View allAll Photos Tagged Visualisation
Nikon F80
Sigma 105mm f/2.8 OS HSM
Lloyds Pharmacy 200 (expired 2008)
A series of random photos while in the house and garden under lock-down restrictions.
The artist subjects herself to visualise ‘objectification’ of women. Such has evolved in different media over time with turns and twists. Her Improvisations, with sense and sensibilities, portray rhetorical biases and prejudices of women by the traditional media while she captures the vile virility of the social media. She unearths the cacophonies of surveillance society, cocooning individuals.
Burt, Inishowen, County Donegal, Ireland
For years I’ve been visualising a photo of this fort protruding from low lying mist whilst being illuminated by the suns golden light. On Christmas eve there was mist everywhere so at 6am I set out on a mission to attempt this sunrise scene. Driving in the dark with 6ft visibility on frozen country roads I safely arrived. A slippery uphill hike & a few falls later I reached the fort. To my joy it was standing proudly above the low fog banks along Lough Swilly as hoped for. Now it was fingers crossed whether the sunrise would play ball too? To be honest the sky didn’t look promising at first, then suddenly the sun had risen above the horizon & fired out its colours. At this exact moment the clouds started rolling up over the fort like waves. These clouds reflected the suns amber rays perfectly. I stood there in awe on this ancient monument bathed by these elements working in harmony. This was by far one of the greatest experiences of my life 🙏
First constructed around 1700 BC (probably with earthen walls) by the Tuatha de Danann. An Grianan Fort was once a seat of power were the ‘O'Neill Kings’ reigned from for over 700 years. An Grianan of Aileach is the best known monument in Inishowen & easily one of the greatest in all Ireland. Situated along Donegal's Wild Atlantic Way on a hilltop 800 feet above sea level the view from Aileach is breathtakingly beautiful. Legend states that the giants of Inishowen (Princes of Aileach) are lying sleeping under this hill but when a hidden sacred sword is removed from this ring fort, they will return back to life reclaiming their ancient lands!
Hope you enjoy! Please Favourite & Follow to view my newest upcoming works, Thank you
A circular route in the past that went from West Norwood to East Dulwich Sainsbury's but what could it have looked like if it wasn't a commercial route?
I look into the history of P15 and S11/S13 more in depth.
For once, a higher budget promotion.
" Je voulais manifester le temps, son changement dans la durée, celui que montre la nature, mais d'une manière propre à l'homme, sujet conscient de sa présence définie par la mort : émotion de la vie dans la durée irréversible "
To help visualise any pre Christian elements, a series of colours have been used to remove constructions from history.
An series of deeply and gradually eroded sculpted monoliths with forms that suggest protohistoric Celtiberian alters, basins, steps, platforms and graves with continued use into the early medieval phases. The man made forms are so weathered that bronze age and even the neolithic might be compared and contrasted. Very difficult to date.
The far central stack currently has a solitary bell tower built onto its height. One might think that this outcrop was traditionally used for acoustic signals. The area to the left currently has a church (San Pedro Apóstol - Iglesia de San Pedro).
Further carved monolithic interventions can be found behind the tripod.
An information board describes how the area was used for traditional dances. The Fête de la Saint-Jean is an example of a Christianised pagan solstice celebration. The village of Hacinas is currently below the monoliths.
AJM 16.09.17
Visualisation de projet non contractuelle. Document Canton du Valais. Tous droits réservés.
Pour remplacer les cinq compositions Vevey, qui ne répondent pas aux normes PMR, BDeh 4/8 SNCF 1-3 (Z 801-802 - 805-806) et TMR 21-22 (Z 821-822 - 823-824) les TMR et la Division voyageurs de la SNCF se sont associés pour commander chez Stadler à mi-juin 2022 sept compositions Beh 4/8 (Z 890) aptes à circuler sur l'entier de la ligne Martigny - Chamonix - St. Gervais Le Fayet, contrairement aux Z 850 SNCF qui ne fonctionnent pas sur crémaillère.
La Région Auvergne - Rhône-Alpes financera les rames acquises par la SNCF.
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The new iTunes 8 visualiser. It's absolutely mesmerising! You can appreciate it more when you see it moving.
