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Our son Adam Florin gave a fascinating talk about generative music at Algorithmic Art Assembly, hosted by Gray Area Art + Technology. He started with a quick demo of Patter, his music composition software, then took us on an illuminating journey through the many people and ideas which inspired him to create his cool freeform generative sequencer.
Brian Eno, who coined the phrase “generative music”, recently likened it to gardening -- but the material practice is just as much rooted in centuries of formal aesthetics, predictive statistics and industrial automation. How can we negotiate the tension between organic and and the mechanical in the algorithmic arts?
Adam has created some amazing digital tools and art exhibits in that space. It was great to hear what he's learned in this fascinating field, exploring the intersection of human and machine creativity. And to top it off, he gave this talk on his birthday, which was the best present of all!
Watch video highlights:
View more photos:
www.flickr.com/photos/fabola/albums/72157677379327027
Learn about Patter:
adamflorin.work/projects/patter/
Learn about Algorithmic Arts:
#AlgorithmicArtAssembly #GrayArea
What if every human could have their own personal scent?
In Algorithmic Perfumery, the world of scent is explored by using the visitor's input to train the creative capabilities of an automated system. Custom scents are created by a machine learning algorithm based on the unique data we feed it. The outcome is a unique scent generated and compounded on-site. By participating in the experience, visitors contribute to the on-going research to improve the system and reinvent the future of perfumery.
For further information please visit:
ars.electronica.art/prix/en/winners/interactive-art/
Credit: Sandra Larochelle
ALGO 2017 hosted by Algorithms and Complexity Group of TU Wien, 4-8 September. Official photography: Nadja Meister. The photos have been released under CC BY 4.0.
A sound generator (algorithmic music) based on an ATTINY 85.
Features:
- ALGO pot: choice of algorithm.
- X, Y pots: variables of the algorithms.
- LDR: Light-Dependent Resistor
- Switch: choice between Y and LDR.
- Volume pot.
- Sound output: mono 6.35mm plug.
- Yellow LED: sound LED.
- Red LED: ON/BATT
- Power supply: DC 9V external power supply or battery.
- Powered only when output sound jack inserted.
The Bio-office BT600 is an advanced Edition Time and Attendance system designed for businesses with up to 500 employees. With the Anviz industry-leading fingerprint algorithm BioNANO, you can track your employee time and attendance more efficiently with a simple touch of a finger. Biometric fingerprint authentication is the most accurate way to collect employee time and attendance information. The Anviz AFOS300 biometric sensor scans any fingerprint in under 1 second and verifies an employee's identity based on the characteristics of their fingerprint. State of the art technological advances in biometrics have now made this a surprisingly affordable and popular solution. This enhancement in technology will also reduce costly payroll and data entry errors caused by the old time card or manual systems. The BT600 connects to your network through the built-in TCP/IP port for automatic data collection or, use the included USB flash drive for manual data transfer. A large 3" color LCD screen displays the current time and the in/out punch indicators for each employee. The Anviz fingerprint algorithm BioNANO and the AFOS300 waterproof, dustproof, scratchproof fingerprint sensor make the BT600 Time Clock the perfect time and attendance solution. It's Management Made Simple!
How do Sorting Algorithms look like? A pixelrow of a photograph is taken and then sorted by colorvalues. Done with processing.
This project is part of the CyberArts 2020 exhibition at the OK.
What if every human could have their own personal scent?
In Algorithmic Perfumery, the world of scent is explored by using the visitor's input to train the creative capabilities of an automated system. Custom scents are created by a machine learning algorithm based on the unique data we feed it. The outcome is a unique scent generated and compounded on-site. By participating in the experience, visitors contribute to the on-going research to improve the system and reinvent the future of perfumery.
For further information please visit:
ars.electronica.art/keplersgardens/cyberarts/
Credit: vog.photo
ALGO 2017 hosted by Algorithms and Complexity Group of TU Wien, 4-8 September. Official photography: Nadja Meister. The photos have been released under CC BY 4.0.
David Rowan, Editor-at-Large, Wired, United Kingdom during the Session: "Algorithms Make the World Go Round ? or Wrong" at the World Economic Forum - Annual Meeting of the New Champions in Dalian, People's Republic of China 2017. Copyright by World Economic Forum / Jakob Polacsek
Algorithmically generated image created entirely from random numbers run through mathematical equations.
A big number of audiences online nowadays is mainly algorithms. Algorithms are trained on the auditory information that is produced and uploaded by humans. In *Not allowed for algorithmic audiences*, a digital assistant situated in an Athenian apartment exhibits an odd behavior. They borrow an avatar and for seven consecutive days before they end up in an e-waste dump, they hold seven monologues introducing themselves and their skills, their ancestors, their anatomy and their origins, and talking about voice and its significance. They reveal data on the listening infrastructures as well as the bias inherent in their programming. Just before they reach the end of their monologues, in a final effort to reconcile humans and machines, they share tips with humans on how they can manage…not to be heard by algorithms.
