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This piece is a final realisation of weeks of experimentation (that was finalised during lockdown).
I looked at the emotions, fear, disgust and happy and attempted to represent them. However, the representations are originally not of my own making but were derived from 9 people and their answers to a series of questions that I constructed. This set of interviews, my primary research, became the catalyst to my work.
I voluntarily acted as the instrument of representation and possessed these ideas of what fear, disgust and happy mean to the people I interviewed, thus translating something new.
Would my original interviewees be able to recognise and relate to my representations of these emotions? Would an unbiased audience member be able to connect these emotions with the visuals?
It’s really a conversation and experimentation of how connected we really are when given something universal such as emotions and asked what do you relate this to? What do you see? Is it the same as the next person or something completely different?
The conversation could then travel onto why? Why does one person see something and someone else visualises something different? Answers could be social or biological, but could we truly know?
Inspiration from Wood and Harrison.
From Isotype Revisited project (http://www.isotyperevisited.org) at the University of Reading. Reproduced with permission.
‘…at a textile conference in Finland ‘Dr Andreas Bichlbauer’ … demonstrates a gold ‘Management Leisure Suit’ that has a monitor embedded in an inflatable, head high phallus, which will allow managers easy control of sweatshop workers’ (Russell 2005, np).
Read our page about the making, discussions and impacts of this prank on followthethings.com/eva.shtml
ambient status updater - watches skype status reports via pachube to change the appearance of team members (LED's on an arduino)
Visualisations by Danish cartoonist Jens Hage of some of the strategy discussions that took place at Climate-KIC's annual strategic retreat in 2013.
Our rendered landscape architect's visualisation for this podium deck residential development. More information on The Oaks, Acton on our website.
In Sex and the City, Carrie is in a relationship with Big. She starts to question their joint legal rights when they buy an apartment and so he then asks her to marry him. I took screenshots of Carrie during the fall and rise again of their relationship, from when they were content and he first proposed, looking forward to the wedding, finding out he's not coming, struggling to get over it, finally healing and finding herself again, and then lastly to his second proposal and successful wedding
Here brightness is mapped to (items digitised / shelf metres). So this is a crude attempt to visualise the popularity or interestingness of different series. A series with a lot of shelf metres, but few digitised items, will be dark; a series with fewer metres, but more items digitised, will be bright.