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© Luís Campillo 2015
Model Sofía Bajo. www.facebook.com/sofiabajoactriz
luiscampillo.tumblr.com/
instagram.com/luiscampillo/
Ericka College girl 16
Model: Ericka Guereni
Photographer: Ernesto De la Vega “Kaede”
Nikon D5100
Lens: 18 – 55
Ericka es una de las pocas amigas que a pesar de los años nos seguimos hablando, ya no como antes que nos veíamos cuando menos una vez a la semana pero de repente t...
Installation shot from the exhibition "Ectopia" @ Rogaland Kunstsenter. Curated by Geir Haraldseth. jan 29 - march 1.
Lloyd McNeill (born in Washington, D.C.) is a Jazz flutist and visual artist currently based in New York City. He is generally recognized as a jazz flutist of eminent ability, alongside James Newton, Yusef Lateef, Sam Rivers and Eric Dolphy.
www.flickr.com/photos/28986981@N05/14398437036/in/photoli...
lmcneill1.weebly.com/ www.hipwax.com/music/patch/flute_lm.html
Artis zoo, Amsterdam
Sketches on the back of my entry ticket, pen and black watercolor (when you bring everything but you sketchbook)
#sketch #pinguins #penguins #artis #artiszoo #amsterdam #penandwatercolor #blackandwhite #drawing #visualartist #maartjejaquet
gerhard richter
bilder einer epoche
bucerius kunst forum exhibition catalogue (french edition)
somogy éditions d'art (2012)
Ericka College girl 20
Model: Ericka Guereni
Photographer: Ernesto De la Vega “Kaede”
Nikon D5100
Lens: 18 – 55
Cuando miro sus ojos recuerdo muchos momentos que vivimos, no solo los buenos, también recuerdo momentos tristes, enojo, etc. en algunos casos cosas por las que fui ...
Self Portrait - Pieces of Me
Photography, MAU, Hair & Post Processing Done By Me - Florbela : FFX © Florbela's Fotographix
Portrait of a bathroom.
One of the cleanest I've even been in. And this shot was just waiting to be taken. It was all there. The light, the lines, the symmetry and the glow. It came together like some strange puzzle and I just happened to be there. This bathroom looked almost divine to me.
Follow me on my Facebook page.
Riding the inter state to Lonavala. Went with retro tones here as you can see.
On second thought, isn't a really good shot because the empty space in the centre left kind of pulls my line of sight towards it, and rather uncomfortably. But, do tell me if you think otherwise.
More images: Facebook page.
The sound of a man trying to get back into the room after everybody else has gone home. The one I had loved having as a door to door neighbor. That man was Art Pepper.
Art Pepper came out of California, which is a funny place to come from if you're going to spend your life playing the saxophone like you’re remembering somewhere else. California gives you sunshine, palm trees, highways stretching toward the horizon. But Pepper’s music? His music knows about the other side of the postcard.
It knows about the motel room at 3 in the morning. It knows about the cigarette burning down in the ashtray while nobody says anything. It knows that sometimes a beautiful melody isn't beautiful because it makes you happy. Sometimes it’s beautiful because it tells the truth.
Pepper had a sound that could be tender without being sentimental. Thin as a blade sometimes. Fragile. Then suddenly it would open up, and there’d be this enormous sadness behind it, like you’d just opened a door you weren't supposed to open. He played alto saxophone, but "played" hardly seems like the right word. He confessed on it.
There are musicians who seem to be standing outside the music, looking in. Art Pepper sounded like he was trapped inside it, looking out. And maybe that’s why you can hear so much life in those records. Not the life from the brochures. Not the life where everybody gets the girl, pays the rent, catches the train, and lives happily ever after. I mean the other life.
The missed train.
The empty chair.
The phone that doesn't ring.
The friend who doesn't come back.
The morning after the night before.
Pepper spent years moving through the jazz world, through brilliance and addiction, prison and recovery, triumph and collapse. And somehow, through all of it, the horn remained there.
Waiting.
Maybe that’s the thing about music. It doesn't always save you. Sometimes it just waits until you're ready to tell the truth.
