View allAll Photos Tagged VueScan
Don't be fooled by the pom-poms and all those skimpy outfits: It's now official that Cheerleading has become the 'most dangerous sport for US women', according to a new report published recently in the Journal of Pediatrics.
With the choreography and acrobatic routines becoming more and more elaborate, researchers found that the number of visits to the ER resulting from high school and college cheerleading injuries rose from 4,954 in 1980 to 26,786 in 2007; and that the sport accounted for 66 per cent of "catastrophic" injuries -- those resulting in permanent brain and spinal disabilities or medical conditions -- to girls.
This picture shows the visiting Boise State cheerleaders doing their routine recently at the all-concrete Westlake Park in downtown Seattle…but they soon came crashing down to earth with an almighty bang, as the Huskies routed them, 38-6, in the season-opening first game to be played at renovated Husky Stadium.
Nikon FM2 & Nikkor f2/85mm A-is
B+W Circular Polarizer
Ilford HP5+ (@250)
HC-110 (Dil.H - 1:63 @ 8:30 minutes)
Plustek 7600i & Vuescan
After opening as a screening room in 1924, the long-time Denny Regrade bar has morphed over the decades from speakeasy to porn theater to its present makeover incarnation as the popular retro Rendezvous Restaurant, located in the heart of Belltown.
The atmosphere is sort of 1920's, with high booths, red walls, dark, swanky, sultry with good food and a plentiful supply of spirits -- both the alcoholic and paranormal variety. Ghost trackers have concluded that the spirit of a man haunts the basement (which may account for the mysterious thudding sounds and bizarre flashes of light), while the spirit of a woman haunts the upper level (where menus have spontaneously propelled themselves across tables).
Then again, legend has it these spirits only show themselves to those that have overly indulged in the spirits! But certainly from its spooky Belltown back-alley appearance, Rendezvous has an eerie feel to it -- and one not to be walked down during the upcoming Halloween period.
Leica M3 & pre-asph 50mm Summilux V2
Sekonic L308-S
Ilford HP5+ (@250)
HC-110 (dil. H - 1:63 10min)
Plustek 7600i & Vuescan
Mamiya 645 Pro TL
Mamiya Sekor 110mm F2.8 C
Kodak Tri-X 400
Self Developed/Kodak HC-110 Solution B
Plustek Opticfilm 120/Vuescan
On Friday, May 2nd 2014 the Impossible Project had it's Open-Day in the Factory in Enschede. My brother and i decided to attend.
Trainride from Hamburg was a bit long and only getting in for the 10am Tour meant i had to get up at around 2am :)
It was quite amazing to see where those films in my fridge come from and what is involved in making them. Seeing the drums of developerpaste kept reminding me of the Roger Rabbit movie ;)
Shot a roll of film while on the tour. Well... i think there are a few Kodak BW400cn pics in the Olympus AF Mini but that's not ready yet to develop.
Anyway... I hope you enjoy the pics although they are not that great and my chems where really on their last run.
Camera: Minolta X-500
Lens: Minolta 50mm F/1.7
Film: DM Paradies 400 @ 1600 (1-Stop Push)
Developer: Tetenal Colortec C41 Kit
Developed with Jobo autolab ATL 2200
Scanned with Epson V500 and Vuescan
On Friday, May 2nd 2014 the Impossible Project had it's Open-Day in the Factory in Enschede. My brother and i decided to attend.
Trainride from Hamburg was a bit long and only getting in for the 10am Tour meant i had to get up at around 2am :)
It was quite amazing to see where those films in my fridge come from and what is involved in making them. Seeing the drums of developerpaste kept reminding me of the Roger Rabbit movie ;)
Shot a roll of film while on the tour. Well... i think there are a few Kodak BW400cn pics in the Olympus AF Mini but that's not ready yet to develop.
Anyway... I hope you enjoy the pics although they are not that great and my chems where really on their last run.
Camera: Minolta X-500
Lens: Minolta 50mm F/1.7
Film: DM Paradies 400 @ 1600 (1-Stop Push)
Developer: Tetenal Colortec C41 Kit
Developed with Jobo autolab ATL 2200
Scanned with Epson V500 and Vuescan
In the background, cropped out of the frame, is a Nissan Tsuru (with that paintjob, it may have been a taxi - I forget if Taxis in Cuernavaca also had a red/white livery).
