View allAll Photos Tagged Visualisation
Visualisation Stadler. Tous droits réservés.
Stadler a communiqué le 24 novembre 2025 la commande MBC de deux locomotives hybrides supplémentaires (total trois) pour le trafic marchandises.
Ces deux locomotives devraient être mises en service à fin 2028.
Elle fonctionneront en mode diesel sur les embranchements (gravières) non électrifiés.
Google's auto-complete - an incidental feature but always hilariously revealing about the deep concerns of the group mind.
I had a go at visualizing the query “How do I get my girlfriend / boyfriend to…” using the sweet tool Web Seer. See what you think.
More visuals here
2x 580EXII into a softbox with CTO gel cam left, 430EXII far back with 1/2 CTB gel at 105mm, 580EXII on Grp A, 430EXII on Grp B, triggered via 580EX on cam with 4:1 A:B ratio.
Setup here..
A project by Accurat,
directed by Giorgia Lupi and Michela Buttignol
Buy prints on Society 6 - society6.com/accurat
This project is an attempt to build a visual anthology of 10 abstract painters' lives,
isolating pictorial elements from painters' styles and using them to tell the story of their life and artistic production through a series of diagrams.
How atoms interact and behave is common high-school knowledge, but what we know is based on assumptions or snapshots. Electron microscopes have taken images of atoms so we know how they settle, but we have never recorded atoms moving.
The ESA–Roscosmos Plasma Kristall-4 (PK-4) experiment is recreating atomic interactions in a fluid on a larger scale on the International Space Station. The proxy atoms in PK-4 are microparticles, which are suspended and charged in plasma (an ionised gas with electrons and ions). The microparticles interact with each other via the high electrical charges, forming a strongly coupled liquid or solid – a classical model system for condensed matter.
This image shows the typical purple glow of an argon plasma in the PK-4 hardware on Earth. Microparticles are introduced into the plasma to observe how they behave.
On Earth the particles are influenced by gravity but in space the particles will behave similarly to charged atoms in a fluid or crystal structure allowing researchers to understand better the hidden interactions of our world.
PK-4 is installed in the European Physiology Module on the European space laboratory Columbus and runs for up to four days, four times a year.
Credit: MPE–M. Kretschmer
Data from the NASA/ESA Hubble Space Telescope have revealed an expanding cloud of dust produced in a collision between two large bodies orbiting the bright nearby star Fomalhaut. This is the first time such a catastrophic event around another star has been imaged.
Credit:
ESA/NASA, M. Kornmesser
La Techno Box, comme dans « j’ai cours de techno » (et pas comme la musique de club !) Vous allez voir qu’il y a quand même un lien (ténu) avec la musique, ou plus exactement avec le son. Cette expérience a été réalisée par des étudiants qui l’ont nommée TetrISS (je ne me prononce pas sur le nom [emoji]). Elle doit servir à visualiser les figures de Chladni en 3 dimensions. Vous avez peut-être déjà vu ces formes provoquées par des ultrasons, mais sur Terre à cause de la pesanteur c’est toujours en 2 dimensions. L’objectif ici c’est de profiter de l’impesanteur pour les observer en 3D. Pas grand chose de musical là dedans, c’est surtout des maths, mais sait-on jamais, ça pourrait inspirer des artistes !
This is Techno Box. As much as I would like (hate?) to have it make thumping techno music to welcome Matthias on board next week, it is techno as in technology. At school in France technology is often shortened to techno. We call techno music, tek, but the variations of how Europeans call electronic music and their subgenres is another story. What does Techno box do? It should allow students to visualise Chladni forms in three dimensions using sound waves. Which actually brings us back to music. 🤔 When sounds waves interact with objects they can arrange them in a visual form (think sound waves), search for it... but only in weightlessness can we attempt to make three dimensional forms! The sound waves needed are not music (unfortunately) but mathematical wave forms. The French name for this experiment is TetrISS, do I have to explain that it was a legendary videogame?... 😂
Credits: ESA/NASA–T. Pesquet
607J5935
The visualisation software Uniview allows visitors of the Ars Electronica Center’s Deep Space 8K to explore the universe not only in a breathtaking resolution - but also in 3-D.
A best of Ars Electronica photos can be found here.
Ars Electronica Center Linz
Ars-Electronica-Straße 1
4040 Linz
Austria
Credit: Ars Electronica / Robert Bauernhansl
3D conceptualisation of a future iMac made by Adam Benton (source)
"The iMac features a 30" utra-thin LCD screen, which is totally transparent when the iMac is not in use. The screen can also be set to various levels of translucency, and can fade during sleep modes etc. The keyboard is also totally tramsparent, low profile and a curved ergonomic design, with light sensitive illuminated keys."
A visualisation of the polarisation of the Cosmic Microwave Background, or CMB, as detected by ESA's Planck satellite over the entire sky.
The CMB is a snapshot of the oldest light in our Universe, imprinted on the sky when the Universe was just 380 000 years old. It shows tiny temperature fluctuations that correspond to regions of slightly different densities, representing the seeds of all future structure: the stars and galaxies of today.
