View allAll Photos Tagged VisualArtist
Ericka College girl 35
Model: Ericka Guereni
Photographer: Ernesto De la Vega “Kaede”
Nikon D5100
Lens: 18 – 55
Es increíble como después de tanto tiempo, hay personas que permanecen ahí, mientras que otras tantas que en su momento parecían importantes dejan de ser relevantes y...
Ericka College girl 23
Model: Ericka Guereni
Photographer: Ernesto De la Vega “Kaede”
Nikon D5100
Lens: 18 – 55
Hoy entre sus tantas cualidades es manager, organiza eventos, trata con medios de comunicación y evita que muchas bandas se vuelvan locas, les da oportunidad a otras ...
Ericka College girl 17
Model: Ericka Guereni
Photographer: Ernesto De la Vega “Kaede”
Nikon D5100
Lens: 18 – 55
No recuerdo exactamente como nos conocimos, recuerdo en que momento de mi vida fue, pero no exactamente donde o por qué nos conocimos, aunque bueno ya a estas alturas ...
Now picture this: you're hard at work. Got your tools out. You're building something, a piece of art, something with meaning, something with form, something you've been working on for hours.
You're putting a frame on it carefully, precisely. It's got corners, edges, a structure you've crafted with purpose. And just as you're about to lay down the final touches... here it comes.
Stroll in, those two-legged marvels, with their slow, deliberate steps, their eyes like they know more than they let on. They've got that instinct, you know, the one that tells them to jump up, knock things over, to make sure that anything you've got going on needs a little, testing, it's all a playground to them.
But it's not just the things. It's the space itself. Like they're born to invade, to prowl, to put their paws in places where they have no business. You thought you had a workspace, huh? A little corner to yourself? Think again, my friend.
Here come the humans, and suddenly, everything, every inch of your space, every boundary you thought you had-is theirs to explore. They leap, they nudge, they curl up where you thought you'd just placed your thoughts.
But here's the kicker: they don't even seem to care about what you're doing. Oh no. They're testing you. They're testing everything. The fabric of your patience. The air you breathe. The idea of control.
And in that moment, you realize: it's not about the work at all. It's about them showing up, making things a little more unpredictable, a little more real. Real in a way that's not bound by rules, not tied to what you think should be happening. It's about life, in its chaotic, unmeasurable splendor.
"Not a single day has gone by in my life when I haven't thought about deat"
Esperanza is a mask alive,
she was born and lives as a jaguar.
Esperanza likes gold and red roses and travels most of the time by night.
You'll meet her someday, that's for sure.
Click me and come closer!
instagram loanaibarra
facebook www.facebook.com/LIM.LoanaIbarraMazari
twitter twitter.com/LoanaIbarra
contact ibarraloana@gmail.com
Ericka College girl 22
Model: Ericka Guereni
Photographer: Ernesto De la Vega “Kaede”
Nikon D5100
Lens: 18 – 55
Todos empezamos de alguna manera, no recuerdo cuando la conocí exactamente pero recuerdo cuando se volvió importante y ese fue el mejor momento cuando ella decidió qu...
Ericka College girl 40
Model: Ericka Guereni
Photographer: Ernesto De la Vega “Kaede”
Nikon D5100
Lens: 18 – 55
Me considero alguien con suerte, no siempre me acompaña pero cuando la suerte esta de mi lado se luce, mi personalidad es muy difícil y a pesar de eso me he e...
So much of what we do is ephemeral and quickly forgotten, even by ourselves, so it's gratifying to have something you have done linger in people's memories. Rio Latapaia, near Ushuaia in Tierra del Fuego, Argentina.
Installation shot from the exhibition "Ectopia" @ Rogaland Kunstsenter. Curated by Geir Haraldseth. jan 29 - march 1. 2015
artisans, artist, artist_community, artistshouts, artlicensing, arts, artstudio, bohemianlife, brazil, couple, design, designer, digital, digitalnomad, drawing, fabricdesign, filmmaker, gypsysoul, hippiespirit, hopscotchers, illustration, illustrator, lineart, linedrawing, LOVE, lovers, malaysianartist, nomads, pattern, patterndesign, printandpattern, reviews, surfacepattern, surfacepatterndesign, textiledesign, tips, travel, travel couple, travelingartist, travelling, tricks, videos, visual artist #Insta-Posts
hopscotchers.org/leggingspantsyoga-pants-i-would-wear-thi...
