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04/07/2015 : Le Puy-Sainte-Réparade, Château La Coste : exposition Different Places (Sean Scully)
In February 2006 Craig Tracy opened the PaintedAlive Gallery in his home city, New Orleans, La, USA. PaintedAlive is the first gallery in the world dedicated exclusively to fine art Bodypainted images. But where did his passion for using the human body as a canvas start?
Read on...
N E W S !
Juried exhibition, consisting of, among others, the deirector of Moderna Museet Malmö.
For artists operating in Southern Sweden, Scania (Skåne) and Zealand (Själland, Denamark). 6 artists were selected.
"Mexico rides Sweden" was selected poster for the exhibition.
The exhibition will be on tour for 2 months. This is how the invitation looks like inside and outside the intraweb.
Welcomna!
WE go on tour!
Automotive Rhythms latest project combined our passions for automobiles and the arts. AR's 2016 Kia Sorento SXL 2.0T AWD was also the canvas for artist Jamaal Newman’s creation during the ART-of-Motion (AOM) exhibit in Washington, D.C. aka As ABOVE, So BELOW.
Jamaal was one of the featured visual painters of AOM produced and executed by Automotive Rhythms during the 2016 Washington Auto Show. He painted the Sorento live during the Auto Show in just under 13 hours. Inspired by the South Korean origin of Kia Motors and his research on the Korean War, the artist wanted his creation to symbolically unify North and South Korea. As ABOVE, So BELOW features a lion from Zion on the passenger’s side representing the North while a shark on the South guards the driver’s side. Unification is represented on the hood, meshing the Korean flag with the Yin and Yang badge to signify balance in Korea. Stated Jamaal, “Through my creative vision I wanted to bring equality and unity to Korea.”
Peter Ware Higgs the 83 year old English theoretical physicist and emeritus professor best known for his proposal of broken symmetry in electroweak theory, explaining the origin of mass of elementary particles. His so-called Higgs mechanism predicts the existence of a new particle, the Higgs boson (referred to as the God particle). Higgs has been interviewed by Olivier Dessibourg for LE TEMPS following the CERN announced that experiments had seen strong indications for the presence of a new particle, which could be the Higgs boson. In the interview Higgs states “I was deeply moved. Let’s say it was very emotional moment. Especially near the end… I connected with what was happening to me, and I felt emotionally involved, even though I’d carefully stood apart from all of this for a while. At first, I wasn’t sure this particle would be found during my lifetime. But as experiences gradually went on, first at the LEP [a previous accelerator at the CERN], then at the Fermilab in the United States, the expectation became increasingly realistic. …The most interesting thing now is going to be testing the theories that go beyond the “standard model” for describing the Universe, like “supersymmetry.” Because with the discovery of this new boson, this model is essentially complete.” Inspired by Olivier Dessibourg ow.ly/c4VrH image source Gert-Martin Greuel ow.ly/c4Vkv
Today we celebrate the one and only, one sitting high on the podium inside my head, a man who didn’t just play the guitar, he interrogated it. Put it under a bright light. Asked it questions it didn’t want to answer. Frank Zappa.
Frank Zappa didn’t look like a preacher, but he sure preached about freedom, about nonsense, about the way the U.S. sells you a dream and hands you the receipt later. He was a composer who dressed like a rock musician, or maybe a rock musician who hid a symphony in his back pocket. Hard to tell with Zappa. He liked it that way. Zappa believed intelligence should be loud. Not polite. Not tidy. And definitely not marketed. He wrote music that laughed at you while teaching you something and then laughed again when you thought you got the joke. Songs about consumer culture, political hypocrisy, and the great American pastime of not paying attention.
Frank Zappa’s music didn’t sit still. It paced. It argued with itself. Sometimes it tripped over the furniture on purpose. You couldn’t tap your foot to it unless your foot had read the instruction manual first. Zappa treated rock ’n’ roll like raw material, not a finished product. He mixed it with jazz, modern classical, doo-wop, rhythm and blues, and sounds that didn’t even have a name yet. I call it Zappaism. If it made people uncomfortable, that was usually a good sign. He wrote songs that changed time signatures the way most people change their mind. One minute you’re cruising, next minute the road disappears and you’re flying. And he demanded things from his musicians.
