Visualizing Sound
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"VISUALIZANDO EL FUTURO".
Created for the Artistic Manipulation Group's MIXMASTER
CHALLENGE #35.
CHEF pcgirl2005j challenges us to mix up eras ...
➤ Your image must include a vintage person(s) depicted in vintage tones (basically sepia and definitely pre-color).
➤ Your background must be contemporary (city buildings, streets, computers, cars, space stations, etc.).
➤ Include one (and only one) animal.
➤ You must use a texture.
➤ NO TREES.
THANK YOU ALL MY KIND FLICKR FRIENDS. YOUR COMMENTS AND INVITATIONS ARE VERY MOTIVATING AND APPRECIATED.
GRACIAS A TODOS MIS AMABLES AMIGOS DE FLICKR. SUS COMENTARIOS, INVITACIONES Y FAVORITOS, SON MUY MOTIVANTES Y APRECIADOS
Images and textures of my own.
Querétaro - México.
© All rights reserved.
When the light of day crosses with the evening dark, it is a moment of sheer magic. As an observer you are aware of a transition and can see the change that is occurring. It lasts for little more than an instant and for me, represents the passing of time. That instant that lies between the future and the past we term the present. Except that it is visualized through light.
The tree in the forefront caught my attention and how the light shone on one side giving it great dimension. It sits in that transition point where light and dark mingle and further represents the present. I do enjoy attempting to tell a story in my work, and this one is no exception.
Принцип Гюйгенса. Волновая теория, в отличие от корпускулярной, рассматривает свет как волну, подобно механическим волнам. В основу волновой теории был положен принцип Гюйгенса, согласно которому каждая точка, до которой доходит волна, становится центром испускания вторичных волн, а огибающая этих волн дает положение волнового фронта в следующий момент времени. С помощью принципа Гюйгенса были объяснены законы отражения и преломления.
This reconstruction illustrates how the Small Bath at the Archaeological Park of Stobi, North Macedonia, may have appeared during the 5th or early 6th century AD. Based on the surviving curved walls, brick vaults, stone masonry, and archaeological research, the bathhouse has been recreated as a compact yet elegant Roman bathing complex. Located beside the Synagogue Basilica, it probably served a smaller group of visitors than the city's large public baths, while offering the same essential facilities of Roman bathing culture. The reconstruction follows the original layout of the excavated remains, including the distinctive circular bathing area, the brick-vaulted rooms, and the thick stone walls that are still visible today. Marble wall panels, colourful floor mosaics, wooden roof beams, and everyday objects have been added using archaeological evidence and comparisons with similar Late Roman bathhouses throughout the Roman Empire. The bath was heated by an advanced hypocaust system, allowing warm air to circulate beneath the floors and inside the walls. Although no reconstruction can ever be completely certain, this visualization offers a glimpse of how visitors may have experienced the Small Bath more than 1,500 years ago, when Stobi was one of the most prosperous cities in the Balkans.
An artistic reconstruction of the Small Bath at ancient Stobi, bringing one of the city's best-preserved Roman bathhouses back to life as it may have appeared during the Late Roman period.
Deze reconstructie laat zien hoe het Kleine Badhuis in het Archeologisch Park Stobi, Noord-Macedonië, er mogelijk heeft uitgezien tijdens de 5e of vroege 6e eeuw na Christus. Op basis van de bewaard gebleven gebogen muren, bakstenen gewelven, natuurstenen metselwerk en archeologisch onderzoek is het badhuis gereconstrueerd als een compact, maar elegant Romeins badcomplex. Het lag direct naast de Synagoge-Basiliek en diende waarschijnlijk een kleinere groep bezoekers dan de grote openbare thermen van de stad, terwijl het dezelfde belangrijke voorzieningen van de Romeinse badcultuur bood. De reconstructie volgt zoveel mogelijk de oorspronkelijke plattegrond van de opgraving. De karakteristieke ronde badruimte, de bakstenen gewelven en de massieve natuurstenen muren zijn gebaseerd op de archeologische resten die vandaag de dag nog zichtbaar zijn. Marmeren wandbekleding, kleurrijke vloeren, houten dakconstructies en gebruiksvoorwerpen zijn toegevoegd op basis van archeologische vondsten en vergelijkingen met soortgelijke laat-Romeinse badhuizen elders in het Romeinse Rijk. Het badhuis werd verwarmd door een ingenieus hypocaustsysteem, waarbij hete lucht onder de vloeren en door holle muren circuleerde om de verschillende badruimtes aangenaam te verwarmen. Hoewel geen enkele reconstructie volledig historisch bewezen kan worden, geeft deze visualisatie een indruk van hoe bezoekers ruim 1.500 jaar geleden dit badhuis kunnen hebben ervaren, in een tijd waarin Stobi een van de welvarendste steden van de Balkan was.
