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Daily Render [38]
Made in Cinema 4D
Original Model : www.flickr.com/photos/129635449@N07/17139488339/in/datepo...
This MT9 - Manipulator bot is of alien design, intimidating as it may be it is not used for war, just simple repair tasks....maybe that's why he seems so angry. A stong leader figure to other simpler bots, he demands respect. Maintenance personal are becoming aware of his increasing disatisfaction level, as they have noted he can often be heard talking to himself under his breath. Saying things like, "I'd ripe your face off if I didn't have to weld this damn pipe."
A experiment in mixing barnicle and system pieces to make another medium sized bot. Used a lot of trans, not really satisfied with this one, but I'm off to work tommorrow so might as well post it now.
She told me she comes from the planet String! I believe that on this planet they are self confident enough not to follow earthly conventions as far as under arm depilation is concerned.
MCM London Comic Con May2013
LEGO 43179 Mickey Mouse & Minnie Mouse Alternative Build[ALIEN]
How to build is uploaded my YouTube channel.
Alien She
Photos and Video by Mario Gallucci
Alien She
Sep 3, 2015 â Jan 9, 2016
Alien She, curated by Astria Suparak + Ceci Moss, is the first exhibition to examine the lasting impact of Riot Grrrl on artists and cultural producers working today. A pioneering punk feminist movement that emerged in the early 1990s, Riot Grrrl has had a pivotal influence, inspiring many around the world to pursue socially and politically progressive careers as artists, activists, authors and educators. Emphasizing female and youth empowerment, collaborative organization, creative resistance and DIY ethics, Riot Grrrl helped a new generation to become active feminists and create their own culture and communities that reflect their values and experiences, in contrast to mainstream conventions and expectations.
Riot Grrrl formed in reaction to pervasive and violent sexism, racism and homophobia in the punk music scene and in the culture at large. Its participants adapted strategies from earlier queer and punk feminisms and â70s radical politics, while also popularizing discussions of identity politics occurring within academia, but in a language that spoke to a younger generation. This self-organized network made up of teenagers and twenty-somethings reached one another through various platforms, such as letters, zines, local meetings, regional conferences, homemade videos, and later, chat rooms, listservs and message boards. The movement eventually spread worldwide, with chapters opening in at least thirty-two states and twenty-six countries.* Its ethos and aesthetics have survived well past its initial period in the â90s, with many new chapters forming in recent years. Riot Grrrlâs influence on contemporary global culture is increasingly evident â from the Russian collective Pussy Riotâs protest against corrupt government-church relations to the popular teen website Rookie and the launch of Girls Rock Camps and Ladyfest music and art festivals around the world.
Alien She focuses on seven people whose visual art practices were informed by their contact with Riot Grrrl. Many of them work in multiple disciplines, such as sculpture, installation, video, documentary film, photography, drawing, printmaking, new media, social practice, curation, music, writing and performance â a reflection of the movementâs artistic diversity and mutability. Each artist is represented by several projects from the last 20 years, including new and rarely seen works, providing an insight into the development of their creative practices and individual trajectories.
Artists: Ginger Brooks Takahashi (Pittsburgh), Tammy Rae Carland (Oakland), Miranda July (Los Angeles), Faythe Levine (Milwaukee), Allyson Mitchell (Toronto), L.J. Roberts (Brooklyn), Stephanie Syjuco (San Francisco) and more.
Archival Materials from: dumba collective; EMP Museum, Seattle; Interference Archive; Jabberjaw; the Riot Grrrl Collection at the Fales Library & Special Collections, NYU; and many personal collections.
Collaborative Projects and Platforms include: Counterfeit Crochet Project, Feminist Art Gallery (FAG), General Sisters, Handmade Nation, Joanie 4 Jackie, Learning to Love You More, LTTR, projet MOBILIVRE-BOOKMOBILE project, Sign Painters and more
Womenâs Studies Professors Have Class Privilege / Iâm With Problematic, from the series Creep Lez, Allyson Mitchell, 2012.
Altered t-shirts with iron-on transfer and vinyl letters. Courtesy of the artist and Katharine Mulherin Gallery, Toronto.
Alien She is curated by Astria Suparak and Ceci Moss, and organized by the Miller Gallery at Carnegie Mellon University, Pittsburgh
Alien She is presented in two parts:
Museum of Contemporary Craft
724 NW Davis
Portland, OR 97209
511 Gallery @ PNCA
511 NW Broadway
Portland, OR 97209
Both venues are open Tuesday through Saturday from 11am to 6pm.
Alien Sky, Distressed FX & Lory Stripes Apps. iPad Mini. I should have done the Lory stripes first. Original composite of him and background done on a PC.
Dutch postcard by Film Freak Productions, Zoetermeer, no. FA 323. Photo: Twentieth Century Fox. Publicity still for Alien 3 (David Fincher, 1992).
"In space, no one can hear you scream" is the tagline of the Sci-Fi Horror classic Alien (Ridley Scott, 1979). A close encounter of the third kind becomes a Jaws-style nightmare when an alien invades a spacecraft. Alien stands as one of the more thought-provoking, yet utterly terrifying horror films ever. Sigourney Weaver is amazing as Ellen Ripley, who became an iconic character in film history. The film won an Oscar for special effects, including the alien designed by Swiss artist H.R. Giger.
