View allAll Photos Tagged algorithmic

Vyacheslav Polonski, Founder and Chief Executive Officer, Avantgarde Analytics, United Kingdom during the Session: "Algorithms Make the World Go Round ? or Wrong" at the World Economic Forum - Annual Meeting of the New Champions in Dalian, People's Republic of China 2017. Copyright by World Economic Forum / Jakob Polacsek

computational algorithm

Once your land, no more your land

Mold Drawing #2

Bristol paper, Aquarelle

2013, 30 × 42mm (A3), Series of three.

AHTEHHA

Handheld, Motorola Atrix 2, GB

In-phone, 3 exposure combination

Dramatic mode

Opened up details in shadow area, while retaining details in sky

 

The Ittiam High Dynamic Range (HDR) algorithm for Mobile and Cellphone cameras, Smartphones and Tablets intelligently selects the exposures of the constituent images and combines the details using advanced de-noising, anti-ghosting and tone mapping techniques to obtain high quality HDR images. The HDR algorithm is part of Ittiam's Imaging SDK. The photograph was taken using an Android camera application based on Ittiam's Imaging SDK. All processing for this photograph was done in phone, unless explicitly noted.

 

For further information, please see Ittiam's HDR Algorithm Web Page

Algorithmic composition. A zoomable version can be found here.

 

Algorithmic worlds

Blog

How do Sorting Algorithms look like? A pixelrow of a photograph is taken and then sorted by colorvalues. Done with processing.

Final Version of the Orkyd Lamp, deisgn by Nate Wendling & myself

How do Sorting Algorithms look like? A pixelrow of a photograph is taken and then sorted by colorvalues. Done with processing.

Participants at the Bodily Algorithms workshop, 4 April 2011, Ian Potter Sculpture Court.

 

Hosted by Tim Schork, Charles Anderson and Gideon Obarzanek.

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Algorithmes Sérigraphiques

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Test image for the workshop. Three 'A''s generated in Processing with varying contour widths. From this we printed with different colours on a white and black T-Shirt to get an idea of the results. One of the main limitations of silkscreen printing is of course colour but also line width and therefore overall definition of the drawing.

 

More to come...

 

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A week long creative workshop using Processing to generate images and silk screen to print the results.

Un workshop d'une semaine avec du Processing et de la sérigraphie.

 

For further info/Plus d'infos : www.freeartbureau.org/blog/

 

ambientgoo.myportfolio.com

 

buttertwang presents: Frequência Modulada

 

estación: ESPACIO saudade pelo futuro incarnata muse lives life alive in illicit harmony experience love organic architecture whole new way of looking and seeing immersed in light painting now with no filter only 100% real organic naturally occurring analog physical geometric mathematical motion blur un poco loco algoRhythmic ambient guru perfection liquid flow god's dj jet set design graffiti urb scribble urban bright chaos fractal iteration mad busy hectic highway freeway traffic strobing neon signs contemporary abstract expressionism vs. the representational and objective expression and communication of movement and light exploration by means of the rich language of film movies and music thru the fluent use of the vocabulary of moire patterns bokeh and high speed blurry light trails kinetic street art of photography long exposure multiple time distortion compression shooting dtla while driving fast smooth inspired by film noir Ridley Scott Blade Runner, Roman Coppola movie CQ, Ghost in the Shell, etc…

 

#adobeillustrator #designer #abstract #algorithmic #vector #graphics #future #art #visual #artist #eye #minimalist #monochromatic #opart #logo #packaging #record #cover #graphic #graphicdesign #lines #golden #light #reflection #symmetry #circle #círculo #geometry #geometric #geometría

 

modern, abstraction, sublime, minimal, subliminal, disque, optique, moiré, orb, sun, star, planet, ambient, atmosphere, atmospheric, sci-fi, movie, cinematic, style, video, azulejos, mosaïque, mosaico, mosaic, retro, futuristic, poster

 

ortho projection mapping 3D dream subtle ambiance symbolism que hubo cubos totally immersive cubic room cubism cubismo logo spin wax blacklight horizontal universal symbol exploding atomic FUEGO sunstar crown mandaLA wireFrame red rad radio flying out golden radial nuclear sepia vector in all directions at once ninja star ojos de brujo infographiste cyber goth rave punk rock

 

ilusión óptica para vuestro placer retinal

 

Animated Blend Cymatics

 

Resonance Made Visible

 

Hard-as-Math, dots, lines, shimmer, swirl…

 

Book 4 hire, training, production, exhibition/commission or…

982e7f0c8b1e8d5e8b7baddcab60efa123de480c

Colorized by Artificial Intelligence Algorithm Tool from originally scanned hi-res photo from the respective source.

