View allAll Photos Tagged Visualize
Hi i'm Dhananjay Sharma, Utilize my high and low polygon mesh modeling skills to create Architectural visualization, characters, environments, and props.
Hi i'm Dhananjay Sharma, Utilize my high and low polygon mesh modeling skills to create Architectural visualization, characters, environments, and props.
Visualization of an email list. Each picture reprensents one Month. A Sediment is an author, the height
Visualization of an email list. Each picture reprensents one Month. A Sediment is an author, the height represents the length of teh body, each hair is a word. Answers are red lines.
Visualization of an email list. Each picture reprensents one Month. A Sediment is an author, the height represents the length of teh body, each hair is a word. Answers are red lines.
If I were to make a 3D chart that mapped out the alphabetical distribution of my CD library, this is what it would look like.
This is a visualizer, created in Java (using the Processing environment), which plots all zip codes as little orange points, then plots a dataset as yellow "pins" on top. Links between the pins are represented by green curves.
Although the real version used Quickbooks company data plotted on the map, this demonstration version uses randomized data. Made in collaboration with Lydia Sidrak.
My music visualizer running in 64 bits in iTunes Cocoa, downloading pictures from Flickr and sending the video stream from iTunes to another application through Syphon...
Just Pinned to architectural visualization: Inside the Psychedelic Skyscraper City of the Future | The Creators Project bit.ly/2FSBNqj
My TwitWall microblog post of December 04, 2008 Having chosen from approx. 5000 pieces of connectivism - PERSONAL LEARNING NODES #9:
This artwork by Finnish Janna Syväoja is located at EMMA Museum of Modern Art. It consists of approx. 5000 pieces of jigsaw puzzle, hanging from the ceiling. This visualizes exactly, how the content of the #cck08 course seemed to me in the beginning - well, throughout the course actually. The meaning of the #cck08 revealed to me is that there existed one planned selected frame of reference - where to start to pick up themes and details from and to form new wholes, piece by piece. Otherwise all the pieces would have remained hanging in the air, in the virtual and non-virtual space. CCK08 built the threads binding the pieces together, to a whole - a new kind of whole.
And what's most important: I learned to process the aspired whole piece by piece, one piece at a time. Choosing, keeping and occasionally checking the direction of learning, managing and living is what counts. The amount of pieces processed at one time does not. For this thinking process photoblogging => microblogging and => blogging are excellent ways of action. It can only be learned and discovered by trying, doing, writing, visualizing, chatting, by oneself - and one piece at a time.
(The book I photographed the above picture from: The Saastamoinen Foundation Art Collection: Finnish Art. Edition: Päivi Karttunen. Photography: Ari Karttunen, Matti Ruotsalainen. Saastamoinen Foundation, 2006 (Lönnberg Print).)
Visualization was the theme at the NOAA booth during the #AMS2015 Annual Meeting Exhibit Hall opening reception on January 5, 2015. NOAA Satellites Assistant Administrator Dr. Stephen Volz demonstrated Science On a Sphere® to the crowd.
The 95th American Meteorological Society Annual Meeting was held January 4-8, 2015 in Phoenix. The theme of the 2015 meeting was “Fulfilling the Vision of Weather, Water, and Climate Information for Every Need, Time, and Place.”
NOAA Science On a Sphere®: sos.noaa.gov/
DNA sequence alignment data shown on the TACC Visualization Wall.
Pictured (Left to Right): Adam Kubach, Dan Stanzione, Steve Welsh, Steve Goff, Matt Vaugh
photo by Greg Little
Luminale 2012
Time Drifts Installation by Philipp Geist
Kulturcampus/ Goethe Universität Frankfurt
LUMINALE 2012
15 - 20. April 2012 - 20:30 - 23:30h
Time Drifts
Anlässlich der Luminale 2012 zeigt Philipp Geist seine Installation 'TIME DRIFTS' auf dem Platz der Goethe-Universität, dem künftigen Kulturcampus. Die Installation visualisiert die Themen Zeit und Raum, Flüchtigkeit und Präsenz. Dabei verzichtet der Künstler auf den Einsatz von Leinwänden und projiziert Begriffe und Assoziationen großflächig auf die Bodenfläche des Platzes, auf Fassadenelemente und in Nebel. Es entsteht ein Zusammenspiel zwischen der konkreten, greifbaren Projektion auf die Architektur und der transparenten, sich verflüchtigenden Projektionsfläche im Nebel. Begriffe werden als Metapher für die Vergänglichkeit kurzzeitig sichtbar und verschwinden sofort wieder. Dieses Zusammenspiel der verschiedenen Text und Bildschichten im Raum verweist auf den Ort als zukünftige Kulturstätte und Begegnungsort.
