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Lee dutifully recorded the path of every bike ride he took for over a year. This is a map of those traces.
This started as a sound visualizer with a pretty simple algorithm.
Maybe it's just a starting point for something more complex that will emerge later.
"T O P O L O G Y" is a meditation of the word visualized in three dimensions in a tangible form. The form is constructed with a Z-Corp CNC prototyping machine and isosurf. "T O P O L O G Y" is the first in a series of 3-D forms created from the orientation of the letters.
Guests on Saturday received a demonstration of the 3D visualization lab that is part of the new Ho Science Center. (Photo by Ian Domes)
Visualization of www.generatorx.no as a graph.
See www.aharef.info/2006/05/websites_as_graphs.htm for explanation. See also the websiteasgraphs tag.
Photo of a Man on Sunset Drive: 1914, 2008
by: Richard Blanco
And so it began: the earth torn, split open
by a dirt road cutting through palmettos
and wild tamarind trees defending the land
against the sun. Beside the road, a shack
leaning into the wind, on the wooden porch,
crates of avocados and limes, white chickens
pecking at the floor boards, and a man
under the shadow of his straw hat, staring
into the camera in 1914. He doesn't know
within a lifetime the unclaimed land behind
him will be cleared of scrub and sawgrass,
the soil will be turned, made to give back
what the farmers wish, their lonely houses
will stand acres apart from one another,
jailed behind the boughs of their orchards.
He'll never buy sugar at the general store,
mail love letters at the post office, or take
a train at the depot of the town that will rise
out of hundred-million years of coral rock
on promises of paradise. He'll never ride
a Model-T puttering down the dirt road
that will be paved over, stretch farther and
farther west into the horizon, reaching for
the setting sun after which it will be named.
He can't even begin to imagine the shadows
of buildings rising taller than the palm trees,
the street lights glowing like counterfeit stars
dotting the sky above the road, the thousands
who will take the road everyday, who'll also
call this place home less than a hundred years
after the photograph of him hanging today
in City Hall as testament. He'll never meet
me, the engineer hired to transform the road
again, bring back tree shadows and birdsongs,
build another promise of another paradise
meant to last another forever. He'll never see
me, the poet standing before him, trying
to read his mind across time, wondering if
he was thinking what I'm today, both of us
looking down the road that will stretch on
for years after I too disappear into a photo.
Edited Dawn image and visualization of Ceres with a visualization showing information on the internal structure as a gravity map. Animated GIF version (created by NASA). To view animation, click on View all sizes and select Original size.
The thumbnail version of this image looks distorted but the animation is fine...
Image source: photojournal.jpl.nasa.gov/catalog/PIA22083
Original caption: This animation shows Ceres as seen by NASA's Dawn spacecraft from its high-altitude mapping orbit at 913 miles (1,470 kilometers) above the surface. The colorful map overlaid at right shows variations in Ceres' gravity field measured by Dawn, and gives scientists hints about the dwarf planet's internal structure. Red colors indicate more positive values, corresponding to a stronger gravitational pull than expected, compared to scientists' pre-Dawn model of Ceres' internal structure; blue colors indicate more negative values, corresponding to a weaker gravitational pull.
An annotated version of the animation, showing a scale of the difference between predicted and observed gravity, is also available. (This version also has a higher frame rate, for a smoother animation.)
The animation was created by projecting a map of Ceres onto a rotating sphere. The image scale is about 450 feet (140 meters) per pixel.
Dawn's mission is managed by JPL for NASA's Science Mission Directorate in Washington. Dawn is a project of the directorate's Discovery Program, managed by NASA's Marshall Space Flight Center in Huntsville, Alabama. UCLA is responsible for overall Dawn mission science. Orbital ATK Inc., in Dulles, Virginia, designed and built the spacecraft. The German Aerospace Center, Max Planck Institute for Solar System Research, Italian Space Agency and Italian National Astrophysical Institute are international partners on the mission team.
For a complete list of Dawn mission participants, visit dawn.jpl.nasa.gov/mission.
For more information about the Dawn mission, visit dawn.jpl.nasa.gov.
Image Credit:
NASA/JPL-Caltech/UCLA/MPS/DLR/IDA
Image Addition Date:
2017-10-26
transitability heatmap with respect to noon on a weekday; the area just east of Greenlake. Interesting how you get these discrete regions, probably as a result of the missing-the-bus phenomenon.