Von einem meiner Lieblingslieder des weißen Albums. Georges Handschrift. Nachweislich das einige Lied der Liverpooler, das von Süßigkeiten handelt.
One of my favourite tunes from White Album. The only one by the Fab Four dealing with sweets. It's George's hand writing.
Promise not to bore you all week with dental horror stories again, but I think i need to go to my happy place (Porthcurno Beach, Cornwall) for a spot of 'visualisation' today after visiting the dentist for a follow up appointment.
As i feared / expected, i've got a 'dry socket' and a bit of an infection in my jawbone (that would explain that deep throbbing pain then) and i'm going to be taking a couple of sorts of antibiotics for the next ten days.
My overriding thought is that i'm lucky to live somewhere where it can be diagnosed and treated so quickly, but i'll also admit to a little bit of disappointment when i was told i absolutely musn't drink any alcohol with these or i'll be very sick. Have got a wedding and cricket awards party coming up and both are a bit more fun after a beer or two. Also beer tastes a bit nicer than the salt water rinses that i'm doing about ten times a day.
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©2010 Jason Swain, All Rights Reserved
This image is not available for use on websites, blogs or other media without the explicit written permission of the photographer.
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Links to my website, facebook and twitter can be found on my flickr profile
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So this is my first attempt at visualising my piece of writing called "The girl with the perl necklace" and it turned out really well.
Writing has become sort of a therapeutic thing for me. I found a way of healing through every word I write. Turning emotions and feelings into art is the perfect way to handle them, at least for me. I realise what a wonderful, what an amazing thing art ist.
See the rest and read the text here.
This visualisation was produced in QGIS 2.12.1, with a little help from postgres/postgis (could also be done in QGIS only).
Areas of each country's circle are in proportion to population.
How it was done
First of all, reprojected the Natural Earth data to epsg:3410 (a cylindrical equal area projection in meters). This is important; doing it in epsg:4326 makes countries appear bigger the further they are from the equator (areal distortion). Because degrees.
Next, used postgis to find the centroids and buffer them, so that the circle area is in direct proportion to population. Brought these in as CSV delimited files after exporting from pgAdminIII. The query sorted images in descending order of size, so smaller countries appear on top of larger countries.
Unfortunately, this projection keeps areas in scale, but distorts shapes. Some countries start to look like eggs. Oh noes!
Got round this by scaling the map down to a small size (a few square kilometers) and centred on null island, which removed the shape distortion, but kept the equal-area. Turned off OTF projection.
Flag images came from CIA World Factbook, and were used as raster Image fills. Used the FIPS code from the Natural Earth data to build the filepath to the CIA factbook images like this
'/tmp/factbook/flags/' || "fips" || '-lgflag.gif'
Because you can only scale the image width at present (I used bounds_width($geometry) in map units) I had to convert each flag into a square format using ImageMagick. Most flags are wider than they are tall, this avoids tiling the flag in each circle, at the expense of corner detail.
Apologies in advance to Norway - not sure what happened there. Some manual tweaking may be needed :D
Visualisation Stadler. Tous droits réservés.
Stadler a communiqué le 24 novembre 2025 la commande MBC de deux locomotives hybrides supplémentaires (total trois) pour le trafic marchandises.
Ces deux locomotives devraient être mises en service à fin 2028.
Elle fonctionneront en mode diesel sur les embranchements (gravières) non électrifiés.
Cova de Cala Senia. Castell de Palamos, Costa Brava. Spain.
An artificial or semi artificial cave that has been opened into granit - a witness of continuous human intervention on the slope above a vertical cliff top.
The creation of the Cala Senia cave is thought to be from the late neolithic or chalcolithic. The cave has a disordered interior surface, and this deep troglodyte shelter does not have obvious refined acoustic capacities.
Rather than being carved with a set aim in mind (projection of sound; a mise-en-scene for people and conversation; rites...) the 'Cala de Senià' seems to have been picked-at by people rather than purpose. This may suggest an iconic role for the rock with 'pilgrims' and 'believers' acting to remove pieces of stone from the interior without fear of taboo, whilst protecting the exterior monolithic allusions to crabs claws grasping around the caves entrance.