Precision. Attention. The kind of focus usually reserved for surgeons or chess players. Zappa didn’t believe chaos happened by accident. If it sounded wild, it was because someone practiced it that way. Every odd turn, every sudden stop, every note that made you say “wait — what?” was there because he put it there. His guitar playing wasn’t about speed for the sake of speed. It was conversational. Long solos that felt like a man thinking out loud, sometimes contradicting himself mid-sentence, sometimes landing on a truth he didn’t know he was chasing. And then there were the melodies, often sweet, sometimes ugly, frequently hilarious, and just as often beautiful when you weren’t expecting it. Zappa didn’t separate “serious” music from “funny” music. To him, humor was a form of intelligence. If you couldn’t laugh at the world, you probably weren’t listening closely enough. He wrote orchestral pieces that belonged in concert halls and garage-band anthems that sounded like they’d been recorded in the parking lot, sometimes on the same album, sometimes in the same song. Zappa’s music didn’t ask for your agreement. It asked for your attention. And if you gave it that, if you followed the twists, embraced the nonsense, and trusted that the man at the wheel knew where he was going you realized something: Frank Zappa wasn’t trying to fit into music history. He was writing footnotes, cross-references, and entire chapters that nobody else had thought to open yet.
Now here’s something that surprised a lot of people: Frank Zappa didn’t drink. Didn’t take drugs. Didn’t romanticize any of it. At a time when excess was being sold as enlightenment, Zappa looked at the whole parade and said, “No thanks. I’ve got work to do.” He thought drugs dulled the mind. Said they interfered with discipline. And discipline, to Zappa, was freedom, the freedom to finish what you start and hear what you actually meant to say. He saw addiction as a business model, not a rebellion. A way to keep artists foggy and audiences easier to sell to. If you wanted to play with Zappa, well, you had to keep away from drugs and alcohol to keep your jobb. But tobacco, that was a different story…
“Well, to me, a cigarette is food. Now that may be a baffling concept for people in San Francisco who have this theory that they WILL live forever if they stamp out tobacco smoke”
Zappa smoked. Didn’t pretend it was healthy. Didn’t dress it up as a philosophy either. He treated it like a tool, or maybe a vice he understood too well to mythologize. He once suggested cigarettes didn’t make you creative, they just gave you something to do with your hands while the ideas showed up on their own schedule. No halos. No slogans. Just honesty.
And that was Frank Zappa’s real protest: clarity. In a culture high on slogans, he stayed stubbornly sober, mentally, at least. Questioning everything. Refusing to play the role they wrote for him. Zappa didn’t want you to escape reality. He wanted you to look straight at it and notice how strange it already was. And that’s the kind of music that doesn’t fade out, it just keeps asking questions long after the needle lifts.
ink, watercolor on paper
contact ibarraloana@gmail.com
Ordered some business cards from MOO and I LOVE them!
Next up...website overhaul... I know what I want. Now, I just need to team up with a technical wizard. Know one? Are you one? Wanna work with a detail-oriented, ambitious creative type who has a ridiculously large costume collection and a wacky sense of humor? Let's talk. I need some help.
A Glitch "Prodigiosum Contortion(σύσπαση) ~ Ètude VI”
This art piece were created for my PhD and based on a Digital and Analog Aesthetic Research on "Artistic Practices, Digital Art in Social Networks and Net Art", some digital techniques used of artistic diversity, such as the re-mixed appropriation of image or video, also work conceived as original data work called creative altered binary code, datamoshing, generative art and glitch art worked in all its forms and expressions; works of art with a strong focus decoding the i-frames of images and videos (also known as key frames and altered or distorted creative binary code) mixed with seductive techniques of Pixelsorting Art; making it seem extremely sensitive and abstract; created exclusively for the virtual gallery on-line.
by ™℗®© Louis M o n t i e l
NFT Crypto Digital Art
Marketplace on qurable.co : Buy, Shell & Explore Digital Assets
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#visualartists #glitchart #glitch #glitché #pixelsorting #glitchartistscollective #glitchvideo #datamosh #digitalglitch #nfts #hyperspektiv #minimalart #videoart #dfkt #pixelsorter #artistsvisual #nftart #glitchartscollective #glitcharts #nftartist #glitchartwork #glitchartisdead #glitchartists #nftcommunity #nft #glitchartist #pixelsortingart #nftartists #creativecodeart #glitchportrait
Automotive Rhythms latest project combined our passions for automobiles and the arts. AR's 2016 Kia Sorento SXL 2.0T AWD was also the canvas for artist Jamaal Newman’s creation during the ART-of-Motion (AOM) exhibit in Washington, D.C. aka As ABOVE, So BELOW.
