View allAll Photos Tagged alien
Alien Fresh Jerky is one of the other tourist locations in Baker, California. It's a store that sells jerky, dried fruit, nuts, stuffed olives, shirts, and other novelty crap, with the theme of aliens. Apparently this is due to the town's proximity to Area 51.
Sculpt update on the Alien Warrior - ALIENS 86 - 1:18 scale. Alternate head sculpt with mouth open. The final will feature the inner jaw exposed within. This is the same lower jaw sculpt I used with the 79 Alien - works well! Will require some additional sculpting to hold jaw in place - currently held in place with some was clay. ‪#‎aliens‬ ‪#‎xenomorph‬ ‪#‎alienwarrior‬ ‪#‎warrior‬
After agreeing to take my head out of the vise, the Alien divulged a little of his secret project. He has rebuilt the propulsion system used on his old spacecraft. It is of the BALanced Lithium Bromide USing TantalusER (BALLBUSTER) class. It can generate enough thrust to push thru the space time warp and pluck notes on the string theory.
Alien She
Photos and Video by Mario Gallucci
Alien She
Sep 3, 2015 â Jan 9, 2016
Alien She, curated by Astria Suparak + Ceci Moss, is the first exhibition to examine the lasting impact of Riot Grrrl on artists and cultural producers working today. A pioneering punk feminist movement that emerged in the early 1990s, Riot Grrrl has had a pivotal influence, inspiring many around the world to pursue socially and politically progressive careers as artists, activists, authors and educators. Emphasizing female and youth empowerment, collaborative organization, creative resistance and DIY ethics, Riot Grrrl helped a new generation to become active feminists and create their own culture and communities that reflect their values and experiences, in contrast to mainstream conventions and expectations.
Riot Grrrl formed in reaction to pervasive and violent sexism, racism and homophobia in the punk music scene and in the culture at large. Its participants adapted strategies from earlier queer and punk feminisms and â70s radical politics, while also popularizing discussions of identity politics occurring within academia, but in a language that spoke to a younger generation. This self-organized network made up of teenagers and twenty-somethings reached one another through various platforms, such as letters, zines, local meetings, regional conferences, homemade videos, and later, chat rooms, listservs and message boards. The movement eventually spread worldwide, with chapters opening in at least thirty-two states and twenty-six countries.* Its ethos and aesthetics have survived well past its initial period in the â90s, with many new chapters forming in recent years. Riot Grrrlâs influence on contemporary global culture is increasingly evident â from the Russian collective Pussy Riotâs protest against corrupt government-church relations to the popular teen website Rookie and the launch of Girls Rock Camps and Ladyfest music and art festivals around the world.
Alien
Une mosaïque de l'Alien de Flo, une de ces dernières créations.
Matériels utilisés :
. Canon EOS 7D
. EF 50 1: 1,8
________________________________________________ __ _
Autres Pages:
500px | Behance | Facebook | Fluidr | Myfav
________________________________________________ __ _
© Marceau Rouvre - Photographie & Graphisme
Merci de me contacter pour toute utilisation de la photographie. Un auteur vit de ses droits d'auteur. En respectant le Code de la Propriété Intellectuelle et en vous refusant systématiquement à utiliser une image ou un texte sans l'accord de celui qui l'a créé, vous respectez son travail.
-- - All rights reserved / Tous droits réservés - --
Back before the invasion, the A.D.U. was a pair of star searchers looking for life from other worlds.
Quite the relaxed time, parked in a field, good tunes blasting from their custom jukebox trailer, scanning the skies for broadcasts, sipping on a cool drink. They hoped to get a transmission from extra terrestrials, but the closest they ever got was 'Space Truckin'."
It wasn't until those hooligans from outer space came along in their van, defacing the rolling fields of wheat that things got serious. This was the A.D.U.'s field for driving around in, not some green skinned jerk's. When Uncle Sam came a-calling, the Alien Discovery Unit was the first to be called to defend our planet, and with some government funding they became the force many of us now know today.