 

Credit disclaimer: I do not own the original scanned image and believe that it is in the public domain. These images have been collected from Flickr's search results and/or collected from various internet sources. If you know the link to the original image, please kindly put it into comment section as I will update the description to give full credit to the respective owner.

 

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Vyacheslav Polonski, Founder and Chief Executive Officer, Avantgarde Analytics, United Kingdom during the Session: "Algorithms Make the World Go Round ? or Wrong" at the World Economic Forum - Annual Meeting of the New Champions in Dalian, People's Republic of China 2017. Copyright by World Economic Forum / Jakob Polacsek

Participants at the Bodily Algorithms workshop, 4 April 2011, Ian Potter Sculpture Court.

 

Hosted by Tim Schork, Charles Anderson and Gideon Obarzanek.

One of the goals of volcanology is to understand the hazards entailing by the active volcanoes of the world. Currently, we resort to computer modelling to comprehend how, where and when eruptions and their related volcanic hazards could take place.

The most common simulated volcanic hazard is lava flows. In this study we have developed an algorithm based on a statistical analysis of geochemical data of lavas. This algorithm allows determining which will be the most probable expected compositions of lava flows for the future eruptions in El Hierro Island (Canary Archipelago).

Experiments with repulsive and attractive entities

Vyacheslav Polonski, Founder and Chief Executive Officer, Avantgarde Analytics, United Kingdom during the Session: "Algorithms Make the World Go Round ? or Wrong" at the World Economic Forum - Annual Meeting of the New Champions in Dalian, People's Republic of China 2017. Copyright by World Economic Forum / Jakob Polacsek

This project is part of the Open Futurelab Exhibition 2020.

 

As Key Researcher on Algorithmic Apperception, Otto Naderer realises projects with an emphasis on enabling machines’ sense and interpreting their surroundings. In today’s Inside Futurelab segment, he will be speaking about his research and Algorithmic Apperception. Physical space is something merely exclusively entitled to humans. It is where we walk, explore, engage with others. How we utilize space, how we interact, where we stand transports a lot about feelings, mood, intimacy (s. Proxemics). Algorithmic Apperception investigates ways to admit artificial systems into this space. It is the ambition to enable machines to not only sense their environment but make sense of it.

 

For further information please visit:

ars.electronica.art/homedelivery/en/inside-futurelab-algo...

 

Credit: tom mesic

algorithmic sketch

Final Version of the Orkyd Lamp, deisgn by Nate Wendling & myself

An example of Algorithmic Art. Read more here bit.ly/tH4TRo.

In the performance Robots, Bass, and Hot Algorithms! AI artist Portrait XO enters the stage with Moritz Simon Geist for musical interventions featuring techno robots and an AI collaborator. Portrait XO is an award-winning independent researcher and artist who creates musical and visual works with traditional and non-traditional methods based on ongoing research in computational creativity and human-machine collaboration. Sonically obsessed with space and time, she explores how far she can take storytelling and sound traveling through latent space. Moritz Simon Geist is a music producer working with music robots. He started because he wants to invent the future of electronic music — with robots! His projects range from robotic music performances to robotic sound installations.

 

Photo: tom mesic

Our son Adam Florin gave a fascinating talk about generative music at Algorithmic Art Assembly, hosted by Gray Area Art + Technology. He started with a quick demo of Patter, his music composition software, then took us on an illuminating journey through the many people and ideas which inspired him to create his cool freeform generative sequencer.

 

Brian Eno, who coined the phrase “generative music”, recently likened it to gardening -- but the material practice is just as much rooted in centuries of formal aesthetics, predictive statistics and industrial automation. How can we negotiate the tension between organic and and the mechanical in the algorithmic arts?

