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Website: Diane Marie DeMarco

Photographs and Paintings

 

Photographs on Instagram, Facebook, Pinterest, and LinkedIn (Diane Marie DeMarco)

 

Camera: Nikon

 

Oil stick and graphite powder on Stonehenge paper, 16 x 16 inches (40.6 x 40.6 cm)

 

website: pamelaspeight.com/

 

This series consists of twelve oil stick and graphite powder drawings on primed Stonehenge paper. Each image depicts an animal considered "invasive" in the bio-region in which I live. While working on them I felt that the bright oil stick colors were too "pretty" and made the animals look overly cute. I wanted them to have a more shadowy presence to reflect our ambiguous relationship with them, which the layer of graphite powder added. There are numerous introduced species that flourish uncontrollably, to the detriment of indigenous animals and plants, because natural predators or other constraints are few or non-existent. We make every attempt to reduce their numbers, but they have learned to adapt and thrive in the environments we have constructed. Often referring to them as nuisance species or carriers of disease, they seem to exist in the darker, murkier places that inhabit our subconscious. However, the idea that they are entirely "bad" may be misplaced, especially when we overlook our own role in their transport, either intentionally or unintentionally, on our various migrations across the planet. Like us, they are driven to survive.

"I care for myself. The more solitary, the more friendless, the more unsustained I am, the more I will respect myself.”

― Charlotte Brontë

 

michellerobinson.photography

facebook.com/michelle.anne.robinson

 

Procamera, Snapseed, Stackables App, Superimpose, Mextures

Website: Diane Marie DeMarco

Photographs and Paintings

 

Photographs on Instagram, Facebook, Pinterest, LinkedIn, and Flickr

(Diane Marie DeMarco)

 

Email: dianedemarco78@yahoo.com

 

Camera: Nikon

Rügen. Really Beautiful & Really F.....g Cold

Seasonal Helianthus Annuus and the Incident With the Cat That Wasn't Dead.

Artist website: Diane Marie DeMarco Photographs and Paintings

 

Photographs on Instagram, Facebook, Pinterest, and LinkedIn (Diane Marie DeMarco)

website: Diane Marie DeMarco Photographs and Paintings

 

Email: dianedemarco78@yahoo.com

 

Photographs on Instagram, Facebook, Pinterest, LinkedIn, and Flickr

(Diane Marie DeMarco)

 

Camera: Nikon

 

Beer Gardeners' Question Time.

Neither in Jerusalem or an Artichoke

Chapter 6: In Closing - I am me ... guided by own convictions and values. You can try to sway me with your own version of the truth; you can try to confuse me with a myriad of your plausible explanations; you can muddle me with your presentation of platitudes. But I see. I see through you.

 

michellerobinson.photography

facebook.com/michmutters

 

Procamera, Snapseed, Superimpose, Decim8, Filterloop, Stackables App, Camera Awesome

Charcoal on Stonehenge paper, 44 x 120 inches (111.8 x 304.8 cm)

 

website: pamelaspeight.com/

 

This is the second of a group of three Boreal Forest Drawings. They are large in scale and executed in charcoal on Stonehenge rag (cotton) paper during an artist residency in northern Saskatchewan, Canada. I was captivated by the subtle beauty of the rolling landscape with its many lakes. The water, light, textures and sounds (notably the haunting cries of loons, and the wind) evoked in me a profound awareness of place, along with a consciousness that the boreal forest is under continual threat from climate change and the unrestrained plunder of resources. In these drawings my intent was to highlight the wonderfully textured tree debris found on the forest floor — knots of fallen leaves, bark and lichen — and its importance within the forest life cycle.

Oil on Stonehenge paper, 30 x 22 inches (76.2 x 55.9 cm)

 

Website: pamelaspeight.com/

 

Attachment Object One, Two and Three are a group of images based on rusted metal industrial relics found while digging in the garden, rather beautiful in their simplicity of form and function. They are the cast-offs of previous inhabitants, much like artifacts unearthed during an archaeological excavation. These particular objects were large, sharp nails or tools used to join one material to another. The title of this series is also a metaphor for our infatuation with things, our addiction to outcomes, and the detritus we may unwittingly leave behind.

   

Artist website: Diane Marie DeMarco Photographs and Paintings

 

Photographs on Instagram, Facebook, Pinterest, and LinkedIn (Diane Marie DeMarco)

Explore #389 March 3, 2013

 

Inverted

Set of 8 Bosc Pear images from my original SOOC entitled A Bosc Pear

 

I recommend listening to Joe Henderson's "Blue Bossa" while viewing this image:

www.youtube.com/watch?v=U7eOs5lERww

 

Included in the gallery Abstract etc.: www.flickr.com/photos/tamarind29/galleries/72157632857227...

20250710-4195

 

Detail van het grote Beachlandart project van Gerard ten Broek

 

Zandmotor

 

Als alle lijnen zijn getrokken gaat hij met een drone van bovenaf fotograferen en filmen.

Resultaten van zijn werk zijn op zijn eigen website te zien.

beachlandart.com

 

All images are copyrighted by Pieter Musterd. If you want to use any of my photographs, contact me. It is not allowed to download them or use them on any website, blog etc. without my explicit permission.

If you want a translation of the text in your own language, please try "Google Translate".

 

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Der Sodom und Gomorrah Radsportclub

Website: Diane Marie DeMarco Photographs and Paintings

 

Photographs on Instagram, Facebook, Pinterest, and LinkedIn (Diane Marie DeMarco)

 

Camera: Nikon

Spring Poet Tree

 

Verse 1

 

Manfred von Richtofenstraße

A Day of Romance In A Berlin Snow Globe

Oil on Stonehenge paper, 30 x 22 inches (76.2 x 55.9 cm)

 

Website: pamelaspeight.com/

 

Attachment Object One, Two and Three are a group of images based on rusted metal industrial relics found while digging in the garden, rather beautiful in their simplicity of form and function. They are the cast-offs of previous inhabitants, much like artifacts unearthed during an archaeological excavation. These particular objects were large, sharp nails or tools used to join one material to another. The title of this series is also a metaphor for our infatuation with things, our addiction to outcomes, and the detritus we may unwittingly leave behind.

   

Artist Website: Diane Marie DeMarco Photographs and Paintings

 

Photographs on Instagram, Facebook, Pinterest, and LinkedIn (Diane Marie DeMarco)

Winter 2008 Loreal Hair Show . www.lorealprofessionnel.co.uk Hair by Loreal Professional Stylists

 

Photography & Processing by Florbela : FFX © Florbela's Fotographix

 

Follow me on Twitter www.twitter.com/flo_bela

Facebook www.facebook.com/pages/FFX-Florbelas-Fotographix-/6386064421

 

Auteur et plasticienne | Author and visual artist

"How does a part of the world leave the world?

How can wetness leave water?" - Rumi

 

michellerobinson.photography

facebook.com/michmutters

 

Procamera, Snapseed, Stackables App, Mextures

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