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Transformation transformacja transformation transformace Transformation transzformáció преобразование transformación trasformazione 2012
www.flickr.com/photos/arjuna/sets/72157628371178639/with/...
First Hacks/Hackers Meetup held at Atherton Studio at HPR. Great presentations by Ben Trevino, Jared Kuroiwa and Misa Maruyama.
3d-walkthrough-rendering.outsourcing-services-india.com
Yantram Architectural photorealistic renders creates high-quality 3D facades in a virtual studio environment. Our team of architects and industrial designers build 3d models from CAD files, sketches, or photographs
I remember this thing from when I was a kid at the Science Museum. They've still got it, and it's taken on a new interest for me since I saw it last. Fluid dynamics is pretty cool, especially when you can see its details.
This project was an attempt to visualize population density in NYC and the correlation it has to people feeling claustrophobic as a result. As well, it was also a reflection upon my own relationship to the city and the daily patterns that shape it.
I placed a proximity sensor in the front pocket of my jacket and logged the data it recorded for the 4+ hours I wore it. I then pulled that data into Processing to manipulate the image. As the distance between me and anything/anyone in front of me became closer, the image begins to blur.
Photo of a Man on Sunset Drive: 1914, 2008
by: Richard Blanco
And so it began: the earth torn, split open
by a dirt road cutting through palmettos
and wild tamarind trees defending the land
against the sun. Beside the road, a shack
leaning into the wind, on the wooden porch,
crates of avocados and limes, white chickens
pecking at the floor boards, and a man
under the shadow of his straw hat, staring
into the camera in 1914. He doesn't know
within a lifetime the unclaimed land behind
him will be cleared of scrub and sawgrass,
the soil will be turned, made to give back
what the farmers wish, their lonely houses
will stand acres apart from one another,
jailed behind the boughs of their orchards.
He'll never buy sugar at the general store,
mail love letters at the post office, or take
a train at the depot of the town that will rise
out of hundred-million years of coral rock
on promises of paradise. He'll never ride
a Model-T puttering down the dirt road
that will be paved over, stretch farther and
farther west into the horizon, reaching for
the setting sun after which it will be named.
He can't even begin to imagine the shadows
of buildings rising taller than the palm trees,
the street lights glowing like counterfeit stars
dotting the sky above the road, the thousands
who will take the road everyday, who'll also
call this place home less than a hundred years
after the photograph of him hanging today
in City Hall as testament. He'll never meet
me, the engineer hired to transform the road
again, bring back tree shadows and birdsongs,
build another promise of another paradise
meant to last another forever. He'll never see
me, the poet standing before him, trying
to read his mind across time, wondering if
he was thinking what I'm today, both of us
looking down the road that will stretch on
for years after I too disappear into a photo.
Data visualizations for earthquakes that killed more than 1K people, 1902-2008.
Source:
(1) spreadsheets.google.com/ccc?key=0AgdO92JOXxAOdFpmY2IzS0JC...
Architectural visualization of Minimalist House
Architects: Shinichi Ogawa & Associate
Location: Okinawa, Japan
exhibition opening
Filodrammatica Gallery, Korzo 28/1, Rijeka
10 November, 2022
ON VIEW UNTIL 29 NOVEMBER, 2022
Visualizing the fragmentary nature of our digital lives, the "All-Aligned" project ask: what is a society in which we, as users of digital systems, identify ourselves with automatically generated symbols, a society whose identities are driven by algorithms? What does the standard repertoire of national symbols, such as the flag, motto, coat of arms and anthem, represent today, at the time of the proliferation of digital capital, the accelerated doubling of memetic fronts and the general inflation of meaning?
The core of the project is a custom made random flag generator for infinite identity building, a software system based on applied artificial intelligence (AI), named Fractal Nations.
Ideas and concepts (pirate, Balkan, libertarian, ecological, dark, etc.) are being mapped onto graphic elements (colors, layouts, symbols, new shapes, etc.). By generating flags, the system also generates an infinite number of micro-identities, which multiply in a fractal manner, dividing themselves ad infinitum.