---------------------
Built as a last minute partner to Lino's custom A100 van for the 46th Lugnuts build.
Alien She
Photos and Video by Mario Gallucci
Alien She
Sep 3, 2015 â Jan 9, 2016
Alien She, curated by Astria Suparak + Ceci Moss, is the first exhibition to examine the lasting impact of Riot Grrrl on artists and cultural producers working today. A pioneering punk feminist movement that emerged in the early 1990s, Riot Grrrl has had a pivotal influence, inspiring many around the world to pursue socially and politically progressive careers as artists, activists, authors and educators. Emphasizing female and youth empowerment, collaborative organization, creative resistance and DIY ethics, Riot Grrrl helped a new generation to become active feminists and create their own culture and communities that reflect their values and experiences, in contrast to mainstream conventions and expectations.
Riot Grrrl formed in reaction to pervasive and violent sexism, racism and homophobia in the punk music scene and in the culture at large. Its participants adapted strategies from earlier queer and punk feminisms and â70s radical politics, while also popularizing discussions of identity politics occurring within academia, but in a language that spoke to a younger generation. This self-organized network made up of teenagers and twenty-somethings reached one another through various platforms, such as letters, zines, local meetings, regional conferences, homemade videos, and later, chat rooms, listservs and message boards. The movement eventually spread worldwide, with chapters opening in at least thirty-two states and twenty-six countries.* Its ethos and aesthetics have survived well past its initial period in the â90s, with many new chapters forming in recent years. Riot Grrrlâs influence on contemporary global culture is increasingly evident â from the Russian collective Pussy Riotâs protest against corrupt government-church relations to the popular teen website Rookie and the launch of Girls Rock Camps and Ladyfest music and art festivals around the world.
Alien
Head bite!
Featured on Life In Plastic: nerditis.com/2014/05/14/life-in-plastic-toy-review-the-al...
Atention:This new versions of my "Alien's Landscapes" have the contribuition of my Flickr's friends Cutangos (Pepe)! He criated the vehicles that I put in the pictures!!!
Thanks Cutangos!!!
This whole crossover started because of an easter egg in Predator 2, but I bet you can't imagine either franchise without the other now, can you?
Featured on Life In Plastic: nerditis.com/2013/07/05/life-in-plastic-toy-review-warrio...
Costume made by me.
To see more watch me on DA: 0omrshydeo0.deviantart.com/
Or follow me on Facebook: on.fb.me/ptsn0E
The spider antennas of the Murchison Widefield Array (MWA) bring an alien quality to one of the oldest landscapes on earth: the Western Australian Outback.
Supposedly, an actual human skull was used in the construction of the Alien's head.
Featured on Life In Plastic: nerditis.com/2014/01/31/life-in-plastic-toy-review-xenomo...
The kids and I were at the park Saturday and the hedge apples (we were calling them Alien Brains and making up associated stories) were abundant. Several of the kids on the playground took it upon themselves to collect and compile the worthless fruit onto this piece of playground equipment.
A smal "alien" in a cone of light.
The light source is my darkroom enlarger, a device to expose analog photographic paper :-)
I can see where they got the idea from for the alien eggs, these little beauties are bursting forth from the centre of a gazzinia flower.
LARGE IS BEST TO SEE THE DETAIL.
By early day break "Alien Probes" had been spotted circling around Mr Jon's place in Thailand.
It is reported the probes had been seen during the night but was unable to verify until these recent photos came in .
This sighting was early Monday morning just as the probes started searching for likely victims.
Mr Jon, an affiliate with "Reporters That Can Run Boarders" brought us this news update just as the probes were crossing the river into his compound.
It is reported Mr Jon and family including the famed "WeeNee" and of course the "Worm" all escaped unharmed.
We here at news station WTF-D50 are awaiting for any updates as to where the Alien Probes might be rounding up cattle, sheep and people at this very moment.