So, however your day is looking, put Art Pepper on. And listen closely. Because somewhere inside that saxophone is a man walking down a dark street, carrying every place he's ever been. And he hasn't decided yet whether he's going home.
That's Art Pepper. The sound of the door closing behind you… and the music that keeps going after it does.
ink, watercolor on paper
contact ibarraloana@gmail.com
I can still remember this walk home, during an amazing sunrise when I was coming up Main St / Science World - it was a perfect Night , with a Perfect Morning ending with my Favourite Shadow Portrait.
- A Photographers Self Portrait
Florbelas Fotographix © FFX photography
Follow me on Twitter : www.twitter.com/msffx
Andy Warhol Bridge in the rain, Pittsburgh, Pennsylvania, USA The Andy Warhol Bridge (also known as the Seventh Street Bridge) spans the Allegheny River in downtown Pittsburgh, Pennsylvania. It is said to be the only bridge on the United States named for a visual artist. It is one of the three bridges in Pittsburgh collectively known as “The Three Sisters” because the bridges are of identical construction (the Rachel Carson Bridge and the Roberto Clemente Bridge are the other two).
A two hander play about two mismatched roommates who are not exactly a friendship made in heaven (or Manchester) where this story is set. Think the odd couple.
Joanie beds herself down for the night in her skip; after 6 failed marriages, this is preferable. Being up-cycled by Waynetta is the first time Joanie has landed on her feet, her regular position is on her back. Everything Joanie owns fits into her Fanny Bag. House training Joanie is going to be like training a feral cat – but Joanie is one glamour pussy.
Waynetta lives alone in an apartment left to her by her late Nana Cakey. After ending her last bad relationship, she now chills out watching gogglebox and occasionally dabbles lazily with contemporary art. Her medium is Pizza and coffee accidentally stained upon Junk mail. She sells her art on Shabby junk art websites to make her living. So
grab your work colleagues, mates or other halves and join 'The Peculiar Pair' in Wilsons Den.
Address: Wilsons Social, 42-44 Oldham Street, Northern Quarter, Manchester.
Dates and Times:
Thursday 9th, Friday 10th, Friday 17th with Q&A afterwards, Friday 24th, Thursday 30th and Friday 31st of July 6.30 pm till 7.30 pm
For more details and tickets www.greatermanchesterfringe.co.uk
© Luis Campillo 2016
Model Ane Sehnsucht.
Outfit by SEHNSUCHT www.anesehnsucht.com
On July 1st, I installed my recently completed commission piece depicting the Hawthorn Mall redevelopment! You can see the full diorama for yourself on the second-level in the Transformation Suite at the mall in Vernon Hills, IL.
PC: eClarke Photo 📷
Full selection of photos on Patreon!
Link below ➡️🔗⤵️
Oval Maidan of Churchgate, Mumbai in its Sunday best; captured in all its wide-angled glory while a game of cricket drones on behind. The High Court & Rajabai Clock Tower stand tall in the background.
More images: Facebook page.
Residency:
Soho House
Birmingham
Maker: Karina Thompson
Graduate Placement: Lauren Crawford
Textile artist Karina Thompson was based at Soho House,
the home of Matthew Boulton, a leading figure in the
Industrial Revolution. Karina’s own practice involves
exploring scientific data through digital stitch and the use
of digital technology in the 21st Century. Karina has also
had a longstanding interest in Matthew Boulton and his
contribution to manufacturing. Weaver Lauren Crawford
supported Karina and together they worked with women
from the Asian Textiles Group using the interior of
Matthew Boulton’s house for inspiration.
Making Moves, Creating Futures for Craft
Making Moves is a West Midlands craft development initiative
involving four regional partnerships, led by Staffordshire County
Council and Craftspace, a Birmingham based craft development
organisation. The project consisted of nine craft residencies
which took place in community settings between September
2011 and July 2012, culminating in a touring exhibition.
The nine makers were challenged by residencies in unusual
workspaces - including a hospital, a pub and a park visitor
centre - which acted as sources of inspiration to develop ideas
for new work. They worked with local communities, offering
making workshops that were high quality, inspirational and in
some cases, life-changing. The exhibition showcases new work
by the makers in response to their residency setting, as well
examples of tools, materials and work created in the community
sessions.
