View allAll Photos Tagged VisualArtist
Artist website: Diane Marie DeMarco Photographs and Paintings
Photographs on Instagram, Facebook, Pinterest, and LinkedIn (Diane Marie DeMarco)
website: Diane Marie DeMarco Photographs and Paintings
Email: dianedemarco78@yahoo.com
Photographs on Instagram, Facebook, Pinterest, LinkedIn, and Flickr
(Diane Marie DeMarco)
Camera: Nikon
Chapter 6: In Closing - I am me ... guided by own convictions and values. You can try to sway me with your own version of the truth; you can try to confuse me with a myriad of your plausible explanations; you can muddle me with your presentation of platitudes. But I see. I see through you.
Procamera, Snapseed, Superimpose, Decim8, Filterloop, Stackables App, Camera Awesome
Charcoal on Stonehenge paper, 44 x 120 inches (111.8 x 304.8 cm)
website: pamelaspeight.com/
This is the second of a group of three Boreal Forest Drawings. They are large in scale and executed in charcoal on Stonehenge rag (cotton) paper during an artist residency in northern Saskatchewan, Canada. I was captivated by the subtle beauty of the rolling landscape with its many lakes. The water, light, textures and sounds (notably the haunting cries of loons, and the wind) evoked in me a profound awareness of place, along with a consciousness that the boreal forest is under continual threat from climate change and the unrestrained plunder of resources. In these drawings my intent was to highlight the wonderfully textured tree debris found on the forest floor — knots of fallen leaves, bark and lichen — and its importance within the forest life cycle.
Oil on Stonehenge paper, 30 x 22 inches (76.2 x 55.9 cm)
Website: pamelaspeight.com/
Attachment Object One, Two and Three are a group of images based on rusted metal industrial relics found while digging in the garden, rather beautiful in their simplicity of form and function. They are the cast-offs of previous inhabitants, much like artifacts unearthed during an archaeological excavation. These particular objects were large, sharp nails or tools used to join one material to another. The title of this series is also a metaphor for our infatuation with things, our addiction to outcomes, and the detritus we may unwittingly leave behind.
Artist website: Diane Marie DeMarco Photographs and Paintings
Photographs on Instagram, Facebook, Pinterest, and LinkedIn (Diane Marie DeMarco)
Explore #389 March 3, 2013
Inverted
Set of 8 Bosc Pear images from my original SOOC entitled A Bosc Pear
I recommend listening to Joe Henderson's "Blue Bossa" while viewing this image:
www.youtube.com/watch?v=U7eOs5lERww
Included in the gallery Abstract etc.: www.flickr.com/photos/tamarind29/galleries/72157632857227...
20250710-4195
Detail van het grote Beachlandart project van Gerard ten Broek
Zandmotor
Als alle lijnen zijn getrokken gaat hij met een drone van bovenaf fotograferen en filmen.
Resultaten van zijn werk zijn op zijn eigen website te zien.
All images are copyrighted by Pieter Musterd. If you want to use any of my photographs, contact me. It is not allowed to download them or use them on any website, blog etc. without my explicit permission.
If you want a translation of the text in your own language, please try "Google Translate".
Merci pour votre commentaire
Dank voor je commentaar
Danke für deinen Kommentar
Thank you for your comment
Gracias por tu comentario
Obrigado pelo seu comentário
Website: Diane Marie DeMarco Photographs and Paintings
Photographs on Instagram, Facebook, Pinterest, and LinkedIn (Diane Marie DeMarco)
Camera: Nikon
Oil on Stonehenge paper, 30 x 22 inches (76.2 x 55.9 cm)
Website: pamelaspeight.com/
Attachment Object One, Two and Three are a group of images based on rusted metal industrial relics found while digging in the garden, rather beautiful in their simplicity of form and function. They are the cast-offs of previous inhabitants, much like artifacts unearthed during an archaeological excavation. These particular objects were large, sharp nails or tools used to join one material to another. The title of this series is also a metaphor for our infatuation with things, our addiction to outcomes, and the detritus we may unwittingly leave behind.
Artist Website: Diane Marie DeMarco Photographs and Paintings
Photographs on Instagram, Facebook, Pinterest, and LinkedIn (Diane Marie DeMarco)
Winter 2008 Loreal Hair Show . www.lorealprofessionnel.co.uk Hair by Loreal Professional Stylists
Photography & Processing by Florbela : FFX © Florbela's Fotographix
Follow me on Twitter www.twitter.com/flo_bela
Facebook www.facebook.com/pages/FFX-Florbelas-Fotographix-/6386064421
"How does a part of the world leave the world?
How can wetness leave water?" - Rumi
Procamera, Snapseed, Stackables App, Mextures
Cosmos in Treptower Park
These portraits of plants, have been made for many different reasons but always for the JOY of it. All of my photographs are daytime, made in city parks and gardens and virtually straight out of the camera with the absolute minimum of post processing.
This on going photographic odyssey, that I call TERRA INCOGNITA, has helped me notice what is always present in my life if I can make the time to look.
Three different Carl Larsson paintings and some own. Paper collage. Gold and silver embroidery.
31,5x25 cm
contact ibarraloana@gmail.com
Oil on Stonehenge paper, 30 x 22 inches (76.2 x 55.9 cm)
Website: pamelaspeight.com/
Attachment Object One, Two and Three are a group of images based on rusted metal industrial relics found while digging in the garden, rather beautiful in their simplicity of form and function. They are the cast-offs of previous inhabitants, much like artifacts unearthed during an archaeological excavation. These particular objects were large, sharp nails or tools used to join one material to another. The title of this series is also a metaphor for our infatuation with things, our addiction to outcomes, and the detritus we may unwittingly leave behind.