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I've been at the Wikimedia Foundation for 2.5 years, time for a staff photo. Marie Williams took the photo. I edited it.

(2006/03/21 In Flight, ADK336, JAPAN)

 

/* Flight Data */

Airline: Air Hokkaido (--/ADK)

Airplane: DHC-6-300 Twin Otter (JA8797)

Flight No.: EL336 [CodeShare: Air Nippon (EL/ANK), All Nippon Airways (NH/ANA)]

From: Okushiri Airport (OIR/RJEO)

To: Hakodate Airport (HKD/RJCH)

Seat No.: 4-B

Class: Economy (Y) [ADK Repeat 2]

Now on Wikimedia Commons

Wikimedia's annual development community meet-up — the Wikimedia Hackathon — was held in Amsterdam, Netherlands in 2013 from 24-26 May. It was a long weekend filled with hacking anything related to MediaWiki or one of the Wikimedia projects (and sometimes other things, too). The Hackathon was completely open to seasoned and new developers, as well as people working on MediaWiki, tools, pywikipedia, gadgets, extensions, templates, etc.

Wikimedia Nederland Conferentie 2014

The Amsterdam Hackathon 2014 was a small hackathon focussing on GLAM activities and wikidata. It was held in Amsterdam, Netherlands in 2014 from 14-16 Nov.

 

It was a weekend filled with hacking together with other GLAM and/or wikidata developers. The Hackathon was open to developers with experience in relevant projects.

 

Wikimedia Nederland has a longstanding history organising hackathons and GLAM camps. Previous events were held in 2013, 2012 and 2011.

 

More information can be found on www.mediawiki.org/wiki/Amsterdam_Hackathon_2014

Guglielmo Ferrero (1871–1942)

commons.wikimedia.org/wiki/File:S004A_11703_Obzor(1860-1935)_Guglielmo_Ferrero_(1871%E2%80%931942).jpg

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🇮🇹 Italiano

Guglielmo Ferrero — biografia e legami con Supilo e Radica

Guglielmo Ferrero (1871–1942) fu uno storico, pubblicista e romanziere italiano, noto soprattutto per la sua monumentale opera in cinque volumi Grandezza e decadenza di Roma (1907–1909). Liberale convinto e oppositore dei regimi autoritari, sposò Gina Lombroso, figlia del criminologo Cesare Lombroso. Dal 1929 fu professore al Graduate Institute di Ginevra, dove si rifugiò a causa del fascismo. Morì in Svizzera nel 1942.

Legami con Frano Supilo (1870–1917)

Supilo e Ferrero mantennero una stretta corrispondenza durante gli anni cruciali della Prima guerra mondiale. Supilo, emigrato e attivo nel Comitato jugoslavo, trovò in Ferrero un interlocutore e amico. Le lettere, spesso accorate, trattano del destino dei popoli slavi del sud, del crollo dell’Austria-Ungheria e della critica al Patto di Londra del 1915, che prevedeva cessioni territoriali all’Italia a spese dei croati.

Legami con Bogdan Radica (1904–1993)

Radica, storico e pubblicista croato, sposò nel 1935 Nina Ferrero, figlia di Guglielmo. Egli pubblicò e commentò la corrispondenza di Supilo con la famiglia Ferrero (Le lettere di Supilo ai Ferrero), documentando così non solo l’amicizia intellettuale tra i due uomini, ma anche il legame familiare che lo univa a Ferrero.

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Lettere chiave Supilo – Ferrero

•1914: Supilo scrive a Ferrero dopo lo scoppio della guerra; riflette sul destino degli slavi del sud e sull’importanza dell’atteggiamento italiano.

•1915: critica duramente il Patto di Londra, temendo la perdita dei territori croati; chiede a Ferrero di intervenire nell’opinione pubblica italiana.

•1916: da Parigi e Ginevra, Supilo confida a Ferrero il suo isolamento nel Comitato jugoslavo e la sensazione di tradimento, ma ribadisce la sua fede nell’ideale unitario.

•1917: nelle ultime lettere, poco prima della morte, esprime disperazione politica e personale, affidando a Ferrero la missione di conservare il senso delle sue idee.

