View allAll Photos Tagged Visualisation

All the rage at the moment... a graph of www.pepysdiary.com/ generated by www.aharef.info/static/htmlgraph/

 

It would be really good if the applet could tell you what pages each part of the diagram represented.

"ocean of light"

by squidsoup

Comparison of two text snippets using Cytoscape to graph the resulting network.

The colour and size of the light source in the 'light painting' change according to the strength of the electromagnetic field.

A visualisation of Ogilvy digital labs londons labdaylive music conference in tweets.

 

With massive thanks to @nicoleyershon and ogilvy for organising such a great, event, to the speakers for sharing their knowledge and to @jooteoh @coleyporterbell @jukevox @thebluehive @samuelpalin @mrbenbutler @alexririe @stuartsmith @ofarrellsarah @larrypiath for their tweets...great job!

  

lots of pretty colours and inter-connections

A few shots from the excellent presentation given by Manuel Lima (http://www.mslima.com/)

K+bby - track: Fallen

 

"(+) The song is about things ending and coming to a conclusion. I was interested to see how energy, the physical and the virtual relate to this. When the viewer steps in front of the piece they become part of the energy loop (-)"

 

zoner-s.tumblr.com

visualisation of Interacta Systems interactive ad campaign

Frederikke Houman, track: Lights

 

"For this piece I used recycled images to juxtapose the reality of life in the fast lane."

 

www.cargocollective.com/fredsdead

Visualising my over 1200 facebook connections using the Gephi software.

Lighting study

Design: Jacek Slotala

iTunes Visualiser 'Jelly' screen capture. Madonna's 'Hung Up' was playing in iTunes.

Visualiser Training Devon - demonstrating how to use a visualiser on a Smartboard

Visualisation of Vanessa Peters' talk "Making Music in the Age of Free"

 

Photo: Ralph Weinmann

Client: CPG Consultants Pte Ltd

 

3D Visualization Artist: 8 YOLK DESIGN STUDIO

 

Scope: 3D Modelling, Realistic Rendering, Photoshop-enhancing,

 

visit us: www.8yolkstudio.com

This image captures 15929 fire brigade incidents over the timespan of about 1.5 years in Greece (in the period 2008-2009).

 

No map projection has been used (The lat / long are linearly mapped to the image space), no special color scheme, there are no fancy fonts or layout.

 

I felt that these things would lower the impact of the image. Because it is almost "natural" for a visualisation of a country's road network to trace out its shape, but it's somehow disturbing to just stand there and watch that familiar shape pop out of the data in such stark resolution.

 

The data for this visualisation where obtained from the recently (last couple of years) instated Greek geodata portal.

 

The dynamics of the fire incidences, that is, taking time as well as place into account, are visible in this video. You can watch there how the frequency of occurence is booming during the summer months (and no, that's not wildfires, that's arson)

 

More information (albeit in Greek :-) ), is available through this blog post

Vous avez des difficultés à visualiser ce message ? Consultez-le en

ligne.

@media only screen and (max-width: 480px){

body,table,td,p,a,li,blockquote{

-webkit-text-size-adjust:none !important;

}

}@media only screen and (max-width: 480px){

body{

width:100% !important;

min-width:100% !important;

}

}@media only screen and (max-width: 480px){

td[id=bodyCell]{

padding:10px !important;

}

}@media only screen and (max-width: 480px){

table[class=mcnTextContentContainer]{

width:100% !important;

}

}@media only screen and (max-width: 480px){

table[class=mcnBoxedTextContentContainer]{

width:100% !important;

}

}@media only screen and (max-width: 480px){

table[class=mcpreview-image-uploader]{

width:100% !important;

display:none !important;

}

}@media only screen and (max-width: 480px){

img[class=mcnImage]{

width:100% !important;

}

}@media only screen and (max-width: 480px){

table[class=mcnImageGroupContentContainer]{

width:100% !important;

}

}@media only screen and (max-width: 480px){

td[class=mcnImageGroupContent]{

padding:9px !important;

}

}@media only screen and (max-width: 480px){

td[class=mcnImageGroupBlockInner]{

padding-bottom:0 !important;

padding-top:0 !important;

}

}@media only screen and (max-width: 480px){

tbody[class=mcnImageGroupBlockOuter]{

padding-bottom:9px !important;

padding-top:9px !important;

}

}@media only screen and (max-width: 480px){

table[class=mcnCaptionTopContent],table[class=mcnCaptionBottomContent]{

width:100% !important;

}

}@media only screen and (max-width: 480px){

table[class=mcnCaptionLeftTextContentContainer],table[class=mcnCaptionRightTextContentContainer],table[class=mcnCaptionLeftImageContentContainer],table[class=mcnCaptionRightImageContentContainer],table[class=mcnImageCardLeftTextContentContainer],table[class=mcnImageCardRightTextContentContainer]{

width:100% !important;

}

}@media only screen and (max-width: 480px){

td[class=mcnImageCardLeftImageContent],td[class=mcnImageCardRightImageContent]{

padding-right:18px !important;

padding-left:18px !important;

padding-bottom:0 !important;

}

}@media only screen and (max-width: 480px){

td[class=mcnImageCardBottomImageContent]{

padding-bottom:9px !important;

}

}@media only screen and (max-width: 480px){

td[class=mcnImageCardTopImageContent]{

padding-top:18px !important;