EDIT - it might in fact be a 1950.
testing a quick scan setup for a friend. this scan taken from a very average commercial print, via vuescan, from my v700.
Scan-121009-0011
On Friday, May 2nd 2014 the Impossible Project had it's Open-Day in the Factory in Enschede. My brother and i decided to attend.
Trainride from Hamburg was a bit long and only getting in for the 10am Tour meant i had to get up at around 2am :)
It was quite amazing to see where those films in my fridge come from and what is involved in making them. Seeing the drums of developerpaste kept reminding me of the Roger Rabbit movie ;)
Shot a roll of film while on the tour. Well... i think there are a few Kodak BW400cn pics in the Olympus AF Mini but that's not ready yet to develop.
Anyway... I hope you enjoy the pics although they are not that great and my chems where really on their last run.
Camera: Minolta X-500
Lens: Minolta 50mm F/1.7
Film: DM Paradies 400 @ 1600 (1-Stop Push)
Developer: Tetenal Colortec C41 Kit
Developed with Jobo autolab ATL 2200
Scanned with Epson V500 and Vuescan
I can't remember what town this was. If anyone has any idea, let me know. we're clearly in the local PEMEX station, and it's near the coast. south of Acapulco and Oaxaca.
it was where the Chrysler POS had complained it was using a quart of ATF per mile, on the way back from (you're not in) Guatamala (now, doctor Ropata). this story continues from the previous image - road trip down to repair and (legendary) drive the car back to DF.
Scanned from my original print on Konica paper, using vuescan and Epson V700. Probably shot on my OM1.
June 1995_Mexico__sick shadow turbo
Yashica Mat-124G
Yashinon 80mm f3.5
Kodak TRI-X 400 film
400TX
CanonScan 9000F VueScan
self-developed in ilford developer perceptol
Nikon F6
Voigtlander Nokton 58mm F1.4 SL-IIs
Kodak TMAX 100
Kodak HC-110 Dilution B
Vuescan, Negative Lab Pro, Nikon Coolscan 9000 ED
Nikon FE
Nikon 28mm f/2.8 ais @ f/4
Nikon MD-12
Kodak TMAX 400
Scanned with Pacific Image PrimeFilm XE and Vuescan
Post: Lightroom
Film: Bought at Beau Photo, Processed at The Lab
Film Stock: Kodak Advantix Ultra Zoom (APS)
Scanned as 64bit RAW TIF file using Canon Canoscan FS4000US and Vuescan software.
Processed as TIF file using Vuescan software.
Edited (auto levels, HDR Toning (default setting) and cropping) using Adobe CS5 Photoshop
Converted to JPG file using Adobe CS5 Photoshop
Metadata edited using Exif Pilot software
This is a bridge in Burlington, Iowa.
Camera used was a Mamiya 645 Super. Don't remember the aperture setting or focal length.
Film was Kodak Portra 160 VC.
The negative was scanned using a Nikon LS-8000 scanner and Vuescan software, then processed with Adobe Lightroom.
Pentax 645N • Pentax FA 645 150mm f:2.8 ED
Pentax 645 Auto Extension Tube-A
Agfachrome RSX II 50 expired film
Scanned with Epson Perfection V500 with VueScan 9.2 at 3200dpi and Betterscanning MF Film Holder
Jardin d'altitude du Haut-Chitelet • Vosges • France
A nostalgic look at the Tai-Pan Ramada hotel as it appeared in 1987, reflecting the style and atmosphere of late 20th-century hospitality. This snapshot evokes the era’s architecture and the travel experience before the rapid modernisation of hotel design and amenities.
Essen Centrum, North Rhine-Westphalia, Germany 30-MAY-2008
_____________________________________
Nikon F-301 + Tokina 70-210mm 4-5.6f SD MF
Film: Fuji Chrome Velvia 200
Scan: HP ScanJet G2710
Testing my new scanner ----
Scan with VueScan, 8pass, DNG output >>> few ACR settings
Route 66 Display, 2013 Clipsal 500.
Shot on Kodak Portra 400 with a Minolta XE-7 and a Rokkor 50mm F1.4.
Scanned with an Epson V700 and Vuescan
Route 66 Display, 2013 Clipsal 500.
More Scanning practice - straight out of Vuescan
Shot on Kodak Portra 400 with a Minolta XE-7 and a Rokkor 50mm F1.4.
Scanned with an Epson V700 and Vuescan
A statue in the gardens of the palazzo on Isola Bella.