Jamaal was one of the featured visual painters of AOM produced and executed by Automotive Rhythms during the 2016 Washington Auto Show. He painted the Sorento live during the Auto Show in just under 13 hours. Inspired by the South Korean origin of Kia Motors and his research on the Korean War, the artist wanted his creation to symbolically unify North and South Korea. As ABOVE, So BELOW features a lion from Zion on the passenger’s side representing the North while a shark on the South guards the driver’s side. Unification is represented on the hood, meshing the Korean flag with the Yin and Yang badge to signify balance in Korea. Stated Jamaal, “Through my creative vision I wanted to bring equality and unity to Korea.”
Thirroul residents, photographer John Skuja, and visual artist Tanya Stubbles, makers of the One on One: Change slideshow Acacia and Alchemy.
This is a pen and ink (pointalism) drawing, of an old woman of African ancestry, who have seen it all.
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18/07/2021 : Arles, boulevard Emile-Combes, Croisière : exposition Etudes en vibration (Reeve Schumacher)
A Glitch "Prodigiosum Contortion(σύσπαση) ~ Ètude II”
This art piece were created for my PhD and based on a Digital and Analog Aesthetic Research on "Artistic Practices, Digital Art in Social Networks and Net Art", some digital techniques used of artistic diversity, such as the re-mixed appropriation of image or video, also work conceived as original data work called creative altered binary code, datamoshing, generative art and glitch art worked in all its forms and expressions; works of art with a strong focus decoding the i-frames of images and videos (also known as key frames and altered or distorted creative binary code) mixed with seductive techniques of Pixelsorting Art; making it seem extremely sensitive and abstract; created exclusively for the virtual gallery on-line.
by ™℗®© Louis M o n t i e l
NFT Crypto Digital Art
Marketplace on qurable.co : Buy, Shell & Explore Digital Assets
app.qurable.co/c-louis-montiel
~ FOLLOW ME & SUBSCRIBE ~
Instagram ~ louismontielt
Facebook ~ Louis Montiel
YouTube ~ Louis M o n t i e l
Vimeo ~ Louis M o n t i e l
#visualartists #glitchart #glitch #glitché #pixelsorting #glitchartistscollective #glitchvideo #datamosh #digitalglitch #nfts #hyperspektiv #minimalart #videoart #dfkt #pixelsorter #artistsvisual #nftart #glitchartscollective #glitcharts #nftartist #glitchartwork #glitchartisdead #glitchartists #nftcommunity #nft #glitchartist #pixelsortingart #nftartists #creativecodeart #glitchportrait
On Monday, December 19th, we partnered with Lenovo computers to build out the ultimate art-themed smackdown. Hosted at Villain in Williamsburg, guests stepped into a fully imagined warehouse art party. That night it was all about participation. We created a series of art activities to get guests making art and meeting each other. Guests captured the revelry of the night in Ventikoland’s projection photo booth. After some savory Espolón cocktails and tacos the art battle was ready to begin. 2 amazing artists competed head-to-head in a series of timed challenges and a head-to-head battle of creative awesomeness. Interludes were provided by a pop & lock round girl, battling breakdancers, and a duo of beatboxers.
Event Design by Adam Aleksander Presents
Photography by Lukas Maverick Greyson
Colleen colored pencils over Bob Ross brand black acrylic Gesso in an A4 plain Molekine Folio as part of the Moleskine Exchange project.
I know this looks staged but it is actually a candid shot of a friend during a short film shoot.
More images: Facebook page.
Watercolor ink on paper
was born Jose Monge Cruz in San Fernando, Cadiz, on 5 December 1950 into a Romani family, his nickname reflected his small size and unusual light skin: Camaron de la Isla — "small white shrimp from the island." Camarón is considered one of the best singers in the history of flamenco, a renovator of singing. Having his mother La Juana as his biggest inspiration, influence and rule model. At the age of eight he began to sing at inns and bus stops.
His debut album, Con la Colaboracion Especial de Paco de Lucia, recorded with the accompaniment of virtuosic legendary guitarist Paco de Lucia 1969, remains one of flamenco's classic recordings.