20250709-4184
Gerard ten Broek, visual Artist.
Ik zag Gerard gisteren op de Zandmotor waar hij druk bezig was met stokjes en touwtjes een nieuw landart tekening uit te zetten.
Ik heb hem hier al vaker bezig gezien. Ik vind het mooi hoe iemand zijn vergankelijke sporen achterlaat op dit mooie stuk strand. Hij is niet de enige.
Als alle lijnen zijn getrokken gaat hij met een drone van bovenaf fotograferen en filmen.
Resultaten van zijn werk zijn op zijn eigen website te zien.
Ik ben de andere dag teruggekomen om het resultaat vast te leggen.
All images are copyrighted by Pieter Musterd. If you want to use any of my photographs, contact me. It is not allowed to download them or use them on any website, blog etc. without my explicit permission.
If you want a translation of the text in your own language, please try "Google Translate".
Merci pour votre commentaire
Dank voor je commentaar
Danke für deinen Kommentar
Thank you for your comment
Gracias por tu comentario
Obrigado pelo seu comentário
On July 1st, I installed my recently completed commission piece depicting the Hawthorn Mall redevelopment! You can see the full diorama for yourself on the second-level in the Transformation Suite at the mall in Vernon Hills, IL.
PC: eClarke Photo 📷
Full selection of photos on Patreon!
Link below ➡️🔗⤵️
Hasselblad 500 CM + Planar 80mm + Kodak Tri-X 400.
© Luís Campillo 2015
Model Vanesa García. www.facebook.com/vanesagarcia.artistavisual
With a career spanning nearly six decades, Gerhard Richter (1932- ), a German visual artist, is widely considered one of the greatest artists of our time. Richter has produced abstract as well as photorealistic paintings. He often incorporates and explores the visual effects of photography.
In "Cityscape Madrid" (Stadbild Madrid), painted in 1968 and based on an aerial view he found in a magazine, he brings forth the contours of Madrid in thick, loose strokes of white, black and gray paint in a blurred effect. Richter innovated this blurred effect, sometimes called “photographic impressionism”, in which portions of his compositions appear smeared or softened. Viewed closely, these marks appear to crumble into ashen piles of rubble.
Richter's painting recalls aerial photographs of post-WWII bombed-out cities – a parallel which he points out in retrospect: "When I look back on the cityscapes now, they do seem to me to recall certain images of the destruction of Dresden during the war."
Photographed at the San Francisco Museum of Modern Art (SFMOMA).
Model: BMG Vancouver - Brittney A
Assistant: Janaye K
Hair & Make Up by Me
Styling & Creative Concept by Me
Photography & Post Processing by Me
FFX 2008 © florbela's fotographix
...another 4 years to go till I can legally drink in the state of Maharashtra. True story, that. But of course, there are other ways...
Anyway, one of my best friends bought this cake over a few hours ago, it being my birthday...but no real partying cos my Sem 5 board exams started today...so thats a bit of a dampner but nonetheless, it was a good day and a memorable birthday.
Big thanks to all who wished me!
More images: Facebook page.
Residency:
Soho House
Birmingham
Maker: Karina Thompson
Graduate Placement: Lauren Crawford
Textile artist Karina Thompson was based at Soho House,
the home of Matthew Boulton, a leading figure in the
Industrial Revolution. Karina’s own practice involves
exploring scientific data through digital stitch and the use
of digital technology in the 21st Century. Karina has also
had a longstanding interest in Matthew Boulton and his
contribution to manufacturing. Weaver Lauren Crawford
supported Karina and together they worked with women
from the Asian Textiles Group using the interior of
Matthew Boulton’s house for inspiration.
