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Alien She
Photos and Video by Mario Gallucci
Alien She
Sep 3, 2015 â Jan 9, 2016
Alien She, curated by Astria Suparak + Ceci Moss, is the first exhibition to examine the lasting impact of Riot Grrrl on artists and cultural producers working today. A pioneering punk feminist movement that emerged in the early 1990s, Riot Grrrl has had a pivotal influence, inspiring many around the world to pursue socially and politically progressive careers as artists, activists, authors and educators. Emphasizing female and youth empowerment, collaborative organization, creative resistance and DIY ethics, Riot Grrrl helped a new generation to become active feminists and create their own culture and communities that reflect their values and experiences, in contrast to mainstream conventions and expectations.
Riot Grrrl formed in reaction to pervasive and violent sexism, racism and homophobia in the punk music scene and in the culture at large. Its participants adapted strategies from earlier queer and punk feminisms and â70s radical politics, while also popularizing discussions of identity politics occurring within academia, but in a language that spoke to a younger generation. This self-organized network made up of teenagers and twenty-somethings reached one another through various platforms, such as letters, zines, local meetings, regional conferences, homemade videos, and later, chat rooms, listservs and message boards. The movement eventually spread worldwide, with chapters opening in at least thirty-two states and twenty-six countries.* Its ethos and aesthetics have survived well past its initial period in the â90s, with many new chapters forming in recent years. Riot Grrrlâs influence on contemporary global culture is increasingly evident â from the Russian collective Pussy Riotâs protest against corrupt government-church relations to the popular teen website Rookie and the launch of Girls Rock Camps and Ladyfest music and art festivals around the world.
Alien She focuses on seven people whose visual art practices were informed by their contact with Riot Grrrl. Many of them work in multiple disciplines, such as sculpture, installation, video, documentary film, photography, drawing, printmaking, new media, social practice, curation, music, writing and performance â a reflection of the movementâs artistic diversity and mutability. Each artist is represented by several projects from the last 20 years, including new and rarely seen works, providing an insight into the development of their creative practices and individual trajectories.
Artists: Ginger Brooks Takahashi (Pittsburgh), Tammy Rae Carland (Oakland), Miranda July (Los Angeles), Faythe Levine (Milwaukee), Allyson Mitchell (Toronto), L.J. Roberts (Brooklyn), Stephanie Syjuco (San Francisco) and more.
Archival Materials from: dumba collective; EMP Museum, Seattle; Interference Archive; Jabberjaw; the Riot Grrrl Collection at the Fales Library & Special Collections, NYU; and many personal collections.
Collaborative Projects and Platforms include: Counterfeit Crochet Project, Feminist Art Gallery (FAG), General Sisters, Handmade Nation, Joanie 4 Jackie, Learning to Love You More, LTTR, projet MOBILIVRE-BOOKMOBILE project, Sign Painters and more
Womenâs Studies Professors Have Class Privilege / Iâm With Problematic, from the series Creep Lez, Allyson Mitchell, 2012.
Altered t-shirts with iron-on transfer and vinyl letters. Courtesy of the artist and Katharine Mulherin Gallery, Toronto.
Alien She is curated by Astria Suparak and Ceci Moss, and organized by the Miller Gallery at Carnegie Mellon University, Pittsburgh
Alien She is presented in two parts:
Museum of Contemporary Craft
724 NW Davis
Portland, OR 97209
511 Gallery @ PNCA
511 NW Broadway
Portland, OR 97209
Both venues are open Tuesday through Saturday from 11am to 6pm.
No quarto, Victor pareceu incomodado com a presença da alien misteriosa.
-Droga, como vamos ter privacidade assim? - Ele reclamou.
-Tudo bem, eu não acho que ela vá acordar tão cedo. - Lizzie sorriu maliciosamente.
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Bom, essa parte não faz diferença para a história e eu não ia postar, mas achei até que seria legal para ver um pouco como eles são juntos, já que não posso postar as histórias deles agora.
Vou aproveitar para avisar que amanhã vou viajar, então provavelmente não vou postar nada até segunda. Provavelmente vou perder o desafio da semana, mas vou tentar tirar uma foto com o tema durante a viagem para ao menos postar atrasado ou sei lá.