Please use our Alien Probe Hot Line 24 hours a day to report any suspicious activity.
1-800-probe-an-alien, operators are standing by.......
.
.
No animals, humans, aliens or insects were harmed during the shooting of this photo
.
.
.
Alien She
Photos and Video by Mario Gallucci
Alien She
Sep 3, 2015 – Jan 9, 2016
Alien She, curated by Astria Suparak + Ceci Moss, is the first exhibition to examine the lasting impact of Riot Grrrl on artists and cultural producers working today. A pioneering punk feminist movement that emerged in the early 1990s, Riot Grrrl has had a pivotal influence, inspiring many around the world to pursue socially and politically progressive careers as artists, activists, authors and educators. Emphasizing female and youth empowerment, collaborative organization, creative resistance and DIY ethics, Riot Grrrl helped a new generation to become active feminists and create their own culture and communities that reflect their values and experiences, in contrast to mainstream conventions and expectations.
Riot Grrrl formed in reaction to pervasive and violent sexism, racism and homophobia in the punk music scene and in the culture at large. Its participants adapted strategies from earlier queer and punk feminisms and ‘70s radical politics, while also popularizing discussions of identity politics occurring within academia, but in a language that spoke to a younger generation. This self-organized network made up of teenagers and twenty-somethings reached one another through various platforms, such as letters, zines, local meetings, regional conferences, homemade videos, and later, chat rooms, listservs and message boards. The movement eventually spread worldwide, with chapters opening in at least thirty-two states and twenty-six countries.* Its ethos and aesthetics have survived well past its initial period in the ‘90s, with many new chapters forming in recent years. Riot Grrrl’s influence on contemporary global culture is increasingly evident – from the Russian collective Pussy Riot’s protest against corrupt government-church relations to the popular teen website Rookie and the launch of Girls Rock Camps and Ladyfest music and art festivals around the world.
Alien She focuses on seven people whose visual art practices were informed by their contact with Riot Grrrl. Many of them work in multiple disciplines, such as sculpture, installation, video, documentary film, photography, drawing, printmaking, new media, social practice, curation, music, writing and performance – a reflection of the movement’s artistic diversity and mutability. Each artist is represented by several projects from the last 20 years, including new and rarely seen works, providing an insight into the development of their creative practices and individual trajectories.
Artists: Ginger Brooks Takahashi (Pittsburgh), Tammy Rae Carland (Oakland), Miranda July (Los Angeles), Faythe Levine (Milwaukee), Allyson Mitchell (Toronto), L.J. Roberts (Brooklyn), Stephanie Syjuco (San Francisco) and more.
Archival Materials from: dumba collective; EMP Museum, Seattle; Interference Archive; Jabberjaw; the Riot Grrrl Collection at the Fales Library & Special Collections, NYU; and many personal collections.
Collaborative Projects and Platforms include: Counterfeit Crochet Project, Feminist Art Gallery (FAG), General Sisters, Handmade Nation, Joanie 4 Jackie, Learning to Love You More, LTTR, projet MOBILIVRE-BOOKMOBILE project, Sign Painters and more
Women’s Studies Professors Have Class Privilege / I’m With Problematic, from the series Creep Lez, Allyson Mitchell, 2012.
Altered t-shirts with iron-on transfer and vinyl letters. Courtesy of the artist and Katharine Mulherin Gallery, Toronto.
Alien She is curated by Astria Suparak and Ceci Moss, and organized by the Miller Gallery at Carnegie Mellon University, Pittsburgh
Alien She is presented in two parts:
Museum of Contemporary Craft
724 NW Davis
Portland, OR 97209
511 Gallery @ PNCA
511 NW Broadway
Portland, OR 97209
Both venues are open Tuesday through Saturday from 11am to 6pm.
Back with Alien session.
The bubble was there no PS. I swear we did a lot of effort to make this picture :)
....
Time is gonna take my mind
and carry it far away where I can fly...
