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Earthenware display stand for "Pierrot Gourmand" candy.
This Pierrot is a faithful reproduction of the character from the Commedia dell'Arte, the unfortunate lover of Columbine…
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Présentoir en faïence pour les bonbons de la marque "Pierrot Gourmand”.
Ce Pierrot est la reproduction fidèle du personnage de la Commedia dell'Arte, amoureux malheureux de Colombine…
Website: Diane Marie DeMarco Photographs & Paintings
Photographs on Instagram, Facebook, Pinterest, and LinkedIn (Diane Marie DeMarco)
Camera: Nikon
Website: Diane Marie DeMarco Photographs and Paintings
Photographs on Instagram, Facebook, Pinterest, and LinkedIn (Diane Marie DeMarco)
Camera: Nikon
People tell me that my playing is great. That it reminds them of the master Django Reinhardt. What do they know about Djanjo? These people don't know stuff. I tell folks that I play 8 hours a day to get my chops. The truth is I don't practice. I improvise. I make things up as I go. Right now I don't even know what key the band is playing. Nobody cares. Because the truth is Nobody listens. We are just background noise providing some contrived ambiance to this place. You really don't need to like me. I get it.
Gallery www.justanobserver.com
Blog www.juzno.com
sDg
# #jazzsmellsfishy #NobodyCares #Idonotcareanymore #StupidExistentialismBaloney #LifeIsMeaningLess
CUEVA 2022 @ AES (MetzeSchmelz) - Claus G. Beeskow Camarda
The Cueva collective has as line of conduct, to artistically occupy places, intended to demolition or rehabilitation.
The invited artists have total freedom in their expression.
This year, 32 artists have invested the main alley of "Metzeschmelz" and will revive this former steel plant, closed since the end of 2012.
Claus G. Beeskow Camarda:
Metze Schmelz: lb.wikipedia.org/wiki/Metze_Schmelz
ARBED-Esch-Schifflange (AES): www.industrie.lu/UsineEschSchifflange.html
ARBED: en.wikipedia.org/wiki/ARBED
A digital art of the back garden of Hong Kong.
Please check out my instgram and website for more arts like this!
Ply and Pillars Painting in Monochrome by Dhanesh Mamba displayed at Karnataka Chirtrakala Parishath in Bengaluru.
Scene 1: Somewhere in an existential bar in Austin. Loud blues band wailing on the background. Other than that, only two people and the bartender are there.
Chuck: Can I tell you a secret?
Juzno: Sure thing.
Chuck: I'm Superman.
Juzno: Wow. Can I have your autograph?
Chuck: No, it's a secret. Remember?
Juzno: Aha.
Gallery www.justanobserver.com/
Blog www.juzno.com/
sDg
# #man #moody #secret #bar #cocktail #Secondstreet #urban #austin #texas #blackandwhite #BW #BnW #grain #portrait #juzno #RobCastro #juznobsrvr #fujifilm #xpro1 #xmountlens #35mm #night #bar
After Titian. Before Lunch
I love the drawings and paintings by the Venetian artist Titian ( 1488/90-1576 ). I was lucky to work with the National Gallery collection for close to 30 years. I have always found so much inspiration from paintings and it has been hard to be distanced form the originals. This picture is after his drawings in museum collections around the world.
These portraits of plants, have been made for many different reasons but always for the JOY of it. All of my photographs are daytime, made in city parks and gardens and virtually straight out of the camera with the absolute minimum of post processing.
This on going photographic odyssey that I call TERRA INCOGNITA has helped me notice what is always present in my life if I can make the time to look.
Website: Diane Marie DeMarco
Photographs and Paintings
Photographs on Instagram, Facebook, Pinterest, and LinkedIn
(Diane Marie DeMarco)
Camera: Nikon
No filters, no deception, no masks. This is me, in my most authentic and necessary form.
To those watching: before commenting, take a deep breath. Exhale. And if what you have to say isn't intelligent or doesn't add value to the truth of this shot... then be quiet.
Art is oxygen, but silence, sometimes, is even better. Only truth, only BNNRRB.
"Art flourishes where there is a sense of adventure."- Alfred Whitehead
☆ ART SHOP 》https://www.etsy.com/listing/689013162/
“My name is Ketut Lasia. I was born on March 3, 1945 as the youngest son in a Hindu family in Peliatan, close to Ubud, the village of artists on the island of Bali in Indonesia.
“My parents were no painters. They were simple rice-farmers. Their life’s work consisted in growing rice, the daily food needed for us children. In my childhood I went to primary school, but no further. My parents were too poor to provide for any further education for me and my siblings. As a child I often went to the painters in our village. I watched them for hours and was amazed at the way they could take the images and pictures in their minds and turn them into paintings. I wanted to be a painter too."
“When... I began to work on my own. Over and over again religious questions kept bothering me. I wrestled with what I had heard from the Christians. I was uncertain and felt that I needed solid ground in my life, some sort of affirmation.
“But, of course, I was a Hindu. In my religion that did not exist. There was no faith in any rescue or healing for humankind in Hinduism. In my religion the law of Karma ruled.
Grace, mercy, forgiveness were unknown." Crossings Community, Inc.
Wrestling with this issue and inspite of exclusion by his Hindu community and by his brother, he chose to identify as a Christian.
Lasia's paintings of Christian gospel are expressed in Balinese settings and styles.
His principal paintings include the accounts of the birth, life, death, resurrection and ascension of Jesus. Also the stories of Jesus told are significant in his folios, for they are readily contextualised in Bali, for they explore the artists' seeking of affirmation in life, and are a means to communicate the life values he embraced.