}

}@media only screen and (max-width: 480px){

td[class=mcnImageCardLeftImageContent],td[class=mcnImageCardRightImageContent]{

padding-right:18px !important;

padding-left:18px !important;

padding-bottom:0 !important;

}

}@media only screen and (max-width: 480px){

td[class=mcnImageCardBottomImageContent]{

padding-bottom:9px !important;

}

}@media only screen and (max-width: 480px){

td[class=mcnImageCardTopImageContent]{

padding-top:18px !important;

}

}@media only screen and (max-width: 480px){

table[class=mcnCaptionLeftContentOuter] td[class=mcnTextContent],table[class=mcnCaptionRightContentOuter] td[class=mcnTextContent]{

padding-top:9px !important;

}

}@media only screen and (max-width: 480px){

td[class=mcnCaptionBlockInner] table[class=mcnCaptionTopContent]:last-child td[class=mcnTextContent]{

padding-top:18px !important;

}

}@media only screen and (max-width: 480px){

td[class=mcnBoxedTextContentColumn]{

padding-left:18px !important;

padding-right:18px !important;

}

}@media only screen and (max-width: 480px){

td[class=mcnTextContent]{

padding-right:18px !important;

padding-left:18px !important;

}

}@media only screen and (max-width: 480px){

table[id=templateContainer],table[id=templatePreheader],table[id=templateHeader],table[id=templateBody],table[id=templateFooter]{

width:100% !important;

}

}@media only screen and (max-width: 480px){

h1{

font-size:24px !important;

line-height:125% !important;

}

}@media only screen and (max-width: 480px){

h2{

font-size:20px !important;

line-height:125% !important;

}

}@media only screen and (max-width: 480px){

h3{

font-size:18px !important;

line-height:125% !important;

}

}@media only screen and (max-width: 480px){

h4{

font-size:16px !important;

line-height:125% !important;

}

}@media only screen and (max-width: 480px){

table[class=mcnBoxedTextContentContainer] td[class=mcnTextContent],td[class=mcnBoxedTextContentContainer] td[class=mcnTextContent] p{

font-size:18px !important;

line-height:125% !important;

}

}@media only screen and (max-width: 480px){

table[id=templatePreheader]{

display:block !important;

}

}@media only screen and (max-width: 480px){

td[class=preheaderContainer] td[class=mcnTextContent],td[class=preheaderContainer] td[class=mcnTextContent] p{

font-size:14px !important;

line-height:115% !important;

}

}@media only screen and (max-width: 480px){

td[class=headerContainer] td[class=mcnTextContent],td[class=headerContainer] td[class=mcnTextContent] p{

font-size:18px !important;

line-height:125% !important;

}

}@media only screen and (max-width: 480px){

td[class=bodyContainer] td[class=mcnTextContent],td[class=bodyContainer] td[class=mcnTextContent] p{

font-size:18px !important;

line-height:125% !important;

}

}@media only screen and (max-width: 480px){

td[class=footerContainer] td[class=mcnTextContent],td[class=footerContainer] td[class=mcnTextContent] p{

font-size:14px !important;

line-height:115% !important;

}

}@media only screen and (max-width: 480px){

td[class=footerContainer] a[class=utilityLink]{

display:block !important;

}

}

 

Terres Rares: Top Investissement 2015 !

  

5 Raisons d'investir

Dans les Terres Rares

Performances Historiques

Demande Croissante

Marché de Niche

Fiscalité Attractive

Sécurité de l'investissement

Actifs Tangibles !

 

Je télécharge ma brochure

   

BFM Business En Parle

Sur le marché des métaux stratégiques, la hausse vertigineuse de la demande et des prix des terres rares semblait être

inexorable(...) ! Après l'électrochoc et les inquiétudes internationales (...) les cours sont en chute libre et offrent une

sérieuse opportunité sur ce secteur stratégique et médiatique.

En savoir plus

   

Les Terres Rares en 5 Points

Des métaux précieux

en quantités limitées

Métaux Irremplaçables

Quasi Monopole de la Chine

Utilisés dans tous les appareils hightechs

Stocks Limités

Sécurité

Copyright 2015 - Global Metal Broker, Tous droits réservés - Mentions Légales Capital 100 000€ ? Enregistré au RCS de

BOBIGNY 791 326 317 Global Metal 2015

Conformément à l'article 34 de la loi 78-17 du 6 janvier 1978 relative à

l'informatique,

aux fichiers et aux libertés, vous disposez d'un droit d'accès,

de rectification des données nominatives vous concernant.

Si ce message vous a causé un désagrément, veuillez nous en excuser.

Pour cesser de recevoir nos informations sur l'adresse (middle61beyond@photos.flickr.com) cliquez

ici

Still from an animation showing the proposed exterior theme for the vehicle.

University of Lincoln

MA Design Exhibition 2011

9 - 15 September 2011

Greestone

Lincoln

 

lifeindata.site50.net/exhibition.html

Sharina Shahrin - track: This is not an Outro

 

"Centralising around the theme of 'space and time,' I was inspired by the ominous sound of the audio to create a dark, abstract cityscape that captured the sense of movement and juxtaposition between the delicate and raw qualities of the track."

1 2 ••• 29 30 32 34 35 ••• 79 80