Although his work was criticized by some traditionalists, he was one of the first to feature an electric bass in his songs. And a sitar! This was a turning point in the history of Flamenco music that helped distinguish Nuevo Flamenco.
instagram loanaibarra
contact ibarraloana@gmail.com
A Glitch "Niqab (κερί) ~ Ètude III”
This art piece were created for my PhD and based on a Digital and Analog Aesthetic Research on "Artistic Practices, Digital Art in Social Networks and Net Art", some digital techniques used of artistic diversity, such as the re-mixed appropriation of image or video, also work conceived as original data work called creative altered binary code, datamoshing, generative art and glitch art worked in all its forms and expressions; works of art with a strong focus decoding the i-frames of images and videos (also known as key frames and altered or distorted creative binary code) mixed with seductive techniques of Pixelsorting Art; making it seem extremely sensitive and abstract; created exclusively for the virtual gallery on-line.
by ™℗®© Louis M o n t i e l
~ FOLLOW ME & SUBSCRIBE ~
Instagram ~ louismontielt
Facebook ~ Louis Montiel
YouTube ~ Louis M o n t i e l
Vimeo ~ Louis M o n t i e l
#visualartists #glitchart #glitch #glitché #pixelsorting #glitchartistscollective #glitchvideo #datamosh #digitalglitch #videoglitch #hyperspektiv #minimalart #videoart #dfkt #pixelsorter #artistsvisual #glitchartoninstagram #glitchartscollective #glitcharts #glitchartistcommunity #glitchartwork #glitchartisdead #glitchartists #glitchartcommunity #glitchartistcollective #glitchartist #pixelsortingart #proceduralart #creativecodeart #glitchportrait
Automotive Rhythms latest project combined our passions for automobiles and the arts. AR's 2016 Kia Sorento SXL 2.0T AWD was also the canvas for artist Jamaal Newman’s creation during the ART-of-Motion (AOM) exhibit in Washington, D.C. aka As ABOVE, So BELOW.
Jamaal was one of the featured visual painters of AOM produced and executed by Automotive Rhythms during the 2016 Washington Auto Show. He painted the Sorento live during the Auto Show in just under 13 hours. Inspired by the South Korean origin of Kia Motors and his research on the Korean War, the artist wanted his creation to symbolically unify North and South Korea. As ABOVE, So BELOW features a lion from Zion on the passenger’s side representing the North while a shark on the South guards the driver’s side. Unification is represented on the hood, meshing the Korean flag with the Yin and Yang badge to signify balance in Korea. Stated Jamaal, “Through my creative vision I wanted to bring equality and unity to Korea.”
A Glitch "Niqab (κερί) ~ Ètude VI”
This art piece were created for my PhD and based on a Digital and Analog Aesthetic Research on "Artistic Practices, Digital Art in Social Networks and Net Art", some digital techniques used of artistic diversity, such as the re-mixed appropriation of image or video, also work conceived as original data work called creative altered binary code, datamoshing, generative art and glitch art worked in all its forms and expressions; works of art with a strong focus decoding the i-frames of images and videos (also known as key frames and altered or distorted creative binary code) mixed with seductive techniques of Pixelsorting Art; making it seem extremely sensitive and abstract; created exclusively for the virtual gallery on-line.
by ™℗®© Louis M o n t i e l
~ FOLLOW ME & SUBSCRIBE ~
Instagram ~ louismontielt
Facebook ~ Louis Montiel
YouTube ~ Louis M o n t i e l
Vimeo ~ Louis M o n t i e l
#visualartists #glitchart #glitch #glitché #pixelsorting #glitchartistscollective #glitchvideo #datamosh #digitalglitch #videoglitch #hyperspektiv #minimalart #videoart #dfkt #pixelsorter #artistsvisual #glitchartoninstagram #glitchartscollective #glitcharts #glitchartistcommunity #glitchartwork #glitchartisdead #glitchartists #glitchartcommunity #glitchartistcollective #glitchartist #pixelsortingart #proceduralart #creativecodeart #glitchportrait
We're proud to be part of Mogo's artist series cards. The Mogo Card is a load up and use credit card to help people control their spending. We've created two illustrations for Mogo. The whole process took over a year because of our work load and timing. The artist series cards are a limited run of only 5000 per card so get yours today.
My interview with Mogo VISA:
blog.mogo.ca/chairman-ting-interview-mogo-card/#.UyQPrWRdViz
March 14 2014
I am one of 10 female artists chosen to display in this show. I have 4 mandalas for sale - the show will be up through August 2011. Live music performed by "The Way to the Egress"
Vinyl spins slow, stories come out sideways and clothing matches the cover. Today we got a group outta Sweden, yeah, cold winds, warm hearts, and melodies that slip through your fingers like smoke from a midnight cigarette. They call themselves Doktor Kosmos.
Now that’s a name that sounds like it could fix your broken bones or maybe just diagnose your soul and send you back out into the rain. Doktor Kosmos sounds like a man in a white coat with ink stains on the pocket, but it’s a band, oh yes, a band that doesn’t just play songs, they kinda confess them. Not in a church way, more like leaning over a sticky bar table at 2 a.m., telling you things you didn’t ask to hear but end up needing anyway.