Making Moves, Creating Futures for Craft
Making Moves is a West Midlands craft development initiative
involving four regional partnerships, led by Staffordshire County
Council and Craftspace, a Birmingham based craft development
organisation. The project consisted of nine craft residencies
which took place in community settings between September
2011 and July 2012, culminating in a touring exhibition.
The nine makers were challenged by residencies in unusual
workspaces - including a hospital, a pub and a park visitor
centre - which acted as sources of inspiration to develop ideas
for new work. They worked with local communities, offering
making workshops that were high quality, inspirational and in
some cases, life-changing. The exhibition showcases new work
by the makers in response to their residency setting, as well
examples of tools, materials and work created in the community
sessions.
The project also provided opportunities for nine crafts graduates
who supported the community making sessions as well as
receiving mentoring from the resident maker. They were given a
small bursary towards the development of their practice and
have also created new work for the exhibition.
Making Moves aimed to provide valuable opportunities for
learning. Makers gave masterclasses and lectures to Higher
and Further education institutions as well as talks to the wider
community. They wrote about the residency experiences on a
project blog, as well as coming together for regular networking
sessions.
To find out more about the project visit www.makingmoves.org and the
Makers’ Residency Blog www.makingmoves.posterous.com
Photos by Becky Matthews
© Luis Campillo 2015
www.facebook.com/thewhiteroomphoto/
www.instagram.com/luiscampillo/
Model Regina PLH
Hairdresser Artist Aitor Rubio by Urban Style
www.facebook.com/Urban-Style-1400046376952737/?fref=ts
MUA Sergio Rada-Castilla. www.facebook.com/sergioradacastilla/info?tab=page_info
Artistic Management Pilar Curiel.
Ericka College girl 29
Model: Ericka Guereni
Photographer: Ernesto De la Vega “Kaede”
Nikon D5100
Lens: 18 – 55
Antes de que yo cometiera uno de mis grandes errores, nosotros eramos muy apegados, de cierta manera nos cuidábamos mutuamente, después lo seguimos haciendo pero f...
Each time an inspiratior of mine celebrates birthday or dies I make them a portrait.
Nina Simone February 21, 1933 – April 21, 2003
Watercolor, embroidery on paper 29cm x 49cm
intagram loanaibarra
facebook www.facebook.com/LIM.LoanaIbarraMazari/
contact ibarraloana@gmail.com
© Luis Campillo 2016
Model Ane Sehnsucht.
Outfit by SEHNSUCHT www.anesehnsucht.com
Assistant Jose Antonio Vica
"Behold my borreguito who takes away the sin of the world"
150x120cm
Acrylic, embroidery, gold and silver details.
Galoshes, boots covered with peeling dripping paint on steps
All my photographs are copyright protected, If you wish to use my photos please contact me and we can discuss usage fees.
©Jim Corwin_All Rights Reserved 2020 Contact me at jscorwin@mac.com or visit my PhotoShelter site using the link Jim Corwin Photography on my Profile Page.
My website is jimcorwin.photoshelter.com
My E-Mail Address is jscorwin@mac.com
The illustrations of this book presents a fascinating visual journey through the history of men’s underwear. Although the garments themselves change dramatically—from medieval coverings to fitted athletic wear—the illustrations reveal a striking continuity: men’s underwear has often been designed and represented as an extension of masculine strength, physical power, and social status.
The left section of the image appears to depict a medieval scene. Here, underwear was not conceived as a separate fashion category but as a practical layer beneath clothing. Medieval men commonly wore linen undergarments that protected expensive outer garments from sweat and dirt. Yet even in this early period, the male body was closely associated with ideas of vigor and capability. Clothing was structured to support movement, labor, and warfare, reflecting a society in which physical strength was a defining male virtue.
The central figure shows a much later stage in underwear development. The garment is more fitted and tailored to the body, emphasizing the torso and the natural lines of the male physique. By the nineteenth and early twentieth centuries, advances in textile manufacturing made closer-fitting undergarments possible. Underwear no longer served only hygienic purposes; it also began shaping how the male body was perceived. The body underneath became something to display, support, and improve.