Credits
This artwork was developed within the framework of the Ars Electronica ArtScience Residency enabled by Art Collection Deutsche Telekom in partnership with Johannes Kepler University Linz. Part of the Art Collection Telekom.
kyriakigoni.com/projects/not-allowed-for-algorithmic-audi...
How do Sorting Algorithms look like? A pixelrow of a photograph is taken and then sorted by colorvalues. Done with processing.
Colorized by Artificial Intelligence Algorithm Tool from originally scanned hi-res photo from the respective source.
Credit disclaimer: I do not own the original scanned image and believe that it is in the public domain. These images have been collected from Flickr's search results and/or collected from various internet sources. If you know the link to the original image, please kindly put it into comment section as I will update the description to give full credit to the respective owner.
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Here disclosed the mysterious algorithm on Explore: "01042009", simply eight figures nothing more, that is April fool's trick!
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Ecco svelato il misterioso algoritmo di Explore: "01042009", semplicemente otto cifre niente di più, ovvero un pesce d'aprile.
Audio signals produced by FFT processing a of a “seed” image were wrapped along a space-filling curve.
Our son Adam Florin gave a fascinating talk about generative music at Algorithmic Art Assembly, hosted by Gray Area Art + Technology. He started with a quick demo of Patter, his music composition software, then took us on an illuminating journey through the many people and ideas which inspired him to create his cool freeform generative sequencer.
Brian Eno, who coined the phrase “generative music”, recently likened it to gardening -- but the material practice is just as much rooted in centuries of formal aesthetics, predictive statistics and industrial automation. How can we negotiate the tension between organic and and the mechanical in the algorithmic arts?
Adam has created some amazing digital tools and art exhibits in that space. It was great to hear what he's learned in this fascinating field, exploring the intersection of human and machine creativity. And to top it off, he gave this talk on his birthday, which was the best present of all!
Watch video highlights:
View more photos:
www.flickr.com/photos/fabola/albums/72157677379327027
Learn about Patter:
adamflorin.work/projects/patter/
Learn about Algorithmic Arts:
#AlgorithmicArtAssembly #GrayArea
How do Sorting Algorithms look like? A pixelrow of a photograph is taken and then sorted by colorvalues. Done with processing.
Algorithmic line drawings created in Processing. Uses modulated Perlin Noise generated paths.
Rule: start each line at random position, move a defined number of steps, spawn 1,2 or 3 lines from the last section of the line at 90-degrees.
Algorithmically generated image created entirely from random numbers run through mathematical equations.
ALGO 2017 hosted by Algorithms and Complexity Group of TU Wien, 4-8 September. Official photography: Nadja Meister. The photos have been released under CC BY 4.0.
ALGO 2017 hosted by Algorithms and Complexity Group of TU Wien, 4-8 September. Official photography: Nadja Meister. The photos have been released under CC BY 4.0.
In the performance "Robots, Bass, and Hot Algorithms!" AI artist Portrait XO enters the stage with Moritz Simon Geist for musical interventions featuring techno robots and an AI collaborator. Portrait XO is an award-winning independent researcher and artist who creates musical and visual works with traditional and non-traditional methods based on ongoing research in computational creativity and human-machine collaboration. Sonically obsessed with space and time, she explores how far she can take storytelling and sound traveling through latent space. Moritz Simon Geist is a music producer working with music robots. He started because he wants to invent the future of electronic music — with robots! His projects range from robotic music performances to robotic sound installations.
Photo: Stefanie Loos, republica
So on the face of it, this is one of Calders beautiful wire-and-leaf balanced sculptures. However, Computer Scientists - know the nameless terror of which I speak. For a while there, I used to lug this monstrous textbook to and from university each day (a three hour roundtrip!) where it served a number of critically useful functions:
* a useful reference book on algorithms and computational complexity
* weighing in at about 80kg, it also served as a blunt weapon
* at about 90000 pages thick, it also could stop rounds of tank ammunition (a real necessity on the Epping to Randwick commute in Sydney, let me tell you)
* if you drop couple of millilitres of Donald Knuths blood on the cover, you are granted three wishes and the ability to perform matrix inversions with O(1) time.
As seen at SFMOMA, San Francisco. Taken with the thrifty bendycam 19.
Permutated connections and influence for the Viterbi algorithm. Diagram automatically shaped by omnigraffle.
Araneae algorithm "IVH"
Early experiments with Context Free Art, introduced to me this year at Flashbelt. This is sort of an inspiration mashup of my old Tattoo renderings and the work of Jared Tarbell. What I like best about this tool is its simplicity (lightweight editor and only supports 2D rendering), random seeds that allow you to run identical renders and the ability to export svg files.
Baohong Sun, Dean's Distinguished Chair Professor of Marketing; Associate Dean, Global Programmes, Cheung Kong Graduate School of Business, People's Republic of China during the Session: "Algorithms Make the World Go Round ? or Wrong" at the World Economic Forum - Annual Meeting of the New Champions in Dalian, People's Republic of China 2017. Copyright by World Economic Forum / Jakob Polacsek