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Happy Novvember! In much the same way as I redid the ADU mech, I've reduced the alien Crescent to its component parts and started again.
Once again, the big saucer pieces are integral to the build (although I'm honestly sick of them, they're so big and blocky!), along with the lime fins. I've also used some of the larger shells to round out the back of the cockpit, so all told this is a rather chonky build.
I started with the triangular-finned prongs, and from there the build continued. I do wish I had a third 16x4 wedge, as I've used two for the wings, and I think for maximum absurdity it would have been good for it to be the stabiliser too. No such luck though, so I made a more sensibly-proportioned fin.
This will be coming to Bricktastic in February, along with the rest of the ADU/alien invaders. Come say hello!
One of those nights you go out, brave the cold wind, come home with good hopes, just to find out the focus wasn't just right..... Bummer. So hard to get a good focus when it is so dark...
To make this weird alien doll I combined two dollar store finds, a stuffed toy and a china doll, then I hand embroidered the whole thing. --- 'cause sometimes, you know, you just gotta do weird.
The Hudson & Vasquez figures are from NECA. The cocooned victim is part of McFarlane's Queen Alien set.
Nikon F65. Kodak Ektar 100 35mm C41 film. Some photoshop adjustments in brightness/contrast & colour balance.
Alien: Isolation – preview | Technology | The Guardian
Alien: Isolation – preview | Technology | The Guardian Wallpaper.
www.cartoonography.com/5336-alien-isolation-hd-wallpaper....
Went through the pics and had to add one more. I had watered my flowers and never even noticed him. At first I though he was a leaf that was half eaten.
Alien She
Photos and Video by Mario Gallucci
Alien She
Sep 3, 2015 – Jan 9, 2016
Alien She, curated by Astria Suparak + Ceci Moss, is the first exhibition to examine the lasting impact of Riot Grrrl on artists and cultural producers working today. A pioneering punk feminist movement that emerged in the early 1990s, Riot Grrrl has had a pivotal influence, inspiring many around the world to pursue socially and politically progressive careers as artists, activists, authors and educators. Emphasizing female and youth empowerment, collaborative organization, creative resistance and DIY ethics, Riot Grrrl helped a new generation to become active feminists and create their own culture and communities that reflect their values and experiences, in contrast to mainstream conventions and expectations.
Riot Grrrl formed in reaction to pervasive and violent sexism, racism and homophobia in the punk music scene and in the culture at large. Its participants adapted strategies from earlier queer and punk feminisms and ‘70s radical politics, while also popularizing discussions of identity politics occurring within academia, but in a language that spoke to a younger generation. This self-organized network made up of teenagers and twenty-somethings reached one another through various platforms, such as letters, zines, local meetings, regional conferences, homemade videos, and later, chat rooms, listservs and message boards. The movement eventually spread worldwide, with chapters opening in at least thirty-two states and twenty-six countries.* Its ethos and aesthetics have survived well past its initial period in the ‘90s, with many new chapters forming in recent years. Riot Grrrl’s influence on contemporary global culture is increasingly evident – from the Russian collective Pussy Riot’s protest against corrupt government-church relations to the popular teen website Rookie and the launch of Girls Rock Camps and Ladyfest music and art festivals around the world.
Alien She focuses on seven people whose visual art practices were informed by their contact with Riot Grrrl. Many of them work in multiple disciplines, such as sculpture, installation, video, documentary film, photography, drawing, printmaking, new media, social practice, curation, music, writing and performance – a reflection of the movement’s artistic diversity and mutability. Each artist is represented by several projects from the last 20 years, including new and rarely seen works, providing an insight into the development of their creative practices and individual trajectories.
Artists: Ginger Brooks Takahashi (Pittsburgh), Tammy Rae Carland (Oakland), Miranda July (Los Angeles), Faythe Levine (Milwaukee), Allyson Mitchell (Toronto), L.J. Roberts (Brooklyn), Stephanie Syjuco (San Francisco) and more.
Archival Materials from: dumba collective; EMP Museum, Seattle; Interference Archive; Jabberjaw; the Riot Grrrl Collection at the Fales Library & Special Collections, NYU; and many personal collections.
Collaborative Projects and Platforms include: Counterfeit Crochet Project, Feminist Art Gallery (FAG), General Sisters, Handmade Nation, Joanie 4 Jackie, Learning to Love You More, LTTR, projet MOBILIVRE-BOOKMOBILE project, Sign Painters and more
Women’s Studies Professors Have Class Privilege / I’m With Problematic, from the series Creep Lez, Allyson Mitchell, 2012.
Altered t-shirts with iron-on transfer and vinyl letters. Courtesy of the artist and Katharine Mulherin Gallery, Toronto.
Alien She is curated by Astria Suparak and Ceci Moss, and organized by the Miller Gallery at Carnegie Mellon University, Pittsburgh
Alien She is presented in two parts:
Museum of Contemporary Craft
724 NW Davis
Portland, OR 97209
511 Gallery @ PNCA
511 NW Broadway
Portland, OR 97209
Both venues are open Tuesday through Saturday from 11am to 6pm.
A quick shot of some resin pulls for Alien Warrior pieces. I have the lower torsos in the works now. Next step will be sculpting the arms. Nothing cleaned up - just some rough pulls and again, quick shot with the smartphone...not the best quality. #aliens #alienwarrior #casting #smoothon #xenomorph #hive
In the near future, humanity has established a surprising and peaceful contact with an extraterrestrial civilisation. These aliens, whose technological level far surpasses our own, have granted us access to advanced technology with the potential to revolutionise all aspects of our world. Among the many gifts they have brought are a series of mysterious devices and toys that particularly captivate children – especially girls.