>> Hand built panoramic pinhole camera (24mm x 72mm neg)
>>Kodak Ektar 100
>>Epson v500, Vuescan, CF Systems Colorperfect, Adobe Photoshop
A test shot with the new Adox Silvermax 100 film taken at the 2013 Papa's Toy's Car Show in Cornelius, Oregon.
Leica M6 TTL, Leica 50mm Summicron f/2 (current version), Adox Silvermax 100 B&W film, Adox Silvermax Developer, Nikon Coolscan IV ED, VueScan 9.0.44
Olympus Trip 35
Agfa VistaPlus 200
Canon CanoScan 8600F
VueScan
Photo Blog:
Instagram:
Nikon FM3A
Nikon 28mm f/2.8 ais @ f/8
Fujifilm Superia 400
Scanned with Pacific Image PrimeFilm XE and Vuescan
Post: Lightroom
Film: Bought at Beau Photo, Processed at The Lab
Unfortunately when I hit 'scan,' this is what results. The curve doesn't even look anything like what was in the preview, and I'm at a little bit of a loss as to why.
UPDATE: Thanks to kediwah's tutorial, I now get consistent results between the preview and the scan. Unfortunately, what I get as an end result is still similar to what's above; the histogram has a big chunk taken out of, that basically removes all the shadow detail. These negs are ones I've printed before and had come out fine, so I know the detail is there, the scanner just isn't capturing it.
UPDATE 2: Turns out that when using the settings above (B/W Negative and 64 bit RGBI), VueScan seems to construct the monochrome image shown in the preview and written out as the final scan from the infrared channel of the scanner. The histogram curve shown is appropriate for IR, but not for visible light. The solution is to set the 'Bits per pixel' setting to 16b Grey, and then choose a RGB channel manually.
Nikon FM3A
Nikon 105mm f/2.5 ais @ f/8 + Nikon TC-201
Kodak Portra 400
Scanned with Pacific Image PrimeFilm XE and Vuescan
Post: Lightroom
Film: Bought at Beau Photo, Processed at The Lab
Converted to black and white.
"Lunch Walk"
"Birmingham, AL"
"Canon 7"
"CV 35/2.5 Color-Skopar"
"Fuji" "Acros"
"Thorntons Two Bath"
"Plustek 8100"
"Vuescan"
"Darktable"
On Friday, May 2nd 2014 the Impossible Project had it's Open-Day in the Factory in Enschede. My brother and i decided to attend.
Trainride from Hamburg was a bit long and only getting in for the 10am Tour meant i had to get up at around 2am :)
It was quite amazing to see where those films in my fridge come from and what is involved in making them. Seeing the drums of developerpaste kept reminding me of the Roger Rabbit movie ;)
Shot a roll of film while on the tour. Well... i think there are a few Kodak BW400cn pics in the Olympus AF Mini but that's not ready yet to develop.
Anyway... I hope you enjoy the pics although they are not that great and my chems where really on their last run.
Camera: Minolta X-500
Lens: Minolta 50mm F/1.7
Film: DM Paradies 400 @ 1600 (1-Stop Push)
Developer: Tetenal Colortec C41 Kit
Developed with Jobo autolab ATL 2200
Scanned with Epson V500 and Vuescan
Tree in a field during a snow storm.
Shot at f/5.6. Sunny 16 rule for the brightness level indicated f/11. So, true to form for making snow white, the aperture here is 2 stops more open. I picked up a Nikon F at an antique store and this is the first role of film shot on it. It only had the standard prism finder. Thus, I chose to wing it with the exposures using the Sunny 16 rule. I used Kodak Gold 100 print film and scanned this using Vuescan on Nikon Coolscan 5000 ED. There was no significant colour, so I monochromed it using an orange filter in Apple Aperture.
I shot the same photo digitally with the D300 and this one on film worked out better.
Photo shot around St. Michaelis Lüneburg in January with a Pentax ME and a 28mm Travenar on AgfaFoto APX 400. Self-developed with Adonal 1:50 for 21 Minutes and fixed with Adofix 1:9 for 4 Minutes in a Paterson Tank. Scanned with VueScan on a CanoScan 9000f Mark II. Unfortunately developed a bit too long for scanning...