No, I won't step back but I'll look down to hide from your eyes
'cause what I feel is so sweet and I'm scared that even my own breath
Oh could burst it if it were a bubble
And I'd better dream if I have to struggle
So I put my arms around you around you
And I hope that I will do no wrong
My eyes are on you they're on you
And I hope that you won't hurt me
I'm dancing in the room as if I was in the woods with you
No need for anything but music
Music's the reason why I know time still exists
Time still exists
....
Alien She
Photos and Video by Mario Gallucci
Alien She
Sep 3, 2015 – Jan 9, 2016
Alien She, curated by Astria Suparak + Ceci Moss, is the first exhibition to examine the lasting impact of Riot Grrrl on artists and cultural producers working today. A pioneering punk feminist movement that emerged in the early 1990s, Riot Grrrl has had a pivotal influence, inspiring many around the world to pursue socially and politically progressive careers as artists, activists, authors and educators. Emphasizing female and youth empowerment, collaborative organization, creative resistance and DIY ethics, Riot Grrrl helped a new generation to become active feminists and create their own culture and communities that reflect their values and experiences, in contrast to mainstream conventions and expectations.
Riot Grrrl formed in reaction to pervasive and violent sexism, racism and homophobia in the punk music scene and in the culture at large. Its participants adapted strategies from earlier queer and punk feminisms and ‘70s radical politics, while also popularizing discussions of identity politics occurring within academia, but in a language that spoke to a younger generation. This self-organized network made up of teenagers and twenty-somethings reached one another through various platforms, such as letters, zines, local meetings, regional conferences, homemade videos, and later, chat rooms, listservs and message boards. The movement eventually spread worldwide, with chapters opening in at least thirty-two states and twenty-six countries.* Its ethos and aesthetics have survived well past its initial period in the ‘90s, with many new chapters forming in recent years. Riot Grrrl’s influence on contemporary global culture is increasingly evident – from the Russian collective Pussy Riot’s protest against corrupt government-church relations to the popular teen website Rookie and the launch of Girls Rock Camps and Ladyfest music and art festivals around the world.
Alien She focuses on seven people whose visual art practices were informed by their contact with Riot Grrrl. Many of them work in multiple disciplines, such as sculpture, installation, video, documentary film, photography, drawing, printmaking, new media, social practice, curation, music, writing and performance – a reflection of the movement’s artistic diversity and mutability. Each artist is represented by several projects from the last 20 years, including new and rarely seen works, providing an insight into the development of their creative practices and individual trajectories.
Artists: Ginger Brooks Takahashi (Pittsburgh), Tammy Rae Carland (Oakland), Miranda July (Los Angeles), Faythe Levine (Milwaukee), Allyson Mitchell (Toronto), L.J. Roberts (Brooklyn), Stephanie Syjuco (San Francisco) and more.
Archival Materials from: dumba collective; EMP Museum, Seattle; Interference Archive; Jabberjaw; the Riot Grrrl Collection at the Fales Library & Special Collections, NYU; and many personal collections.
Collaborative Projects and Platforms include: Counterfeit Crochet Project, Feminist Art Gallery (FAG), General Sisters, Handmade Nation, Joanie 4 Jackie, Learning to Love You More, LTTR, projet MOBILIVRE-BOOKMOBILE project, Sign Painters and more
Women’s Studies Professors Have Class Privilege / I’m With Problematic, from the series Creep Lez, Allyson Mitchell, 2012.
Altered t-shirts with iron-on transfer and vinyl letters. Courtesy of the artist and Katharine Mulherin Gallery, Toronto.
Alien She is curated by Astria Suparak and Ceci Moss, and organized by the Miller Gallery at Carnegie Mellon University, Pittsburgh
Alien She is presented in two parts:
Museum of Contemporary Craft
724 NW Davis
Portland, OR 97209
511 Gallery @ PNCA
511 NW Broadway
Portland, OR 97209
Both venues are open Tuesday through Saturday from 11am to 6pm.