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By Naoki Enyo - photoshop / made for Trinity Graves , owner CEO of Avante Modeling Agency : The Avante Vision ....* FASHION to the EXTREME above and beyond the normal... pushing the limits of BEAUTY in SL *
A Glitch "Moira’s Fatae (Μοῖραι) ~ Ètude I”
This art piece were created for my PhD and based on a Digital and Analog Aesthetic Research on "Artistic Practices, Digital Art in Social Networks and Net Art", some digital techniques used of artistic diversity, such as the re-mixed appropriation of image or video, also work conceived as original data work called creative altered binary code, datamoshing, generative art and glitch art worked in all its forms and expressions; works of art with a strong focus decoding the i-frames of images and videos (also known as key frames and altered or distorted creative binary code) mixed with seductive techniques of Pixelsorting Art; making it seem extremely sensitive and abstract; created exclusively for the virtual gallery on-line.
by ™℗®© Louis M o n t i e l
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Portrait Andreas B. Vornehm: Autor, Betreiber des des Kreativbüros für Texte und visuelle Kommunikation "MINI-KASHUGI", Grafik-/Webdesigner, Herausgeber des Berlin Kurzgeschichtenheftes "Storyatella"
©crazyneopop All Rights Reserved. This image is not available for use on websites, blogs or other media without explicit written permission
© crazyneopop Alle Rechte vorbehalten. Dieses Bild ist nicht für den Einsatz auf Websites, Blogs oder anderen Medien ohne ausdrückliche schriftliche Zusage
A hula hoop dancer's journey through fractals, asteroids and butterflies. Performed by Silvia Pavone on the BBC1 for The John Bishop Show. Video graphics by howie.tv. Live at the Hackney Empire, London. Produced by Cirque Bijou.
Today we celebrate paint. Paint and light. Paint and coffee cups sitting crooked on checked tablecloths while the seasons leans against the windowpanes like an old debt collector. And if you’re going to talk about paint in Scandinavia, sooner or later you’re going to wind up at the doorstep of Carl Larsson.
Carl Larsson wasn’t one of those painters who wanted to drag you into storms or shipwrecks or scenes where Caesar’s getting stabbed under a red curtain. No. Larsson painted something more dangerous. Domestic happiness. And that’s a risky business. Anybody can paint tragedy. Tragedy practically paints itself. But joy? Real joy? The kind where the sunlight falls across the kitchen floor and your kids are half-dressed and somebody’s burning porridge in the next room? That takes precision.
Larsson came out of Stockholm in the nineteenth century, poor as a stray dog under a freight train. Europe was changing fast then. Smoke stacks rising up everywhere, people trading forests for factories, old gods getting pushed aside by clocks and ledgers. But Larsson found this little corner of the world up in Sundborn with his wife Karin, who was an artist herself, and together they built a dream out of painted wood, woven rugs, pale blue walls, and winter light.
You look at a Larsson painting and you can almost hear the floorboards creak. The rooms breathe. Kids tumble through the pictures like loose harmonies in a gospel tune. There’s always a chair pulled out somewhere, like somebody just left the room to answer the door. And the colors, mmm… those reds and whites and green, they don’t shout at you. They hum. Like an old fiddle played low after midnight.
Now some people think nostalgia is weakness. But Larsson understood something. Home isn’t sentimental. Home is rebellion. In a world racing toward noise and iron and profit, he painted breakfasts. Gardens. Socks drying near the stove. He said: this matters too. And Karin, now there’s the secret chord in the song. Without Karin Larsson, you don’t get the whole melody. She designed textiles, interiors, clothes, furniture. Half the beauty people call “Carl Larsson” was really the rhythm the two of them made together. Like Johnny Cash without June Carter, still powerful maybe, but missing the second heartbeat.
People today look at those paintings and see Scandinavian coziness. Candles. Simplicity. A little cinnamon bun civilization. But underneath all that calm there’s a radical idea: that ordinary life can be sacred. That the table where your family sits might be as worthy of art as kings on horseback. That’s a dangerous thought in any century.
