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The second of two semi-static posed figures is complete. This version depicts the creature as it appears in the deleted "crab-walker" scene from the 1979 film as Lambert and Parker make a desperate attempt to escape the Nostromo. This deleted scene however was thought comical by many, not well executed on film and revealed too much of the creature...reducing it to nothing more than a man in a rubber suit...something Ridley Scott was avoiding by using smoke and shadow.
Hand sculpted, hand painted. 1:18 scale. I borrowed resin cast parts from the original Alien figure I created a year earlier, made modifications to the torso, neck, shoulders
and legs.
When crouched or "crab walking", the figure is approx. 3" high from highest point on head to the feet. When standing, the figure is approx. 5.25" high, still not fully erect as the leg and hip joints limit the full motion (again, this was originally meant to be a static posed figure). Fortunately I was able to add several articulation points to the figure: Ball jointed neck, shoulders, elbows, wrists, hips, knees and ankles. Vacuum formed PETG dome is removable. The tail is static but is attached using a revoltech joint and can be switched out with a longer tail option.
Original was sculpted using Aves FIXIT sculpt, a two part epoxy. Parts were cast in resin and assembled to build this version. Used Model Masters Polly Scale and Tamiya acrylics.
#ALIEN #nostromo #alien79project #avesfixit #avesstudio #20thcenturyfox #hrgiger #miniature #sculpting #art #painting #monsters #deletedscene #crabwalker #lambertandparker #inspacenoonecanhearyouscream
Sculpt update on the Alien Warrior - 1:18 scale - ALIENS 86. Completed the small scaled head sculpt of the Alien Warrior. The first attempt had the head too wide, the second was too short in length....the third though is just right smile emoticon The lower jaw is a borrowed cast from my ALIEN79 beastie. I plan to create some variants similar to the 79 version. Now - back to sculpting the upper torso and plenty of head sculpts that need to be painted. ‪#‎aliens‬ ‪#‎alien‬ ‪#‎warrior‬ ‪#‎queen‬ ‪#‎hive‬ ‪#‎sculpture‬ ‪#‎art‬ ‪#‎monsterinthebasement‬
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Made with PovRay
for this pic many thanks go to
Dr. Stefan Immel for his great tutorials on PovRay:
Alien: Isolation oynanış videosu izle - www.webboloji.com/alien-isolation-icin-yeni-bir-oynanis-v...
The topiary floral sculpture from the movie Disney-Pixar Toy Story display at Floral Fantasy, Gardens by the Bay during Disney Garden of Wonder.
Concierto de Alien Sex Fiend en la sala The Mills
(Valencia, www.myspace.com/themillclub ).
Trabajo para "El mal producciones"
I don't know how, but the sun reflecting on windows projected these two ''spacemen'' onto my garage door. It has only happed the once and I managed to get this shot. Weird or what!!!
Back with Alien session.
The bubble was there no PS. I swear we did a lot of effort to make this picture :)
....
Time is gonna take my mind
and carry it far away where I can fly...
No, I won't step back but I'll look down to hide from your eyes
'cause what I feel is so sweet and I'm scared that even my own breath
Oh could burst it if it were a bubble
And I'd better dream if I have to struggle
So I put my arms around you around you
And I hope that I will do no wrong
My eyes are on you they're on you
And I hope that you won't hurt me
I'm dancing in the room as if I was in the woods with you
No need for anything but music
Music's the reason why I know time still exists
Time still exists
....
Ok ok!
Easy to find a new watching kid on google images but i have a better idea!
If you are photograph and you have a nice one to propose me, i replace the ''yellow kid'' by your's and we do a link from each one!
Pass the message! :-)
Model : Alec Cendre, the alien.
With his gas mask and makeup on the eyebrows and forehead, it is already quite frightening. But when he made a full rotation to each of his arms, it becomes truly monstrous and his aspect loses all humanity.
But in fact, his humour betray himself : he is still part of the human race.
Photographed at the party "Portrait of weird society" at K-Barre (Lyon-France).
Quick links :
On Flickr : my classified pictures
This is the Alien Goddess. You can tell she is an alien because her skin is blue and green. A very light and pale blue and green. There is something else that's odd about her, but I can't quite put my finger on it... Anyway, she has a nifty hair do. The thing on her forehead I suppose is her antennae, or else she has unicorn blood.
This sculpture is completely original and hand sculpted by me, Jane. This Alien Goddess has very refined and delicate features that I hand sculpted out of polymer clay, The high mica clays I used can be burnished to a shimmer, which I did do. She is a red head and her hair waves and undulates in hypnotic ways. I set two blue glass cabochons into the face to be her eyes. Now, these eyes look to the side instead of straight forward. That is a good thing, because it can be a little disconcerting to have someone stare at you endlessly. So you know she is considerate and polite.
Concierto de Alien Sex Fiend en la sala The Mills
(Valencia, www.myspace.com/themillclub ).
Trabajo para "El mal producciones"
Alien spraypainted on a concrete electrical pylon near an abandoned campsite - it looked like a local hangout spot for kids with a bunch of graffiti and trash submerged in the mud.
Alien She
Photos and Video by Mario Gallucci
Alien She
Sep 3, 2015 â Jan 9, 2016
Alien She, curated by Astria Suparak + Ceci Moss, is the first exhibition to examine the lasting impact of Riot Grrrl on artists and cultural producers working today. A pioneering punk feminist movement that emerged in the early 1990s, Riot Grrrl has had a pivotal influence, inspiring many around the world to pursue socially and politically progressive careers as artists, activists, authors and educators. Emphasizing female and youth empowerment, collaborative organization, creative resistance and DIY ethics, Riot Grrrl helped a new generation to become active feminists and create their own culture and communities that reflect their values and experiences, in contrast to mainstream conventions and expectations.