Questa corrispondenza è una testimonianza di altissimo valore storico e umano: mostra la visione di Supilo, le sue critiche all’Intesa e il profondo legame d’amicizia con Ferrero e la sua famiglia.

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🇬🇧 English

Guglielmo Ferrero — biography and ties with Supilo and Radica

Guglielmo Ferrero (1871–1942) was an Italian historian, publicist and novelist, best known for his five-volume work The Greatness and Decline of Rome (1907–1909). A committed liberal and outspoken opponent of authoritarian regimes, he married Gina Lombroso, daughter of the criminologist Cesare Lombroso. From 1929 he taught at the Graduate Institute in Geneva, having left Italy because of fascism. He died in Switzerland in 1942.

Connection with Frano Supilo (1870–1917)

Supilo and Ferrero maintained a close correspondence during the crucial years of the First World War. As a political exile and member of the Yugoslav Committee, Supilo found in Ferrero both a friend and an intellectual partner. His letters discuss the fate of the South Slavs, the expected collapse of Austria-Hungary, and his criticism of the 1915 London Treaty, which promised Croatian lands to Italy.

Connection with Bogdan Radica (1904–1993)

The Croatian historian and journalist Bogdan Radica married Nina Ferrero, Guglielmo’s daughter, in 1935. Radica later edited and published the correspondence between Supilo and the Ferrero family (Supilo’s Letters to the Ferreros), thus documenting both the intellectual friendship and the family bond that linked him to Ferrero.

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Supilo – Ferrero letters

•1914: Supilo writes to Ferrero after the outbreak of war; he reflects on the fate of the South Slavs and the importance of Italy’s stance.

•1915: sharply criticises the London Treaty, fearing Croatian territorial losses; asks Ferrero to speak out in Italian public opinion.

•1916: from Paris and Geneva, Supilo confides to Ferrero his isolation within the Yugoslav Committee and his sense of betrayal, while reaffirming his belief in the unification ideal.

•1917: in his last letters, shortly before his death, he expresses despair both political and personal, entrusting Ferrero with the task of preserving his ideas.

This correspondence is a highly valuable historical and human document: it reveals Supilo’s vision, his criticisms of the Entente, and the deep friendship that tied him to Ferrero and his family.

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s004A 11703 Obzor(1860-1935) Guglielmo Ferrero (Portici, presso Napoli, 21 luglio 1871 – Mont-Pèlerin, 3 agosto 1942) è stato un sociologo, storico e scrittore italiano.

Guglielmo Ferrero — životopis (1871–1942)

Talijanski povjesničar, publicist i romanopisac; najpoznatiji po petotomnoj sintezi „Grandezza e decadenza di Roma / The Greatness and Decline of Rome“ (1907–1909). Bio je liberalno orijentiran i izrazit protivnik diktatura. Oženio se Ginom Lombroso (kćeri kriminologa Cesarea Lombrosa); sin im je bio dramatičar Leo Ferrero (1903–1933). Nakon jačanja fašizma bio je ograničen u Italiji, a od 1929. predavao je u Ženevi (Graduate Institute). Umro je 3. kolovoza 1942. na Mont Pèlerinu u Švicarskoj.

Poznanstvo i veze s Franom Supilom (1870–1917)

Supilo i Ferrero bili su u bliskoj korespondenciji i prijateljstvu tijekom predratnih i ratnih godina, dok je Supilo djelovao u emigraciji. O toj se vezi eksplicitno svjedoči u više izvora: u članku Foreign Affairs („Supilova pisma Ferreru ne mogu čitati dalekovidni Talijani bez dubokih emocija…“), u bibliografiji Hrvatskog biografskog leksikona (navod: „B. Radica: Supilova pisma Ferrerovima“), te u zasebnim izdanjima/otiscima koja je priredio Bogdan Radica. Sve to potvrđuje trajnu, sadržajnu razmjenu pisama i ideja između Supila i obitelji Ferrero.

Veza s Bogdanom Radicom (1904–1993)

Radica je s Ferrerom povezan obiteljski i intelektualno:

•Oženio je Ferrerovu kćer Ninu Ferrero (24. travnja 1935.); par je živio i radio između Ženeve, Italije i SAD-a.