You can take the boy out of Glasgow, but you can never take the Glasgow humour out of the boy. My first thoughts on seeing this pair of old Nike trainers sitting forlornly on a bench at the Pike's Place Market, was a great Billy Connolly joke about two National Geographical photographers working in deepest Africa.
The Connolly joke goes that the two are out in the Serengeti plains on a lion shoot for the magazine. Suddenly, a lion raises its head and looks towards their hide, giving it "Rrrraaar!" "Grrrraaaarrarrrarrr!" Professional as ever, despite being rumbled, they continue clicking away; but when it starts to circle their hide, one of them pulls off his desert boots and slips on his Nikes. First photographer: "You'll never out run a lion in those. Second photographer: "F**k the lion, so long as I out run you I'll be ok!"
As Nike's tagline goes, "Just Do It!"
Leica M3 & 50mm Summicron DR
B+W Yellow Filter
Sekonic L-308S
Tri-X (@250)
HC-110 (Dil. H - 10min)
Plustek 7600i & Vuescan
per ricordare la Festa della Repubblica, Italiani all'estero.!996 in Uruguay loro si trovavano e festeggiavano tutte le
ricorrenze ufficiali italiane: Persone emigrate nel dopoguerra prima del boom economico e molti rimpiangono di non essere rimasti in Italia e la maggior parte delle persone non hanno fatto fortuna a loro il mio ringraziamento.
My paper developer was spent, I thought I could just add some time and make it through this pair, but alas I was wrong, and have to recover the images using the scanner settings.
From these, I wish I had waited until I got some fresh developer, these would have been awesome portraits!
Shen-Hao 4x5, Nikkor-W 135mm F/5.6 with medium yellow filter, shot on Ilford Harman Direct Positive Print Paper, scanned with the Epson V600 using VueScan
My first time seeing these. I took these on March 28, 2008. I didn't have my tripod as you can tell. Oops.
I took this photo from the Lincoln Memorial and caught both the Washington Monument and the Capitol Dome in the distance.
Zeiss Ikon ZM / Leica Summicron 50mm / Ilford Delta 400 / HC-110 / Vuescan / colorperfect / photoshop
Zeiss Super Ikonta 533/16, Zeiss Tessar 80mm f/2.8, Fomapan 400, Clayton F76+ 1+9; scanned with Epson V850 Pro and Vuescan, converted with Negative Lab Pro
Nikon FM3A
Nikon 85mm f/1.4 D @ f/4
Fujifilm Provia 100
Scanned with Pacific Image PrimeFilm XE and Vuescan
Post: Lightroom
Film: Bought at Beau Photo, Processed at The Lab
Queen Hatshepsut's palace was built by Pharaoh Hatshepsut in the 15th century BC at Deir el-Bahri near the entrance to the Valley of the Kings. This is on the West bank of the Nile opposite Thebes (now called Luxor).
This photograph was originally taken during a trip to Egypt in 2001 using my Canon T70 with a Fuji film of some flavour, ASA 400 . Not having a slide/negative scanner to digitise it, I photographed the negative using my Panasonic G1 and Kiron 105mm F2.8 Macro lens. I then converted the negative image to positive using VueScan and gave it a straighten, crop and "tweek" using Photoshop. I'm still having some issues with slight colour casts, but as this is the first time I've done this, I don't think that it has come out too bad.
Nikon FM3A
Nikon 105mm f/2.5 ais @ f/4
AGFA Digibase CR200 PRO
Scanned with Pacific Image PrimeFilm XE and Vuescan
Post: Lightroom
Film: Bought at Beau Photo, Processed at The Lab
On Friday, May 2nd 2014 the Impossible Project had it's Open-Day in the Factory in Enschede. My brother and i decided to attend.
Trainride from Hamburg was a bit long and only getting in for the 10am Tour meant i had to get up at around 2am :)
It was quite amazing to see where those films in my fridge come from and what is involved in making them. Seeing the drums of developerpaste kept reminding me of the Roger Rabbit movie ;)
Shot a roll of film while on the tour. Well... i think there are a few Kodak BW400cn pics in the Olympus AF Mini but that's not ready yet to develop.
Anyway... I hope you enjoy the pics although they are not that great and my chems where really on their last run.
Camera: Minolta X-500
Lens: Minolta 50mm F/1.7
Film: DM Paradies 400 @ 1600 (1-Stop Push)
Developer: Tetenal Colortec C41 Kit
Developed with Jobo autolab ATL 2200
Scanned with Epson V500 and Vuescan