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Los Angeles Installation Artist, Jane Castillo, shares some of her time with Atelier Visit. Her interview was filmed in her home Studio in February 2010.
David Shrigley the 43 year old UK visual artist has provided an interview to MetroUK about his injection of humour into his work. Shrigley works with various media and is renowned for his humourous cartoons released as postcards and in softcover books. Shrigley’s work is said to have two major characteristics, an odd viewpoint and a limited technique. His use of free hand lines are crude and incorporated with the use of ruler, and the annotations to his drawings are frequently crossed out and suggestive of poor execution. In the interview Shrigley states “My work is really quite bleak a lot of the time and quite nasty as well, so maybe adding comedy into the mix makes it slightly less so… I’m not really interested in making people laugh that much; I just want to engage people and tell them something different.” Shrigley has produced a number of drawings published by the New Statesman. “I did it as an exercise to be a political cartoonist… I’m not really equipped to do that, in the sense that I can’t draw – I’m not an illustrator. I can’t draw caricatures of anybody…”
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For the record, this is the intended orientation of this painting. Sometimes I'm not sure until I've lived with a piece for a while.
Visual artist Cande Aguilar in his studio. Oct. 8, 2013
© Imanol Miranda. Do not use without permission.
VA, 1980 (selenium toned gelatin-silver print)
george-elsasser.blogspot.com/2010/01/intersections-20-yea...
Michael T. Klare the American Professor of Peace and World Security Studies has published an article on TomDispatch questioning if Barack Obama is morphing into Dick Cheney, highlighting four ways he is pursuing Cheney’s geopolitics of global energy. In the article Klare states “As details of his administration’s global war against terrorists, insurgents, and hostile warlords have become more widely known -- a war that involves a mélange of drone attacks, covert operations, and presidentially selected assassinations -- President Obama has been compared to President George W. Bush in his appetite for military action. …When it comes to international energy politics, however, it is not Bush but his vice president, Dick Cheney, who has been providing the role model for the president. …it is possible to reconstruct the geopolitical blueprint that Cheney followed …a blueprint that President Obama, eerily enough, now appears to be implementing, despite the many risks involved.1. Promote domestic oil and gas production at any cost to reduce America’s dependence on unfriendly foreign suppliers... 2. Keep control over the oil flow from the Persian Gulf … in order to retain an “economic stranglehold” over other major oil importers. 3. Dominate the sea lanes of Asia, so as to control the flow of oil and other raw materials to America’s potential economic rivals, China and Japan. 4. Promote energy “diversification” in Europe, especially through increased reliance on oil and natural gas supplies from the former Soviet republics of the Caspian Sea basin… This four-part geopolitical blueprint, relentlessly pursued by Cheney while vice president, is now being implemented in every respect by President Obama.” Inspired by Tom Dispatch ow.ly/cf7Nz image source Twitter ow.ly/cf7MZ
British Artist: Andrew Campbell: VisualBites:
Art Studio Studies: Portfolio Maquettes: #01-1000
Project-7: Netscapes+Subterfuge: iphone-sketchbooks:
#artforsocialmedia #AndrewCampbell
Artist Ref: www.andrew-campbell.com
Ushuaia is the southernmost city in the world and capital of the Province of Tierra del Fuego, Antarctica and the South Atlantic Islands.
Anthony Stephen 'Tony' Burke the 42 year old Australian politician and the current Minister for Sustainability and Environment announced that Australia is to create an enormous network of marine park reserves to protect waters from oil and gas exploration and limiting commercial fishing. In an article on Aljazeera, Burke states "The Coral Sea marine national park ... combined with the Great Barrier Reef area, becomes the largest marine protected area in the world". The article states Australia's marine reserves will increase from 27 to 60 under the new scheme, covering more than 3 million sq km, or one third of the island nation's waters. The announcement of the network was made a week before more than 130 heads of state and government will gather in Rio de Janeiro for the United Nations' sustainable development conference as part of global efforts to curb climate change, one of the biggest conferences in UN history. … The protection plan will ban oil and gas exploration in all marine national parks, including across the Coral Sea and off Margaret River, a popular tourist and wine-growing area in the southwest. Burke acknowledged the plan would also have an impact on the fishing industry. The plan attracted immediate criticism from some environmental groups, as well as independent and opposition politicians and lobby groups.” Inspired by Aljazeera ow.ly/bWcnW image source Adam Carr ow.ly/bWcnb
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08/08/2021 : Avignon, rue Violette : extension de la Collection Lambert (Berger & Berger, 2015)
British Artist: Andrew Campbell: VisualBites:
Art Studio Studies: Portfolio Maquettes: #01-1000
Project-7: Netscapes+Subterfuge: iphone-sketchbooks:
#artforsocialmedia #AndrewCampbell
Artist Ref: www.andrew-cam
British Artist: Andrew Campbell: VisualBites:
Art Studio Studies: Portfolio Maquettes: #01-1000
Project-7: Netscapes+Subterfuge: iphone-sketchbooks:
#artforsocialmedia #AndrewCampbell
Artist Ref: www.andrew-campbell.com
Me estás oyendo inútil?