•Kao publicist i povjesničar, Radica je priredio i objavio Supilova pisma Ferrerovima, čime je dokumentirao i interpretirao Supilov odnos s Ferrerom i talijanskim liberalnim krugovima. ________________________________________

Napomena o datumu u zagradi u vašem upitu

U literaturi se Guglielmo Ferrero vodi kao 1871–1942, ne 1860–1935. Gore navedene enciklopedijske i arhivske reference potvrđuju te točne datume.

Evo pregled najvažnijih pisama i konteksta u vezi korespondencije Frana Supila i Guglielma Ferrera, kako ih je sakupio i objavio Bogdan Radica (Supilova pisma Ferrerovima, 1938; kasnije uključeno i u njegove radove o Supilu).

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Ključna pisma Supilo – Ferrero

1914. (početak I. svjetskog rata)

•Supilo piše Ferreru odmah nakon sarajevskog atentata i izbijanja rata.

•Tema: budućnost Hrvata i južnih Slavena, nada u raspad Austro-Ugarske, potreba da Italija i demokratski krugovi na Zapadu razumiju položaj Hrvata.

•Naglašava da će rat odlučiti sudbinu Balkana i srednje Europe.

1915. (Londonski ugovor i Supilova opozicija)

•Supilo izražava razočaranje talijanskim i savezničkim dogovorima koji predviđaju ustupanje dijelova hrvatskog teritorija Italiji.

•Ferreru objašnjava da takva politika gura Hrvate i Jugoslavene u nepovjerenje prema Antanti.

•Molio je Ferrera da u talijanskoj javnosti upozorava na pogubnost tih ustupaka.

1916. (Supilova izolacija u Jugoslavenskom odboru)

•Pisma iz Ženeve i Pariza, gdje se Supilo sve više povlači iz političkih pregovora.

•Povjerava Ferreru osjećaj izdaje i usamljenosti, ali i upornost da ostane vjeran idealu jugoslavenskog ujedinjenja na demokratskim osnovama.

•Ovdje se vidi njihovo osobno prijateljstvo: Ferrero i njegova supruga Gina bili su među rijetkima kojima se Supilo otvoreno povjeravao.

1917. (zadnja pisma, uoči Supilove smrti)

•Supilo u jednom od posljednjih pisama izražava očaj zbog političkog stanja i svoje bolesti.

•Molio je Ferrera da sačuva njegove misli i da se ne izgube u „buci politike“.

•To je ujedno i emotivno svjedočanstvo njihova prijateljstva — Ferrerovi su bili posljednji bliski sugovornici Supila.

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Značaj korespondencije

•Pisma su dokument Supilove intelektualne i moralne borbe u emigraciji.

•Pokazuju njegovu kritiku Londonskog ugovora i njegovu viziju jugoslavenskog jedinstva u savezništvu sa zapadnim liberalnim nacijama, ali bez teritorijalnih ustupaka.

•Ujedno odražavaju bliskost s Ferrerom i njegovom obitelji, koja je Supilu bila gotovo jedina emocionalna podrška u zadnjim godinama života.

•Objavio ih je i komentirao Bogdan Radica, čime je sačuvana autentična slika Supilova političkog i intimnog svijeta.

 

 

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upload.wikimedia.org/wikipedia/en/2/2b/Pasolini_Gospel_Po...

 

The Gospel According to Pasolini

 

The Gospel According to Pasolini

 

THE GOSPEL ACCORDING TO ST MATTHEW(Il Vangelo Secondo Matteo)

 

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click to activate the icon of slideshow: the small triangle inscribed in the small rectangle, at the top right, in the photostream;

or…. Press the “L” button to zoom in the image;

clicca sulla piccola icona per attivare lo slideshow: sulla facciata principale del photostream, in alto a destra c'è un piccolo rettangolo (rappresenta il monitor) con dentro un piccolo triangolo nero;

oppure…. premi il tasto “L” per ingrandire l'immagine;

 

Qi Bo's photos on Fluidr

  

Qi Bo's photos on Flickriver

  

www.worldphoto.org/sony-world-photography-awards/winners-...

 

www.fotografidigitali.it/gallery/2726/opere-italiane-segn...

