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Handheld, Motorola Atrix 2, GB
In-phone, 3 exposure combination
Dramatic mode
Opened up details in shadow area, while retaining details in sky
The Ittiam High Dynamic Range (HDR) algorithm for Mobile and Cellphone cameras, Smartphones and Tablets intelligently selects the exposures of the constituent images and combines the details using advanced de-noising, anti-ghosting and tone mapping techniques to obtain high quality HDR images. The HDR algorithm is part of Ittiam's Imaging SDK. The photograph was taken using an Android camera application based on Ittiam's Imaging SDK. All processing for this photograph was done in phone, unless explicitly noted.
For further information, please see Ittiam's HDR Algorithm Web Page
How do Sorting Algorithms look like? A pixelrow of a photograph is taken and then sorted by colorvalues. Done with processing.
How do Sorting Algorithms look like? A pixelrow of a photograph is taken and then sorted by colorvalues. Done with processing.
President of the Alexander von Humboldt Foundation Helmut Schwarz, myself, my wife Fran Rosamond, and my host at Friedrich-Schiller Universitat Jena, Prof. Dr. Rolf Niedermeier.
Participants at the Bodily Algorithms workshop, 4 April 2011, Ian Potter Sculpture Court.
Hosted by Tim Schork, Charles Anderson and Gideon Obarzanek.
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Algorithmes Sérigraphiques
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Test image for the workshop. Three 'A''s generated in Processing with varying contour widths. From this we printed with different colours on a white and black T-Shirt to get an idea of the results. One of the main limitations of silkscreen printing is of course colour but also line width and therefore overall definition of the drawing.
More to come...
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A week long creative workshop using Processing to generate images and silk screen to print the results.
Un workshop d'une semaine avec du Processing et de la sérigraphie.
For further info/Plus d'infos : www.freeartbureau.org/blog/
Vyacheslav Polonski, Founder and Chief Executive Officer, Avantgarde Analytics, United Kingdom during the Session: "Algorithms Make the World Go Round ? or Wrong" at the World Economic Forum - Annual Meeting of the New Champions in Dalian, People's Republic of China 2017. Copyright by World Economic Forum / Jakob Polacsek
Participants at the Bodily Algorithms workshop, 4 April 2011, Ian Potter Sculpture Court.
Hosted by Tim Schork, Charles Anderson and Gideon Obarzanek.
Vyacheslav Polonski, Founder and Chief Executive Officer, Avantgarde Analytics, United Kingdom during the Session: "Algorithms Make the World Go Round ? or Wrong" at the World Economic Forum - Annual Meeting of the New Champions in Dalian, People's Republic of China 2017. Copyright by World Economic Forum / Jakob Polacsek
This project is part of the Open Futurelab Exhibition 2020.
As Key Researcher on Algorithmic Apperception, Otto Naderer realises projects with an emphasis on enabling machines’ sense and interpreting their surroundings. In today’s Inside Futurelab segment, he will be speaking about his research and Algorithmic Apperception. Physical space is something merely exclusively entitled to humans. It is where we walk, explore, engage with others. How we utilize space, how we interact, where we stand transports a lot about feelings, mood, intimacy (s. Proxemics). Algorithmic Apperception investigates ways to admit artificial systems into this space. It is the ambition to enable machines to not only sense their environment but make sense of it.
For further information please visit:
ars.electronica.art/homedelivery/en/inside-futurelab-algo...
Credit: tom mesic
In the performance Robots, Bass, and Hot Algorithms! AI artist Portrait XO enters the stage with Moritz Simon Geist for musical interventions featuring techno robots and an AI collaborator. Portrait XO is an award-winning independent researcher and artist who creates musical and visual works with traditional and non-traditional methods based on ongoing research in computational creativity and human-machine collaboration. Sonically obsessed with space and time, she explores how far she can take storytelling and sound traveling through latent space. Moritz Simon Geist is a music producer working with music robots. He started because he wants to invent the future of electronic music — with robots! His projects range from robotic music performances to robotic sound installations.
Photo: tom mesic
Colorized by Artificial Intelligence Algorithm Tool from originally scanned hi-res photo from the respective source.
Credit disclaimer: I do not own the original scanned image and believe that it is in the public domain. These images have been collected from Flickr's search results and/or collected from various internet sources. If you know the link to the original image, please kindly put it into comment section as I will update the description to give full credit to the respective owner.
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My websites:
Visit my portfolio sites:
www.saatchiart.com/celestialart
www.redbubble.com/people/Motionage/shop
FOLLOW ME:
www.youtube.com/channel/UC8JtcV_EejccsUNXSK_ejcw Springs of Eden
Our son Adam Florin gave a fascinating talk about generative music at Algorithmic Art Assembly, hosted by Gray Area Art + Technology. He started with a quick demo of Patter, his music composition software, then took us on an illuminating journey through the many people and ideas which inspired him to create his cool freeform generative sequencer.