A stone with a strange shape, or resemblance to a face, animal or body part can help it become a marker stone or ritual stone, or help it enter into local stories and superstitions. This cave's resemblance to a crab may well be of interest... (the third photo of the three posted in this series is the best to see the eyes of the crab above the cavity with the joints of the extending claws).
The majority of philologists agree on a micro number of Occitane words as having origins from before Roman times. I argue that rural languages do not give up their nouns so easily, and that the Roman method was to analyse local habits, hollow them out and leave their shells to 'run around' thinking that they have gained new power. The hollowing out of language includes assigning a new history to other peoples semantic pasts. The Costa Brava's traditional rural language is an Occitane variant now morphed as the Catalan language. In the traditional occitane language (a geography of peoples curling around the Pyrenees and beyond along the Med'), a crabe (cabra; craba, crabe) can be both a crab and ... a goat. I shall introduce a thought experiment : imagine an animal called a 'speed' that grazes on the grasslands and a bird called a 'speed' that lives on the sea shore (a fiction to help visualise). Both are rapid and both justify their names. When talking about a beach and the chick 'speed' that was witnessed, human minds adjust to the context and see the correct animal, here the bird and vise versa when the context is meadow and calf. Now both speeds still have a quality of speed, so three elements appear from one word. Approaching from a new angle : one of the things that makes the Costa Brava different is that the hunting hills approach the sea without guarantee of open beach highway and this was perhaps a landscape where the 'goat people' approached and merged with the 'crab hunters', one pinchy pointy thing meets another pinchy pointy thing; one headstrong character meets another headstrong character - in effect several ideas meet around one word 'Crabe' with its spelling and pronunciation variants of 'cabra' and 'craba'. Whilst a ritual 'crab' rock may not have needed this link into archive language and semantics, it does need to be covered as a potential. Goats were an important animal for prehistory and crabs a strange and tasty oddity of the natural world that only really came to size on rocky coasts.
Above the cave can be seen two amorphous basins, one of which may have a cup or post hole associated. Whilst neither are conclusive, they must be considered as potentially adding a ritual dynamic. One of the basins may be a basin/chair of the type documented in the Grandmont site further north. If there is an associated post hole then it can be argued that it was also a sacrificial stone, which might also be expected were the 'crab' to have been a mythical representation - feeding the anamistic spirit.
AJM 08.06.18
A visualiser sur fond noir en pressant L / A view on black background by pressing L
Quand l'art urbain s'approprie des portes de garages.
Début d'une série sur les portes et fenêtres pour un thème du club Artois Flandre Photo.
Découvrez le travail des membres ici :
www.flickr.com/photos/clubphotosvendin/sets/7215763295844...
In english :
When art urban appropriates garage doors.
Beginning of a series of doors and windows for a theme club Flanders Artois Photo.
Discover the work of the members here:
www.flickr.com/photos/clubphotosvendin/sets/7215763295844...
Lamborghini Gallardo LP560-4 - Computer Generated
Just trying to think outside of the box and come up with something unique. Let me know what you think!
Google's auto-complete - an incidental feature but always hilariously revealing about the deep concerns of the group mind.
I had a go at visualizing the query “How do I get my girlfriend / boyfriend to…” using the sweet tool Web Seer. See what you think.
More visuals here
The above scenes are based on observations of the numerous corniform signs from around Mont Bego and arise from images and texts featured in the Flickr album 'Mont Bégo'.
To simulate frame huts covered with cow leather, I used the 'FB Lisse' from La Bisbal bisbalceram.com which has a natural tint of burnt umbra. The clay was thumb polished and carved over a number of days - so not fired.
The moonlit clouds above the mountain were made by light-painting and were added during the long exposure of the scene.
The fence posts are from overwintered vines of old man's beard slotted into corrugated cardboard strip (thinking of Gondry for this solution).
The stars were layered during post and come from a general shot I'd taken of Orion (see the Flickr album 'Night shots').
For these images, I am not aiming for any 'realism', rather a credible starting point from which the viewer can add potential details. Maybe a simpler fence with draped drying grass? Maybe guide ropes? ... Wind art decoration, or graphic changes of tone. Bags might have been attached to the fence posts or a domestic dog tethered to keep guard. The smouldering remains of an open fire and so on.
