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1964, Tretyakov Gallery, Moscow, USSR --- Visitors contemplate Alexander Ivanov's work, painted between 1833 and 1855, and acquired by the gallery in 1925. --- Image by
Ordered some business cards from MOO and I LOVE them!
Next up...website overhaul... I know what I want. Now, I just need to team up with a technical wizard. Know one? Are you one? Wanna work with a detail-oriented, ambitious creative type who has a ridiculously large costume collection and a wacky sense of humor? Let's talk. I need some help.
An American Chestnut tree () which is native to eastern North America. The bare branches on one side of the tree signify that it is deciduous. --- Image by
Sayeeda Hussain Warsi the 41 year old British Baroness solicitor and politician who was created a life peer in 2007 has been defended by Dr Muhammad Abdul Bari of The East London Communities Organisation, in an article he published on Aljazeera. Bari states ” Media and political pressure has been piling on Baroness Sayeeda Warsi, the Conservative Party co-chairman and minister-without-portfolio in the coalition government. Unpopular with the Tory Right, the guns have turned on her following the Conservative Party's dismal electoral performance in last month's local elections. … There is barely a week that goes by without someone, usually a Tory, calling for her head. The Labour Party has seized upon her plight and called for her to step down. … Lady Warsi is the UK's most senior minority-ethnic politician. She was initially seen as a shining light in the Conservative Party, long-struggling to recruit from the black and minority ethnic (BME) communities. Is she going to be a scapegoat for the sliding unpopularity of the Conservative Party? …Lady Warsi is not a political maverick. She is sharp, charismatic and she speaks her mind. As such, she has brought a distinctive appeal to the Conservative Party, traditionally viewed as led by a white middle (or upper) class elite.” Inspired by Muhammad Abdul Bari ow.ly/bWajK image source UK Cabinet Office ow.ly/bWagu
British Artist: Andrew Campbell: VisualBites:
Art Studio Studies: Portfolio Maquettes: #01-1000
Project-7: Netscapes+Subterfuge: iphone-sketchbooks:
#artforsocialmedia #AndrewCampbell
Artist Ref: www.andrew-campbell.com
In February 2006 Craig Tracy opened the PaintedAlive Gallery in his home city, New Orleans, La, USA. PaintedAlive is the first gallery in the world dedicated exclusively to fine art Bodypainted images. But where did his passion for using the human body as a canvas start?
Read on...
A Glitch "Prodigiosum Contortion(σύσπαση) ~ Ètude I”
This art piece were created for my PhD and based on a Digital and Analog Aesthetic Research on "Artistic Practices, Digital Art in Social Networks and Net Art", some digital techniques used of artistic diversity, such as the re-mixed appropriation of image or video, also work conceived as original data work called creative altered binary code, datamoshing, generative art and glitch art worked in all its forms and expressions; works of art with a strong focus decoding the i-frames of images and videos (also known as key frames and altered or distorted creative binary code) mixed with seductive techniques of Pixelsorting Art; making it seem extremely sensitive and abstract; created exclusively for the virtual gallery on-line.
by ™℗®© Louis M o n t i e l
NFT Crypto Digital Art
Marketplace on qurable.co : Buy, Shell & Explore Digital Assets
app.qurable.co/c-louis-montiel
~ FOLLOW ME & SUBSCRIBE ~
Instagram ~ louismontielt
Facebook ~ Louis Montiel
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Vimeo ~ Louis M o n t i e l
#visualartists #glitchart #glitch #glitché #pixelsorting #glitchartistscollective #glitchvideo #datamosh #digitalglitch #nfts #hyperspektiv #minimalart #videoart #dfkt #pixelsorter #artistsvisual #nftart #glitchartscollective #glitcharts #nftartist #glitchartwork #glitchartisdead #glitchartists #nftcommunity #nft #glitchartist #pixelsortingart #nftartists #creativecodeart #glitchportrait
British Artist: Andrew Campbell: VisualBites:
Art Studio Studies: Portfolio Maquettes: #01-1000
Project-7: Netscapes+Subterfuge: iphone-sketchbooks:
#artforsocialmedia #AndrewCampbell
Artist Ref: www.andrew-campbell.com
British Artist: Andrew Campbell: VisualBites:
Art Studio Studies: Portfolio Maquettes: #01-1000
Project-7: Netscapes+Subterfuge: iphone-sketchbooks:
#artforsocialmedia #AndrewCampbell
Artist Ref: www.andrew-campbell.com
In February 2006 Craig Tracy opened the PaintedAlive Gallery in his home city, New Orleans, La, USA. PaintedAlive is the first gallery in the world dedicated exclusively to fine art Bodypainted images. But where did his passion for using the human body as a canvas start?
