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04/07/2015 : Le Puy-Sainte-Réparade, Château La Coste : exposition Different Places (Sean Scully)
Boxes full of air (acier Corten ; 2015)
Genevieve Chua, born in 1984 in work Raised As a Pack of Wolves was Residency Programme at the Gyeonggi
Singapore, graduated with a Diploma in Fine Arts (Painting) from LASALLE College of the Arts, Singapore in 2004. Her works span a variety of mediums including drawing, photography and installation. Genevieve’s works possess distinctive aesthetic and recurring motifs of nature and female figures in dim light. Genevieve’s art explores the fear of the unknown.
For a young artist, Genevieve has exhibited extensively. Her solo exhibitions include As Brutal As (La Liberia Gallery, Singapore, 2007), Lost in the City: Full Moon and Foxes (National Museum of Singapore, 2009) and Child and the Beast (Objectifs Centre for Photography and Filmmaking, 2011). Genevieve has also exhibited overseas at ArtHK 2011 (AsiaOne ChanHampe Galleries, Hong Kong, 2011).
Genevieve was also selected to exhibit at the Singapore Biennale 2011 where she showcased Adinandra Belukar at the Old Kallang Airport. In 2009, her digital
commissioned for the M1 Singapore Fringe Festival. Other group exhibitions in which she has participated include CUT 2009: Figure, New Photography from Southeast Asia (Valentine Willie Fine Art, Kuala Lumpur, Malaysia, 2009), Next Wave Time Lapse (Federation Square, Melbourne, Australia, 2010) and Cross-Scape (Kumho Museum of Art, Seoul; Jeonbuk Museum of Art, Jeonju; Goeun Museum of Art, Busan, South Korea, 2011). Her work, After the Flood (2010), was sold by international auction house Sotheby’s and was exhibited at The Singapore Show: Future Proof (8Q Singapore Art Museum, 2012).
Genevieve constantly seeks to expand her practice and this has led her to participate in numerous residences locally and abroad. In 2010, she was selected for the BMW Young Asian Artist Series at the Singapore Tyler Print Institute and the Late Fall Residency at The Banff Centre in Calgary, Canada. In 2011, she took part in the GCC Creative
Creation Centre in Gyeonggi-do, South Korea and The Art Incubator at the Centre for Creative Communications in Shizuoka, Japan.
Sound installation;
Gaudeamus Music Week;
Vredenburg Leeuwenbergh, Utrecht,
September 4th, 2013;
© co broerse
In February 2006 Craig Tracy opened the PaintedAlive Gallery in his home city, New Orleans, La, USA. PaintedAlive is the first gallery in the world dedicated exclusively to fine art Bodypainted images. But where did his passion for using the human body as a canvas start?
Read on...
British Artist: Andrew Campbell: VisualBites:
Art Studio Studies: Portfolio Maquettes: #01-1000
Project-7: Netscapes+Subterfuge: iphone-sketchbooks:
#artforsocialmedia #AndrewCampbell
Artist Ref: www.andrew-campbell.com
Ashoka Mody the Indian visiting Professor in International Economic Policy and former Deputy Director in the International Monetary Fund’s Research and European Departments, has published an article on the Project Syndicate titled ‘Misreading the Global Economy’ in which he states “…Consider India, where growth is now running at an annualized rate of 4.5%, down from 7.7% annual growth in 2011. To be sure, the IMF projects that India’s economy will rebound later in 2013, but the basis for this optimism is unclear, given that all indicators so far suggest another dismal year. The emerging economies’ supposed resilience, which has buoyed economic forecasts in recent years, needs to be reassessed. Like the advanced economies, emerging economies experienced a boom in 2000-2007. But, unlike the advanced economies, they maintained high GDP growth rates and relative stability even at the height of the crisis. This was viewed as powerful evidence of their new economic might. In fact, it was largely a result of massive fiscal stimulus and credit expansion. Indeed, as the effects of stimulus programs wear off, new weaknesses are emerging, such as persistent inflation in India and credit misallocation in China. Given this, the notion that emerging economies will recapture the growth levels of the bubble years seems farfetched. Economic forecasts rest on the assumption that economies ultimately heal themselves. But economies’ powerful self-healing capabilities work slowly. More problematic, a misdiagnosis can lead to treatments that impair the healing process. Overly optimistic economic projections based on mistaken assessments of the global economy’s ailments thus threaten recovery prospects – with potentially far-reaching consequences. In Europe, the banks’ wounds must be closed – weak banks must be shut down or merged with stronger banks – before recovery can begin. This will require an extensive swap of private debts for equity. For the global economy, the malaise reflected in anemic trade growth calls for coordinated fiscal stimulus by the world’s major economies. Otherwise, the risk of another global recession will continue to rise.” Inspired by Ashoka Mody, Project Syndicate ow.ly/lCCay Image source politicalworld ow.ly/lCC3V
Mark Weisbrot the American economist, columnist and co-director of the Center for Economic and Policy Research (CEPR) has published an article on Aljazeera titled ‘Learning the wrong lessons from Latvia’ referring to Europe’s use of the Baltic state's austerity programmes as an example. In the article Weisbrot states “Latvia, a Baltic country of 2.2 million that most people could not find on a map, has suddenly garnered attention from economists involved in the debate over the future of Europe and the global economy. …This is terrible, because if there's one simple lesson that most of the world - if not the European authorities - seems to be learning from the prolonged crisis in Europe, it is that fiscal tightening is not the proper response to a recession. …Latvia lost about a quarter of its national income. Unemployment rose from 5.3 per cent to more than 20 per cent of the labour force and, …under-employment peaked at more than 30 per cent. Official unemployment remains at more than 15 per cent today, even after the economy finally grew by 5.5 per cent last year, and about 10 per cent of the labour force has left the country. …the bottom line is that no country with three times the unemployment rate that it had before the world recession, and Latvia's huge income losses, should be considered even a qualified success story. It would be a shame if these unwarranted conclusions from Latvia's experience were to help prolong the unnecessary suffering in the eurozone.” Inspired by Aljazeera ow.ly/cf9jQ image source Twitter ow.ly/cf9h3
British Artist: Andrew Campbell: VisualBites:
Art Studio Studies: Portfolio Maquettes: #01-1000
Project-7: Netscapes+Subterfuge: iphone-sketchbooks:
#artforsocialmedia #AndrewCampbell
Artist Ref: www.andrew-campbell.com
Mukesh Dhirubhai Ambani the 54 year old Indian executive chairman of India’s largest private sector enterprise the petrochemical company Reliance Industries, has criticized western based philanthropy as a disempowering tool that increases dependency and reduces initiative and enterprise. Ambani described philanthropy as "a system where the more privileged is able to share a certain proportion of their wealth with the less privileged … It doesn't create the necessary human capacity to make communities self-sustaining and independent”. Ambani has previously spoken in support of a more equal distribution of wealth though direct anonymous giving based on traditional values providing the giver personal satisfaction in lieu of the publicity that surrounds the western concept of philanthropy. However critics point to Ambani’s opulent life style that overshadows India’s hundreds of millions of poverty stricken people.