The project also provided opportunities for nine crafts graduates
who supported the community making sessions as well as
receiving mentoring from the resident maker. They were given a
small bursary towards the development of their practice and
have also created new work for the exhibition.
Making Moves aimed to provide valuable opportunities for
learning. Makers gave masterclasses and lectures to Higher
and Further education institutions as well as talks to the wider
community. They wrote about the residency experiences on a
project blog, as well as coming together for regular networking
sessions.
To find out more about the project visit www.makingmoves.org and the
Makers’ Residency Blog www.makingmoves.posterous.com
Photos by Becky Matthews
© Luis Campillo 2015
Model Ane Sehnsucht. www.anesehnsucht.com
Residency:
Jephson Gardens
Leamington Spa
Maker: Deirdre Nelson
Graduate Placement: Stewart Easton
Textile artist, Deirdre Nelson’s residency was based in the
Glasshouse Studio attached to the Temperate House in
Jephson Gardens. Deirdre, together with Stewart Easton,
worked with members of the intergenerational Hispanic
community group, Club Amigos, to make a collective
tablecloth ‘Las Mantel Mas Grande de Leamington’ (The
Biggest Tablecloth in Leamington) using drawing, digital
print and stitch. Deirdre and Stewart also worked with
second generation Portuguese children from Sydenham
Primary School, to create embroidered napkins
celebrating the elephants that used to live in Leamington.
Making Moves, Creating Futures for Craft
Making Moves is a West Midlands craft development initiative
involving four regional partnerships, led by Staffordshire County
Council and Craftspace, a Birmingham based craft development
organisation. The project consisted of nine craft residencies
which took place in community settings between September
2011 and July 2012, culminating in this touring exhibition.
The nine makers were challenged by residencies in unusual
workspaces - including a hospital, a pub and a park visitor
centre - which acted as sources of inspiration to develop ideas
for new work. They worked with local communities, offering
making workshops that were high quality, inspirational and in
some cases, life-changing. This exhibition showcases new work
by the makers in response to their residency setting, as well
examples of tools, materials and work created in the community
sessions.
The project also provided opportunities for nine crafts graduates
who supported the community making sessions as well as
receiving mentoring from the resident maker. They were given a
small bursary towards the development of their practice and
have also created new work for the exhibition.
Making Moves aimed to provide valuable opportunities for
learning. Makers gave masterclasses and lectures to Higher
and Further education institutions as well as talks to the wider
community. They wrote about the residency experiences on a
project blog, as well as coming together for regular networking
sessions.
To find out more about the project visit www.makingmoves.org and the
Makers’ Residency Blog www.makingmoves.posterous.com
Residency:
Soho House
Birmingham
Maker: Karina Thompson
Graduate Placement: Lauren Crawford
Textile artist Karina Thompson was based at Soho House,
the home of Matthew Boulton, a leading figure in the
Industrial Revolution. Karina’s own practice involves
exploring scientific data through digital stitch and the use
of digital technology in the 21st Century. Karina has also
had a longstanding interest in Matthew Boulton and his
contribution to manufacturing. Weaver Lauren Crawford
supported Karina and together they worked with women
from the Asian Textiles Group using the interior of
Matthew Boulton’s house for inspiration.
Making Moves, Creating Futures for Craft
Making Moves is a West Midlands craft development initiative
involving four regional partnerships, led by Staffordshire County
Council and Craftspace, a Birmingham based craft development
organisation. The project consisted of nine craft residencies
which took place in community settings between September
2011 and July 2012, culminating in a touring exhibition.
The nine makers were challenged by residencies in unusual
workspaces - including a hospital, a pub and a park visitor
centre - which acted as sources of inspiration to develop ideas
for new work. They worked with local communities, offering
making workshops that were high quality, inspirational and in
some cases, life-changing. The exhibition showcases new work
by the makers in response to their residency setting, as well
examples of tools, materials and work created in the community
sessions.
The project also provided opportunities for nine crafts graduates
who supported the community making sessions as well as
receiving mentoring from the resident maker. They were given a
small bursary towards the development of their practice and
have also created new work for the exhibition.