Read on...
Ahmed Daak the Sudanese lecturer of medical biochemistry along with Harry Verhoeven a specialist researcher on conflict, development and environment in the Horn of Africa and the Great Lakes Region has published an article titled ‘The battle for the soul of the Islamic world’. The article published on Aljazeera discusses the Islamists and Salafis battle ‘for prominence in forging new political realities in the Islamic world’. They state in the article “The new realities emerging from the Arab Spring are demonstrating that Islam will occupy a key position in the political debate from Morocco to Indonesia. Yet what remains unclear is whether this will lead to greater societal cohesion or increased tensions within the Islamic world and between it and outside actors. To understand what the future might look like, we must analyse the struggle within the camp of the pious believers: reformist Islamists versus archconservative Salafis. …For all their differences, important similarities exist between Salafis and Islamists. The choice is not between "Westernisation" and "traditional Islam": neither camp belongs to the caricature categories of the GWOT [Global War on Terror]. Both are products of modernity, who think about politics and religion in deeply modern ways and who respond to modernisation through discourses, institutions and ideas that are solidly rooted in 21st century imaginations.” Inspired by Aljazeera ow.ly/bq8Au image source Facebook ow.ly/bq8gp
Joanne Thomson, BA, MAdEd, is a full-time visual artist and lives in Victoria, British
Columbia. Working on her mural "Pacifica" at 827 Fisgard Street
Somewhere between a silver screen and a cigarette curling in a Paris café. Today we celebrate a man who didn’t just break the rules of cinema… He tore them up, folded them into paper airplanes, and flew them straight into the future. The French-Swiss film director, film critic and screenwriter Jean-Luc Godard.
Yeah, Godard, the guy with glasses so thick you could see the whole New Wave reflecting in them. He was the kind of guy who’d point a camera at a street corner, and suddenly that street corner was speaking French poetry. Even if all that was happening was somebody buying a newspaper.
He came up with that wild bunch of dreamers in the late ’50s —Truffaut, Rivette, Chabrol… Kids who loved Hollywood but didn’t wanted to behave like Hollywood. It’s like they admired the parade, but they wanted to march sideways. You watch Bande à Part and you wish you had the guts to do everything they do.
Godard made films like Breathless, where the camera moves like a restless teenager with something on his mind. Cuts jumping around like they’re trying to escape the frame. Actors talking like philosophers who just woke up late for class. A whole generation saw that picture and said, “Wait… movies can do that?” And he kept changing too. Political, personal, beautiful, confusing, sometimes all in the same ten minutes.
The man treated cinema like clay. Or dynamite. Depends on the day. People would ask him why he did things the way he did, and he’d shrug, like he was saying, “Why does the river run the way it runs” You don’t argue with a river, friend. You just watch it go by, and hope it carries something interesting.
So here’s to Jean-Luc Godard, a director who didn’t want you to forget you were watching a movie, but somehow made you see the world clearer anyway.
watercolor, ink on paper
contact ibarraloana@gmail.com
Automotive Rhythms latest project combined our passions for automobiles and the arts. AR's 2016 Kia Sorento SXL 2.0T AWD was also the canvas for artist Jamaal Newman’s creation during the ART-of-Motion (AOM) exhibit in Washington, D.C. aka As ABOVE, So BELOW.
Jamaal was one of the featured visual painters of AOM produced and executed by Automotive Rhythms during the 2016 Washington Auto Show. He painted the Sorento live during the Auto Show in just under 13 hours. Inspired by the South Korean origin of Kia Motors and his research on the Korean War, the artist wanted his creation to symbolically unify North and South Korea. As ABOVE, So BELOW features a lion from Zion on the passenger’s side representing the North while a shark on the South guards the driver’s side. Unification is represented on the hood, meshing the Korean flag with the Yin and Yang badge to signify balance in Korea. Stated Jamaal, “Through my creative vision I wanted to bring equality and unity to Korea.”