It is the year 2122. The U.S.C.S. Nostromo (Italian for "mate"), a commercial cargo spacecraft, is flying to Earth with several million tonnes of ore on board. The ship is manned by seven people and a sophisticated computer, which the crew call "Mother". The crew members are the men Dallas, Ash, Kane, Parker and Brett and the women Ripley and Lambert. The crew is woken up from hibernation by the ship's Mother computer to answer a distress signal from a nearby planet. Capt. Dallas's (Tom Skerritt) rescue team discovers a bizarre pod field, but things get even stranger when a face-hugging creature bursts out of a pod and attaches itself to Kane (John Hurt). Over the objections of Ripley (Sigourney Weaver), science officer Ash (Ian Holm) lets Kane back on the ship. The acid-blooded incubus detaches itself from an apparently recovered Kane, but an alien erupts from Kane's stomach and escapes. The alien starts stalking the humans, pitting Dallas and his crew (and cat) against a malevolent killing machine that also has a protector in the nefarious Company. While still a student at the University of Southern California, scriptwriter Dan O'Bannon had teamed up with director John Carpenter to make a comic science fiction film called Dark Star. His experience making this film gave Bannon the idea of making a similar film, but with a horror theme instead of a comedy. A few years later, he began writing a screenplay around this idea. Around the same time, Ronald Shusett began working on a screenplay that would eventually become Total Recall. He contacted O'Bannon after seeing Dark Star, after which the two decided to work together on Alien. However, O'Bannon had not yet thought about what the monster should look like.
Swiss artist H.R. Giger's alien design and Carlo Rambaldi's visual effects for Alien (1979) creepily meld technology with corporeality, creating a claustrophobic environment that is coldly mechanical yet horribly anthropomorphized, like the metallic monster itself. Director Ridley Scott keeps the alien out of full view, hiding it in the dark or camouflaging it in the workings of the Nostromo. Lucia Bozzola at AllMovie: "Signs of '70s cultural upheaval permeate Alien's future world, from the relationship between corporate capitalism and rapacious monstrosity to the heterogeneous crew and Ripley's forceful horror heroine. However, the intense frights and gross-outs are credited with making Alien one of the biggest hits of 1979 (it premiered on the two-year anniversary of Star Wars); Giger, Rambaldi, et al. won the Oscar for Best Visual Effects." Alien went on to spawn some genre-bending sequels: the actioner Aliens (1986), dark prison drama Alien 3 (1992), and the exotically grotesque Alien Resurrection (1997). In 2003, a director's cut of Alien (1979) was released in cinemas, with some additional scenes. The franchise now counts seven films. Roger Ebert: "Certainly the character of Ripley, played by Sigourney Weaver, would have appealed to readers in the Golden Age of Science Fiction. She has little interest in the romance of finding the alien, and still less in her employer's orders that it be brought back home as a potential weapon. After she sees what it can do, her response to "Special Order 24" ("Return alien lifeform, all other priorities rescinded") is succinct: "How do we kill it?" Her implacable hatred for the alien is the common thread running through all three "Alien" sequels, which have gradually descended in quality but retained their motivating obsession."
Sources: Roger Ebert (RogerEbert.com), Lucia Bozzola (AllMovie), Wikipedia (Dutch), and IMDb.
And, please check out our blog European Film Star Postcards.
With earth as our only reference point who's to say we would recognize alien life even if it were right in front of us? Such entities might employ strange asymmetries that render them utterly inscrutable to us, like this upended & weathered tree stump
Alien design by Build Better Bricks, built on a custom base designed to match the larger Arvo Brothers Xenomorph.
Alien Singapore, Singapore 2012
Nikon D800, Sigma 20mm F1.8 EX DG ASP RF
To give you an idea of scale, that curving thing is a foot bridge for people to walk on. These things are the size of office buildings.
A newborn dragonfly has left it's old skin behind when it has transformed from waterlarva to a beautiful dragonfly. This was taken in Haarlem.
Use of this image on websites, blogs, magazines, calendars or any other forms of media without the expressed permission of the photographer is illegal.
© Lyubov Love Photography. All rights reserved.
Alien Film Timeline (14/12/2016)
Created by me, using Adobe Premiere Pro.
Depicting the change of appearance and manor of aliens represented in film from the early 20th century up to the present day. Representing the way in which History has reworked itself.
Audio: Dark Synthwave Mix
Film List:
Aelita: Queen Of Mars: 1924
The Day The Earth Stood Still: 1951
The War Of The Worlds: 1953
E.T: 1982
The Thing: 1982
Aliens: 1986
Signs: 2002
Cloverfield: 2008
Pacific Rim: 2013
Arrival: 2016
again trying out different finishes....
thanks for looking in....appreciated......best bigger....hope you have a Great Day
Alien World is a part of the Valley of Dreams area. It is the area that huge hoodoos. These are some of the smaller ones.
From the new parking spot it is a .6 mile hike that for the most part is flat. Great improvement from where we used to park.
Classic sci-fi / horror monster, Alien, as depicted by Funko POP!. The photo was taken in an old gun powder mill on the grounds of Hagley Museum in Wilmington, Delaware.
Cappadocia is an area in Central Anatolia in Turkey best known for its unique moon-like landscape, underground cities, cave churches and houses carved in the rocks.
Aliens avoid area 51 you know. Because of all the alien abductions nowadays…
- - - foolishbricks.com - - -
Back before the invasion, the A.D.U. was a pair of star searchers looking for life from other worlds.
Quite the relaxed time, parked in a field, good tunes blasting from their custom jukebox trailer, scanning the skies for broadcasts, sipping on a cool drink. They hoped to get a transmission from extra terrestrials, but the closest they ever got was 'Space Truckin'."
It wasn't until those hooligans from outer space came along in their van, defacing the rolling fields of wheat that things got serious. This was the A.D.U.'s field for driving around in, not some green skinned jerk's. When Uncle Sam came a-calling, the Alien Discovery Unit was the first to be called to defend our planet, and with some government funding they became the force many of us now know today.
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Built as a last minute partner to Lino's custom A100 van for the 46th Lugnuts build.