View allAll Photos Tagged Visualisation
Book recommendation visualisation for "Software system development : a gentle introduction" by Britton & Doake (ISBN 0077099745).
My delicious subscriptions, plus those of my subscriptions.
Note it couldn't load a few people's subscriptions (notably blackbeltjones), but even so, it's interesting in that the tighly knit cabals are in the middle close together, and those that you may have strong ties to, but have lots of non-cabal subsciptions float out to the edges.
Click here for a zoomed view.
Subscription grapher is at hublog.hubmed.org/archives/001050.html
The combination of live motion-capture, 3D stereo projection with ballet and contemporary dance transforms choreography into a spectacular 3D event. The creative team at the Deakin Motion.Lab combined the live motion-capture of performers’ movements with 3D images that extrapolated the dancers’ pathways, actions and movement. The technology behind Deakin’s Motion.Lab has many industry applications from animation to human movement, sports, and materials science but its fusion with dance provided an unforgettable audience experience.
For more information, please visit: The Deakin Motion.Lab at www.deakin.edu.au/motionlab
Visualisations by Danish cartoonist Jens Hage of some of the strategy discussions that took place at Climate-KIC's annual strategic retreat in 2013.
28 cm's wide. 11".
I included a cup for size. 16 chairs? maybe alternate chairs with something else in between.
In this version brightness is mapped to the number of (digitised) items in the series. We can see that many series have zero items, more or less, and that a few clusters are highly digitised.
This piece is a final realisation of weeks of experimentation (that was finalised during lockdown).
I looked at the emotions, fear, disgust and happy and attempted to represent them. However, the representations are originally not of my own making but were derived from 9 people and their answers to a series of questions that I constructed. This set of interviews, my primary research, became the catalyst to my work.
I voluntarily acted as the instrument of representation and possessed these ideas of what fear, disgust and happy mean to the people I interviewed, thus translating something new.
Would my original interviewees be able to recognise and relate to my representations of these emotions? Would an unbiased audience member be able to connect these emotions with the visuals?
It’s really a conversation and experimentation of how connected we really are when given something universal such as emotions and asked what do you relate this to? What do you see? Is it the same as the next person or something completely different?
The conversation could then travel onto why? Why does one person see something and someone else visualises something different? Answers could be social or biological, but could we truly know?
Inspiration from Wood and Harrison.
From Isotype Revisited project (http://www.isotyperevisited.org) at the University of Reading. Reproduced with permission.
‘…at a textile conference in Finland ‘Dr Andreas Bichlbauer’ … demonstrates a gold ‘Management Leisure Suit’ that has a monitor embedded in an inflatable, head high phallus, which will allow managers easy control of sweatshop workers’ (Russell 2005, np).
Read our page about the making, discussions and impacts of this prank on followthethings.com/eva.shtml
ambient status updater - watches skype status reports via pachube to change the appearance of team members (LED's on an arduino)