 

Adam has created some amazing digital tools and art exhibits in that space. It was great to hear what he's learned in this fascinating field, exploring the intersection of human and machine creativity. And to top it off, he gave this talk on his birthday, which was the best present of all!

 

Watch video highlights:

vimeo.com/326245953

 

View more photos:

www.flickr.com/photos/fabola/albums/72157677379327027

 

Learn about Patter:

adamflorin.work/projects/patter/

 

Learn about Algorithmic Arts:

aaassembly.org

 

#AlgorithmicArtAssembly #GrayArea

Colorized by Artificial Intelligence Algorithm Tool from originally scanned hi-res photo from the respective source.

 

Credit disclaimer: I do not own the original scanned image and believe that it is in the public domain. These images have been collected from Flickr's search results and/or collected from various internet sources. If you know the link to the original image, please kindly put it into comment section as I will update the description to give full credit to the respective owner.

 

Please follow, like and leave a comment for more exiting future notifications.

 

My websites:

www.asarstudios.com

springsofeden.com

 

Visit my portfolio sites:

celestial-images.pixels.com

www.saatchiart.com/celestialart

society6.com/asarstudios

www.redbubble.com/people/Motionage/shop

500px.com/p/asarstudios

www.behance.net/asarstudios/

ahmet-asar.pixels.com

eastern-accents.pixels.com

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springsofeden.com

www.etsy.com/shop/EasternAccentsArt

www.ebay.com/usr/troygiftshop

 

FOLLOW ME:

twitter.com/timelessgeomaps

twitter.com/asarstudios

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www.youtube.com/channel/UC8JtcV_EejccsUNXSK_ejcw Springs of Eden

www.pinterest.com/freedomonk

 

Our son Adam Florin gave a fascinating talk about generative music at Algorithmic Art Assembly, hosted by Gray Area Art + Technology. He started with a quick demo of Patter, his music composition software, then took us on an illuminating journey through the many people and ideas which inspired him to create his cool freeform generative sequencer.

 

Brian Eno, who coined the phrase “generative music”, recently likened it to gardening -- but the material practice is just as much rooted in centuries of formal aesthetics, predictive statistics and industrial automation. How can we negotiate the tension between organic and and the mechanical in the algorithmic arts?

 

Adam has created some amazing digital tools and art exhibits in that space. It was great to hear what he's learned in this fascinating field, exploring the intersection of human and machine creativity. And to top it off, he gave this talk on his birthday, which was the best present of all!

 

Watch video highlights:

vimeo.com/326245953

 

View more photos:

www.flickr.com/photos/fabola/albums/72157677379327027

 

Learn about Patter:

adamflorin.work/projects/patter/

 

Learn about Algorithmic Arts:

aaassembly.org

 

#AlgorithmicArtAssembly #GrayArea

visone.info/_detail/images/gcn-1996-status-part.png?id=index

 

Notes

 

in a long-term research project, the visone project team is developing models and algorithms to integrate and advance the analysis and visualization of social networks. example of a radial visualization part of visone is the design and implementation of a software tool intended for research and teaching in social network analysis. it is specifically designed to allow experts and novices alike to apply innovative and advanced visual methods with ease and accuracy

How do Sorting Algorithms look like? A pixelrow of a photograph is taken and then sorted by colorvalues. Done with processing.

In the performance Robots, Bass, and Hot Algorithms! AI artist Portrait XO enters the stage with Moritz Simon Geist for musical interventions featuring techno robots and an AI collaborator. Portrait XO is an award-winning independent researcher and artist who creates musical and visual works with traditional and non-traditional methods based on ongoing research in computational creativity and human-machine collaboration. Sonically obsessed with space and time, she explores how far she can take storytelling and sound traveling through latent space. Moritz Simon Geist is a music producer working with music robots. He started because he wants to invent the future of electronic music — with robots! His projects range from robotic music performances to robotic sound installations.

 

Photo: tom mesic

A "seed" image was generated with a FFT acting as a dynamic bandpass filter for very high frequencies, The seed image was altered with interrupted pixel-sorting and then a median filter was repeatedly applied. Colors were altered or added in Photoshop.