The exhibition shows various visual outputs from the described software system, primarily flags, which are displayed as real, physical, cloth or silk flags, as prints on the gallery wall, and as part of an interactive site, exhibited in the gallery, which allows visitors to generate their personal, individual – truly individualistic – symbolic identity on the spot (and for that exact moment in time, because the very next moment their own flag would look different).
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UROŠ KRČADINAC (b. 1984) is a Belgrade-based digital artist, technologist, writer, and educator. His transmedia practice involves computer programming, writing, designing, animating, and mapmaking. His research was published by IEEE scientific journals, his artworks presented at re:publica, Emily Car University, SASA Academy Gallery, Serbian Museum of Science and Technology, and many more. He received his PhD in Informatics from the University of Belgrade. Currently, he works as an Assistant Professor of Digital Art and Computing at the Faculty of Media and Communications in Belgrade.
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Photos by: Tanja Kanazir / Drugo more
Illustrative Visualization of a german climate change adaption research network – using processing and a metaball force field fpr moving agents
A look at mobile traffic trends by website type. Data comes from sites that SwellPath has engagements with. See the blog post that goes with it here: www.swellpath.com/2010/10/mobile-traffic-website-type-inf...
This sculpture by Natalie Sutinen (born in 1972), can be seen in the art room at the Haninge Cultural Centre from today. The artwork has no name. It is made of wax, paper, books and feathers. Sutinen often works with wax dolls, and says that she wants to visualise death with her art.
This is a java applet produced using Processing that visualizes my personal friends network from Facebook. It clearly shows the different groups from schools that have attended over the years. The java applet looks a bit worse and runs slower than the standalone application, but it gives a pretty good idea of the project
Fairly radical visualization of this new interconnected web of music. With ironic triste, Connect-Europe.com is now closed:
"Thank you for visiting CONNECT.
On 30th August 2007, Sony announced its intent to phase out the CONNECT Music Service based on Sony's ATRAC™ audio format in North America and Europe.
In line with this announcement and all subsequent communications to our customers, the CONNECT Music service is now closed.
Please click here for information concerning the closure of the Service, on how to continue enjoying your existing ATRAC music library in SonicStage, or how to convert and transfer your existing ATRAC music library to another application.
If you own an ATRAC Walkman®, you can continue using it to enjoy music purchases from a fast-growing number of DRM-free, MP3 download services.
We apologise for any inconvenience caused to our valued customers, and thank each and every one of you for your support during the life of CONNECT.
Sincerely,
The CONNECT Team"
www.theregister.co.uk/2004/07/02/sony_connect_launch_date/
en.wikipedia.org/wiki/Sony_Connect
Anyone interested in the posters? Make me an offer! They are huge.
iPlant Collaborative members discuss an example shown on the TACC Visualization Wall.
Pictured (left to right): Brandon Theis, Steve Goff
"I delighted in seeing image after image populating the parallel glass planes, extending back as far as the eye could discern... Sometimes I would imagine an irreverent me way down the line who refused to fall into place, disrupting the steady progression and creating a new reality that informed the ones that followed."
the quote is by Brian Greene in the chapter titled The Bounds of Reality (On Parallel Worlds) in his book The Hidden Reality, Parallel Universes and the Deep Laws of the Cosmos
I hooked my camera up to my TV, and used the TV screen as the camera's viewfinder.
This is the result you get when the camera is in effect taking a picture of its own viewfinder
Visualization of Flickr geotagged photos, uploaded between 2007 to 2015 and geotagged with the highest accuracy (street-level). I generated a number of different visualizations. Some are more artistic in style while others are designed more informative.
This type of visualization has been done years before (check out Eric Fischer's maps). Maybe the statistics going on on the lower-right corner provide some additional information not available so far.
Created as part of my research project (maps.alexanderdunkel.com).