So today, while the life gathers outside and the coffee goes cold beside the open book, think about Carl Larsson. A man who painted not the world as it was breaking apart, but the world as it could still be held together.
ink, watercolor on paper
contact ibarraloana@gmail.com
A Glitch "Niqab (κερί) ~ Ètude V”
This art piece were created for my PhD and based on a Digital and Analog Aesthetic Research on "Artistic Practices, Digital Art in Social Networks and Net Art", some digital techniques used of artistic diversity, such as the re-mixed appropriation of image or video, also work conceived as original data work called creative altered binary code, datamoshing, generative art and glitch art worked in all its forms and expressions; works of art with a strong focus decoding the i-frames of images and videos (also known as key frames and altered or distorted creative binary code) mixed with seductive techniques of Pixelsorting Art; making it seem extremely sensitive and abstract; created exclusively for the virtual gallery on-line.
by ™℗®© Louis M o n t i e l
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#visualartists #glitchart #glitch #glitché #pixelsorting #glitchartistscollective #glitchvideo #datamosh #digitalglitch #videoglitch #hyperspektiv #minimalart #videoart #dfkt #pixelsorter #artistsvisual #glitchartoninstagram #glitchartscollective #glitcharts #glitchartistcommunity #glitchartwork #glitchartisdead #glitchartists #glitchartcommunity #glitchartistcollective #glitchartist #pixelsortingart #proceduralart #creativecodeart #glitchportrait
Installation shot from the exhibition "Ectopia" @ Rogaland Kunstsenter. Curated by Geir Haraldseth. jan 29 - march 1.
OSWA (OneStrokeWaterArt) w/ Uniquely Re-Purposed Optic Playback "Brush" MRI (MysteryRepeatsItself)--The World's First 'Bowhammer' Cymbalom CD On A Selfie-Stick For San Francisco BayFlare Pareidolia (SciFi, Alien, Surreal, Mythic & Celestial Faces, Figures & Abstract Form-Streams--(Real-TimeSpace Existence Duration: Less Than A Second--Cloud-Uploaded? Quasi-Permanent 'Posterity'--From Anchored Raft--L-Hand Lifting "Sumthin' In The Water Brought-To Light, R-Hand SnapShot
MAIN GALLERY CURATION IN PROGRESS (From Thousands)
A charity project through Bridge Communities; 'A Chair Affair' was an event where artists were sponsored to create a work of art using chairs as the vehicle, which were then showcased in retail shops in the Western Suburbs of Chicago. These works then went up to auction where 100% of the proceeds went to families and individuals in need. Bridge Communities strives to help those in need and aim to help people get their lives back on track. This was my second 'A Chair Affair', my first one taking place in Naperville in 2014.
Ann investigates visual memory and the traces of human activity embodied within objects. In creating this installation she has deconstructed the elements that dominated her previous wall paintings and re-imagined them in contrasting sculptural forms that have a solid, physical presence free of constraint. The whole is presented as a puzzle challenging our visual perception.
mail@amsutton-visualartist.com
We're proud to be part of Mogo's artist series cards. The Mogo Card is a load up and use credit card to help people control their spending. We've created two illustrations for Mogo. The whole process took over a year because of our work load and timing. The artist series cards are a limited run of only 5000 per card so get yours today.
My interview with Mogo VISA:
blog.mogo.ca/chairman-ting-interview-mogo-card/#.UyQPrWRdViz
March 14 2014
Franklin Edward "Frank" Kameny a US gay rights activist and deemed one of the most significant figures has died at the age of 86. Kameny was dismissed in 1957 from his position as an astronomer in the Army Map Service because of his sexuality, leading him to begin "a Herculean struggle with the American establishment" that would "spearhead a new period of militancy in the gay rights movement of the early 1960s". Kameny protested his dismissal and argued this case to the United States Supreme Court in 1961. Although unsuccessful in his petition, it was notable as the first civil rights claim based on sexual orientation. In 1963 Kameny launched a campaign to overturn sodomy laws and became the first openly gay candidate for the United States Congress, personally drafting a bill that finally passed in 1993.
A Glitch "Stuprum Maleficis (μάγισσες) ~ Ètude II”
This art piece were created for my PhD and based on a Digital and Analog Aesthetic Research on "Artistic Practices, Digital Art in Social Networks and Net Art", some digital techniques used of artistic diversity, such as the re-mixed appropriation of image or video, also work conceived as original data work called creative altered binary code, datamoshing, generative art and glitch art worked in all its forms and expressions; works of art with a strong focus decoding the i-frames of images and videos (also known as key frames and altered or distorted creative binary code) mixed with seductive techniques of Pixelsorting Art; making it seem extremely sensitive and abstract; created exclusively for the virtual gallery on-line.