A small fraction of the CMB is polarised – it vibrates in a preferred direction. This is a result of the last encounter of this light with electrons, just before starting its cosmic journey. For this reason, the polarisation of the CMB retains information about the distribution of matter in the early Universe, and its pattern on the sky follows that of the tiny fluctuations observed in the temperature of the CMB.
In this image, the colour scale represents temperature differences in the CMB, while the texture indicates the direction of the polarised light. The patterns seen in the texture are characteristic of ‘E-mode’ polarisation, which is the dominant type for the CMB.
For the sake of illustration, both data sets have been filtered to show mostly the signal detected on scales around 5º on the sky. However, fluctuations in both the CMB temperature and polarisation are present and were observed by Planck on much smaller angular scales, too.
More details:
www.esa.int/Our_Activities/Space_Science/Planck/Planck_re...
Credit: ESA and the Planck Collaboration
Over 50 youth from Albania, Greece, Bulgaria, Macedonia, Kosovo, Serbia, Montenegro, Bosnia and Herzegovina, Croatia and Slovenia came together to learn how art can influence advocacy to solve their burning societal issues. From comic strips, and data visualization to graffiti and stencils, they learn how to use different art techniques during the Art and Design for Advocacy training which took place in Ohrid, Macedonia from 22-28 June 2015.
A visualiser sur fond noir en pressant L / A view on black background by pressing L
Quand l'art urbain s'approprie des portes de garages.
Début d'une série sur les portes et fenêtres pour un thème du club Artois Flandre Photo.
Découvrez le travail des membres ici :
www.flickr.com/photos/clubphotosvendin/sets/7215763295844...
In english :
When art urban appropriates garage doors.
Beginning of a series of doors and windows for a theme club Flanders Artois Photo.
Discover the work of the members here:
www.flickr.com/photos/clubphotosvendin/sets/7215763295844...
Visualisation ne.ch . Tous droits réservés.
Le Conseil d'Etat du Canton de Neuchâtel, l'OFT et transN ont communiqué en novembre 2021 avoir passé commande de deux rames Stadler avec accès surbaissés ABe 4/8 pour la ligne La Chaux-de-Fonds - Les Ponts-de-Martel (cadre horaire 222).
Ces automotrices doubles seront issues d'une commande groupée avec les TPC (pour la ligne ASD) et les CJ.
Par contre la ligne Le Locle - Les Brenets (cadre horaire 224) devrait être supprimée et remplacée par une ligne d'autobus électriques, dont l'aménagement serait financé par le fonds pour l'infrastructure ferroviaire (!).
Visualisation des futures rames en livrée transN. Si elles seront effectivement aménagées en tant qu'ABe 4/8, cela impliquera l'introduction de la première classe sur la ligne des Ponts-de-Martel.
Cette image de synthèse est une reprise travaillée des rames à adhérence TPC pour la ligne ASD.
L'observateur attentif remarquera les destinations frontale "La Chaux-de-Fonds" et latérale "Les Diablerets".
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Visualisation Stadler. Tous droits réservés.
Commnuniqué de Stadler et de Westbahn.
Stadler fournira trois rames à grande vitesse SMILE (type Giruno aux CFF) à la société autrichienne Westbahn.
Ces compositions seront engagées à partir du premier mars 2026 sur la nouvelle relation Westbahn entre Wien, Graz, Klagenfurt et Villach.
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Visualisation VBZ. Tous droits réservés.
Les VBZ de Zürich ont communiqué le 6 juillet 2021 avoir commandé 15 autobus électriques standard MAN Lion's City E 12.
Ces nouveaux véhicules seront engagés à partir de l'automne 2022 sur les lignes 66, 77, 78 et 99.
Des options auprès de MAN portent sur 29 autobus électriques standard supplémentaires et 80 articulés.
Les 15 nouvelles unités ne devraient être rechargées qu'au dépôt Hardau avec de l'énergie renouvelable.
Leur engagement permettra d'économiser annuellement 350000 litres de diesel et éviter le rejet de 930 tonnes de CO2.
Leurs numéros de régie et de plaques minéralogiques ne sont pas encore connus.
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Ars Electronica Center’s “Holoman” is a modern magical mirror that gives us a glimpse inside the human body. Step in front of the mirror and discover the fascinating world of human anatomy! Rotating the disc makes it possible to view the respective levels of the anatomical model.
Ars Electronica Center Linz
Ars-Electronica-Straße 1
4040 Linz
Austria
credit: Ars Electronica / Christopher Sonnleitner
A very short video of some of my work. www.leighkemp.co.uk
I also have a Flickr album with these and other works - www.flickr.com/gp/leighkemp/qX5p48
"Behind the clouds, the sun shines every day". A well-know Norwegian song, "Sol bakom skyan", by song writer Jack Berntsen and lyrics by Herbjørg Wassmo.
My humble visualisation attempt of the same theme.