 

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Before talking about the procession of the Holy Crucifix of Aracoeli which is held in the town of San Marco d'Alunzio (in the province of Messina), I make a brief introduction, this "photographic story" was created with photographs taken both during the procession of this year 2024, and during the procession of last year 2023, this meant, in some cases, that in some key moments of the procession the shots were taken simultaneously from two different angles, as if I had been in "bilocation", this because this year I chose a different perspective than last year. The procession begins on the morning of the last Friday of March each year, however there is an exception to this rule, when it coincides with Good Friday, which happened this year, then the procession is brought forward to the previous Friday. That of the SS. Crucifix of Aracoeli is an ancient penitential rite, on the day of the feast of the Crucifix in San Marco d'Alunzio the Holy Mass is celebrated in the Church of Aracoeli, therefore the SS. Crucifix (which is found in the church at the end of the right nave, at its feet the picture of the Virgin of Sorrows pierced by seven swords) is removed from the hook on which it is hanging, is taken outside the church, then raised and fixed on the float , and so (after the sermon of the priest who climbed onto the float next to the Crucifix) the Crucifix with the picture of his Sorrowful Mother underneath, then both placed on the float, are carried in procession by the Babbaluti, who proceed invoking the pity and mercy of the Lord with a faint lament that continually repeats “Signuri, Misericordia, Pietà!”. San Marco d'Alunzio is a pleasant town in the Messina area, located in the Nebrodi mountains, in Sicily; the procession takes place in honor of the Holy Crucifix of Araceli, this is a religious-penitential occasion also known as the "procession of the babbaluti", they are those who, by vote or by grace received, have decided to carry during the procession on their shoulders the float with the Crucifix and the painting; they head to the nearby Church of Santa Maria dei Poveri or to some private home nearby where, sheltered from the curiosity of the faithful, they wear a simple but characteristic indigo-coloured cloth habit, consisting of a tunic and a conical-shaped hood such to cover the entire body and leave only the eyes and hands free, it is not uncommon, however, that among the penitents, made anonymous by the habit they wear, there are also women, who, to avoid any possibility of recognition, wear a pair of gloves; the babbaluti are 33 in number to commemorate the 33 years of Christ, the number is odd, in fact the 33rd babbaluto does not wear the float, he (should be the "chief of float") proceeds backwards, turning his gaze to Christ and to His Mother, and at the same time checks that everything is in order among the babbaluti (this is a way of proceeding in carrying the float, which is present in various Sicilian religious processions). Then, the 32 (+1) "babbaluti" carry on their shoulders the launch bearing the Holy Crucifix of the Araceli church (the statue of Christ was created by Scipione Li Volsi, in the year 1652, he was a sculptor and plasterer of the Sicilian Baroque), at whose feet, on the float, the painting of Our Lady of Sorrows is tied, which appears pierced by seven swords (an 18th century painting). Before the start of the procession, the babbaluti advance barefoot wearing only heavy handmade raw wool socks. Before entering the church they must walk a purification path: when they arrive near the ancient church of Araceli , they bend down and kiss the ground, thus receiving permission to enter the church, but this happens from a side door, called "false door" (in Sicilian dialect “porta fausa”), once they enter the church laterally, they now emerge from the main entrance, thus being able to take their places, kneeling at the front and behind, of the float; the priest's long-awaited speech will follow, once finished, the procession can begin which takes place through the streets of the picturesque and welcoming town of San Marco d'Alunzio. Along the route the Babbaluti pace their pace accompanied by the sad and plaintive jugulation that invokes the Lord. There are devout men and women who proceed together with the mugglers, walking alongside the float, touching it, now caressing it... just to have physical (and consequently spiritual) contact with it. Finally, after having completed a specific route, the procession returns to the ancient church (of Norman origins) of Aracoeli. Whenever I am present at this touching occasion I am completely flooded with emotions (which however I cannot abandon myself to, I would lose concentration in taking the photos), the highlight is when the Crucified Christ is removed from the hook fixed on the wall by expert men, and then be carried (seems to float) above the heads of the devotees, supported with their hands, right outside the church, and be hoisted and fixed on the float; in these moments of intense emotion it is common to see in the eyes of the devotees, shining with tears, that profound emotion of their relationship with this Christ, which has always lasted: it is as if they found themselves in the presence of the true Christ, in flesh and blood, this it is the atmosphere you experience in those moments, this is the magic of the procession of the SS. Crucifix and his Mother, represented by the painting of Our Lady of Sorrows pierced by seven swords (iconography of Spanish origin).