by ™℗®© Louis M o n t i e l
NFT Crypto Digital Art
Marketplace on qurable.co : Buy, Shell & Explore Digital Assets
app.qurable.co/c-louis-montiel
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#visualartists #glitchart #glitch #glitché #pixelsorting #glitchartistscollective #glitchvideo #datamosh #digitalglitch #nfts #hyperspektiv #minimalart #videoart #dfkt #pixelsorter #artistsvisual #nftart #glitchartscollective #glitcharts #nftartist #glitchartwork #glitchartisdead #glitchartists #nftcommunity #nft #glitchartist #pixelsortingart #nftartists #creativecodeart #glitchportrait
Steve Chapman the 58 year old American columnist on National affairs published an article on Reason Magazine titled ‘Chinese Communists No Longer Put Much Stock in Communism - China has gone from Mao to 'money worship.' In the article Chapman states “Mao was dedicated to class struggle and the elimination of property. He created a totalitarian society in which everyone wore the same clothes, chanted the same slogans and—as far as anyone knew—thought the same revolutionary thoughts. Mao's "new man" was barely recognizable as human. Purported to be selfless, tireless, austere and indifferent to pleasure, he lived for the revolution alone. Skeptics mocked these subjects as "blue ants," for their drab, uniform dress and unquestioning obedience. But that way of life is extinct and apparently un-mourned… Not that communism is entirely dead. The party remains in firm control of the government, and many enterprises are partly state-owned. Party committees operate in corporate workplaces, where they play the odd role of celebrating those who diligently serve the interests of shareholders. …Even Communists no longer put much stock in communism. Today, it's the consumer who rules, and it's buying and selling that dominates economic life. Mao's visage still dominates Beijing's Tiananmen Square, but his people seem to have more in common with Calvin Coolidge. …it's clear that the business of China is business.” Inspired by Reason ow.ly/bzGhP image source Washington Examiner ow.ly/bzFYH
Today, damas y caballeros, we’re hitting down to Yucatán. Not for the pyramids, not for the mezcal, though both can get you feeling mighty transcendental, but to celebrate a man who could carve a melody so smooth it slipped right past your defenses and set up camp in your heartbeat. Armando Manzanero. Yeah, that Manzanero.
The little guy with the big piano, the songwriter who made the moon blush and taught whole continents how to say te quiero without tripping over the words.
Armando Manzanero was born in ’35, back when radios glowed like jack old lanterns and love songs were still allowed to take their time. Some folks called him el maestro, and some folks called him the best songwriter Mexico ever gave the world. But Armando? He just sat at that piano of his and wrote tunes that felt like warm rain on a metal roof.
You might know them, Somos Novios, Contigo Aprendí, Esta Tarde Vi Llover… songs that stroll in slow, take off their hat, and sit right down next to your loneliness. His songs have been covered and interpreted an uncountable amount of times. Big names such as Luis Miguel, Chavela Vargas, Buika, La Maldita Vecindad, to name a few, have plunged into the ocean.
You know, people always say that a good love song is simple. But simplicity’s the hardest thing there is. Manzanero made it look easy, like he was just sweeping the porch of the soul, letting the dust settle where it may. He wasn’t loud, he wasn’t flashy, he wasn’t trying to reinvent the universe on a Thursday night. He just listened real close to that place where the heart hums, and he wrote down what he heard.
So today, my friends, pour something sweet, turn down the lights, and let old Armando, The King of the Bolero, take the wheel.
ink, watercolor on paper
contact ibarraloana@gmail.com
A rare exquisite piece of art in the the sky that evening at Carter Road, Bombay.
See more panos on my Facebook page - Vivek R. Singh: Visual Artist.
A Glitch "Izanami(イザナミ)(deam morte) ~ Ètude I”
by ™℗®© Louis M o n t i e l
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#visualartists #glitchart #glitch #glitché #pixelsorting #glitchartistscollective #glitchvideo #datamosh #digitalglitch #videoglitch #hyperspektiv #minimalart #videoart #dfkt #pixelsorter #artistsvisual #glitchartoninstagram #glitchartscollective #glitcharts #glitchartistcommunity #glitchartwork #error #glitchartists #glitchartcommunity #glitchartistcollective #glitchartist #pixelsortingart #proceduralart #creativecodeart #pixelsortingeffect
My processing skills are a lot better than they were a couple years ago; so I worked this old one over for a better result.
The original upload from June 2010 below for comparison.
More images: Facebook page.