It’s 🎂Paquita La Del Barrio 🎂 tajm
Paquita la del Barrio, meaning Paquita from the Block, is a ranchera mexican singer born in the beautiful Coast of Veracruz, Mexico. Paquita’s songs usually take a stance against Mexico's sexist male culture. She is known for her often confrontational presence and her signature phrase; “Me estás oyendo, inútil?" -"Are you listening to me, you good-for-nothing?"- (with which she often teases male spectators in her shows).
Paquita once and repeatedly times said -“I will never be on men’s side. I am defending women. It is very important. I am a woman. I speak of my experiences."
Her best-known song is "Rata de dos patas" "Two-legged rat", in which she compares an ex-lover to a variety of vermin and other untrustworthy animals.
Paquita La Del Barrio has gained the love of the mexican women, from the poorest to the richest, she has created a place to gather women and together sing out anger, frustration, disappointment, sadness, I call that a silence that burns.
Watercolor ink on paper
contact ibarraloana@gmail.com
A Glitch "Aphrodite (Ἀφροδίτη) ~ Ètude IV”
by ™℗®© Louis M o n t i e l
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26/06/2012 : Marseille 3e, bd National / rue de Strasbourg, îlot National : exposition Une collection de collections (Maryvonne Arnaud et Philippe Mouillon)
collection de boites de sardines (restaurant-poissonnerie "La Boite à sardines")
You know, applause is a funny thing. It arrives all at once and disappears just as fast. Like summer rain on hot pavement. Like a flower scent fading into the night. Like the final class of flamenco before the long dry season.
The guitars have gone quiet now.
For months, there were three days every week marked by the steady beat of heels on wood. Three days a week, about seven hours of practice, compás, sweat, frustration, triumph, and the eternal search for that one turn that always seemed to arrive a fraction of a second too late. And then suddenly, the last class. The last braceo. The last "otra vez." The last glance in the mirror. The last applause. Not the thunderous applause of a sold-out theater. No, something rarer. The applause of fellow dancers and your own. People who know exactly how many repetitions, sore muscles, missed concerts, and stubborn corrections are hidden inside a single minute of dance. The season closes its curtain.
Yesterday there were seven hours a week. Today there are zero. Zero hours. Zero classes. Zero excuses to wear the shoes that somehow know more secrets than the feet inside them. Until September. September! A month hanging out there on the horizon like a distant town seen from the window of a slow-moving train. Between now and then lies a strange territory. A wilderness of Tuesdays without alegrias. Thursdays without farrucas. Weekends without hearing someone say, "Harder! Slower! Clean it up."
Some people call it summer. For a flamenco student, it feels suspiciously close to hell. Not the fiery kind. The quieter kind. The kind where you hear phantom palmas in the supermarket and start marking footwork while waiting for the kettle to boil. But that's how these things go. The applause fades. The studio empties. The dust settles. And somewhere beneath the silence, the rhythm waits. Because compás is patient. September will come. The shoes will come out of the closet. The guitars will wake up. And the first class back will feel like finding an old friend standing exactly where you left them. Until then, I hold on to that final applause. It wasn't goodbye. I guess it was simply an intermission.
