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Beau à visualiser sur le marais ... Beautiful to visualize on the swamp
Canard colvert - Mallard duck
Photo sélectionnée comme photo couverture du groupe
LEVEL-2 :Platinum Peace Award* P 1 / A 5 www.flickr.com/groups/2834585@N25/ le 8 mai 2023
No idea when I will see the Danish West Coast again, but today I allow myself to dream.....Blavand, Jylland, Denmark
Another high contrast mono fern. I find the repeating shapes fascinating. I have been shooting in mono profile Jpeg + Raw on my canon m6 ii and like to underexpose by a stop or so to help me visualise how a shot will turn out. I like a high contrast bw look and so I sought out ferns in strong sun, something I wouldn’t do with flowers. Thanks for looking! In Explore June 10, 2023.
#MacroMondays - #Macro Mondays - #water
To photograph water is, in its liquid form, by itself impossible because water is absolutely free of any colour and with a structure we can't perceive. What we only can display are reflections on its surface ore the edges where water is touching other elements (other liquids, gases ore solid objects). In case of the last one its still quite difficult to recognice the touching surface. In case of transitions to other liquids ore gases they are vissible more clearly, for instance in the form of droplets ore like you see here in the reverse version. On this photograph You see the blossom of white clover couted by blisters of carbon dioxide in a glas of water (soda).
Wasser zu fotografieren ist, in seiner flüssigen Form, an sich unmöglich, denn Wasser ist absolut farblos und hat eine nicht wahrnehmbare Struktur. Das einizige, was wir darstellen können sind Spiegelungen in der Oberfläche oder die Ränder an denen das Wasser auf andere Elemente (Flüssigkeiten, Gase oder feste Körper) trifft. Während bei letzterem die Berührungsflächen trotzdem nur schwer zu erkennen sind, sind die Übergänge zwischen unterschiedlichen Flüssigkeiten und zu Gasen meist deutlich auszumachen, zum Beispiel durch Wassertropfen oder wie hier, die umgekehrte Variante. Auf dem Foto seht Ihr eine Kleeblüte ummantelt von Kohlendioxid Bläschen in einem Glas Wasser (Mineralwasser).
A visualisation of Psalm 82. Please note that this image was done with a very long mirror reflex lens (fixed at F6.3).
It's painful, I know. I wished some of our political leaders would do the same. I have nothing against reptiles. The problem comes when our Neo Cortex supplies our reptile brain with unlimited processing power. Turning us into monsters. Have a look.
So I finaly made it back to Tierpark Sababurg after it had been closed for several weeks due to coronavirus lockdown. It seems that we humans were not the only ones affected by the psychological side-effects because every Sababurg dweller was out and about putting on a lovely show for us visitors. Even the wolves were roaming their enclosure and explored every corner of it. This one here was a little startled to find me standing right next to the fence but after a brief moment of hesitation it mustered all its strength, visualised the path and bravely walked right past me. What a wonderful moment. :o)
This painting today is a creation thanks to Shakti Gawain from who i readed today that She died,i loved her books,A drawing with my own texture in watercolor and acryl
Visualise a Beatles Song
Crazy Tuesday.
Drive My Car" is a song by the English rock band the Beatles, written primarily by Paul McCartney, with lyrical contributions from John Lennon.
A jockey explains his moves to a member of his team, following a race at Ballinrobe Racecourse, Mayo, Ireland
The absolutely incredible, Mont Blanc Massif seen from Le Brevent above Chamonix in the French Alps. This time next year, all being well, I will have stood at the top of Mont Blanc. I cannot wait!
My Mum visited Schoc chocolates on a trip to the Wairarapa and bought us a beautiful array of delicious treats. The curry and pappadum's block was absolutely mouth watering, I savoured every little piece.
Yay for delicious vegan chocolate, we like it very much!
I don't eat fish but I will be letting this one melt in my mouth. (Frank ate his the day it arrived, I saved mine to take photos and at last I got around to it). I love how pretty the colours are, such pretty edible art.
F7.1
1/80th
ISO800
100mm focal length
This is the Geometry Nodes part of my next Blender creation: an audio-visualiser.
Result here: www.flickr.com/photos/125389789@N04/52670117087
In the Node Tree above, to the left you can see a Voronoi texture. Keyframe the W value at frame 1, then bake your music to the F-curve in the Graph Editor (and don't forget to add your audio file in the Video section).