A sound generator (algorithmic music) based on an ATTINY 85.

Features:

- ALGO pot: choice of algorithm.

- X, Y pots: variables of the algorithms.

- LDR: Light-Dependent Resistor

- Switch: choice between Y and LDR.

- Volume pot.

- Sound output: mono 6.35mm plug.

- Yellow LED: sound LED.

- Red LED: ON/BATT

- Power supply: DC 9V external power supply or battery.

- Powered only when output sound jack inserted.

olorized by Artificial Intelligence Algorithm Tool from originally scanned hi-res photo from the respective source.

 

Credit disclaimer: I do not own the original scanned image and believe that it is in the public domain. These images have been collected from Flickr's search results and/or collected from various internet sources. If you know the link to the original image, please kindly put it into comment section as I will update the description to give full credit to the respective owner.

 

Please follow, like and leave a comment for more exiting future notifications.

 

My websites:

www.asarstudios.com

springsofeden.com

 

Visit my portfolio sites:

celestial-images.pixels.com

www.saatchiart.com/celestialart

society6.com/asarstudios

www.redbubble.com/people/Motionage/shop

500px.com/p/asarstudios

ahmet-asar.pixels.com

eastern-accents.pixels.com

artistic-panda.pixels.com

springsofeden.com

www.etsy.com/people/troygift

www.ebay.com/usr/troygiftshop

 

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Fahad AlSharekh

CEO and Founder, Techinvest; General Partner, Kamco JEDI Fund

 

Charlie Ebersol

Founder and CEO, Infinite Athlete

 

Abdulrahman Tarabzouni

Founder and CEO, STV

 

Pamela Vagata

Founder, Pebblebed

 

Jake Zeller

Founder, Powerset

 

Watch the session: milkeninstitute.org/events/mea-summit-2023/program

"The Algorithm and the Park" is the title of the Ars Electronica Garden in Athens by Onassis Stegi (GR).

 

Onassis Stegi participates in the digital Ars Electronica Festival for a second year, with the program “The Algorithm and the Park”, presenting highlights from the You and AI: Through the Algorithmic Lens festival, which took place from June 24 to July 25, 2021.

The You & AI festival centered on a physical exhibition at Pedion tou Areos park in Athens, which will be presented at Ars Electronica Garden Athens through a short documentary. The exhibition staged 25 international works, within an artificially natural public space, and was complemented by online conferences on AI, ethics and art.

Public spaces define a city’s psyche. They constitute the embodiment of collective experiences; they are reflections of a city’s polity and politics; they echo its socio-economic relationships; they contain our common dreams, feelings, and ambitions; they are the material the polis is made of. In an algorithmic era, the physical public space is increasingly intertwined with -when it is not devoured by- the algorithmic public space. It aims at bringing all these issues, lurking in the background of our urban lives, to the frontstage of civic life.

By bringing the Algorithm in the Park, we pose the question of what the boundaries of post-human subjectivity are: who are we and how do we position ourselves in an infinitely re-morphed-by-AI world? Is there a new deal, a new social contract that is being tacitly formed between humans and non-humans? Staged at Campus Martius (Pedion tou Areos), a metaphor for the constant conflict between different forms of identity, subjectivity, and collective experience, the “You and AI” exhibition poses and invites you to contemplate on fundamental existential questions for the post-human experience.

 

Credits: Stelios Tzetzias

testseries: seed_13312,75Hz_L+median_d0_08114142_0001.png

Colorized by Artificial Intelligence Algorithm Tool from originally scanned hi-res photo from the respective source.

 

Credit disclaimer: I do not own the original scanned image and believe that it is in the public domain. These images have been collected from Flickr search results. If you know the link to the original image, please kindly put it into comment section as I will update the description to give full credit to the respective owner.

 

Please follow, like and leave a comment.

 

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www.asarstudios.com

www.wealthypioneers.com

 

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celestial-images.pixels.com

ahmet-asar.pixels.com

eastern-accents.pixels.com

artistic-panda.pixels.com

 

FOLLOW ME:

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instagram.com/asarstudios

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www.youtube.com/channel/UC8JtcV_EejccsUNXSK_ejcw Springs of Eden

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