They’ve been around since the ‘90s, when the world was busy trying to decide if it wanted to dance or disappear. And Doktor Kosmos, they chose to do a little bit of both.
Their music, it’s got that rough edge, like a postcard that never made it through the mail. Guitars that don’t try to impress you, drums that keep time like an old wristwatch, and vocals that feel less like singing and more like… well, talking truth through a half-smile. You listen close, you might hear stories about everyday folks; people who ain’t heroes, ain’t villains, just stuck somewhere in between, trying to make sense of things that don’t line up. There’s humor in there too, but it’s the kind that laughs with one eye open, just in case something goes wrong.
See, Doktor Kosmos, they come from a tradition where saying the wrong thing might just mean you’re saying the realthing. Not always pretty, not always agreeable but honest in a way that makes people shift in their seats. And over the years, they’ve said plenty that would raise eyebrows in today’s Sweden, a place where the lines of what’s acceptable can feel a little tighter than they used to.
Ok don’t get it twisted, they’re not shock artists for the sake of it. They’re more like that friend who says something awkward at dinner and suddenly everyone’s staring at their plate, wondering why it hit so close to home. Their lyrics sometimes wander into territory that’s uncomfortable—relationships that aren’t clean, social norms that don’t hold up under a little pressure, ideas about class, identity, and everyday hypocrisy that don’t come wrapped in neat conclusions. There’s a kind of bluntness there. A refusal to dress things up in language that passes inspection. And yeah, some of those lines—dropped today, in the glow of social media and public scrutiny—might get flagged, clipped, or quietly pushed aside. Not always because they’re hateful, but because they don’t follow the expected script. They poke at contradictions instead of resolving them.
Back when they started out, you could get away with a little more ambiguity, a little more mischief in how you told the truth. These days, the same words might be pulled out of their song, held up under a harsh light, and judged without the music around them; the rhythm, the irony, the context that gives them shape.
But that’s part of their DNA. Doktor Kosmos never sounded like they were asking for permission. They weren’t trying to be role models or villains either. Just observers writing down what they saw, even when it came out sideways or wrong-footed.
And that’s the thing about art that doesn’t behave: it ages in strange ways. What once felt like everyday honesty can start to feel like provocation. What once slipped by unnoticed can suddenly stand out like a crack in the wall.
And the language, Swedish, sure, but you don’t need a dictionary to feel it. Music like that, it travels without a passport. It’s got a kind of stubborn honesty, like it doesn’t care if you understand every word, long as you catch the feeling. And the feeling is, well, it’s human. Messy, contradictory, a little bit bruised.
Now some bands try to build castles out of sound, but Doktor Kosmos, they’re more like setting up a folding chair on the sidewalk and telling you what they saw that day. No filter, no grand illusion. Just life, as it comes.
So if you ever find yourself walking through a quiet street in the early hours, streetlights buzzing like tired thoughts, you might want to put on a little Doktor Kosmos. Let it keep you company. Not to lift you up or drag you down, but just to sit there with you, in that strange, honest space between.
Stay young folks, the needle’s got a long way to go.
Installation shot from the exhibition "Ectopia" @ Rogaland Kunstsenter. Curated by Geir Haraldseth. jan 29 - march 1.
Paolo Gabriele the 46 year old personal butler to Pope Benedict XVI has been arrested and charged with the illegal possession of embarrassing secret documents he had leaked exposing to the world at large corruption from within the Vatican. Gabriele a layman who resides within the Vatican City with his wife and three children, is alleged to have leaked the press with documents that highlight the Vatican finances, operations and concerns with corruption. The scandal known as "Vatileaks", continued to embarrass the Vatican seen as a scandal-plagued tax haven by the world financial community. Speculation continues that Gabriele was not working alone in the leaks, and investigations continue in efforts to identify any leadership from co-offenders potentially in any internal power struggle. Gabriele was being held in a "secure room" at the Vatican's tiny police station inside the Vatican as there is no jail, until further investigation could be conducted in regard to any co-offenders. Pope Benedict XVI's No 2, Cardinal Tarcisio Bertone the Vatican secretary of state has been centre stage of the scandal with many of the leaked documents portraying him negatively, and for having “begged” to retain his position after exposing corrupt practices within the Vatican’s contracts for services. Inspired by The Daily Beast ow.ly/bgy0U image source NY Daily News ow.ly/bgzFG