Making Moves aimed to provide valuable opportunities for
learning. Makers gave masterclasses and lectures to Higher
and Further education institutions as well as talks to the wider
community. They wrote about the residency experiences on a
project blog, as well as coming together for regular networking
sessions.
To find out more about the project visit www.makingmoves.org and the
Makers’ Residency Blog www.makingmoves.posterous.com
Photos by Becky Matthews
Working with Jim Bond
Residency:
Boars Head Pub
Kidderminster
Maker: Jim Bond
Graduate Placement: Michelle Taylor
The Kidderminster residency was at the Boars Head
Pub, which actively supports the local arts scene. Jim
Bond is a kinetic sculptor and used the residency to work
with two different groups; KAF Creatives, a group of
visual artists and the Phoenix women’s group. Jim
developed a range of activities to build their skills using
life drawing, clay modelling and plaster moulds. Michelle
Taylor also brought lots of useful knowledge of ceramics
and mould-making to the community sessions.
Making Moves is a West Midlands craft development initiative
involving four regional partnerships, led by Staffordshire County
Council and Craftspace, a Birmingham based craft development
organisation. The project consisted of nine craft residencies
which took place in community settings between September
2011 and July 2012, culminating in a touring exhibition.
The nine makers were challenged by residencies in unusual
workspaces - including a hospital, a pub and a park visitor
centre - which acted as sources of inspiration to develop ideas
for new work. They worked with local communities, offering
making workshops that were high quality, inspirational and in
some cases, life-changing. The exhibition showcases new work
by the makers in response to their residency setting, as well
examples of tools, materials and work created in the community
sessions.
The project also provided opportunities for nine crafts graduates
who supported the community making sessions as well as
receiving mentoring from the resident maker. They were given a
small bursary towards the development of their practice and
have also created new work for the exhibition.
Making Moves aimed to provide valuable opportunities for
learning. Makers gave masterclasses and lectures to Higher
and Further education institutions as well as talks to the wider
community. They wrote about the residency experiences on a
project blog, as well as coming together for regular networking
sessions.
To find out more about the project visit www.makingmoves.org and the
Makers’ Residency Blog www.makingmoves.posterous.com
Photos by Becky Matthews
Working with Karina Thompson
Residency:
Soho House
Birmingham
Maker: Karina Thompson
Graduate Placement: Lauren Crawford
Textile artist Karina Thompson was based at Soho House,
the home of Matthew Boulton, a leading figure in the
Industrial Revolution. Karina’s own practice involves
exploring scientific data through digital stitch and the use
of digital technology in the 21st Century. Karina has also
had a longstanding interest in Matthew Boulton and his
contribution to manufacturing. Weaver Lauren Crawford
supported Karina and together they worked with women
from the Asian Textiles Group using the interior of
Matthew Boulton’s house for inspiration.
Making Moves, Creating Futures for Craft
Making Moves is a West Midlands craft development initiative
involving four regional partnerships, led by Staffordshire County
Council and Craftspace, a Birmingham based craft development
organisation. The project consisted of nine craft residencies
which took place in community settings between September
2011 and July 2012, culminating in a touring exhibition.
The nine makers were challenged by residencies in unusual
workspaces - including a hospital, a pub and a park visitor
centre - which acted as sources of inspiration to develop ideas
for new work. They worked with local communities, offering
making workshops that were high quality, inspirational and in
some cases, life-changing. The exhibition showcases new work
by the makers in response to their residency setting, as well
examples of tools, materials and work created in the community
sessions.
The project also provided opportunities for nine crafts graduates
who supported the community making sessions as well as
receiving mentoring from the resident maker. They were given a
small bursary towards the development of their practice and
have also created new work for the exhibition.
Making Moves aimed to provide valuable opportunities for
learning. Makers gave masterclasses and lectures to Higher
and Further education institutions as well as talks to the wider
community. They wrote about the residency experiences on a
project blog, as well as coming together for regular networking
sessions.
To find out more about the project visit www.makingmoves.org and the
Makers’ Residency Blog www.makingmoves.posterous.com
Photos by Becky Matthews