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A sound generator (algorithmic music) based on an ATTINY 85.
Features:
- ALGO pot: choice of algorithm.
- X, Y pots: variables of the algorithms.
- LDR: Light-Dependent Resistor
- Switch: choice between Y and LDR.
- Volume pot.
- Sound output: mono 6.35mm plug.
- Yellow LED: sound LED.
- Red LED: ON/BATT
- Power supply: DC 9V external power supply or battery.
- Powered only when output sound jack inserted.
"The Algorithm and the Park" is the title of the Ars Electronica Garden in Athens by Onassis Stegi (GR).
Onassis Stegi participates in the digital Ars Electronica Festival for a second year, with the program “The Algorithm and the Park”, presenting highlights from the You and AI: Through the Algorithmic Lens festival, which took place from June 24 to July 25, 2021.
The You & AI festival centered on a physical exhibition at Pedion tou Areos park in Athens, which will be presented at Ars Electronica Garden Athens through a short documentary. The exhibition staged 25 international works, within an artificially natural public space, and was complemented by online conferences on AI, ethics and art.
Public spaces define a city’s psyche. They constitute the embodiment of collective experiences; they are reflections of a city’s polity and politics; they echo its socio-economic relationships; they contain our common dreams, feelings, and ambitions; they are the material the polis is made of. In an algorithmic era, the physical public space is increasingly intertwined with -when it is not devoured by- the algorithmic public space. It aims at bringing all these issues, lurking in the background of our urban lives, to the frontstage of civic life.
By bringing the Algorithm in the Park, we pose the question of what the boundaries of post-human subjectivity are: who are we and how do we position ourselves in an infinitely re-morphed-by-AI world? Is there a new deal, a new social contract that is being tacitly formed between humans and non-humans? Staged at Campus Martius (Pedion tou Areos), a metaphor for the constant conflict between different forms of identity, subjectivity, and collective experience, the “You and AI” exhibition poses and invites you to contemplate on fundamental existential questions for the post-human experience.
Credits: Stelios Tzetzias
Colorized by Artificial Intelligence Algorithm Tool from originally scanned hi-res photo from the respective source.
Credit disclaimer: I do not own the original scanned image and believe that it is in the public domain. These images have been collected from Flickr search results. If you know the link to the original image, please kindly put it into comment section as I will update the description to give full credit to the respective owner.
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Audio signal mapped to a Moore curve, a variation on the space-filling Hilbert curve, controlling four blended colors animated by phase-shifting.
Colorized by Artificial Intelligence Algorithm Tool.
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Colorized by Artificial Intelligence Algorithm Tool from originally scanned hi-res photo from the respective source.
Credit disclaimer: I do not own the original scanned image and believe that it is in the public domain. These images have been collected from Flickr search results. If you know the link to the original image, please kindly put it into comment section as I will update the description to give full credit to the respective owner.
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Algorithmic composition. A zoomable version can be found here.
This fractal has an interesting property: any of the squares is homothetic to the whole image.
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A zoomable version can be found here.
This is a picture of a "dense" Julia set. More information can be found here.
A sound generator (algorithmic music) based on an ATTINY 85.
Features:
- ALGO rotary encoder (with click): choice of algorithm.
- X, Y pots: variables of the algorithms.
- LDR: Light-Dependent Resistor
- Switch: choice between Y and LDR.
- Volume pot.
- Sound output: mono 6.35mm plug.
- Green LED: ON/BATT
- Power supply: DC 9V external power supply or battery.
- Powered only when output sound jack inserted.
Restoration of James Casey photo: Phase II
Applied various noise reduction algorithms to parts of the photo. Filled some white spots by cloning very small areas. It seems to be coming along nicely!
Images picked up by the Explore algorithm and still in Explore. Best place = No.5 in October 2012. I took the photo of the mist crawling over the land in South Wales. I had driven all night so I saw the dawn and the sunlight, cloud and misty start to the day. I think it may have been around the Burry Port area.