  

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Madre io vorrei

 

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Prima di parlare della processione del Santissimo Crocifisso di Aracoeli che si tiene nel paese di San Marco d’Alunzio (in provincia di Messina), faccio una breve premessa, questo “racconto fotografico” è stato realizzato con fotografie scattate sia durante la processione di quest’anno 2024, sia durante la processione dello scorso anno 2023, questo ha comportato, in alcuni casi, che in alcuni momenti salienti della processione gli scatti siano stati realizzati contemporaneamente da due angolazioni diverse, come se io fossi stato in “bilocazione”, questo perché quest’anno ho scelto una prospettiva differente da quella dello scorso anno. La processione inizia la mattina dell’ultimo venerdì del mese di marzo di ogni anno, c’è però una eccezione a questa regola, quando avviene la coincidenza col Venerdì Santo, cosa accaduta quest’anno, allora la processione viene anticipata al venerdì precedente. Quella del SS.Crocifisso di Aracoeli è un antico rito penitenziale, il giorno della festa del Crocifisso a San Marco d'Alunzio viene celebrata la S. Messa nella Chiesa dell'Aracoeli, quindi il SS. Crocifisso (che si trova nella chiesa in fondo alla navata di destra, ai suoi piedi il quadro della Vergine Addolorata. trafitta da sette spade) viene tolto dal gancio sul quale è appeso, viene portato all’esterno della chiesa, quindi innalzato e fissato sulla vara, e così (dopo il sermone del sacerdote salito sulla vara accanto al Crocifisso) il Crocifisso con sotto il quadro di sua Madre Addolorata, quindi messi entrambi sulla vara, vengono portati in processione dai Babbaluti, che procedono invocando la pietà e la misericordia del Signore con un flebile lamento che ripete continuamente “Signuri, Misericordia, Pietà!”. San Marco d’Alunzio è un ameno paese del territorio Messinese, sito sui monti Nebrodi, in Sicilia; la processione si svolge proprio in onore del Santissimo Crocifisso di Araceli, è questa una ricorrenza religioso-penitenziale conosciuta anche come "processione dei babbaluti", essi sono coloro che per voto o per grazia ricevuta, hanno deciso di portare in processione sulle loro spalle il fercolo con il Crocifisso ed il quadro; essi si dirigono nella vicina Chiesa di Santa Maria dei Poveri o in qualche abitazione privata lì vicino dove, al riparo dalla curiosità dei fedeli, indossano un semplice ma caratteristico saio di tela di colore indaco, costituito da una tunica e un cappuccio di forma conica tale da coprire l'intero corpo e lasciare liberi solo gli occhi e le mani, non è raro purtuttavia che tra i penitenti, resi anonimi dal saio che indossano, vi siano anche delle donne, le quali per evitare qualsiasi possibilità di riconoscimento, indossano un paio di guanti; i babbaluti sono in numero di 33 per rievocare i 33 anni di Cristo, il numero è dispari, infatti il 33° babbaluto non porta la vara, egli (dovrebbe essere il “capo vara”) procede all’indietro, rivolgendo lo sguardo al Cristo ed a sua Madre, e nel contempo controlla che tutto sia in ordine tra i babbaluti (questo è un modo di procedere nel portare la vara o fercolo, che è presente in diverse processioni religiose siciliane). Quindi, i 32 (+1) "babbaluti" portano sulle loro spalle la vara che reca il Santo Crocifisso della chiesa dell’Araceli (la statua del Cristo è stata creata da Scipione Li Volsi, nell'anno 1652, egli fu uno scultore e stuccatore del barocco SIciliano), ai cui piedi, sulla vara, viene legato il quadro della Madonna Addolorata, che appare trafitta da sette spade ( un dipinto del XVIII secolo). I babbaluti prima dell'inizio della processione avanzano a piedi scalzi indossando solo delle pesanti calze di lana grezza realizzate a mano, devono percorrere, prima di entrare in chiesa, un cammino di purificazione: quando essi giungono in prossimità dell'antica chiesa dell'Araceli, essi si chinano e baciano in terra, ricevendo in tal modo il permesso per poter accedere dentro la chiesa, questo però avviene da una porta laterale, chiamata "falsa porta" (In dialetto siciliano “porta fausa”), una volta entrati in chiesa lateralmente, ora fuoriescono dall'ingresso principale, potendo così prendere posto, inginocchiandosi sul davanti ed alle spalle, della vara; seguirà l'atteso discorso del sacerdote, terminato, potrà iniziare la processione che si svolge per le vie del pittoresco ed accogliente paese di San Marco d'Alunzio. Lungo il percorso i Babbaluti cadenzano la propria andatura accompagnandosi alla mesta e lamentosa giugulatoria che invoca il Signore . Ci sono uomini e donne devoti che procedono assieme ai babbaluti camminando a lato della vara, toccandola, ora accarezzandola...pur di avere un contatto fisico (e di rimando spirituale) con essa. Infine, dopo aver compiuto un preciso percorso, la processione fa rientro nell'antica chiesa (di origini Normanne) dell'Aracoeli. Ogniqualvolta sono presente a questa toccante ricorrenza sono completamente inondato da emozioni (alle quali però non posso abbandonarmi, perderei la concentrazione nel realizzare le foto), il momento clou è quando il Cristo Crocifisso viene tolto dal gancio fissato sul muro da uomini esperti, per poi essere portato (sembra galleggiare) sopra la testa dei devoti, sostenuto con le mani, fin fuori la chiesa, ed essere issato e fissato sulla vara; in questi momenti di intensa emozione è comune vedere negli occhi dei devoti, lucidi di lacrime, quella emozione profonda del loro rapporto con questo Cristo, che dura da sempre: è come se si trovassero al cospetto del Cristo vero, in carne ed ossa, questa è l’atmosfera che si vive in quei momenti, questa è la magia della processione del SS. Crocifisso e di Sua Madre, rappresentata dal quadro dell’Addolorata trafitta da sette spade (iconografia di origine spagnola).

