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Birthday card
Alien created by H R Giger in 1978
© 20th Century Fox
(around) 11.4 x 6 ¾ inches (4.5 x 16 cm)
March 2o1o
j(ay)
Can you see them? The two legged dog facing the alien child. The adult hunter, ala The Predator, and the four legged, fish-lipped fuff monster!
alien female glaring into camera, threatening countenance, lizard-like skin, super-close perspective to camera, showing face only, super detailed, dynamic pose, professional photography, ultra-detailed, dramatic lighting, 8k, --uplight --v 5.2 --ar 1:1 --chaos 30
Aliens, dancing at moondusk.
Free texture.
Please, credit and leave a sample (small size) of your work if you use this texture.
Thank you.
I picked this dud up at the Circus. There were a ton of them running around at the Circus. You should have seen the family of five purple aliens that sat across from us. How can people not believe they are real. They are all OVER!!!
Aliens From The Film World....The Predator,Created by Stan Winston Studio's Using the Artistic Talents Steve Wang- Sculptor. chocolatebydeath.com/blog/?page_id=976. A photo manipulation using PS CS5 Created purely as Fan Art Free to Download and use.
These aliens travelled to earth and with their high tech jar they took a piece of beach back to their planet! - www.instagram.com/p/CC9hQpvCN8m/
Banana moon, ham/cheese rocket sandwich, hard-boiled egg alien on blue rice (used yolk for star next to moon), babybel cheese w/ star cut out and grapes
I still have no idea what kind of plant this is. Regardless, I wanted to get a few shots of it. By the way, to get this shot, I had to crawl down an embankment a bit, almost stand in a ditch, and then could I pluck the strange plant up to get the shots.
Taken for Active Assignment Weekly - b craw
Inspired by inspired by b craw.
These aliens looking things are the egg cases of Chondrichthyes, otherwise known as Mermaid's purses, which can be found washed up on this wild shore.
Ripley's costume in Alien 3 wasn't particularly flattering, though at least drawstring pants make a change from jumpsuits.
She comes with a couple of accessories, this torch being one of them.
Posing some NECA Aliens figures. Hicks & Hudson. I don't have the best set up for a display, so I had to make do.
I made some photoshop adjustments, like making it darker, increasing the blue hues, & adding some film grain, to make it more like the film.
Nikon D7000.
Alien saliendo de su huésped. Réplica del 3er Encuentro de FantasÃa y Ciencia Ficción, en Corporación Cultural de Las Condes.
Fallout 4: My colonial marine in an interior space I created in GECK that was inspired by the Alien movies - now with light shadows!
Looks like I have a crew forming!.....ALIEN 1:18 scale. Just a test shot of the crew sculpts in progress. Getting close but have a handful of sculpts to go before the manifest is complete and the Nostromo can sail! smile emoticon #alien #nostromo #the8thpassenger #sith_fire30
Alien She
Photos and Video by Mario Gallucci
Alien She
Sep 3, 2015 – Jan 9, 2016
Alien She, curated by Astria Suparak + Ceci Moss, is the first exhibition to examine the lasting impact of Riot Grrrl on artists and cultural producers working today. A pioneering punk feminist movement that emerged in the early 1990s, Riot Grrrl has had a pivotal influence, inspiring many around the world to pursue socially and politically progressive careers as artists, activists, authors and educators. Emphasizing female and youth empowerment, collaborative organization, creative resistance and DIY ethics, Riot Grrrl helped a new generation to become active feminists and create their own culture and communities that reflect their values and experiences, in contrast to mainstream conventions and expectations.
Riot Grrrl formed in reaction to pervasive and violent sexism, racism and homophobia in the punk music scene and in the culture at large. Its participants adapted strategies from earlier queer and punk feminisms and ‘70s radical politics, while also popularizing discussions of identity politics occurring within academia, but in a language that spoke to a younger generation. This self-organized network made up of teenagers and twenty-somethings reached one another through various platforms, such as letters, zines, local meetings, regional conferences, homemade videos, and later, chat rooms, listservs and message boards. The movement eventually spread worldwide, with chapters opening in at least thirty-two states and twenty-six countries.* Its ethos and aesthetics have survived well past its initial period in the ‘90s, with many new chapters forming in recent years. Riot Grrrl’s influence on contemporary global culture is increasingly evident – from the Russian collective Pussy Riot’s protest against corrupt government-church relations to the popular teen website Rookie and the launch of Girls Rock Camps and Ladyfest music and art festivals around the world.
Alien She focuses on seven people whose visual art practices were informed by their contact with Riot Grrrl. Many of them work in multiple disciplines, such as sculpture, installation, video, documentary film, photography, drawing, printmaking, new media, social practice, curation, music, writing and performance – a reflection of the movement’s artistic diversity and mutability. Each artist is represented by several projects from the last 20 years, including new and rarely seen works, providing an insight into the development of their creative practices and individual trajectories.
Artists: Ginger Brooks Takahashi (Pittsburgh), Tammy Rae Carland (Oakland), Miranda July (Los Angeles), Faythe Levine (Milwaukee), Allyson Mitchell (Toronto), L.J. Roberts (Brooklyn), Stephanie Syjuco (San Francisco) and more.
Archival Materials from: dumba collective; EMP Museum, Seattle; Interference Archive; Jabberjaw; the Riot Grrrl Collection at the Fales Library & Special Collections, NYU; and many personal collections.
Collaborative Projects and Platforms include: Counterfeit Crochet Project, Feminist Art Gallery (FAG), General Sisters, Handmade Nation, Joanie 4 Jackie, Learning to Love You More, LTTR, projet MOBILIVRE-BOOKMOBILE project, Sign Painters and more
Women’s Studies Professors Have Class Privilege / I’m With Problematic, from the series Creep Lez, Allyson Mitchell, 2012.
Altered t-shirts with iron-on transfer and vinyl letters. Courtesy of the artist and Katharine Mulherin Gallery, Toronto.
Alien She is curated by Astria Suparak and Ceci Moss, and organized by the Miller Gallery at Carnegie Mellon University, Pittsburgh
Alien She is presented in two parts:
Museum of Contemporary Craft
724 NW Davis
Portland, OR 97209
511 Gallery @ PNCA
511 NW Broadway
Portland, OR 97209
Both venues are open Tuesday through Saturday from 11am to 6pm.
You probably didn't know that, but I'm a long-term fan of speculative biology (even before "The Future Is Wild" was released), but I have never taken a part actively.
Things have changed, and some time after I stopped with origami, I decided to start my own xenobiology project. I am still quite early on in the project and I'm aiming to create a global biosphere of an alien planet.
This here is a squid-like animal that lives in the seas of the planet. It moves by flapping with its four fins - when the upper fins go down, the lower fins go up and vice versa - and also by pumping water through the gill chamber on top of the body.
The mouthparts consist of four "C-.like" toothed blades arranged in two concentric pairs.
The jaws open to the sides, rather than up and down, and are suspended within the "lip" musculature, with only the teeth showing.
If you would like to see more of this, let me know, and I will upload more here, or follow this link and visit me on deviantart!