1. Nothing escapes the cold morning mist, 2. Sunset on the Windmill, 3. Cold and frosty morning in Simpson, 4. Iced up, 5. Light and irrigation, 6. Eat your dinner children, 7. Severn Bridge over shadowed waters, 8. San Diego skyline,
9. 108 Daisies in April Explored, 10. Monument Valley Colorado, 11. An endangered species in the wild, 12. Giving their all, 13. Natural rock formation, 14. Larger than life
A discussion of programming languages and well known or interesting algorithms from the Phoenix Linux User Group (PLUG) Developer Meeting, 7Feb2008. Displayed in kdissert, a mind mapping tool written for KDE.
We discussed programming languages' strengths, weakness and uses. Then talked about different algorithms and common language features, like flow control. We added boxes to the mind map as we went.
The goal was to arrive at a short list of languages and algorithms that we could ask people to code solutions for. At a future meeting we can compare the code of each algorithm as implemented in each language. The "Guidelines" are some criteria for the volunteers who will write the sample code.
The languages and algorithms in blue and marked with an asterisk (*) were selected as targets for coding. Now we need to seek volunteers to do the code.
In the performance Robots, Bass, and Hot Algorithms! AI artist Portrait XO enters the stage with Moritz Simon Geist for musical interventions featuring techno robots and an AI collaborator. Portrait XO is an award-winning independent researcher and artist who creates musical and visual works with traditional and non-traditional methods based on ongoing research in computational creativity and human-machine collaboration. Sonically obsessed with space and time, she explores how far she can take storytelling and sound traveling through latent space. Moritz Simon Geist is a music producer working with music robots. He started because he wants to invent the future of electronic music — with robots! His projects range from robotic music performances to robotic sound installations.
Photo: tom mesic
Colorized by Artificial Intelligence Algorithm Tool from originally scanned hi-res photo from the respective source.
Credit disclaimer: I do not own the original scanned image and believe that it is in the public domain. These images have been collected from Flickr's search results and/or collected from various internet sources. If you know the link to the original image, please kindly put it into comment section as I will update the description to give full credit to the respective owner.
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Colorized by Artificial Intelligence Algorithm Tool from originally scanned hi-res photo from the respective source.
Credit disclaimer: I do not own the original scanned image and believe that it is in the public domain. These images have been collected from Flickr search results. If you know the link to the original image, please kindly put it into comment section as I will update the description to give full credit to the respective owner.
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How do Sorting Algorithms look like? A pixelrow of a photograph is taken and then sorted by colorvalues. Done with processing.
Colorized by Artificial Intelligence Algorithm Tool from originally scanned hi-res photo from the respective source.
Credit disclaimer: I do not own the original scanned image and believe that it is in the public domain. These images have been collected from Flickr search results. If you know the link to the original image, please kindly put it into comment section as I will update the description to give full credit to the respective owner.
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Laura Moy, Senior Policy Counsel, Open Technology Institute, New America;
Gideon Lichfield, Fellow, Data & Society Research Institute and Global News Editor, Quartz
David Auerbach, New America Fellow, software engineer, and writer for Slate
•Sometimes it is important to fine tune the algorithm parameters for your vehicle routing problems
•The constraints of algorithm parameters are also taken into account
Our son Adam Florin gave a fascinating talk about generative music at Algorithmic Art Assembly, hosted by Gray Area Art + Technology. He started with a quick demo of Patter, his music composition software, then took us on an illuminating journey through the many people and ideas which inspired him to create his cool freeform generative sequencer.
Brian Eno, who coined the phrase “generative music”, recently likened it to gardening -- but the material practice is just as much rooted in centuries of formal aesthetics, predictive statistics and industrial automation. How can we negotiate the tension between organic and and the mechanical in the algorithmic arts?
Adam has created some amazing digital tools and art exhibits in that space. It was great to hear what he's learned in this fascinating field, exploring the intersection of human and machine creativity. And to top it off, he gave this talk on his birthday, which was the best present of all!
