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Estuvo bueno el trabajo, pero personalmente me costó mucho. Es probable que la razón haya sido falta de trabajo o, trabajo sin un objetivo claro, por ejemplo a la hora de ir a sacar fotos.
Para el trabajo final traté de unir de algún modo las fotos que ya tenÃa, que se presentaban como propuestas diferentes. Salà a sacar fotos, y me rajaron de los lugares en los que ya habÃa estado. La solución: el subte. Y gracias a la Porcina habÃa poquÃsima gente.
Ciclista en el carril-bici del Campo VolantÃn ;)
Esta foto no es que sea muy impactante o deslumbrante. Es una foto sacada cerca de las 13:30 h (entre semana) en una zona con mucho tráfico. Pensé que si sacaba dos o tres fotos, quizá las partes que no tuvieran coches podÃan juntarse. Y bueno ahà está el resultado (y por eso la coloco en Otras, también).
¿Y qué mejor sitio para hacer esto?. Según la RAE:
Ayuntamiento: Acción y efecto de ayuntar o ayuntarse
Ayuntar: juntar, añadir, ... (y más cosas ).
45 Blank Visual Libraries Books are available at Portsmouth Central Library for you to sign out and enter your ideas etc to given themes.
In partnership with The University of Portsmouth, Portsmouth City Council, Rhodia Sketchbooks and Seawhite of Brighton.
Saturday, Sept. 26, 2015, at Marshall University's Visual Arts Center, presented by Moses AutoMall of Huntington. (Photo by Michael Gallimore.)
Installation view of "A Visual Trace"
Curated by Patrick Macaulay.
Sara Angelucci, Melissa General, Rachel MacHenry, Gord Peteran, Aubrey Reeves, Greg Staats
Harbourfront Centre.
April 12 - June 15, 2014
Photography: Tom Bilenkey
I create my Visual Confections line of chandeliers, candelabra, and sconces from a range of materials including vintage and found objects, faux candy, artificial flowers, glass and plastic beads, and my personal collection of miniatures. From these I construct elaborate ecosystems that embody happiness and shimmer with color and life. A metal framework is decorated in a series of interwoven neighborhoods of clustered forms, with tiny animals prowling around the joyful sprays of beads and flowers.
From a distance, the piece could be a glimmering planet or magical formation discovered on a walk. Draw closer, and discover how communities of objects flow into each other, presenting new aspects and interactions from every angle. Become calm and focussed by this observation, from the full realm down to the smallest bauble.
The chandelier can hang from your ceiling or any overhead element capable of bearing 5 lbs or more; the candelabra is designed to rest on a surface. Colorful, twinkling LED lights illuminate each piece; with or without the lights activated, your Visual Confection will enhance your space with a vibrant palette covering the whole spectrum.
My working methods express the calmness and joy that comes from the contemplative act of arranging objects. Rather than being sorted into strict categories and taxonomies, the tiny materials enjoy the freedom of intuitively ordered worlds. The resulting decorative environments, with names drawn from the writings of composer Erik Satie, are designed to be experienced both close-up and at a distance.
Taken from my live visual. Everything is realtime and mixed with my home made software CloneMixer 3.0
A pouch to hold ephemera: words meant to be thrown out. I'm doing the Strathmore Visual Journal workshops and having a lot of fun with them!
Sharpie and watercolour pencils
Visuals / LED by Eyesupply.tv / Kijkbuiskinderen
Stagedesign by Jasper Schimmel
Laser by Laserimage
Lights by Freek Wassenberg