The F-curve on which your music is baked will then animate the Z scale value of the curve line instances and the X and Y scale values of the disk (or flattened cylinder) instance in line with the baked music on the F-curve.
Canards en balade
Je vous remercie mes amis de m'avoir accordé un peu de votre temps pour visualiser mes photos, vos commentaries et mise en favoris.
Thank you my friends for giving me a bit of your time to view my photos, comments and favorites.
I came to this spot pre-visualising still tidal pools and sunset reflections, to find a higher than expected tide, and swell, with all the tidal pools totally underwater, and these waves crashing over them. Adapt and go with the flow.....waders thigh-deep, and the occasional surge of adrenalin with a bigger than usual set of waves....such fun! And then the late afternoon light came out to glow on the waves and the Hazards mountains.
Vue sur une partie du vignoble du Lavaux (depuis le village d'Epesses), magnifique région de Suisse Romande classée, depuis 2007, au Patrimoine Mondial de l'Humanité de l'UNESCO.
… de l'autre côté du lac, on peut admirer les côtes Françaises :)
Plus d'infos sur cette superbe région vinicole, unique au monde: fr.wikipedia.org/wiki/Lavaux
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Appuyez sur la touche "L" du clavier pour une visualisation optimale.
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(I speak french, italian and a little bit of english).
Findhorn Valley, Highlands | Scotland
Given that one of the primary objectives of going to the Cairngorms at this time of year was to hopefully see and photograph mountain hares in the snow, I shall indulge myself by posting a few shots of them over the next couple of days. We were fortunate as, the night before our session at this location, there had been a reasonable fall of snow. Not only did this give us the conditions we wanted, but it probably put a few people off making the ten mile drive down an uncleared and ungritted winding track road such that, apart from a couple of other photographers, we had the whole mountain side at our disposal. We were also blessed with lovely sunny conditions.
But, that’s only half the story, as once you’re there you have to first spot a hare, which is actually far more difficult that you imagine, and then hope you can approach it. I take no credit at all for this as I may well have come away without any close-up photos if it hadn’t been for our excellent local wildlife photographic guide Mark Hamblin - thank you Mark. He not only knew where to go, but he seemed to actually know some of the hares individually.
Anyway, after a fairly long trudge from the car and then onto the lower slopes we spotted our first two hares at distance sitting in their ‘forms’. What a great start, this was going to be easier than I thought. It wasn’t, as both of those hares decided that they didn’t want to be photographed and made off up the mountain at quite an incredible pace when we were probably still 100m or so away from them. I did get one long shot though of one sitting on the wide open whiteness and, although it doesn’t capture any mountain peaks in the backdrop, it does give me a ‘little is more shot’. I read a lot about photographing mountain hares before we went and, quite rightly, people who photograph them regularly say that you should vary your shots with some wide-angle views. For this first visit I just wanted some shots and, quite frankly, the closer the better. If I’d appreciated how close we were going to be able to get, then I certainly would have taken a wider lens. I didn’t, so ended up taking all my photographs with the 500mm, which meant that when we did locate a couple of hares that were happy to sit tight, I could keep at a sensible and respectful close distance and take frame filling photos of the type I’d visualised.
Neither Tris nor I really thought that we would be able to get photos of them this close up in the snow so, once again, thank you Mark.
Tada!
This is a audio-visualiser I made with Geometry Nodes in Blender 3.4 (I make all my blender creations with an old computer with only 2GB RAM on the Graphics Card).
You can find the Nodes set up here: www.flickr.com/photos/125389789@N04/52670925643/
The above video is best viewed in full screen mode - otherwise there are some artifacts.
Music
"Inventing Flight" by BryanTeoh (freepd).
I made this ages ago while I was learning OpenGL. It's not very realistic, but hey. The program takes ages to load for some reason (the Earth texture file's only 80 Mb!)
One of my long-term projects is to do this realistically. I found a paper on it somewhere.
One 30 sec exposure f2.8 iso 3200 nikon d700 14-24 at 14mm.led lightpainting.
