View allAll Photos Tagged Visualisation
My delicious subscriptions, plus those of my subscriptions.
Note it couldn't load a few people's subscriptions (notably blackbeltjones), but even so, it's interesting in that the tighly knit cabals are in the middle close together, and those that you may have strong ties to, but have lots of non-cabal subsciptions float out to the edges.
Click here for a zoomed view.
Subscription grapher is at hublog.hubmed.org/archives/001050.html
Visualisations by Danish cartoonist Jens Hage of some of the strategy discussions that took place at Climate-KIC's annual strategic retreat in 2013.
The "Ars Electronica Futurelab's" (AT) visualisation of Joseph Haydn's Symphony No. 94 in G major "Surprise" takes the audience on a journey through an abstract 3-D world.
credit: Ars Electronica Futurelab
I've put together a little Shrimp microcontroller circuit (similar to Arduino Uno) to hook up the LED matrix and Bluetooth dongle. Attention data levels are visualised as red LEDs and meditation data levels as green LEDs.
Visualisation of Baltic sea traffic using AIS data from helcom.fi, the Baltic Sea Environment Protection Commission.
the colours vs ship types go like this:
> - CARGO : red
> - PASSENGER: green
> - UNKOWN : yellow
> - FISHING : cyan
> - TUG : orange
> ( everything else becomes white )
28 cm's wide. 11".
I included a cup for size. 16 chairs? maybe alternate chairs with something else in between.
From Isotype Revisited project (http://www.isotyperevisited.org) at the University of Reading. Reproduced with permission.
In this version brightness is mapped to the number of (digitised) items in the series. We can see that many series have zero items, more or less, and that a few clusters are highly digitised.
This piece is a final realisation of weeks of experimentation (that was finalised during lockdown).
I looked at the emotions, fear, disgust and happy and attempted to represent them. However, the representations are originally not of my own making but were derived from 9 people and their answers to a series of questions that I constructed. This set of interviews, my primary research, became the catalyst to my work.
I voluntarily acted as the instrument of representation and possessed these ideas of what fear, disgust and happy mean to the people I interviewed, thus translating something new.
Would my original interviewees be able to recognise and relate to my representations of these emotions? Would an unbiased audience member be able to connect these emotions with the visuals?
It’s really a conversation and experimentation of how connected we really are when given something universal such as emotions and asked what do you relate this to? What do you see? Is it the same as the next person or something completely different?
The conversation could then travel onto why? Why does one person see something and someone else visualises something different? Answers could be social or biological, but could we truly know?
Inspiration from Wood and Harrison.
‘…at a textile conference in Finland ‘Dr Andreas Bichlbauer’ … demonstrates a gold ‘Management Leisure Suit’ that has a monitor embedded in an inflatable, head high phallus, which will allow managers easy control of sweatshop workers’ (Russell 2005, np).
Read our page about the making, discussions and impacts of this prank on followthethings.com/eva.shtml