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Another grid visualisation, this time working with the expanded (65k series) dataset. Here each square is a series, and they are ordered by contents start date, and coloured by span (red = short span). Labels on the year axis show how the series are distributed through time.
3d Architectural Visualisation For living room Aantzz - 3d Visualisation, Architectural Rendering, architectural illustration and 3d animation 3d architectural visualisation , cgi, 3d visualisation, 3d Animation, 3d studio London, architectural illustartion www.aantzz.co.uk, aantzz
Another slitscan / image revisualisation experiment. Everyone knows that nothing happens in Canberra: this is 30 seconds of nothing, shot at 1024x768, out the kitchen window. Small changes in the environment are visible as ripples and curves in the texture here.
Book recommendation visualisation for "Software system development : a gentle introduction" by Britton & Doake (ISBN 0077099745).
My delicious subscriptions, plus those of my subscriptions.
Note it couldn't load a few people's subscriptions (notably blackbeltjones), but even so, it's interesting in that the tighly knit cabals are in the middle close together, and those that you may have strong ties to, but have lots of non-cabal subsciptions float out to the edges.
Click here for a zoomed view.
Subscription grapher is at hublog.hubmed.org/archives/001050.html
Visualisation of Baltic sea traffic using AIS data from helcom.fi, the Baltic Sea Environment Protection Commission.
the colours vs ship types go like this:
> - CARGO : red
> - PASSENGER: green
> - UNKOWN : yellow
> - FISHING : cyan
> - TUG : orange
> ( everything else becomes white )
Visualisations by Danish cartoonist Jens Hage of some of the strategy discussions that took place at Climate-KIC's annual strategic retreat in 2013.
In this version brightness is mapped to the number of (digitised) items in the series. We can see that many series have zero items, more or less, and that a few clusters are highly digitised.
This piece is a final realisation of weeks of experimentation (that was finalised during lockdown).
I looked at the emotions, fear, disgust and happy and attempted to represent them. However, the representations are originally not of my own making but were derived from 9 people and their answers to a series of questions that I constructed. This set of interviews, my primary research, became the catalyst to my work.
I voluntarily acted as the instrument of representation and possessed these ideas of what fear, disgust and happy mean to the people I interviewed, thus translating something new.
Would my original interviewees be able to recognise and relate to my representations of these emotions? Would an unbiased audience member be able to connect these emotions with the visuals?
It’s really a conversation and experimentation of how connected we really are when given something universal such as emotions and asked what do you relate this to? What do you see? Is it the same as the next person or something completely different?
The conversation could then travel onto why? Why does one person see something and someone else visualises something different? Answers could be social or biological, but could we truly know?
Inspiration from Wood and Harrison.