 

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Volunteers who want to take a leading role in Wikimedia UK's training programme have the option to follow a Training for trainers course at Wikimedia UK office. For the first time this training was organised for international Wikimedians too.

Wikimedia Commons image page

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Sao Paulo Street at night

 

Date

2014-06-14 18: 53: 40

 

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{{own}}

 

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Location dec|-23.547151666667|-46.637638333333

 

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Photographs taken on 2014-06-14Taken with Nikon D300Files by The Photographer

Buildings in São Paulo city

Volunteers who want to take a leading role in Wikimedia UK's training programme have the option to follow a Training for trainers course at Wikimedia UK office. For the first time this training was organised for international Wikimedians too.

The Amsterdam Hackathon 2014 was a small hackathon focussing on GLAM activities and wikidata. It was held in Amsterdam, Netherlands in 2014 from 14-16 Nov.

 

It was a weekend filled with hacking together with other GLAM and/or wikidata developers. The Hackathon was open to developers with experience in relevant projects.

 

Wikimedia Nederland has a longstanding history organising hackathons and GLAM camps. Previous events were held in 2013, 2012 and 2011.

 

More information can be found on www.mediawiki.org/wiki/Amsterdam_Hackathon_2014

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{{es|1=Altar de oración en la sede de la ONU durante la huelga de hambre de estudiantes a la espera de un pronunciamiento de la ONU contra el gobierno del presidente Maduro y el chavismo}}

 

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7 April 2014 14: 02: 18

 

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United Nations

Caracas

Demonstrations and protests in Venezuela in 2014

Wikiviajes por Venezuela 2014Taken with Nikon D300Images from Wikiviajes por Venezuela 2014Files by The Photographer

Images of Venezuela by User: The_Photographer

WikiconNL is de jaarlijkse conferentie over Wikipedia, Wikimedia, digitaal erfgoed en onderwerpen als auteursrecht en (linked) open data.

Volunteers who want to take a leading role in Wikimedia UK's training programme have the option to follow a Training for trainers course at Wikimedia UK office. For the first time this training was organised for international Wikimedians too.