Watch video highlights:
View more photos:
www.flickr.com/photos/fabola/albums/72157677379327027
Learn about Patter:
adamflorin.work/projects/patter/
Learn about Algorithmic Arts:
#AlgorithmicArtAssembly #GrayArea
This project is part of the Open Futurelab Exhibition 2020.
As Key Researcher on Algorithmic Apperception, Otto Naderer realises projects with an emphasis on enabling machines’ sense and interpreting their surroundings. In today’s Inside Futurelab segment, he will be speaking about his research and Algorithmic Apperception. Physical space is something merely exclusively entitled to humans. It is where we walk, explore, engage with others. How we utilize space, how we interact, where we stand transports a lot about feelings, mood, intimacy (s. Proxemics). Algorithmic Apperception investigates ways to admit artificial systems into this space. It is the ambition to enable machines to not only sense their environment but make sense of it.
For further information please visit:
ars.electronica.art/homedelivery/en/inside-futurelab-algo...
Credit: tom mesic
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Algorithmes Sérigraphiques
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Day 4 and we have started printing, yeah !
Algorithmes Sérigraphiques is a week long creative workshop using Processing to generate images and silk screen to print the results.
Un workshop d'une semaine avec du Processing et de la sérigraphie.
For further info/Plus d'infos : www.freeartbureau.org/blog/
A sound generator (algorithmic music) based on an ATTINY 85.
Features:
- ALGO rotary encoder (with click): choice of algorithm.
- X, Y pots: variables of the algorithms.
- LDR: Light-Dependent Resistor
- Switch: choice between Y and LDR.
- Volume pot.
- Sound output: mono 6.35mm plug.
- Green LED: ON/BATT
- Power supply: DC 9V external power supply or battery.
- Powered only when output sound jack inserted.
The Haecceity series utilizes a random set of points to form a color and brightness map. Shapes are then painted with a color determined by the nearest color and brightness points.
In place of transparency, textures are used to allow the eye to see harmonious colors at the same time.
All works in the series are generated from the same program. No part of the works are drawn or painted by hand.
Colorized by Artificial Intelligence Algorithm Tool from originally scanned hi-res photo from the respective source.
Credit: Images are from Archive Zavod flickr profile. www.flickr.com/photos/archivezavod
Credit disclaimer: I do not own the original scanned image and believe that it is in the public domain. These images have been collected from Flickr search results. If you know the link to the original image, please kindly put it into comment section as I will update the description to give full credit to the respective owner.
Please follow, like and leave a comment.
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Participants at the Bodily Algorithms workshop, 4 April 2011, Ian Potter Sculpture Court.
Hosted by Tim Schork, Charles Anderson and Gideon Obarzanek.
Google is constantly tweaking and improving upon the original PageRank system of ranking web pages. With over a hundred variables, can anyone really reverse engineer their algorithm?
Well, the Rubik's cube supposedly has millions of possible permutated combinations, but putting everything back into place is a relatively easy task...
Visit us at Argent Media for assistance with your Google ranking puzzles!
Algebra comes from Al-jebr, Arabic for restoration. The first book to use this word was written by Al-Khwarizmi, which brings us to the origin of the word algorithm. The absurd pissing contest about "who invented algebra" involves Greeks, Romans, Indians and Chinese, besides Arabs. That aside, this 14th century Madrasa Bou Inania made a ton of progress in furthering this science. The carvings on the wall did not look too different from algebraic expressions on the blackboard of my high school.
Participants at the Bodily Algorithms workshop, 4 April 2011, Ian Potter Sculpture Court.
Hosted by Tim Schork, Charles Anderson and Gideon Obarzanek.
Lines traced by lots of boids, derived from Craig Reynolds steering behaviors as adapted by Daniel Shiffman, using my IgnoCodeLib now with special ingredient TurtleGraphics.