Nikon Z5 (full spectrum modified), LAOWA 11mm f/4.5 lens, Wratten 87 gel filter rear-mounted
2024.05.27 Dramatisk uværshimmel med gløtt av sol bak skyene. Allé av bjørk opp til storgård. Opptak i infrarødt (IR) . Sol bakom skyan. Vall, Sørum kommune, Akershus. © Birna Rørslett-NN/Nærfoto < E202405274342 E202405 E2024 202405274342 202405 DIGITALBILDE, IDÉ/MANIPULASJON/MONTASJE> 2.1 MB IMAGE 28/05/2024 10:28:08 GPS UTM:PM,PM25,PM2654,PM261544 [NIKON Z 5, Laowa 11 mm f/4.5]
Data from the NASA/ESA Hubble Space Telescope have revealed an expanding cloud of dust produced in a collision between two large bodies orbiting the bright nearby star Fomalhaut. This is the first time such a catastrophic event around another star has been imaged.
Credit:
ESA/NASA, M. Kornmesser
Personal visualisation project based on the Minimum House by Scheidt Kasprusch Architekten.
Interpretation of the design and interior, plus all modelling/rendering/post by James Lawley (some stock objects used...)
Rendered in V-ray 2.0 with post-production in Photoshop CS5 and a touch in Lightroom.
As ESA engineers work together to design a future space mission, it takes virtual shape before them in three dimensions.
This 3D visualisation system is one of many state-of-the-art networking tools found in the Concurrent Design Facility (CDF), based at ESA’s ESTEC technical centre in Noordwijk, the Netherlands.
The CDF’s network of computers, multimedia devices and software tools allow experts from different engineering disciplines to work in close coordination, in the same place at the same time, to complete the most complex designs imaginable – in a matter of a few weeks rather than several months.
The CDF enables ‘concurrent engineering’ based on teamwork and focused on a common design model that evolves iteratively in real time as the different subsystem experts make their contributions. It has proved an influential approach over the CDF’s 15 years of operations, helping to inspire new ways of working for Europe’s hi-tech industries.
The CDF enables ‘concurrent engineering’ based on teamwork and focused on a common design model that evolves iteratively in real time as the different subsystem experts make their contributions. It has proved an influential approach over the CDF’s 15 years of operations, helping to inspire new ways of working for Europe’s hi-tech industries.
Credit: ESA/Guus Schoonewille
The Heartlands Project is a community-led vision to transform 7.5ha of Cornwall’s most derelict industrial landscape into a truly inspirational cultural attraction.
LUC won an international competition to masterplan and design an imaginative mixed-use site that would become a catalyst for regeneration in the future. Working with a large multidisciplinary team, for the client Cornwall Council, our team delivered a project that referenced Cornwall’s history and the site’s heritage, making it a space that fosters convergence and reflection.
Our design aimed to capture the spirit of Cornwall, providing dynamic new spaces for the community and visitors to enjoy. The masterplan included places to relax in the Diaspora Gardens, an outdoor events space and surrounding parkland. We also created the largest free adventure playground in Cornwall, with play specialists Timberplay. Revelling in Cornish folklore, the playground includes custom-made wooden climbing structures, tunnels and a beach with diggers and a sand transportation system.
The development also encompassed the Grade II listed Robinson’s Shaft, which was restored to provide a gateway for the Cornwall and West Devon Mining Landscape World Heritage Site, artists’ studios and residential units.
For more information, visit: www.landuse.co.uk
Visualisation for the Guardian Datablog
www.guardian.co.uk/news/datablog/2010/oct/07/information-...
See in mega zoom
www.flickr.com/photos/25541021@N00/5059367333/sizes/o/in/...
Download a PDF
This was to visualise the top brands and who owns them/other brands they own also. I started off with well known brand portfolios to visualise them like colgate palmolive but had no direction.
purchase a copy here: www.clockworkgallery.co.uk/?p=1&a=CW&w=CW01
100 x 60 cm
(approx.) £24.95 per Edition
($ 35.72, € 26.88)
So found this top ten list for 2007, and worked from here.
www.wonderlandblog.com/wonderland/2007/01/top_ten_most_po...
Also inspired by a car badges brands visual:
coolinfographics.blogspot.com/2008/04/who-owns-car-compan...
featured here: visualthinkmap.ning.com/photo/photo/show?id=2168552:Photo...
Plotting some data from www.hackdiary.com/2010/02/10/algorithmic-recruitment-with... in preparation for Web Directions @media London on Friday.
Shows all developers who identify their location as London on Github, who have 4 or more other Londoners following them. The sizes and colours come from Betweenness Centrailty and In-Degree respectively.
Plotted with Gephi
a visualisation of the seasonal colours in Norway as a calendar wheel.
This was generated from this time lapse movie by Eirik Solheim. Well worth a look! It's a time-lapse movie of a garden taken over the course of a year.
Individual video frames were compressed into single-column images and wrapped into a donut using a custom Processing script.
The inside of the circle is the ground; the outside is the sky. The original video includes a slight zoom-in throughout the year, although it's barely visible here.
There's a slight gap at the top because I didn't get the exact start/end frames for the video (I had to strip out the intro and end credits to make this work as a visualisation).
Month names and text were added using Inkscape. Months start at *approximately* the position of the first letter of the month's name.
Month names are in Norwegian, the 'c' and 'y' keys still work on my keyboard :-D