Brian Eno, who coined the phrase “generative music”, recently likened it to gardening -- but the material practice is just as much rooted in centuries of formal aesthetics, predictive statistics and industrial automation. How can we negotiate the tension between organic and and the mechanical in the algorithmic arts?
Adam has created some amazing digital tools and art exhibits in that space. It was great to hear what he's learned in this fascinating field, exploring the intersection of human and machine creativity. And to top it off, he gave this talk on his birthday, which was the best present of all!
Watch video highlights:
View more photos:
www.flickr.com/photos/fabola/albums/72157677379327027
Learn about Patter:
adamflorin.work/projects/patter/
Learn about Algorithmic Arts:
#AlgorithmicArtAssembly #GrayArea
Elisa Giardina Papa
The Cleaning of Emotional Data
Aksioma Project Space
Komenskega 18, Ljubljana
15 January – 7 February, 2020
Production: Aksioma - Institute for Contemporary Art, Ljubljana, and La Kunsthalle, Mulhouse, 2020
Photo: Janez Janša / Aksioma
MORE:
aksioma.org/cleaning.emotional.data
Our son Adam Florin gave a fascinating talk about generative music at Algorithmic Art Assembly, hosted by Gray Area Art + Technology. He started with a quick demo of Patter, his music composition software, then took us on an illuminating journey through the many people and ideas which inspired him to create his cool freeform generative sequencer.
Brian Eno, who coined the phrase “generative music”, recently likened it to gardening -- but the material practice is just as much rooted in centuries of formal aesthetics, predictive statistics and industrial automation. How can we negotiate the tension between organic and and the mechanical in the algorithmic arts?
Adam has created some amazing digital tools and art exhibits in that space. It was great to hear what he's learned in this fascinating field, exploring the intersection of human and machine creativity. And to top it off, he gave this talk on his birthday, which was the best present of all!
Watch video highlights:
View more photos:
www.flickr.com/photos/fabola/albums/72157677379327027
Learn about Patter:
adamflorin.work/projects/patter/
Learn about Algorithmic Arts:
#AlgorithmicArtAssembly #GrayArea
visone.info/_detail/images/gcn-1996-status-part.png?id=index
Notes
in a long-term research project, the visone project team is developing models and algorithms to integrate and advance the analysis and visualization of social networks. example of a radial visualization part of visone is the design and implementation of a software tool intended for research and teaching in social network analysis. it is specifically designed to allow experts and novices alike to apply innovative and advanced visual methods with ease and accuracy
How do Sorting Algorithms look like? A pixelrow of a photograph is taken and then sorted by colorvalues. Done with processing.
In the performance Robots, Bass, and Hot Algorithms! AI artist Portrait XO enters the stage with Moritz Simon Geist for musical interventions featuring techno robots and an AI collaborator. Portrait XO is an award-winning independent researcher and artist who creates musical and visual works with traditional and non-traditional methods based on ongoing research in computational creativity and human-machine collaboration. Sonically obsessed with space and time, she explores how far she can take storytelling and sound traveling through latent space. Moritz Simon Geist is a music producer working with music robots. He started because he wants to invent the future of electronic music — with robots! His projects range from robotic music performances to robotic sound installations.
Photo: tom mesic
A sound generator (algorithmic music) based on an ATTINY 85.
Features:
- ALGO pot: choice of algorithm.
- X, Y pots: variables of the algorithms.
- LDR: Light-Dependent Resistor
- Switch: choice between Y and LDR.
- Volume pot.
- Sound output: mono 6.35mm plug.
- Yellow LED: sound LED.
- Red LED: ON/BATT
- Power supply: DC 9V external power supply or battery.
- Powered only when output sound jack inserted.
Colorized by Artificial Intelligence Algorithm Tool from originally scanned hi-res photo from the respective source.
Credit disclaimer: I do not own the original scanned image and believe that it is in the public domain. These images have been collected from Flickr's search results and/or collected from various internet sources. If you know the link to the original image, please kindly put it into comment section as I will update the description to give full credit to the respective owner.
Please follow, like and leave a comment for more exiting future notifications.
My websites:
Visit my portfolio sites:
www.saatchiart.com/celestialart
FOLLOW ME:
www.youtube.com/channel/UC8JtcV_EejccsUNXSK_ejcw Springs of Eden
Colorized by Artificial Intelligence Algorithm Tool from originally scanned hi-res photo from the respective source.
Credit disclaimer: I do not own the original scanned image and believe that it is in the public domain. These images have been collected from Flickr's search results and/or collected from various internet sources. If you know the link to the original image, please kindly put it into comment section as I will update the description to give full credit to the respective owner.
Please follow, like and leave a comment for more exiting future notifications.
My websites:
Visit my portfolio sites:
www.saatchiart.com/celestialart
www.redbubble.com/people/Motionage/shop
FOLLOW ME:
www.youtube.com/channel/UC8JtcV_EejccsUNXSK_ejcw Springs of Eden
Algorithmic composition. A zoomable version can be found here.
This fractal has an interesting property: any of the squares is homothetic to the whole image.