Time Drifts
For Luminale 2012, Philipp Geist shows his installation 'TIME DRIFTS' in the square of the Goethe-University, the future Kulturcampus. This installation visualizes the issues of time and space, volatility and pres- ence. Here, the artist renounces the use of screens and instead projects terms and associations onto the ground of the square, the facade
elements and onto the mist. The result is an interplay between the concrete, tangible projection onto the architecture and the transparent, dissipating screen of mist. Terms, which are a metaphor for transience can be briefly seen but disappear again immediately. This interaction between the different layers of text and image in space refers to the lo- cation as a future cultural site and meeting place.
Video-Licht-Installation von Philipp Geist
Philipp Geist / Videogeist / Pani
Ermöglicht durch die Wirtschaftsinitiative FrankfurtRheinMain e. V. und ABG Frankfurt Holding Wohnungsbau- und Beteiligungsgesell- schaft mbH
Campus der Goethe-Universität, Kulturcampus
I should probably paginate this feed!
I used Perl and the GraphViz::Data::Grapher from CPAN to make some graphics out of the data structure that XML::Simple makes out of the RSS feeds from my website. I will post the code and a writeup elsewhere.
Edited European Southern Observatory visualization of the black hole at the center of the Milky Way Galaxy.
ESO's exquisitely sensitive GRAVITY instrument has added further evidence to the long-standing assumption that a supermassive black hole lurks in the centre of the Milky Way. New observations show clumps of gas swirling around at about 30% of the speed of light on a circular orbit just outside a four million solar mass black hole — the first time material has been observed orbiting close to the point of no return, and the most detailed observations yet of material orbiting this close to a black hole. This visualisation uses data from simulations of orbital motions of gas swirling around at about 30% of the speed of light on a circular orbit around the black hole.
Worldwide Visualization for a Breakthrough -
Please Join Us!
visualizedaily.com/action1-en.html
Transformation transformacja transformation transformace Transformation transzformáció преобразование transformación trasformazione 2012
www.flickr.com/photos/arjuna/sets/72157628371178639/with/...
First Hacks/Hackers Meetup held at Atherton Studio at HPR. Great presentations by Ben Trevino, Jared Kuroiwa and Misa Maruyama.
3d-walkthrough-rendering.outsourcing-services-india.com
Yantram Architectural photorealistic renders creates high-quality 3D facades in a virtual studio environment. Our team of architects and industrial designers build 3d models from CAD files, sketches, or photographs
"I delighted in seeing image after image populating the parallel glass planes, extending back as far as the eye could discern... Sometimes I would imagine an irreverent me way down the line who refused to fall into place, disrupting the steady progression and creating a new reality that informed the ones that followed."
the quote is by Brian Greene in the chapter titled The Bounds of Reality (On Parallel Worlds) in his book The Hidden Reality, Parallel Universes and the Deep Laws of the Cosmos
I hooked my camera up to my TV, and used the TV screen as the camera's viewfinder.
This is the result you get when the camera is in effect taking a picture of its own viewfinder
For Disneyland Paris' 25th anniversary a new show with light, lasers fire and fireworks was created which plays every night, just before the park closes. It's built on the idea that everyone has dreams but sometimes you need some help to visualize them. The show centers around Mickey Mouse (after all, it all began with a mouse) who takes you by the hand and shows you some of Disney's greatest successes.
The only thing I missed in this show was Snow White. Because I may have started with a mouse but the greatest success was because a girl with a skin as white as snow, hair raven black and lips as red as cherries.
I remember this thing from when I was a kid at the Science Museum. They've still got it, and it's taken on a new interest for me since I saw it last. Fluid dynamics is pretty cool, especially when you can see its details.
This project was an attempt to visualize population density in NYC and the correlation it has to people feeling claustrophobic as a result. As well, it was also a reflection upon my own relationship to the city and the daily patterns that shape it.
I placed a proximity sensor in the front pocket of my jacket and logged the data it recorded for the 4+ hours I wore it. I then pulled that data into Processing to manipulate the image. As the distance between me and anything/anyone in front of me became closer, the image begins to blur.