New Orleans bodypainter sat down with us for an interview in issue 13 of A Distinctive Style Magazine.
See the interview here: www.adistinctivestyle.com/issue/22468/9
Open archive, es-tu-dios(a), proceso.
acrylic, oilcloth, embroidery on canvas.
contact ibarraloana@gmail.com
Coyoacan Lonely Nite 16
Photographer: Ernesto De la Vega “Kaede”
Nikon D5100
Lens 18 – 55
Coyoacan 2013
elkaede.com/fotografia/street-fotografia/coyoacan-lonely-...
Anna Maria Janiszewska is a photographer, visual and installation artist best known for her analogue photographic work. Having grown up Poland and moving to Ireland in her early twenties she studied at the Institute of Art, Design & Technology in Dun Laoghaire and Ireland’s National College of Art and Design. Janiszewska is interested in using photographic tools and processes to rupture the reality of the everyday, skewing documentary and fiction in order to highlight alternative ways of seeing and experiencing. Over the years her photographic works have been exhibited in many places in Ireland and Poland.
Joseph Bast the president and CEO of the climate-change denial Institute ‘The Heartland’ is seeking to re-grow his sponsorship base following the effective campaign against his organization by conservation groups. Bill McKibben in an article for Toms Dispatch titled ‘The Planet Wreckers - Climate-Change Deniers Are On the Ropes -- But So Is the Planet’ states “…Joe Bast, complained that his side had been subjected to the most “uncivil name-calling and disparagement you can possibly imagine from climate alarmists,” which was both a little rich -- after all, he was the guy with the mass-murderer billboards -- but also a little pathetic. A whimper had replaced the characteristically confident snarl of the American right. That pugnaciousness may return: Mr. Bast said last week that he was finding new corporate sponsors, that he was building a new small-donor base that was “Greenpeace-proof” …it’s a hard fight, up against a ton of money and a ton of inertia. Eventually, climate denial will “lose,” because physics and chemistry are not intimidated even by Lord Monckton. But timing is everything -- if he and his ilk, a crew of certified planet wreckers, delay action past the point where it can do much good, they’ll be able to claim one of the epic victories in political history -- one that will last for geological epochs.” Inspired by Tom Dispatch ow.ly/bJbGR image source whoami-whoareyou ow.ly/bJb7N
1964, Tretyakov Gallery, Moscow, USSR --- Visitors contemplate Alexander Ivanov's work, painted between 1833 and 1855, and acquired by the gallery in 1925. --- Image by
Ordered some business cards from MOO and I LOVE them!
Next up...website overhaul... I know what I want. Now, I just need to team up with a technical wizard. Know one? Are you one? Wanna work with a detail-oriented, ambitious creative type who has a ridiculously large costume collection and a wacky sense of humor? Let's talk. I need some help.
An American Chestnut tree () which is native to eastern North America. The bare branches on one side of the tree signify that it is deciduous. --- Image by
Sayeeda Hussain Warsi the 41 year old British Baroness solicitor and politician who was created a life peer in 2007 has been defended by Dr Muhammad Abdul Bari of The East London Communities Organisation, in an article he published on Aljazeera. Bari states ” Media and political pressure has been piling on Baroness Sayeeda Warsi, the Conservative Party co-chairman and minister-without-portfolio in the coalition government. Unpopular with the Tory Right, the guns have turned on her following the Conservative Party's dismal electoral performance in last month's local elections. … There is barely a week that goes by without someone, usually a Tory, calling for her head. The Labour Party has seized upon her plight and called for her to step down. … Lady Warsi is the UK's most senior minority-ethnic politician. She was initially seen as a shining light in the Conservative Party, long-struggling to recruit from the black and minority ethnic (BME) communities. Is she going to be a scapegoat for the sliding unpopularity of the Conservative Party? …Lady Warsi is not a political maverick. She is sharp, charismatic and she speaks her mind. As such, she has brought a distinctive appeal to the Conservative Party, traditionally viewed as led by a white middle (or upper) class elite.” Inspired by Muhammad Abdul Bari ow.ly/bWajK image source UK Cabinet Office ow.ly/bWagu
British Artist: Andrew Campbell: VisualBites:
Art Studio Studies: Portfolio Maquettes: #01-1000
Project-7: Netscapes+Subterfuge: iphone-sketchbooks:
#artforsocialmedia #AndrewCampbell
Artist Ref: www.andrew-campbell.com