When I saw this I wasn't sure what it was or what it represented as workers were finishing the installation. Since then I've learned that it represents data visualization it reflects the global impact of food production and consumption on the environment. Part of the "Around The Table" exhibit at the New York Botanical Garden. I still don't understand it but it's nice to look at.
I'm still trying to find the sweet spot, where serenity and beauty intersect. I think I'm getting close.
Image imagined in MidJourney AI and finished with Topaz Studio 2.0 and Lightroom Classic.
Visualize yourself walking on the sand, listening to the water splash against the shore.
Visualize swimming, in the oceans, in the sky
Visualize sitting by a beach fire, warming up from the chilly air.
Visualize happiness that won't be suppressed, laughing.
It is the end of the day when the sun sets low, and the mood is sweet and peaceful.
When things get tough, I like to visualize a place where serenity reigns supreme. You can currently find me here.
Image imagined in MidJourney AI and finished with Topaz Studio 2.0 and Lightroom Classic.
I've created a music visualization tool that turns music, in the form of MIDI files, into organic, flowing images using particle swarm algorithms. Each note generates particles that spiral outward based on pitch and timing, creating unique visual "fingerprints" for different musical styles. Simple, repeated melodies show beautiful cyclical patterns with repeating waves, while complex polyrhythms and chromatic harmony create chaotic, scattered patterns. The visualization essentially performs a topological analysis of music structure - revealing at a glance whether a piece is periodic and tonal versus aperiodic and chromatic. This image is of David Bowie's "Heroes".
Please don't use this image on websites, blogs or other media without my explicit
permission. © All rights reserved. All photos are digitally watermarked with Digimarc
I have seen this shot done a hundred times and wanted to give it a try. It was not as easy as it looks! Getting a ring to stand in a book and getting the right shadow is a bit tricky. I also wanted to find a page in the book that enhanced the image and I think I found one...:)
Gathered yesterday with a group of other flickr group members (Newcastle Sundance) for a sunrise meet at Merewether NSW.
We were rewarded with a beautiful sunrise; give that the forecast was far less promising (it was supposed to be rainy and strong winds - they arrived later in the afternnon!)
For best result - please view Large on Black!!
Canon 7D + Tokina 11-16 lens @ 11mm.
10 second exposure at f22 ISO100.
Lee ND.6 + GNDH.9 used.
Hope you enjoy it!
I had this picture in my head for about two weeks and waited for the right conditions.
Leica I (C), Elmar 50mm f/3.5 lens with Ilford FP4+ film.
Overcast day in Sunnyside, Georgia
www.youtube.com/watch?v=t-_45lXgHZw
Time to get back to my series of candid portraits, "Akiba Window 2017". Once again, I plan to post five images in succession.
#6 (1/5)
(If viewing on a PC, I highly recommend pressing "L" to view in Lightboard mode with a black background.)
I've created a music visualization tool that turns music, in the form of MIDI files, into organic, flowing images using particle swarm algorithms. Each note generates particles that spiral outward based on pitch and timing, creating unique visual "fingerprints" for different musical styles. Simple, repeated melodies show beautiful cyclical patterns with repeating waves, while complex polyrhythms and chromatic harmony create chaotic, scattered patterns. The visualization essentially performs a topological analysis of music structure - revealing at a glance whether a piece is periodic and tonal versus aperiodic and chromatic. This is the Theme from the Godfather.
I was astounded by Bill Rankin's map of Chicago's racial and ethnic divides and wanted to see what other cities looked like mapped the same way. To match his map, Red is White, Blue is Black, Green is Asian, Orange is Hispanic, Gray is Other, and each dot is 25 people. Data from Census 2000. Base map © OpenStreetMap, CC-BY-SA
I was astounded by Bill Rankin's map of Chicago's racial and ethnic divides and wanted to see what other cities looked like mapped the same way. To match his map, Red is White, Blue is Black, Green is Asian, Orange is Hispanic, Gray is Other, and each dot is 25 people. Data from Census 2000. Base map © OpenStreetMap, CC-BY-SA
Night view of the chain bridge from the Danube River in Budapest, Hungary
to see more, check out: www.facebook.com/davidbuisinephotography
Subdivision of a cube using derivatives of the Catmull Clark and Doo Sabin algorithms. Generated and visualized using processing. Click below to see the video:
.
