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Website: Diane Marie DeMarco
Photographs and Paintings
Photographs on Instagram, Facebook, Pinterest, and LinkedIn (Diane Marie DeMarco)
Camera: Nikon
"I care for myself. The more solitary, the more friendless, the more unsustained I am, the more I will respect myself.”
― Charlotte Brontë
facebook.com/michelle.anne.robinson
Procamera, Snapseed, Stackables App, Superimpose, Mextures
Website: Diane Marie DeMarco
Photographs and Paintings
Photographs on Instagram, Facebook, Pinterest, LinkedIn, and Flickr
(Diane Marie DeMarco)
Email: dianedemarco78@yahoo.com
Camera: Nikon
Artist website: Diane Marie DeMarco Photographs and Paintings
Photographs on Instagram, Facebook, Pinterest, and LinkedIn (Diane Marie DeMarco)
website: Diane Marie DeMarco Photographs and Paintings
Email: dianedemarco78@yahoo.com
Photographs on Instagram, Facebook, Pinterest, LinkedIn, and Flickr
(Diane Marie DeMarco)
Camera: Nikon
Charcoal on Stonehenge paper, 44 x 120 inches (111.8 x 304.8 cm)
website: pamelaspeight.com/
This is the second of a group of three Boreal Forest Drawings. They are large in scale and executed in charcoal on Stonehenge rag (cotton) paper during an artist residency in northern Saskatchewan, Canada. I was captivated by the subtle beauty of the rolling landscape with its many lakes. The water, light, textures and sounds (notably the haunting cries of loons, and the wind) evoked in me a profound awareness of place, along with a consciousness that the boreal forest is under continual threat from climate change and the unrestrained plunder of resources. In these drawings my intent was to highlight the wonderfully textured tree debris found on the forest floor — knots of fallen leaves, bark and lichen — and its importance within the forest life cycle.
Chapter 6: In Closing - I am me ... guided by own convictions and values. You can try to sway me with your own version of the truth; you can try to confuse me with a myriad of your plausible explanations; you can muddle me with your presentation of platitudes. But I see. I see through you.
Procamera, Snapseed, Superimpose, Decim8, Filterloop, Stackables App, Camera Awesome
Oil on Stonehenge paper, 30 x 22 inches (76.2 x 55.9 cm)
Website: pamelaspeight.com/
Attachment Object One, Two and Three are a group of images based on rusted metal industrial relics found while digging in the garden, rather beautiful in their simplicity of form and function. They are the cast-offs of previous inhabitants, much like artifacts unearthed during an archaeological excavation. These particular objects were large, sharp nails or tools used to join one material to another. The title of this series is also a metaphor for our infatuation with things, our addiction to outcomes, and the detritus we may unwittingly leave behind.
Artist website: Diane Marie DeMarco Photographs and Paintings
Photographs on Instagram, Facebook, Pinterest, and LinkedIn (Diane Marie DeMarco)
Explore #389 March 3, 2013
Inverted
Set of 8 Bosc Pear images from my original SOOC entitled A Bosc Pear
I recommend listening to Joe Henderson's "Blue Bossa" while viewing this image:
www.youtube.com/watch?v=U7eOs5lERww
Included in the gallery Abstract etc.: www.flickr.com/photos/tamarind29/galleries/72157632857227...
Website: Diane Marie DeMarco Photographs and Paintings
Photographs on Instagram, Facebook, Pinterest, and LinkedIn (Diane Marie DeMarco)
Camera: Nikon
Oil on Stonehenge paper, 30 x 22 inches (76.2 x 55.9 cm)
Website: pamelaspeight.com/
Attachment Object One, Two and Three are a group of images based on rusted metal industrial relics found while digging in the garden, rather beautiful in their simplicity of form and function. They are the cast-offs of previous inhabitants, much like artifacts unearthed during an archaeological excavation. These particular objects were large, sharp nails or tools used to join one material to another. The title of this series is also a metaphor for our infatuation with things, our addiction to outcomes, and the detritus we may unwittingly leave behind.
Artist Website: Diane Marie DeMarco Photographs and Paintings
Photographs on Instagram, Facebook, Pinterest, and LinkedIn (Diane Marie DeMarco)
Winter 2008 Loreal Hair Show . www.lorealprofessionnel.co.uk Hair by Loreal Professional Stylists
Photography & Processing by Florbela : FFX © Florbela's Fotographix
Follow me on Twitter www.twitter.com/flo_bela
Facebook www.facebook.com/pages/FFX-Florbelas-Fotographix-/6386064421
No filters, no deception, no masks. This is me, in my most authentic and necessary form.
To those watching: before commenting, take a deep breath. Exhale. And if what you have to say isn't intelligent or doesn't add value to the truth of this shot... then be quiet.
Art is oxygen, but silence, sometimes, is even better. Only truth, only BNNRRB.
"How does a part of the world leave the world?
How can wetness leave water?" - Rumi
Procamera, Snapseed, Stackables App, Mextures
Cosmos in Treptower Park
These portraits of plants, have been made for many different reasons but always for the JOY of it. All of my photographs are daytime, made in city parks and gardens and virtually straight out of the camera with the absolute minimum of post processing.
This on going photographic odyssey, that I call TERRA INCOGNITA, has helped me notice what is always present in my life if I can make the time to look.