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Residency:
Salvation Army
Longton, Stoke
Maker: Ruth Spaak
Graduate Placement: Denise Moloney
Ruth Spaak, glass and mixed media artist, worked with
the members of LASS (Ladies Self Support) women’s
group, based at the Salvation Army. The group responded
enthusiastically to Ruth’s unusual collection of materials to
make mixed-media wall hangings and rag rugs. The
residency was supported by the British Ceramics Biennial
(BCB) and Ruth had access to ceramic materials and
resources from BCB and the former Spode factory site,
which informed the piece she has created for this
exhibition. Denise Moloney worked with Ruth, learning
new skills in delivering workshops in community settings.
Making Moves, Creating Futures for Craft
Making Moves is a West Midlands craft development initiative
involving four regional partnerships, led by Staffordshire County
Council and Craftspace, a Birmingham based craft development
organisation. The project consisted of nine craft residencies
which took place in community settings between September
2011 and July 2012, culminating in a touring exhibition.
The nine makers were challenged by residencies in unusual
workspaces - including a hospital, a pub and a park visitor
centre - which acted as sources of inspiration to develop ideas
for new work. They worked with local communities, offering
making workshops that were high quality, inspirational and in
some cases, life-changing. The exhibition showcases new work
by the makers in response to their residency setting, as well
examples of tools, materials and work created in the community
sessions.
The project also provided opportunities for nine crafts graduates
who supported the community making sessions as well as
receiving mentoring from the resident maker. They were given a
small bursary towards the development of their practice and
have also created new work for the exhibition.
Making Moves aimed to provide valuable opportunities for
learning. Makers gave masterclasses and lectures to Higher
and Further education institutions as well as talks to the wider
community. They wrote about the residency experiences on a
project blog, as well as coming together for regular networking
sessions.
To find out more about the project visit www.makingmoves.org and the
Makers’ Residency Blog www.makingmoves.posterous.com
Photos by Becky Matthews
'Going Red" New Hair By Jeff Solis at BANZAI Hair Studio, Vancouver BC
Self Portrait & Post Processing By Me : FFX © Florbela's Fotographix
Genevieve Chua, born in 1984 in work Raised As a Pack of Wolves was Residency Programme at the Gyeonggi
Singapore, graduated with a Diploma in Fine Arts (Painting) from LASALLE College of the Arts, Singapore in 2004. Her works span a variety of mediums including drawing, photography and installation. Genevieve’s works possess distinctive aesthetic and recurring motifs of nature and female figures in dim light. Genevieve’s art explores the fear of the unknown.
For a young artist, Genevieve has exhibited extensively. Her solo exhibitions include As Brutal As (La Liberia Gallery, Singapore, 2007), Lost in the City: Full Moon and Foxes (National Museum of Singapore, 2009) and Child and the Beast (Objectifs Centre for Photography and Filmmaking, 2011). Genevieve has also exhibited overseas at ArtHK 2011 (AsiaOne ChanHampe Galleries, Hong Kong, 2011).
Genevieve was also selected to exhibit at the Singapore Biennale 2011 where she showcased Adinandra Belukar at the Old Kallang Airport. In 2009, her digital
commissioned for the M1 Singapore Fringe Festival. Other group exhibitions in which she has participated include CUT 2009: Figure, New Photography from Southeast Asia (Valentine Willie Fine Art, Kuala Lumpur, Malaysia, 2009), Next Wave Time Lapse (Federation Square, Melbourne, Australia, 2010) and Cross-Scape (Kumho Museum of Art, Seoul; Jeonbuk Museum of Art, Jeonju; Goeun Museum of Art, Busan, South Korea, 2011). Her work, After the Flood (2010), was sold by international auction house Sotheby’s and was exhibited at The Singapore Show: Future Proof (8Q Singapore Art Museum, 2012).