These alien devices appear to activate a form of direct communication with the girls' minds. It is as if they resonate with their brains, transmitting an infinite stream of knowledge. The girls become astonishingly intelligent, their understanding spanning from advanced physics to poetic interpretations of the universe. Yet a shadow of uncertainty remains: What is the purpose of this knowledge? What consequences will it have for them and for us as a society? Is this resonance a bridge between species, a collaboration, or something deeper and more enigmatic? While we ponder these questions, we choose to let the girls continue their play, both fascinated and apprehensive about what the future may hold.
This image series explores this fascinating and mysterious encounter between the girls and their new toys. It is a visual narrative of curiosity, technology, and the unknown.
Poem: "Resonance"
They came with light,no demands, no demands.The voices of their technology spokethrough the stars,a whisper in the mind.
The girls' hands reachedfor the alien objects,and with each touchcame a stream of universesthrough their minds.
Is it knowledge or a riddle?Is it freedom or destiny?They laugh, they learn,while we watchand wait for answers.
Haikus
Stars burn bright above,
mystic hands bring minds to sing
in unison's hum.
Girls' wide eyes glimmer,
knowledge flows like endless streams
through time's hidden paths.
Play births creation,
alien voices murmur
secrets to their hands.
Peace from the beyond,
technology’s dance now rests
in the girls' small palms.
What is their intent?
A gift or a subtle test?
We choose still to see.
The same as Cello Heads but de-saturated with a small amount of color added using the color curves, just to enhance the picture a little bit. A suggestion was made that they looked a bit alien, so the name has had a little change... Also it has been noted that the bottom left one looks a little sinister....
These tiny 'wax flowers', often used to fill up bouquets, really look kind of alien when viewed from very close up.
This papercraft is an Alien, from the same name sci-fi horror film, the paper model is created by Firefox and Exdanil. The size of finished model is about 200 (H) x 421 (W) x 116 (D) mm.
You can download this papercraft template here: Alien Free Papercraft Template Download [Box] [Gavitex]
www.papercraftsquare.com/alien-free-papercraft-template-d...
All of my shots of my NECA Aliens figures have been done on digitally, but I've started doing shots on film. Some cropping & adjustments in brightness/contrast, & colours.
Nikon F4. Kodak Portra 800 35mm C41 film.
I am pretty sure that after emptying this little bottle, you will feel quite "strange", hahaha. I found this in the Vondelpark.
Alien Roses - Free Polymer Clay tutorial by Beads Academy / Mihaela Georgescu. Inspiration on how to create a sculptural piece of jewelry. You can apply the same technique to make "rose"-like 3D beads. More inspiration on: michellemaya2005.wordpress.com/
On the streets Berlns. Two robots make street music. It seems as if an alien band landed on earth wäre.Schwarz / white street photography from Berlin.
My LEGO version of the iconic 1979 ALIEN Xenomorph.
This has been an exceptionally challenging and and mind-expanding build. Working from references to create these organic shapes was a wholly new type of MOCing for me. I learned soooooo much during the late nights tinkering away at this guy.
Also, sorry for the delay in posting the shots of this bad boy. I had to move right after the convention and hadn't gotten a chance to photograph it. I still want to work on it further and finish up the bust ( if not the whole thing! ) someday. Again, I hope to have a REALLY pro photo setup again soon, fingers crossed for a home-loan and the perfect place to move into.
Comments and feedback much appreciated!
And a rare scene emerged from the woods. The Alien was greeted by "The Cacophony Society", a random gathering of individuals united in the pursuit of experiences beyond the pale of mainstream society through subversion, pranks, art, fringe explorations and meaningless madness. The Empress can be relieved. Her telepathic radar found the mark. She hit the nail on the head. After an exhausting; very tiring; arduously severe; grueling adventure, the Alien has finally found rest. The Society has an obscure member who claims that he can lead The Alien home. Can this be true?
Alien story made for the display "Space Panic" at the french convention Brick à Dole 2017.
No display "Space Panic" without... Panic ^_^
A wink at the mythical movie monster... Alien ! Reinterpretation of some of the cult scenes of Alien movies.
Of course on this display as in space, no one can hear you scream...
Ellen Ripley, Jones and the Power Loader (In fight with some aliens)
He came to Earth for our sheep… which didn’t look quite so big from outer space. (He may have to settle for yarn scraps instead.)
Czeck Republic Air Force, Mil Mi-24V Hind, cn 203366, marked 3366 "Alien". New livery just in time for NATO Tiger Meeting 2016 held in Zaragoza (Saragossa) LEZG / ZAZ
You don’t usually associate the gray aliens with big cities, but I had this fire hydrant charm I’d been trying to use for decades and figured it would clearly establish that these guys were on Earth. These are two of six different poses made by Imperial and sold in a set called “Star Patrol”. Imperial also manufactured slightly larger (2.31”) versions of the same six poses in an “Alien Invaders” set.
The figures just got the usual parting line sanding before painting. I especially liked that Imperial made the heads different shapes, so I purposely varied the gray skin tones. The sidewalk is a piece of sheet styrene that was vacuum formed over some fine sandpaper.
Completed in 1999.