Wikimedia's annual development community meet-up — the Wikimedia Hackathon — was held in Amsterdam, Netherlands in 2013 from 24-26 May. It was a long weekend filled with hacking anything related to MediaWiki or one of the Wikimedia projects (and sometimes other things, too). The Hackathon was completely open to seasoned and new developers, as well as people working on MediaWiki, tools, pywikipedia, gadgets, extensions, templates, etc.

Volunteers who want to take a leading role in Wikimedia UK's training programme have the option to follow a Training for trainers course at Wikimedia UK office. For the first time this training was organised for international Wikimedians too.

Volunteers who want to take a leading role in Wikimedia UK's training programme have the option to follow a Training for trainers course at Wikimedia UK office. For the first time this training was organised for international Wikimedians too.

The Amsterdam Hackathon 2014 was a small hackathon focussing on GLAM activities and wikidata. It was held in Amsterdam, Netherlands in 2014 from 14-16 Nov.

 

It was a weekend filled with hacking together with other GLAM and/or wikidata developers. The Hackathon was open to developers with experience in relevant projects.

 

Wikimedia Nederland has a longstanding history organising hackathons and GLAM camps. Previous events were held in 2013, 2012 and 2011.

 

More information can be found on www.mediawiki.org/wiki/Amsterdam_Hackathon_2014

Volunteers who want to take a leading role in Wikimedia UK's training programme have the option to follow a Training for trainers course at Wikimedia UK office. For the first time this training was organised for international Wikimedians too.

The Amsterdam Hackathon 2014 was a small hackathon focussing on GLAM activities and wikidata. It was held in Amsterdam, Netherlands in 2014 from 14-16 Nov.

 

It was a weekend filled with hacking together with other GLAM and/or wikidata developers. The Hackathon was open to developers with experience in relevant projects.

 

Wikimedia Nederland has a longstanding history organising hackathons and GLAM camps. Previous events were held in 2013, 2012 and 2011.

 

More information can be found on www.mediawiki.org/wiki/Amsterdam_Hackathon_2014

Volunteers who want to take a leading role in Wikimedia UK's training programme have the option to follow a Training for trainers course at Wikimedia UK office. For the first time this training was organised for international Wikimedians too.

Wikimedia Commons image page

Description

 

Description

Fish in El Manglillo

 

Date

2013-05-25 08: 00: 20

 

Source

{{own}}

 

Author

{{User: The Photographer/info}}

 

Other_fields

 

Location dec|10.876166666667|-64.002941666667

 

License

{{self|cc-zero}}

 

Fishermen from Isla Margarita

Fishing in Isla Margarita

Boats in Margarita island

Uploaded with UploadWizard

Taken with Nikon D300

Files by The Photographer

Images of Venezuela by User: The Photographer

Volunteers who want to take a leading role in Wikimedia UK's training programme have the option to follow a Training for trainers course at Wikimedia UK office. For the first time this training was organised for international Wikimedians too.

Stijn Bannier over Third Age Online: Wikipedia onder senioren, bij de Wikimedia Nederland Conferentie 2013

Volunteers who want to take a leading role in Wikimedia UK's training programme have the option to follow a Training for trainers course at Wikimedia UK office. For the first time this training was organised for international Wikimedians too.

Wikimedia Commons image page

Description

 

Description

Banner at demonstrations and protests against Chavismo and Nicolas Maduro government

 

Date

2014-04-05

 

Source

{{own}}

 

Author

{{User: The Photographer/info}}

 

Other_versions

License

{{self|cc-zero}}

 

Banners and signs at demonstrations and protests opposing Chavismo and Nicolas Maduro government

Uploaded with UploadWizardTaken with Nikon D300Files by The Photographer

Images of Venezuela by User: The_Photographer

Michael, Jan-Bart, and Sue in the hotel restaurant, in somewhat characteristic poses: Michael listening, Jan-Bart in front of the Macbook, Sue typing on the BlackBerry...

Volunteers who want to take a leading role in Wikimedia UK's training programme have the option to follow a Training for trainers course at Wikimedia UK office. For the first time this training was organised for international Wikimedians too.

Hanna Schygulla, actress (picture detail)

Hanna Schygulla, Schauspielerin (Bildausschnitt)

 

ein Foto für die Wikimedia Commons: Dirschne

  

[ www.ds-foto.de.ms ]

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