There are painters who must,
having found the place, must,
repaint it, compelled to repeat it,
each a variant, yet always the same,
always different
I awake to a perspective that is wide,
always differentiated from the prior,
always almost similar, but never with
the same exactitude, differing attitude,
same longitude, identical latitude,
always different
horizon distanced, in all ways a view
encompassing, duality near, far distant,
harmoniously, eyes open, magnetized
to wake before 6am by the suns modesty,
first light, first clarity, a curtain risen, yet,
always different
am I so blessed or thus cursed, for the urge
to disclaim and ode, compose and thus self-
decompose, analyze, reflect, slice apart, needing
the comprehensive understanding this me/place
scripts the raw appreciation, daily differentiated
always the same
this peaceful venue seizures, chest calmly
pounding at the insistence it commands,
the price I must pay for the prize to praise,
to sing, weep, reward restful sleep with lyrics
eked out, pouring, unsustainable yet finished,
always different
a single May Iris, returns, born from a torrential,
thunder, lightning, sky mayhem, rises by a sundial
greets midst a planted clump, upright rises, lavender,
in a majestic solitary, absent but a day prior, yet mine eyes
failed to witness its discernible emerging birthing creation,
always different,
always the same
here, I am Iris too, always the same, a day aged,
but the differences minute but stolid actualized,
this overnight sensation, my body’s restoration,
what I visualize, indivisible, now visible, realized,
miracle of continuity, unchanging chained change,
always different ,
always the same
wonder, am I more blessed, or a s~lightly cursed being,
my breath restored, wet eyes full brimming, changed,
revived but always modified, a newer old man, whose
sum total always a different number, but in sequential,
compelled to confess, no understanding of this miracle,
always the same,
always different,
this daily visionary miracle
-Nat Lipstadt via hellopoetry
Visualizations.
Умеренные размеры заброшенные тайны масса проблемы частицы взаимодействия огромные сильные открытия последовательные строки старых фермионов,
Hindernisse angehen symmetrische Ideen signifikante Ablehnungen genaue Theorien verdrängten Tatsachen Grundgesetze elektromagnetische Kräfte ziehen Kräfte,
descrivendo modelli di forze nucleari che anticipavano le rivoluzioni si scontrarono particelle con angoli diversi che confondevano dati punti fisici formule incantevoli,
الفترة القمرية العناصر الكمومية الحركات الدورية تعبر نقاط التقدم أسئلة معقولة الحيل تمتد الروابط المفقودة حشرات المسارات خصائص متعددة الأبعاد,
간단한 결과 확산 포인트 포함 긴장 중력 회전 커플 링 규칙 설득 업적 긍정적 인 라인,
感動的な電気オブジェクトがフィールドを宣言しました大げさな反応が文字列を計算します突発的な代替事例の突発的な失敗、奇妙な結果.
Steve.D.Hammond.
Explore - June 20, 2008 (#335)
The pond - the water lilies - the sky - the reflection
A BIG "THANK YOU" TO THE MODERN IMPRESSIONISTS GROUP FOR VOTING FOR ME IN THE ""WATER, WATER EVERYWHERE, BUT NO DROPLETS" CONTEST. THIS
IS AWSOME!
This is an apparition that momentarily appeared in the sky over Nova Scotia, a portal to a higher spiritual dimension of reality. Or so I wish. Actually, it's a photo of an image on the computer monitor, an animated visual from the Milkdrop visualization software program associated with Winamp.
“We live our days in the microscopic, but something within us calls us to dream in the cosmic – every one of us. And within us exists those two worlds: the world as it is and the world as we think it ought to be.”
- A.J. Darkholme
“To visualize is to see what is not there, what is not real -- a dream . To visualize is, in fact, to make visual lies . Visual lies, however, have a way of coming true.”
- Peter McWilliams
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Thanks a lot for visits and comments, everyone... Enjoy your Sunday... !
Please don't use this image on websites, blogs or other media without my explicit permission. © All rights reserved
Visualizing Dreams....
“To visualize is to see what is not there, what is not real -- a dream . To visualize is, in fact, to make visual lies . Visual lies, however, have a way of coming true.”
Many thanks to everyone for your views, faves and supportive comments. These are always very much appreciated.
Please don't use this image on websites, blogs or other media without my explicit permission. © All rights reserved.
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