A Glitch "Prodigiosum Contortion(σύσπαση) ~ Ètude III”
This art piece were created for my PhD and based on a Digital and Analog Aesthetic Research on "Artistic Practices, Digital Art in Social Networks and Net Art", some digital techniques used of artistic diversity, such as the re-mixed appropriation of image or video, also work conceived as original data work called creative altered binary code, datamoshing, generative art and glitch art worked in all its forms and expressions; works of art with a strong focus decoding the i-frames of images and videos (also known as key frames and altered or distorted creative binary code) mixed with seductive techniques of Pixelsorting Art; making it seem extremely sensitive and abstract; created exclusively for the virtual gallery on-line.
by ™℗®© Louis M o n t i e l
NFT Crypto Digital Art
Marketplace on qurable.co : Buy, Shell & Explore Digital Assets
app.qurable.co/c-louis-montiel
~ FOLLOW ME & SUBSCRIBE ~
Instagram ~ louismontielt
Facebook ~ Louis Montiel
YouTube ~ Louis M o n t i e l
Vimeo ~ Louis M o n t i e l
#visualartists #glitchart #glitch #glitché #pixelsorting #glitchartistscollective #glitchvideo #datamosh #digitalglitch #nfts #hyperspektiv #minimalart #videoart #dfkt #pixelsorter #artistsvisual #nftart #glitchartscollective #glitcharts #nftartist #glitchartwork #glitchartisdead #glitchartists #nftcommunity #nft #glitchartist #pixelsortingart #nftartists #creativecodeart #glitchportrait
British Artist: Andrew Campbell: VisualBites:
Art Studio Studies: Portfolio Maquettes: #01-1000
Project-7: Netscapes+Subterfuge: iphone-sketchbooks:
#artforsocialmedia #AndrewCampbell
Artist Ref: www.andrew-campbell.com
British Artist: Andrew Campbell: VisualBites:
Art Studio Studies: Portfolio Maquettes: #01-1000
Project-7: Netscapes+Subterfuge: iphone-sketchbooks:
#artforsocialmedia #AndrewCampbell
Artist Ref: www.andrew-campbell.com
Gushing rapids, Parsuram Kund, 2013
More images from this set can be found here.
At the robot performance festival "Cafe Neu Romance" in Prague Writer and Visual Artist Louis Armand, gave a talk "De-Evolution: Human Robots, Interpassivity & the Metamorphosis of Being", which was a part of the opening seminar "Josef Capek & The Metamorphosis of Robots".
Read more about Louis Armand's presentation here: cafe-neu-romance.com/press-media/cnr-2015/cnr-2015-lectures. For further information on Cafe Neu Romance write to info@cafe-neu-romance.com.
Become a part of our community! You can follow news on Cafe Neu Romance at www.facebook.com/cafeneuromance/ or twitter.com/vivelesrobots. If you want to be more to be more active involved in Cafe Neu Romance, either as a part of the organizing team, or exhibit some of your robot productions, then sign up on this meet-up page: www.meetup.com/The-Robot-Performance-festival-Cafe-Neu-Ro...
British Artist: Andrew Campbell: VisualBites:
Art Studio Studies: Portfolio Maquettes: #01-1000
Project-7: Netscapes+Subterfuge: iphone-sketchbooks:
#artforsocialmedia #AndrewCampbell
Artist Ref: www.andrew-campbell.com
British Artist: Andrew Campbell: VisualBites:
Art Studio Studies: Portfolio Maquettes: #01-1000
Project-7: Netscapes+Subterfuge: iphone-sketchbooks:
#artforsocialmedia #AndrewCampbell
Artist Ref: www.andrew-campbell.com
Mirza Shahzad Akbar the Pakistani lawyer and director at the Foundation for Fundamental Rights, renowned for his legal action against the USA for drone strikes in Pakistan, has criticized the USA for authorizing drone strikes in Yemen. In an article by Jason Koebler on Aljazeera, Akbar states “They can’t kill them if they know someone is a low value target, however they can kill if they don’t know that person… They have a checklist, and here’s what they’re looking for—Are they carrying weapons? Do they have a beard and a turban? Are they traveling with a large group of people? Well, everyone in that area carries a weapon, a beard is part of the religion, turban is part of the culture. As for traveling in a group, well, it’s a society that has bigger families. If you’re looking for a pattern like this, you’re killing citizens and civilians. …The CIA is, so far, the only source of information. Look at the quality of the information they give you—it’s nothing. Who are they killing? Who are these people? What are their names? They say they’re taking out the bad guys, but the facts on the ground are very different, there are a huge number of women, children, elderly and incapacitated people. …Once people learn what’s really happening, they’ll complain. People need to make an informed decision.” Inspired by Jason Koebler ow.ly/bs4MT image source Twitter ow.ly/bs5QO