twenty-four seven. The ONLY access to the alien insurgent is granted to military, government officials, and MAINSTREAM media . . . .
iPhone 4s, Hipstamatic
All Rights Reserved © 2012 JB Studio / Jeff Burger
Parody, satire
Alien autopsy
The alien autopsy was a hoaxed medical examination and dissection of a dummy depicted in a 17-minute black and white film released in 1995 by London-based entrepreneur Ray Santilli. He presented it as an authentic autopsy on the body of an extraterrestrial being recovered from the 1947 crash of a "flying disc" near Roswell, New Mexico. The film footage was allegedly supplied to him by a retired military cameraman who wished to remain anonymous.
In 2006 Santilli admitted the film was not authentic but rather a staged reconstruction of footage he claimed to have viewed in 1992, which had deteriorated and become unusable by the time he made his film. He claimed that a few frames from the original were embedded in his film, but he never specified which ones. In 1995, before being exposed as a hoax, the film was sold to television networks and broadcast in more than 33 countries.
The second of two semi-static posed figures is complete. This version depicts the creature as it appears in the deleted "crab-walker" scene from the 1979 film as Lambert and Parker make a desperate attempt to escape the Nostromo. This deleted scene however was thought comical by many, not well executed on film and revealed too much of the creature...reducing it to nothing more than a man in a rubber suit...something Ridley Scott was avoiding by using smoke and shadow.
Hand sculpted, hand painted. 1:18 scale. I borrowed resin cast parts from the original Alien figure I created a year earlier, made modifications to the torso, neck, shoulders
and legs.
When crouched or "crab walking", the figure is approx. 3" high from highest point on head to the feet. When standing, the figure is approx. 5.25" high, still not fully erect as the leg and hip joints limit the full motion (again, this was originally meant to be a static posed figure). Fortunately I was able to add several articulation points to the figure: Ball jointed neck, shoulders, elbows, wrists, hips, knees and ankles. Vacuum formed PETG dome is removable. The tail is static but is attached using a revoltech joint and can be switched out with a longer tail option.
Original was sculpted using Aves FIXIT sculpt, a two part epoxy. Parts were cast in resin and assembled to build this version. Used Model Masters Polly Scale and Tamiya acrylics.
#ALIEN #nostromo #alien79project #avesfixit #avesstudio #20thcenturyfox #hrgiger #miniature #sculpting #art #painting #monsters #deletedscene #crabwalker #lambertandparker #inspacenoonecanhearyouscream