The right side of the image is perhaps the most revealing. The muscular figure, posed with a flexed arm, links underwear directly to physical strength. This reflects a major cultural shift that occurred in the late nineteenth and early twentieth centuries. The rise of physical culture movements, gymnasiums, competitive sports, and bodybuilding encouraged men to view their bodies as projects to be developed and showcased.
Advertisements increasingly featured athletes, soldiers, and strongmen wearing underwear. Manufacturers understood that selling underwear was no longer just about comfort—it was about selling ideals of masculinity.
What is particularly remarkable about this historical progression is that underwear itself is rarely visible in everyday life, yet it has consistently carried symbolic meaning. Throughout history, men’s undergarments have been associated with readiness, discipline, and physical competence. A knight’s linen underlayers supported armor; a Victorian gentleman’s union suit represented respectability; an athlete’s fitted briefs suggested power and control. In each case, the garment became connected to prevailing ideals of what a man should be.
The image also reminds us that masculinity is culturally constructed. The muscular figure on the right may seem natural to modern viewers because contemporary advertising continues to associate underwear with athletic bodies. Yet this connection was developed over centuries. The illustrations demonstrate how clothing manufacturers, artists, and broader social values gradually transformed underwear from a hidden necessity into a symbol of male strength and confidence.
Seen together, the three images tell a story that goes beyond fashion history. They reveal how a simple undergarment became intertwined with changing concepts of manhood. What amazes me, and perhaps the most compelling aspect of the images, is the persistence of this theme. Across different centuries and styles, men’s underwear is repeatedly portrayed not merely as clothing but as a foundation for strength, a hidden layer that supports both the body and the cultural ideal of masculinity itself.
Ericka College girl 32
Model: Ericka Guereni
Photographer: Ernesto De la Vega “Kaede”
Nikon D5100
Lens: 18 – 55
Ericka creo que es una de mis mejores amigas por que yo soy uno de los peores amigos o cuando menos lo era, mi vida había sido muy diferente, en ese momento era una ...
Working with Karina Thompson
Residency:
Soho House
Birmingham
Maker: Karina Thompson
Graduate Placement: Lauren Crawford
Textile artist Karina Thompson was based at Soho House,
the home of Matthew Boulton, a leading figure in the
Industrial Revolution. Karina’s own practice involves
exploring scientific data through digital stitch and the use
of digital technology in the 21st Century. Karina has also
had a longstanding interest in Matthew Boulton and his
contribution to manufacturing. Weaver Lauren Crawford
supported Karina and together they worked with women
from the Asian Textiles Group using the interior of
Matthew Boulton’s house for inspiration.
Making Moves, Creating Futures for Craft
Making Moves is a West Midlands craft development initiative
involving four regional partnerships, led by Staffordshire County
Council and Craftspace, a Birmingham based craft development
organisation. The project consisted of nine craft residencies
which took place in community settings between September
2011 and July 2012, culminating in a touring exhibition.
The nine makers were challenged by residencies in unusual
workspaces - including a hospital, a pub and a park visitor
centre - which acted as sources of inspiration to develop ideas
for new work. They worked with local communities, offering
making workshops that were high quality, inspirational and in
some cases, life-changing. The exhibition showcases new work
by the makers in response to their residency setting, as well
examples of tools, materials and work created in the community
sessions.
The project also provided opportunities for nine crafts graduates
who supported the community making sessions as well as
receiving mentoring from the resident maker. They were given a
small bursary towards the development of their practice and
have also created new work for the exhibition.
Making Moves aimed to provide valuable opportunities for
learning. Makers gave masterclasses and lectures to Higher
and Further education institutions as well as talks to the wider
community. They wrote about the residency experiences on a
project blog, as well as coming together for regular networking
sessions.
To find out more about the project visit www.makingmoves.org and the
Makers’ Residency Blog www.makingmoves.posterous.com
Photos by Becky Matthews
On July 1st, I installed my recently completed commission piece depicting the Hawthorn Mall redevelopment! You can see the full diorama for yourself on the second-level in the Transformation Suite at the mall in Vernon Hills, IL.
PC: eClarke Photo 📷
Full selection of photos on Patreon!
Link below ➡️🔗⤵️