British Artist: Andrew Campbell: VisualBites:
Art Studio Studies: Portfolio Maquettes: #01-1000
Project-7: Netscapes+Subterfuge: iphone-sketchbooks:
#artforsocialmedia #AndrewCampbell
Artist Ref: www.andrew-campbell.com
On Monday, December 19th, we partnered with Lenovo computers to build out the ultimate art-themed smackdown. Hosted at Villain in Williamsburg, guests stepped into a fully imagined warehouse art party. That night it was all about participation. We created a series of art activities to get guests making art and meeting each other. Guests captured the revelry of the night in Ventikoland’s projection photo booth. After some savory Espolón cocktails and tacos the art battle was ready to begin. 2 amazing artists competed head-to-head in a series of timed challenges and a head-to-head battle of creative awesomeness. Interludes were provided by a pop & lock round girl, battling breakdancers, and a duo of beatboxers.
Event Design by Adam Aleksander Presents
Photography by Lukas Maverick Greyson
Genevieve Chua, born in 1984 in work Raised As a Pack of Wolves was Residency Programme at the Gyeonggi
Singapore, graduated with a Diploma in Fine Arts (Painting) from LASALLE College of the Arts, Singapore in 2004. Her works span a variety of mediums including drawing, photography and installation. Genevieve’s works possess distinctive aesthetic and recurring motifs of nature and female figures in dim light. Genevieve’s art explores the fear of the unknown.
For a young artist, Genevieve has exhibited extensively. Her solo exhibitions include As Brutal As (La Liberia Gallery, Singapore, 2007), Lost in the City: Full Moon and Foxes (National Museum of Singapore, 2009) and Child and the Beast (Objectifs Centre for Photography and Filmmaking, 2011). Genevieve has also exhibited overseas at ArtHK 2011 (AsiaOne ChanHampe Galleries, Hong Kong, 2011).
Genevieve was also selected to exhibit at the Singapore Biennale 2011 where she showcased Adinandra Belukar at the Old Kallang Airport. In 2009, her digital
commissioned for the M1 Singapore Fringe Festival. Other group exhibitions in which she has participated include CUT 2009: Figure, New Photography from Southeast Asia (Valentine Willie Fine Art, Kuala Lumpur, Malaysia, 2009), Next Wave Time Lapse (Federation Square, Melbourne, Australia, 2010) and Cross-Scape (Kumho Museum of Art, Seoul; Jeonbuk Museum of Art, Jeonju; Goeun Museum of Art, Busan, South Korea, 2011). Her work, After the Flood (2010), was sold by international auction house Sotheby’s and was exhibited at The Singapore Show: Future Proof (8Q Singapore Art Museum, 2012).
Genevieve constantly seeks to expand her practice and this has led her to participate in numerous residences locally and abroad. In 2010, she was selected for the BMW Young Asian Artist Series at the Singapore Tyler Print Institute and the Late Fall Residency at The Banff Centre in Calgary, Canada. In 2011, she took part in the GCC Creative
Creation Centre in Gyeonggi-do, South Korea and The Art Incubator at the Centre for Creative Communications in Shizuoka, Japan.
You ever notice how the world seems to trust a cocoon? Nobody looks at one and says, "Well, that's the finished product." They know it's in the middle of something. It's one of the few things in nature that's allowed to disappear for a while without anybody accusing it of giving up.
A cocoon doesn't make speeches. Doesn't put up a sign. Doesn't call ahead to explain the delay. It just hangs there, looking like a forgotten mitten caught in a hedge. Quiet work has always had bad publicity.
Human beings aren't so different. We wrap ourselves in routines, old songs, familiar neighborhoods, oversized coats, half-finished books. Every now and then you need a season where the world mistakes you for standing still. That's usually when the gears are turning fastest.
Silkworms accidentally built empires. Tailors made fortunes from threads that began as a hungry caterpillar's sleeping bag. Strange how history keeps borrowing from insects without sending a thank-you note.
There's an old expression about coming out of your shell, but butterflies don't come out of shells. They come out of rooms they built themselves. There's a lesson in that somewhere, though lessons usually show up wearing disguises.
Every town has somebody living in a cocoon. Could be the artist who never talks about where he/she learned his trade. Could be the widow who plants tomatoes every spring as though somebody's still coming to dinner. Could be the kid in the garage learning three guitar chords and believing they're enough to change the weather.
Maybe they are.
The world celebrates arrivals. Nature spends most of its time preparing them.
//Publication for the art magazine Little Finger, Loana Ibarra 2013.