Riot Grrrl formed in reaction to pervasive and violent sexism, racism and homophobia in the punk music scene and in the culture at large. Its participants adapted strategies from earlier queer and punk feminisms and â70s radical politics, while also popularizing discussions of identity politics occurring within academia, but in a language that spoke to a younger generation. This self-organized network made up of teenagers and twenty-somethings reached one another through various platforms, such as letters, zines, local meetings, regional conferences, homemade videos, and later, chat rooms, listservs and message boards. The movement eventually spread worldwide, with chapters opening in at least thirty-two states and twenty-six countries.* Its ethos and aesthetics have survived well past its initial period in the â90s, with many new chapters forming in recent years. Riot Grrrlâs influence on contemporary global culture is increasingly evident â from the Russian collective Pussy Riotâs protest against corrupt government-church relations to the popular teen website Rookie and the launch of Girls Rock Camps and Ladyfest music and art festivals around the world.
Alien
Our neighborhood has been invaded by aliens.
And I don't mean the good kind of alien that does construction, picks vegetables and fruit, cleans your house, and does your laundry.
I'm talking about scary little UFO type extra-terrestrial guys, masquerading as scare crows.
I haven't seen any rusty tin men or scraggly yappy dogs yet.
Alien She
Photos and Video by Mario Gallucci
Alien She
Sep 3, 2015 – Jan 9, 2016
Alien She, curated by Astria Suparak + Ceci Moss, is the first exhibition to examine the lasting impact of Riot Grrrl on artists and cultural producers working today. A pioneering punk feminist movement that emerged in the early 1990s, Riot Grrrl has had a pivotal influence, inspiring many around the world to pursue socially and politically progressive careers as artists, activists, authors and educators. Emphasizing female and youth empowerment, collaborative organization, creative resistance and DIY ethics, Riot Grrrl helped a new generation to become active feminists and create their own culture and communities that reflect their values and experiences, in contrast to mainstream conventions and expectations.
Riot Grrrl formed in reaction to pervasive and violent sexism, racism and homophobia in the punk music scene and in the culture at large. Its participants adapted strategies from earlier queer and punk feminisms and ‘70s radical politics, while also popularizing discussions of identity politics occurring within academia, but in a language that spoke to a younger generation. This self-organized network made up of teenagers and twenty-somethings reached one another through various platforms, such as letters, zines, local meetings, regional conferences, homemade videos, and later, chat rooms, listservs and message boards. The movement eventually spread worldwide, with chapters opening in at least thirty-two states and twenty-six countries.* Its ethos and aesthetics have survived well past its initial period in the ‘90s, with many new chapters forming in recent years. Riot Grrrl’s influence on contemporary global culture is increasingly evident – from the Russian collective Pussy Riot’s protest against corrupt government-church relations to the popular teen website Rookie and the launch of Girls Rock Camps and Ladyfest music and art festivals around the world.
Alien She focuses on seven people whose visual art practices were informed by their contact with Riot Grrrl. Many of them work in multiple disciplines, such as sculpture, installation, video, documentary film, photography, drawing, printmaking, new media, social practice, curation, music, writing and performance – a reflection of the movement’s artistic diversity and mutability. Each artist is represented by several projects from the last 20 years, including new and rarely seen works, providing an insight into the development of their creative practices and individual trajectories.
Artists: Ginger Brooks Takahashi (Pittsburgh), Tammy Rae Carland (Oakland), Miranda July (Los Angeles), Faythe Levine (Milwaukee), Allyson Mitchell (Toronto), L.J. Roberts (Brooklyn), Stephanie Syjuco (San Francisco) and more.
Archival Materials from: dumba collective; EMP Museum, Seattle; Interference Archive; Jabberjaw; the Riot Grrrl Collection at the Fales Library & Special Collections, NYU; and many personal collections.
Collaborative Projects and Platforms include: Counterfeit Crochet Project, Feminist Art Gallery (FAG), General Sisters, Handmade Nation, Joanie 4 Jackie, Learning to Love You More, LTTR, projet MOBILIVRE-BOOKMOBILE project, Sign Painters and more
Women’s Studies Professors Have Class Privilege / I’m With Problematic, from the series Creep Lez, Allyson Mitchell, 2012.
Altered t-shirts with iron-on transfer and vinyl letters. Courtesy of the artist and Katharine Mulherin Gallery, Toronto.
Alien She is curated by Astria Suparak and Ceci Moss, and organized by the Miller Gallery at Carnegie Mellon University, Pittsburgh
Alien She is presented in two parts:
Museum of Contemporary Craft
724 NW Davis
Portland, OR 97209
511 Gallery @ PNCA
511 NW Broadway
Portland, OR 97209
Both venues are open Tuesday through Saturday from 11am to 6pm.
Alien cupcakes:
Cupcakes baked in aluminum foil cups
White Icing (for cakes)
Food coloring
Junior Mints
White Cupcake Decorating Icing (Dispenser w/ attachments)
Toothpicks
Aluminum Foil
The suits were embroidered, and hand painted, simply stunning work, they got best in show in the costume contest. I bow to this sort of work.
Created for: www.flickr.com/groups/art_uni_international/discuss/72157...
Thanks to Hartwig for sunset landscape: www.flickr.com/photos/h-k-d/5297789280/
Aliens spotted in: morbidanatomy.blogspot.com/
Butterfly thanks to: enchantedgal-stock.deviantart.com/gallery/