Many artistic visualisations of prehistoric accommodation depict daytime scenes. My aim here was to show huts as night protection - the moment of the day when their need and logic is resounding. I also tried to create an atmosphere that felt cold - ground frost and so on, again to show how important a good hut is for a family and clan. It is possible that the peoples who climbed above the tree line to make the Mont Bégo bronze age rock art came from fertile valleys lower down between the mountain range. Even without frost, the descending cold air of the mountain lifestyle can be a shock to the system and many readers will have experienced altitude camping when the warm air switches off and the creeping cold mountain air descends into the tent to impart an array of chatters and shiverings. Again a successful culture need to have adapted to an environment and have apt solutions to local conditions.
Left. From time in the Mont Bégo rock art you see 'bodies of cows' without horns. It's easy to think that these may be fields or waiting for horns that never came, but if they were cow-form huts (a term I chance with) then they may simply be huts without their entrance fencing - an ideosyncratic and normal detail of a diverse culture.
Centre. There are several corniform images of circular 'horns'. (Bicknell VII No 51, XVIII NO22, XXXV No14...). All are assured images and all seem to be difficult to understand if the only meaning of a corniform sign is a 'cow'. The central image projects a circle of fencing in front of the entrance to a small leather covered hut. This seem very understandable as an early crofting solution.
Right: The same image, but with the fence in a typical corniform presentation. See how this provides wind break, shade and an arena for a fireplace. With a domestic dog in the 'courtyard' the vulnerable entrance to the tough leather tent is protected during the night. With good post hole alternatives, opening and closing fencing would also produce the images centre and right which would make some of the corniform variety due to the recording of different states of usage of the dynamic structures. Many corniforms have a square between the horns, and the square certainly also alludes to the head of a cow, but a hut with the same square may have also have had a 'kennel space' for a guard dog : heating the entrance for a sleepy family.
AJM 17.2.19
A project by Accurat,
directed by Giorgia Lupi and Michela Buttignol
Buy prints on Society 6 - society6.com/accurat
This project is an attempt to build a visual anthology of 10 abstract painters' lives,
isolating pictorial elements from painters' styles and using them to tell the story of their life and artistic production through a series of diagrams.
A visualisation of the polarisation of the Cosmic Microwave Background, or CMB, as detected by ESA’s Planck satellite on a small patch of the sky measuring 20º across.
The CMB is a snapshot of the oldest light in our Universe, imprinted on the sky when the Universe was just 380 000 years old. It shows tiny temperature fluctuations that correspond to regions of slightly different densities, representing the seeds of all future structure: the stars and galaxies of today.
A small fraction of the CMB is polarised – it vibrates in a preferred direction. This is a result of the last encounter of this light with electrons, just before starting its cosmic journey. For this reason, the polarisation of the CMB retains information about the distribution of matter in the early Universe, and its pattern on the sky follows that of the tiny fluctuations observed in the temperature of the CMB.
In this image, the colour scale represents temperature differences in the CMB, while the texture indicates the direction of the polarised light. The patterns seen in the texture are characteristic of ‘E-mode’ polarisation, which is the dominant type for the CMB.
For the sake of illustration, both data sets have been filtered to show mostly the signal detected on scales around 5º on the sky. However, fluctuations in both the CMB temperature and polarisation are present and were observed by Planck also on larger as well as smaller angular scales.
More details:
www.esa.int/Our_Activities/Space_Science/Planck/Planck_re...
Credit: ESA and the Planck Collaboration
A computer-generated visualisation of the phase-space solution to a driven second-order dissipative, non-linear differential equation. Calculations use the Improved Euler method with very short time steps. Simulation written in Intel Pentium code by me. Took me half an afternoon!
How atoms interact and behave is common high-school knowledge, but what we know is based on assumptions or snapshots. Electron microscopes have taken images of atoms so we know how they settle, but we have never recorded atoms moving.
The ESA–Roscosmos Plasma Kristall-4 (PK-4) experiment is recreating atomic interactions in a fluid on a larger scale on the International Space Station. The proxy atoms in PK-4 are microparticles, which are suspended and charged in plasma (an ionised gas with electrons and ions). The microparticles interact with each other via the high electrical charges, forming a strongly coupled liquid or solid – a classical model system for condensed matter.