Genevieve constantly seeks to expand her practice and this has led her to participate in numerous residences locally and abroad. In 2010, she was selected for the BMW Young Asian Artist Series at the Singapore Tyler Print Institute and the Late Fall Residency at The Banff Centre in Calgary, Canada. In 2011, she took part in the GCC Creative
Creation Centre in Gyeonggi-do, South Korea and The Art Incubator at the Centre for Creative Communications in Shizuoka, Japan.
Este proyecto parte como solución a la cuarentena que estamos sufriendo, al tener Asma me veo totalmente forzado a trabajar dentro de casa. Siendo hiperactivo es una especie de condena. Siempre me gustó la idea de mezclar la fotografía con las diferentes artes. Lo que buscaba era lograr algo tridimensional en una bi-dimension y sugerir esa mirada microscópica o totalmente contraría, un escape al encierro, una cura a la cuarentena, al virus y a mí. Un escape abstracto al encierro mental…
Para ver más:
This proyect born as an answer to the quarantine, as an Asthmatic I'm really worried and forced to be inside home. I'm hiperactive too so been in this situation is a kind of confinement.
I always liked the idea of mix photography with diferents kind of visual arts. What I wanted was to get something tridimesional in a 2d image and sugest something microscopic or totally opossed like an abstract scape to the mental closure.
If you want to see more:
Self Portrait - Pieces of Me
Photography, MAU, Hair & Post Processing Done By Me - Florbela : FFX © Florbela's Fotographix
Designer of 'ULTRA Menswear' {VFW - Vancouver Fashion Week Spring 2009 Collection}
Designer Christopher Bates www.ultramenswear.com
Este proyecto parte como solución a la cuarentena que estamos sufriendo, al tener Asma me veo totalmente forzado a trabajar dentro de casa. Siendo hiperactivo es una especie de condena. Siempre me gustó la idea de mezclar la fotografía con las diferentes artes. Lo que buscaba era lograr algo tridimensional en una bi-dimension y sugerir esa mirada microscópica o totalmente contraría, un escape al encierro, una cura a la cuarentena, al virus y a mí. Un escape abstracto al encierro mental…
Para ver más:
This proyect born as an answer to the quarantine, as an Asthmatic I'm really worried and forced to be inside home. I'm hiperactive too so been in this situation is a kind of confinement.
I always liked the idea of mix photography with diferents kind of visual arts. What I wanted was to get something tridimesional in a 2d image and sugest something microscopic or totally opossed like an abstract scape to the mental closure.
If you want to see more:
Self Portrait - Pieces of Me
Photography, MAU, Hair & Post Processing Done By Me - Florbela : FFX © Florbela's Fotographix
Follow me on Twitter : www.twitter.com/msffx
"Aroma"
Handmade gypsum mask.
Acrylic, mixed media, oilcloth. Gold and silver details. Horror Vacui.
Click on the image and approche the details!
instagram loanaibarra
facebook www.facebook.com/LIM.LoanaIbarraMazari
contact ibarraloana@gmail.com
Speed Art - Merseyside Young Professionals Event, 25th August 2011
The Bluecoat
Artists:
Nathan Pendlebury
Howard Gardener
John Sutherst
Tony Evans
Susan Finch
Susan Lee Brown
Alistair Parker
Jean Cox
Genevieve Chua, born in 1984 in work Raised As a Pack of Wolves was Residency Programme at the Gyeonggi
Singapore, graduated with a Diploma in Fine Arts (Painting) from LASALLE College of the Arts, Singapore in 2004. Her works span a variety of mediums including drawing, photography and installation. Genevieve’s works possess distinctive aesthetic and recurring motifs of nature and female figures in dim light. Genevieve’s art explores the fear of the unknown.
For a young artist, Genevieve has exhibited extensively. Her solo exhibitions include As Brutal As (La Liberia Gallery, Singapore, 2007), Lost in the City: Full Moon and Foxes (National Museum of Singapore, 2009) and Child and the Beast (Objectifs Centre for Photography and Filmmaking, 2011). Genevieve has also exhibited overseas at ArtHK 2011 (AsiaOne ChanHampe Galleries, Hong Kong, 2011).