One picture for construction company ALLI. This visualization imagination cut of the assembly plasterboard in the houses. He is useing on company car in 2x1m large.
portfolio on: www.cg-graphic.com
Film photography was supposed to have been killed off by the digital era. There are many people still refuse to abandon film photography. Shooting with film is about enjoying the whole photography experience. I feel the moment more, and get a true sense of achievement. My lens is manual focus, so I shoot at a snails pace now. This is a good thing. This is a great benefit of shooting with film, because it forces you to try and pre-visualize what you want to happen.
found some nice visualizations from an old ibm research paper, this one showing email thread 'arcs'.
Photo of a Man on Sunset Drive: 1914, 2008
by: Richard Blanco
And so it began: the earth torn, split open
by a dirt road cutting through palmettos
and wild tamarind trees defending the land
against the sun. Beside the road, a shack
leaning into the wind, on the wooden porch,
crates of avocados and limes, white chickens
pecking at the floor boards, and a man
under the shadow of his straw hat, staring
into the camera in 1914. He doesn't know
within a lifetime the unclaimed land behind
him will be cleared of scrub and sawgrass,
the soil will be turned, made to give back
what the farmers wish, their lonely houses
will stand acres apart from one another,
jailed behind the boughs of their orchards.
He'll never buy sugar at the general store,
mail love letters at the post office, or take
a train at the depot of the town that will rise
out of hundred-million years of coral rock
on promises of paradise. He'll never ride
a Model-T puttering down the dirt road
that will be paved over, stretch farther and
farther west into the horizon, reaching for
the setting sun after which it will be named.
He can't even begin to imagine the shadows
of buildings rising taller than the palm trees,
the street lights glowing like counterfeit stars
dotting the sky above the road, the thousands
who will take the road everyday, who'll also
call this place home less than a hundred years
after the photograph of him hanging today
in City Hall as testament. He'll never meet
me, the engineer hired to transform the road
again, bring back tree shadows and birdsongs,
build another promise of another paradise
meant to last another forever. He'll never see
me, the poet standing before him, trying
to read his mind across time, wondering if
he was thinking what I'm today, both of us
looking down the road that will stretch on
for years after I too disappear into a photo.
I mainly uploaded these to submit to the 'Backgrounds App' group for use for cell phone backgrounds on android devices.
if they aren't accepted, I'll be deleting them.
xox
The picture of the "purple" window in the front is taken by Damiel
The picture of the windows in the back, are taken by markbarkaway, it´s one picture that I have copied to the walls, floor and the roof, and cut out the original view.
The pictures of the blue sky, is taken by me :-) A really hard job... :-)
Worldwide Visualization for a Breakthrough -
Please Join Us!
visualizedaily.com/action1-en.html
Transformation transformacja transformation transformace Transformation transzformáció преобразование transformación trasformazione 2012
www.flickr.com/photos/arjuna/sets/72157628371178639/with/...
Photo of a Man on Sunset Drive: 1914, 2008
by: Richard Blanco
And so it began: the earth torn, split open
by a dirt road cutting through palmettos
and wild tamarind trees defending the land
against the sun. Beside the road, a shack
leaning into the wind, on the wooden porch,
crates of avocados and limes, white chickens
pecking at the floor boards, and a man
under the shadow of his straw hat, staring
into the camera in 1914. He doesn't know
within a lifetime the unclaimed land behind
him will be cleared of scrub and sawgrass,
the soil will be turned, made to give back
what the farmers wish, their lonely houses
will stand acres apart from one another,
jailed behind the boughs of their orchards.
He'll never buy sugar at the general store,
mail love letters at the post office, or take
a train at the depot of the town that will rise
out of hundred-million years of coral rock
on promises of paradise. He'll never ride
a Model-T puttering down the dirt road
that will be paved over, stretch farther and
farther west into the horizon, reaching for
the setting sun after which it will be named.
He can't even begin to imagine the shadows
of buildings rising taller than the palm trees,
the street lights glowing like counterfeit stars
dotting the sky above the road, the thousands
who will take the road everyday, who'll also
call this place home less than a hundred years
after the photograph of him hanging today
in City Hall as testament. He'll never meet
me, the engineer hired to transform the road
again, bring back tree shadows and birdsongs,
build another promise of another paradise
meant to last another forever. He'll never see
me, the poet standing before him, trying
to read his mind across time, wondering if
he was thinking what I'm today, both of us
looking down the road that will stretch on
for years after I too disappear into a photo.