This image shows the typical purple glow of an argon plasma in the PK-4 hardware on Earth. Microparticles are introduced into the plasma to observe how they behave.
On Earth the particles are influenced by gravity but in space the particles will behave similarly to charged atoms in a fluid or crystal structure allowing researchers to understand better the hidden interactions of our world.
PK-4 is installed in the European Physiology Module on the European space laboratory Columbus and runs for up to four days, four times a year.
Credit: MPE–M. Kretschmer
This artist’s visualisation of WASP-127b, a giant gas planet located about 520 light-years from Earth, shows its newly discovered supersonic jet winds that move around the planet’s equator. With a speed of 9 km per second (33 000 km/h), this is the fastest jetstream of its kind ever measured in the Universe.
By tracking the speed of molecules in the atmosphere with the CRIRES+ instrument on ESO’s Very Large Telescope, researchers found that one side of the planet’s atmosphere is moving towards us and the other away from us. This indicates that there is a powerful wind current going around the planet.
Credit: ESO/L. Calçada
La Techno Box, comme dans « j’ai cours de techno » (et pas comme la musique de club !) Vous allez voir qu’il y a quand même un lien (ténu) avec la musique, ou plus exactement avec le son. Cette expérience a été réalisée par des étudiants qui l’ont nommée TetrISS (je ne me prononce pas sur le nom [emoji]). Elle doit servir à visualiser les figures de Chladni en 3 dimensions. Vous avez peut-être déjà vu ces formes provoquées par des ultrasons, mais sur Terre à cause de la pesanteur c’est toujours en 2 dimensions. L’objectif ici c’est de profiter de l’impesanteur pour les observer en 3D. Pas grand chose de musical là dedans, c’est surtout des maths, mais sait-on jamais, ça pourrait inspirer des artistes !
This is Techno Box. As much as I would like (hate?) to have it make thumping techno music to welcome Matthias on board next week, it is techno as in technology. At school in France technology is often shortened to techno. We call techno music, tek, but the variations of how Europeans call electronic music and their subgenres is another story. What does Techno box do? It should allow students to visualise Chladni forms in three dimensions using sound waves. Which actually brings us back to music. 🤔 When sounds waves interact with objects they can arrange them in a visual form (think sound waves), search for it... but only in weightlessness can we attempt to make three dimensional forms! The sound waves needed are not music (unfortunately) but mathematical wave forms. The French name for this experiment is TetrISS, do I have to explain that it was a legendary videogame?... 😂
Credits: ESA/NASA–T. Pesquet
607J5935
Document VBZ. Tous droits réservés.
Les VBZ ont communiqué avoir reçu le feu vert pour l'achat de huit midibus électriques "e.City Gold" du constructeur portugais Caetano, distribués par la Carrosserie Hess.
A partir de fin 2021, ces véhicules remplaceront en priorité les minibus ou midibus thermiques engagés sur les lignes interquartiers 35, 38, 39 et 73.
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The visualisation software Uniview allows visitors of the Ars Electronica Center’s Deep Space 8K to explore the universe not only in a breathtaking resolution - but also in 3-D.
A best of Ars Electronica photos can be found here.
Ars Electronica Center Linz
Ars-Electronica-Straße 1
4040 Linz
Austria
Credit: Ars Electronica / Robert Bauernhansl
A very short video of some of my work. www.leighkemp.co.uk
I also have a Flickr album with these and other works - www.flickr.com/gp/leighkemp/qX5p48
3D conceptualisation of a future iMac made by Adam Benton (source)
"The iMac features a 30" utra-thin LCD screen, which is totally transparent when the iMac is not in use. The screen can also be set to various levels of translucency, and can fade during sleep modes etc. The keyboard is also totally tramsparent, low profile and a curved ergonomic design, with light sensitive illuminated keys."
Visualisation Stadler. Tous droits réservés.
Commnuniqué de Stadler et de Westbahn.
Stadler fournira trois rames à grande vitesse SMILE (type Giruno aux CFF) à la société autrichienne Westbahn.