Genevieve was also selected to exhibit at the Singapore Biennale 2011 where she showcased Adinandra Belukar at the Old Kallang Airport. In 2009, her digital
commissioned for the M1 Singapore Fringe Festival. Other group exhibitions in which she has participated include CUT 2009: Figure, New Photography from Southeast Asia (Valentine Willie Fine Art, Kuala Lumpur, Malaysia, 2009), Next Wave Time Lapse (Federation Square, Melbourne, Australia, 2010) and Cross-Scape (Kumho Museum of Art, Seoul; Jeonbuk Museum of Art, Jeonju; Goeun Museum of Art, Busan, South Korea, 2011). Her work, After the Flood (2010), was sold by international auction house Sotheby’s and was exhibited at The Singapore Show: Future Proof (8Q Singapore Art Museum, 2012).
Genevieve constantly seeks to expand her practice and this has led her to participate in numerous residences locally and abroad. In 2010, she was selected for the BMW Young Asian Artist Series at the Singapore Tyler Print Institute and the Late Fall Residency at The Banff Centre in Calgary, Canada. In 2011, she took part in the GCC Creative
Creation Centre in Gyeonggi-do, South Korea and The Art Incubator at the Centre for Creative Communications in Shizuoka, Japan.
In February 2006 Craig Tracy opened the PaintedAlive Gallery in his home city, New Orleans, La, USA. PaintedAlive is the first gallery in the world dedicated exclusively to fine art Bodypainted images. But where did his passion for using the human body as a canvas start?
READ ON...
Day of the Dead 2015 celebration at the Hollywood Forever cemetery, Peruvian altar honoring the Empire of the Incas with a Peruvian-style retablo with two Peruvian nustas in front of it greeting visitors, altar sponsored by Peru Village Los Angeles. (Dia de los Muertos 2015 evento en el cementerio Hollywood Forever, muestra un retablo al estilo peruano con dos nustas anfitrionas adelante, altar auspiciado por Peru Village Los Angeles.)
Speed Art - Merseyside Young Professionals Event, 25th August 2011
The Bluecoat
Artists:
Nathan Pendlebury
Howard Gardener
John Sutherst
Tony Evans
Susan Finch
Susan Lee Brown
Alistair Parker
Jean Cox
BUT Binoculars Still Needed To See Features..."--Wyatt Matturs (Associate Editor "To The Burning Manner Born")--OSWA (OneStrokeWaterArt) MRI (MysteryRepeatsItself) The World's First 'Bowhammer Cymbalom' CD Uniquely Repurposed On A Selfie-Stick" For Alternate-Optic 'Playback' (Silent Save The Sound Of Water Already Falling-From-The-Moment's PEAK--Laser-Refracted Spectrum / San Francisco Baylift Into Full Moonlight (Snapshot From Anchored Raft...)
MAIN GALLERY CURATION IN PROGRESS (From Thousands)
Speed Art - Merseyside Young Professionals Event, 25th August 2011
The Bluecoat
Artists:
Nathan Pendlebury
Howard Gardener
John Sutherst
Tony Evans
Susan Finch
Susan Lee Brown
Alistair Parker
Jean Cox
Este proyecto parte como solución a la cuarentena que estamos sufriendo, al tener Asma me veo totalmente forzado a trabajar dentro de casa. Siendo hiperactivo es una especie de condena. Siempre me gustó la idea de mezclar la fotografía con las diferentes artes. Lo que buscaba era lograr algo tridimensional en una bi-dimension y sugerir esa mirada microscópica o totalmente contraría, un escape al encierro, una cura a la cuarentena, al virus y a mí. Un escape abstracto al encierro mental…
Para ver más:
This proyect born as an answer to the quarantine, as an Asthmatic I'm really worried and forced to be inside home. I'm hiperactive too so been in this situation is a kind of confinement.
I always liked the idea of mix photography with diferents kind of visual arts. What I wanted was to get something tridimesional in a 2d image and sugest something microscopic or totally opossed like an abstract scape to the mental closure.
If you want to see more: