View allAll Photos Tagged algorithmic
I don't fight algorithms. Instagram's is firmly against whatever I do, which made me think of what I could do in the real world, outside of social media. So I made a zine, and Billie is the on the cover. The process was mildly frustrating, but that could be because I condensed it into a week and a half and did it all myself. But I love the end result: a tangible record of the first quarter of this year that people can hold, and have, and share, flipping through it and sitting with the moments I made and had fun with. Books are huge projects that require way too much money and advertising. But a zine? I can make them on the cheapest paper, and give them to people by hand. It seems that no matter what I end up doing with art, whether it's the act of photography or sharing it, it all ends up in an analog format in the end.
Polaroid Week 2023 Day 4, Shot 1
"I like that rucksack of yours. It's great for traveling!"
Easily one of the strangest things a random stranger ever told me on the street as I walked past them. They weren't wrong though. Random strangers saying auspicious things rarely are.
Subdivision of a cube using derivatives of the Catmull Clark and Doo Sabin algorithms. Generated and visualized using processing. Click below to see the video:
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This is a sectional animation of our algorithmic tower. It shows the space organization within the tower.
while waiting for the perfect shot at palazzo te, in the late afternoon of a perfect day, i turned to my left and spied this little detail in the column of an open portal to the walkway to the garden by the courtyard of the palace of long-ago royalty in the city called 'the sleeping beauty' ... she is all of that.
littletinperson
Tara evolved from the AI model Tessa (to the right) in Deep Dream Generator. After playing with many generations of less realistic iterations of AI models, refining them with post-processing and feeding them back into the AI convoluted neural algorithm and then further developing AI images, based on HI (human intelligence) refinements, I feel as though the latest iterations (along with lots of post-work) have really achieved an impressive level of realism.
I put together this chapbook of drawings I made using code I've written over several years. I've printed and bound a few at home, and mailed several out so far. I'm please with how it turned out. Let me know if you want one!
many might wonder.... what is kenny thinking here ?????
well... i took this shot during one insomniac night. i drove around and found an industrial harbor under a greenish bridge, not really a pretty scene i would say !!!
many contacts have mentioned about the "DONKEY" has changed it's diet lately, and some have purposely testing the "DONKEY" by uploading not so pretty photos.
somehow... i found it inspiring... so... i upload one too =P
explore or not, donkey ride or not .... doesn't really matter with our passion toward photography, don't you think so or don't you not? :D
Worldworx Group FP
Prompts: What Midjourney thinks love is like.
Made with #midjourney #photoshop
Thank you for your visit, faves, and kind comments. 😊
Nuit Blanche Toronto 2019 | Algorithm: Camille Rojas - Ryerson Artspace
Algorithm
Camille Rojas
Presented in partnership with Nuit Blanche Toronto
Algorithm is a 30-minute solo contemporary dance piece meditating on sexual discrimination in computer vision science; particularly, the algorithms behind removing images of breasts and vulvas online.
Currently, an overwhelming number of algorithms exist solely to detect these body parts – often deemed as “pornographic” – yet very few focus on censoring the phallus.
The choreography uses symbols and characters from various algorithms as a point of departure, one of which is the han character (凹) as it closely resembles the shape of a vulva (or “concave, hollow, depression” ¹).
Throughout the movements, the body, in its raw and fleshy form, interrogates these shapes from beyond the reach of algorithmic censorship.
Algorithm simultaneously celebrates censored body parts while highlighting the gender inequality that is extant in technology.
1 - Shen, Xuanjing, Wei Wei, and Qingji Qian. 2010. “A Pornographic Image Filtering Model Based on Erotic Part.” In
3rd International Congress on Image and Signal Processing (CISP), vol. 5, 2473–77.
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Camille Rojas (b. 1993 Toronto; Lives and works in Toronto) is a multidisciplinary artist working with film, photography, and dance.
She holds a BFA in Photography Studies from Ryerson University and has recently exhibited at Erin Stump Projects, Gallery 44, Ryerson Image Centre, Gallery TPW and the Art Gallery of Ontario.
#nuitblancheTO #bringingtheartstolife #lartaucoeurdenosvies #nbTO19 #401BuiltforArt #RyersonArtspace
I wrote an algorithm for the laser that outputs cut and perforation vectors for a folding light tower with almost any dimension. The materials are watercolor paper and a little glue. The tower's top can be removed to expose a place to attach a magnetically fastened LED light and battery. The starfields require special calculations so that the light finds its way through two folds of paper.
Here they are with the lights on.
A modification of this old project..
Image created using particles obeying certain "gravitational" laws. Mostly variations on "accelerate toward/away from some particle unless some condition is met, in which case move toward/away from some other particle".
Made with processing (processing.org).
My Yorkie dog Sophie (RIP). Sweetest dog east of the Mississippi.
Flame conversion done using deep dream algorithmic pareidolia.
This is a rework of one of my original photos. The original photo was taken using a Nikon D90 DSLR equipped with an 85mm, fixed focal length portrait lens.
Cover-girl beautiful. Algorithm-level fake.
They have everything: sea, light, perfect teeth, divine symmetry.
But no story behind their eyes.
And you feel it — if you know how to look.
They all smile. None of them know why.
Maybe because none of them decided to.
www.flickr.com/photos/199892588@N06/54652618763/in/datepo...
(en): about savage poetry as normative and performative idiom of narcissistic gregarity in the reticular algorithmic mirror . .
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Outlining a Theory of General Creativity . .
. . on a 'Pataphysical projectory
Entropy ≥ Memory ● Creativity ²
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Study of the day:
If the savages inscribe their social "rules" on the body of men, the barbarians write their "laws" everywhere on the stone, the paper, or the money, but also on the bodies.
Si les sauvages inscrivent leurs "règles" sociales sur le corps des hommes, les barbares écrivent leurs "lois" partout, sur la pierre, le papier ou la monnaie, mais aussi sur les corps.
( David Lapoujade - Deleuze, les mouvements aberrants )
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rectO-persO | E ≥ m.C² | co~errAnce | TiLt
My Uni staircase project: another from the Centenary building - this time looking down (previous photo looking straight up).
An exhibit which examines the U of M Art Museum's collection practices with a facial recognition algorithm. It reflects on racial representation in the artworks as well as implicit biases and blindspots in facial recognition algorithms.
Girls crossing a bridge in Cork, Ireland
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Photography for algorithms - a blog post.
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