Já cansei de esperar a doll nova, espero que ela chegue logo! Se considerar todo o tempo que eu quis ela, já to esperando há uns 2-3 anos u_u
monólogo interno: tenha paciência, cara, você comprou ela ontem
ALIEN (1979)
It's not easy finding good period shots of this model so have created this view from various sources as an attempt to capture its look/feel in the film.
Super7 - ReAction Aliens
U.S. Colonial Marines & Weyland-Yutani Corp
Vesquez, Hicks, Bishop, Newt, and Hudson
This is metal mesh used to protect new seedlings in a garden. The bright green is the new seedling below being lit by side light in the morning, and they are being refracted in the drop of dew clinging to the underside of the mesh.
Chelsea - Certified Personal Trainer and Nationally Qualified NPC Bikini Competitor
I had the pleasure of collaborating with Chelsea and excited to see her on stage in 2016.
Nikon D800 with 50/1.4 lens
Strobist: Three light set-up. Key light is an Alien Bees B800 with shoot-thru 60" umbrella, camera left. Criss-Crossed two Alien Bees B1600's against white backdrop to make background pure white. All lights fired via Pocket Wizard Plus III's.
An abstract smoke image from a series of smoke trails photographs that I thought looked like an alien.
Alien family in Nelson Nevada, Intrepid 4x5 mk2, Ilex Agugon 90mm f8, Ilford HP5+ @400 iso, 2 minutes exposure @ f32, developed in Rodinal 1+100
I like to create alien Landscapes.
In the foreground you see crystallized vitamin C in a Petry dish.
The blurry background is made up of Ceran Wrap that was placed under the Petry dish.
The colors come about because the scene was lit from underneath with one polarizer filter placed underneath and another one on top.
I'm reminded of the Alien, in that one movie, what is it called again??? Oh yeah, Alien.
Tanner Squid is the angry Alien (why are they so angry?) and the flying squirrel is playing yet another hapless victim who should never have ventured into the far reaches of outer space.
Right after this, Tanner Squid passed out. That's a whole other hilarious photo.
Alien Invasion Seattle. Looking down from the Space Needle to the buildings below.
#seattle #spaceneedle #washington #photography #travel #tf_photography #tf_photoscapes
This is one of my favorite shots in the movie, there really isn't anything breaking about it, nothing special, there isn't the alien or the crashed ship. It's just so minimal, and interesting.
I really like it for some reason, so much that I thought about uploading it, now that I've decided to revisit Alien Isolation for a third time, on a Saturday night at 3AM.
The second of two semi-static posed figures is complete. This version depicts the creature as it appears in the deleted "crab-walker" scene from the 1979 film as Lambert and Parker make a desperate attempt to escape the Nostromo. This deleted scene however was thought comical by many, not well executed on film and revealed too much of the creature...reducing it to nothing more than a man in a rubber suit...something Ridley Scott was avoiding by using smoke and shadow.
Hand sculpted, hand painted. 1:18 scale. I borrowed resin cast parts from the original Alien figure I created a year earlier, made modifications to the torso, neck, shoulders
and legs.
When crouched or "crab walking", the figure is approx. 3" high from highest point on head to the feet. When standing, the figure is approx. 5.25" high, still not fully erect as the leg and hip joints limit the full motion (again, this was originally meant to be a static posed figure). Fortunately I was able to add several articulation points to the figure: Ball jointed neck, shoulders, elbows, wrists, hips, knees and ankles. Vacuum formed PETG dome is removable. The tail is static but is attached using a revoltech joint and can be switched out with a longer tail option.
Original was sculpted using Aves FIXIT sculpt, a two part epoxy. Parts were cast in resin and assembled to build this version. Used Model Masters Polly Scale and Tamiya acrylics.
#ALIEN #nostromo #alien79project #avesfixit #avesstudio #20thcenturyfox #hrgiger #miniature #sculpting #art #painting #monsters #deletedscene #crabwalker #lambertandparker #inspacenoonecanhearyouscream