View allAll Photos Tagged VisualArtist
CUEVA 2022 @ AES (MetzeSchmelz) - Claus G. Beeskow Camarda
The Cueva collective has as line of conduct, to artistically occupy places, intended to demolition or rehabilitation.
The invited artists have total freedom in their expression.
This year, 32 artists have invested the main alley of "Metzeschmelz" and will revive this former steel plant, closed since the end of 2012.
Claus G. Beeskow Camarda:
Metze Schmelz: lb.wikipedia.org/wiki/Metze_Schmelz
ARBED-Esch-Schifflange (AES): www.industrie.lu/UsineEschSchifflange.html
ARBED: en.wikipedia.org/wiki/ARBED
A digital art of the back garden of Hong Kong.
Please check out my instgram and website for more arts like this!
Ply and Pillars Painting in Monochrome by Dhanesh Mamba displayed at Karnataka Chirtrakala Parishath in Bengaluru.
Scene 1: Somewhere in an existential bar in Austin. Loud blues band wailing on the background. Other than that, only two people and the bartender are there.
Chuck: Can I tell you a secret?
Juzno: Sure thing.
Chuck: I'm Superman.
Juzno: Wow. Can I have your autograph?
Chuck: No, it's a secret. Remember?
Juzno: Aha.
Gallery www.justanobserver.com/
Blog www.juzno.com/
sDg
# #man #moody #secret #bar #cocktail #Secondstreet #urban #austin #texas #blackandwhite #BW #BnW #grain #portrait #juzno #RobCastro #juznobsrvr #fujifilm #xpro1 #xmountlens #35mm #night #bar
Website: Diane Marie DeMarco
Photographs and Paintings
Photographs on Instagram, Facebook, Pinterest, and LinkedIn
(Diane Marie DeMarco)
Camera: Nikon
No filters, no deception, no masks. This is me, in my most authentic and necessary form.
To those watching: before commenting, take a deep breath. Exhale. And if what you have to say isn't intelligent or doesn't add value to the truth of this shot... then be quiet.
Art is oxygen, but silence, sometimes, is even better. Only truth, only BNNRRB.
"Art flourishes where there is a sense of adventure."- Alfred Whitehead
☆ ART SHOP 》https://www.etsy.com/listing/689013162/
“My name is Ketut Lasia. I was born on March 3, 1945 as the youngest son in a Hindu family in Peliatan, close to Ubud, the village of artists on the island of Bali in Indonesia.
“My parents were no painters. They were simple rice-farmers. Their life’s work consisted in growing rice, the daily food needed for us children. In my childhood I went to primary school, but no further. My parents were too poor to provide for any further education for me and my siblings. As a child I often went to the painters in our village. I watched them for hours and was amazed at the way they could take the images and pictures in their minds and turn them into paintings. I wanted to be a painter too."
“When... I began to work on my own. Over and over again religious questions kept bothering me. I wrestled with what I had heard from the Christians. I was uncertain and felt that I needed solid ground in my life, some sort of affirmation.
“But, of course, I was a Hindu. In my religion that did not exist. There was no faith in any rescue or healing for humankind in Hinduism. In my religion the law of Karma ruled.
Grace, mercy, forgiveness were unknown." Crossings Community, Inc.
Wrestling with this issue and inspite of exclusion by his Hindu community and by his brother, he chose to identify as a Christian.
Lasia's paintings of Christian gospel are expressed in Balinese settings and styles.
His principal paintings include the accounts of the birth, life, death, resurrection and ascension of Jesus. Also the stories of Jesus told are significant in his folios, for they are readily contextualised in Bali, for they explore the artists' seeking of affirmation in life, and are a means to communicate the life values he embraced.
Riquensha, Hoekenrodeplein, Amsterdam.
Pen en waterverf op 29,7x42cm papier.
Voor mijn 'Keti Koti Project'. Met dit, langer lopende project, wil ik aandacht geven aan en vragen voor de herdenking van het afschaffen van de slavernij door Nederland in 1873. Het liefst zou ik zien dat er een nationale feestdag voor zou komen, waarbij we met elkaar kunnen terugkijken én vooruitkijken, helen en vieren.
Ik werk in de maand juni 2021, voorafgaand aan Keti Koti 2021 (1 juli), in CBK Zuidoost, enkele dagdelen per week, aan een serie portretten van mensen die ik een jaar geleden tijdens Keti Koti heb aangesproken en mocht fotograferen. Die foto's ben ik nu aan het uitwerken, op papier, met pen en waterverf. Tegelijkertijd verzamel ik teksten van mensen, waarin ze beschrijven hoe ze Keti Koti ervaren / ervaren hebben, hier in Nederland of in Suriname.
#ketikoti #eindeslavernij #1juli #herdenkingslavernij #maakvanketikotieennationalefeestdag #helenenvieren #terukijkenvooruitkijken #nationaleherdenking #oneracehumanrace #amsterdamsemensen #healingtogether #lookingbacklookingforward #beautifulpeople #peopleofamsterdam #lovetodraw #drawinglove #penandwatercolor #drawing #tekening #weareonepeople #maartjejaquet #art #visualartist #ieder1 #amsterdamsemensen #blm #blacklivesmatter #nederlandsuriname #surinamenederland #ketikotiportret #ketikotiportrait