This was the second time I spent the whole night out on these rocks without sleep shooting the stars in the cold pitch black darkness.Very uncomfortable and dangerous.I fell off one rock at least a metre and a half into the unseen darkness onto more rocks while shooting but luckily wasn't hurt.It also got scary at about 4.30 am as massive waves rolled in on the high tide around me and my tripod.Still the long night is never long enough to try and capture all the images you can visualise before the sun comes up and turns it back into the familiar world.
Of The album Rumours of Fleetwood Mac and just draw and write what comes in You're head , memories ,visualisation,then a bit textured( because the glow of the calender paper)>
Thanks for the visit have a nice weekend.
The new iTunes 8 visualiser. It's absolutely mesmerising! You can appreciate it more when you see it moving.
Beau à visualiser sur le marais ... Beautiful to visualize on the swamp
Canard colvert - Mallard duck
#71 Daniel Arnold, nearest camera about to lead off the expert race.
Canada Heights SEMX Series June 15th 2008
This Data Visualisation analyses the impact of Risk factors on becoming Obese. By comparing 'OBESE' indviduals and 'NORMAL' individuals (in relation to BMI) one can see that by changing just one area of their lives (smoking, drinking, exercise, diet) they can reduce the risk of becoming obese.
No no, it's OK, I kinda feel like getting grilled today anyway. Open flame style! And no, you can't call me patty.
Strange part is, it's actually true.
The new iTunes 8 visualiser. It's absolutely mesmerising! You can appreciate it more when you see it moving.
The new iTunes 8 visualiser. It's absolutely mesmerising! You can appreciate it more when you see it moving.
Transmission of Biological Visualisation (ANTBV)
Artist: Russell Anderson
Medium: Bronze and Stainless steel
Date: 2011
Above the southern parkland and located on Redcliffe Parade is Russell Anderson’s artwork entitled Apparatus for Non-Destructive Transmission of Biological Visualisation. The work is an interactive sculptural device presented as a popular street-side amusement.
Russell, a longtime Redcliffe local, has created a fictional nautical legend of what was once a real 19th century explorer vessel, shipwrecked in Moreton Bay. This device, salvaged from the wreck, contains the captive essence of a sea creature. Viewers are invited to turn a handle, generating power to view the sea-creature essence contained within and its projected image.
This sculpture tells the story of an imagined local history. ANTBV acts as a fictional appliance or device that evokes the past by using design elements from another era. As the only remaining invention of a fictional, early nineteenth century naturalist, this device is an interactive sculpture that explores local fauna on a whimsical level.
Image showing a music-visualisation at the Ars Electronica Center’s Deep Space 8K by Candaş Şişman (TR) and NOHlab/Plato Media Lab (TR).
credit: Ars Electronica / Christopher Sonnleitner
Black & White Ruffed Lemur ( Varecia variegate)
These very attractive lemurs are arboreal ,spending most of their time in the high canopy. They are mainly fruit eaters & are mostly around 100-120 cms long & weigh 3-4 kgs .
Taken at a Lemur sanctuary near Antananarivo, Madagascar.
“A goal is a dream with a deadline.”
- Napoleon Hill
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There is no feeling like acomplishing a goal...The sleepless nights and the tears are worth it, the goal makes everything worth while.
I'm visualising the end.. thinking positive.. im almost there..
Every storm has a silver lining..
The new iTunes 8 visualiser. It's absolutely mesmerising! You can appreciate it more when you see it moving.
Nikon F80
Sigma 105mm f/2.8 OS HSM
Lloyds Pharmacy 200 (expired 2008)
A series of random photos while in the house and garden under lock-down restrictions.
Fig. 51 (p. 134) - A representation of the art of dying in Savonarola’s book ‘Predica dell’arte del bene morire’ (Firenze, 1504). The two-division of life and death is superimposed on a four-division of heaven and earth.
Pp. 267 - 268 in: Vision of Four Notions - Marten Kuilman (unpublished). 'Visions of Four Notions' is the second book of a quadrilogue by Marten Kuilman. The book deals primarily with the theoretical aspects of quadralectic thinking. It was completed in November 2001:
The introduction of das Geviert (the four-fold), in the later works of Martin Heidegger (Vorträge und Aufsätze, 1954), pointed to the interplay of heaven and earth, the holy and the mortal. He saw these four entities as the main constituencies in the creation of space and Being. His visualisation of the four-fold, as a meeting place for man and nature, is a strong reminder to the picture of the ‘art of dying’ in Girolamo Savonarola’s book ‘Predica dell’arte del bene morire’ (see p. 134; fig. 51). This symmetrical woodcut – shaped at the Pivotal Point of the European cultural history (Chapter 6.1; fig. 66; p. 188) – has exactly the components, which Heidegger saw as the ‘world’ (das bauende Hervorbringen).