Ces compositions seront engagées à partir du premier mars 2026 sur la nouvelle relation Westbahn entre Wien, Graz, Klagenfurt et Villach.
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Visualisation VBZ. Tous droits réservés.
Les VBZ de Zürich ont communiqué le 6 juillet 2021 avoir commandé 15 autobus électriques standard MAN Lion's City E 12.
Ces nouveaux véhicules seront engagés à partir de l'automne 2022 sur les lignes 66, 77, 78 et 99.
Des options auprès de MAN portent sur 29 autobus électriques standard supplémentaires et 80 articulés.
Les 15 nouvelles unités ne devraient être rechargées qu'au dépôt Hardau avec de l'énergie renouvelable.
Leur engagement permettra d'économiser annuellement 350000 litres de diesel et éviter le rejet de 930 tonnes de CO2.
Leurs numéros de régie et de plaques minéralogiques ne sont pas encore connus.
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A visualisation of the polarisation of the Cosmic Microwave Background, or CMB, as detected by ESA's Planck satellite over the entire sky.
The CMB is a snapshot of the oldest light in our Universe, imprinted on the sky when the Universe was just 380 000 years old. It shows tiny temperature fluctuations that correspond to regions of slightly different densities, representing the seeds of all future structure: the stars and galaxies of today.
A small fraction of the CMB is polarised – it vibrates in a preferred direction. This is a result of the last encounter of this light with electrons, just before starting its cosmic journey. For this reason, the polarisation of the CMB retains information about the distribution of matter in the early Universe, and its pattern on the sky follows that of the tiny fluctuations observed in the temperature of the CMB.
In this image, the colour scale represents temperature differences in the CMB, while the texture indicates the direction of the polarised light. The patterns seen in the texture are characteristic of ‘E-mode’ polarisation, which is the dominant type for the CMB.
For the sake of illustration, both data sets have been filtered to show mostly the signal detected on scales around 5º on the sky. However, fluctuations in both the CMB temperature and polarisation are present and were observed by Planck on much smaller angular scales, too.
More details:
www.esa.int/Our_Activities/Space_Science/Planck/Planck_re...
Credit: ESA and the Planck Collaboration
The Personal Annual Report is a unique PDF of data, visualisations and factoids about your travel in 2008. The report was generated personally for every Dopplr user and delivered to them in early January 2009.
As an example, we generated a report for Barack Obama based on the publically-available data on his 2008 presidential campaign.
Download a PDF copy of Barack Obama's 2008 Dopplr Personal Annual Report from http://dplr.it/obama-report
More on blog.dopplr.com: dplr.it/b/Obama-Personal-Report
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The city images above sourced from Flickr and are used under a Creative Commons Attribution Licence: Sunset on the Charles by Pear Biter, Pennsylvania Ave - Old Post Office to the Capitol at Night by wyntuition, we'll meet again by chaosinjune, Colorado State. Additional imagery by Flickr users: Gongus, Matthias Winkelmann, Wendy Piersall, Spotbott and Beard Papa
Visualisation ne.ch . Tous droits réservés.
Le Conseil d'Etat du Canton de Neuchâtel, l'OFT et transN ont communiqué en novembre 2021 avoir passé commande de deux rames Stadler avec accès surbaissés ABe 4/8 pour la ligne La Chaux-de-Fonds - Les Ponts-de-Martel (cadre horaire 222).
Ces automotrices doubles seront issues d'une commande groupée avec les TPC (pour la ligne ASD) et les CJ.
Par contre la ligne Le Locle - Les Brenets (cadre horaire 224) devrait être supprimée et remplacée par une ligne d'autobus électriques, dont l'aménagement serait financé par le fonds pour l'infrastructure ferroviaire (!).
Visualisation des futures rames en livrée transN. Si elles seront effectivement aménagées en tant qu'ABe 4/8, cela impliquera l'introduction de la première classe sur la ligne des Ponts-de-Martel.
Cette image de synthèse est une reprise travaillée des rames à adhérence TPC pour la ligne ASD.
L'observateur attentif remarquera les destinations frontale "La Chaux-de-Fonds" et latérale "Les Diablerets".
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