The boundary between heaven and earth is right in the middle. The Death emphasizes the opposition by pointing his arms to the signs quasu (now written as quassu, an (Italian) adverb meaning ‘up here’ or ‘on high’) and quagiu (now quaggiu, translated as ‘down here’, on earth). The contrast between holy and mortal is envisaged in God and the angels, in the upper half, and Satan (as the fallen angel Lucifer) and the devils in the lower half. These two oppositional pairs (heaven-earth and holy-mortal) represent the basic qualities of any communication in place and time (or in their operational disguises as division and movement).
Heidegger’s Geviert has, although covered in a blanket of hard-to-under-stand terms (‘penetrating the thickets of Heidegger’s terminological jungle’), a strong analogy with Savonarola’s ‘art of dying’. Both renderings try to construct, despite a time gap of 450 years, a ‘life-monument’, which is able to surpass the black-and-white setting of life (and death). The composition of (four) quadrants gives room for a broader picture of reality-itself:
1. God sits in heaven, in a circle of clouds. The blessing figure, surrounded by nine angels (the muses?) amidst stars, is framed in a mandorla with four angels. This holy place bears all the characteristics of the First Quadrant, the invisible invisibility of the quadralectic mind.
2. The holy circle shines its light into a rather empty sky. Only two angels populate this part of the picture, floating on a cloud. Their gestures indicate an invitation to the mortals below. The symmetry of the figures is probably a reference to the First Division, in this case a two-division. They form, together with God in heaven, a trinity in quasu. The invisible visibility of the division-environment is characteristic for the Second Quadrant.
3. The dualism of Life and Death reaches its zenith in the world of the mortal. The richly dressed nobleman, with his purse strapped to his belt, has an encounter with Death. The man tries to plea his innocence, but death is merciless pointing to heaven. It is time to leave the quagui. Two devils are ready to assist the departure of this earth. They form, together with the mortal and the death, a curious quaternity in quagiu. The visible visibility of the Third Quadrant is a place of limitations.
4. The sad cry of victory by a troubled Lucifer, roaring in the half-circle of the earth, represents the opposite face (of power) in the lower quarter of the picture. Four devils surround the Devil, while he is crushing two unlucky mortals. It seems as if there is no mercy in this place of darkness. A comparison with the visible invisibility of the quadralectic Fourth Quadrant might be appropriate here, but it should be noted, that the emphasis is very much on the oppositional aspects.
Burt, Inishowen, County Donegal, Ireland
For years I’ve been visualising a photo of this fort protruding from low lying mist whilst being illuminated by the suns golden light. On Christmas eve there was mist everywhere so at 6am I set out on a mission to attempt this sunrise scene. Driving in the dark with 6ft visibility on frozen country roads I safely arrived. A slippery uphill hike & a few falls later I reached the fort. To my joy it was standing proudly above the low fog banks along Lough Swilly as hoped for. Now it was fingers crossed whether the sunrise would play ball too? To be honest the sky didn’t look promising at first, then suddenly the sun had risen above the horizon & fired out its colours. At this exact moment the clouds started rolling up over the fort like waves. These clouds reflected the suns amber rays perfectly. I stood there in awe on this ancient monument bathed by these elements working in harmony. This was by far one of the greatest experiences of my life 🙏
First constructed around 1700 BC (probably with earthen walls) by the Tuatha de Danann. An Grianan Fort was once a seat of power were the ‘O'Neill Kings’ reigned from for over 700 years. An Grianan of Aileach is the best known monument in Inishowen & easily one of the greatest in all Ireland. Situated along Donegal's Wild Atlantic Way on a hilltop 800 feet above sea level the view from Aileach is breathtakingly beautiful. Legend states that the giants of Inishowen (Princes of Aileach) are lying sleeping under this hill but when a hidden sacred sword is removed from this ring fort, they will return back to life reclaiming their ancient lands!
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