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Working with Karina Thompson

 

Residency:

 

Soho House

Birmingham

 

Maker: Karina Thompson

Graduate Placement: Lauren Crawford

 

Textile artist Karina Thompson was based at Soho House,

the home of Matthew Boulton, a leading figure in the

Industrial Revolution. Karina’s own practice involves

exploring scientific data through digital stitch and the use

of digital technology in the 21st Century. Karina has also

had a longstanding interest in Matthew Boulton and his

contribution to manufacturing. Weaver Lauren Crawford

supported Karina and together they worked with women

from the Asian Textiles Group using the interior of

Matthew Boulton’s house for inspiration.

  

Making Moves, Creating Futures for Craft

 

Making Moves is a West Midlands craft development initiative

involving four regional partnerships, led by Staffordshire County

Council and Craftspace, a Birmingham based craft development

organisation. The project consisted of nine craft residencies

which took place in community settings between September

2011 and July 2012, culminating in a touring exhibition.

 

The nine makers were challenged by residencies in unusual

workspaces - including a hospital, a pub and a park visitor

centre - which acted as sources of inspiration to develop ideas

for new work. They worked with local communities, offering

making workshops that were high quality, inspirational and in

some cases, life-changing. The exhibition showcases new work

by the makers in response to their residency setting, as well

examples of tools, materials and work created in the community

sessions.

 

The project also provided opportunities for nine crafts graduates

who supported the community making sessions as well as

receiving mentoring from the resident maker. They were given a

small bursary towards the development of their practice and

have also created new work for the exhibition.

 

Making Moves aimed to provide valuable opportunities for

learning. Makers gave masterclasses and lectures to Higher

and Further education institutions as well as talks to the wider

community. They wrote about the residency experiences on a

project blog, as well as coming together for regular networking

sessions.

 

To find out more about the project visit www.makingmoves.org and the

Makers’ Residency Blog www.makingmoves.posterous.com

 

Photos by Becky Matthews

En la bahi­a Lapataia se encuentra el kilometro 3079 y extremo final de la Ruta Nacional 3, la cual nace en la ciudad de Buenos Aires. El paraje donde concluye es denominado "Fin del Mundo".

edamak.mx

ca. September 1, 1961, Paris, France --- Model wearing two-piece outfit by Kimberly, alligator shoes by I. Miller, alligator bag by Walter Katten, and beret by Emme Boutique, stands with unidentified artist and Notre Dame in background

Internationally renowned drag artist, visual artist, newly minted author, Sasha Velour 09 visited campus during a book tour to promote her memoir The Big Reveal. The show, presented the Villard Room, was an immersive evening of drag, storytelling, and live art. Sponsored by the Dean of Faculty Office, the LGBTQ+ Center, the Departments of Drama, Russian, and German, and the Women, Feminism and Queer Studies Program.

 

Photo Credit: Allyse Pulliam/Vassar College

Residency:

 

Boars Head Pub

Kidderminster

 

Maker: Jim Bond

Graduate Placement: Michelle Taylor

 

The Kidderminster residency was at the Boars Head

Pub, which actively supports the local arts scene. Jim

Bond is a kinetic sculptor and used the residency to work

with two different groups; KAF Creatives, a group of

visual artists and the Phoenix women’s group. Jim

developed a range of activities to build their skills using

life drawing, clay modelling and plaster moulds. Michelle

Taylor also brought lots of useful knowledge of ceramics

and mould-making to the community sessions.

 

Making Moves, Creating Futures for Craft

 

Making Moves is a West Midlands craft development initiative

involving four regional partnerships, led by Staffordshire County

Council and Craftspace, a Birmingham based craft development

organisation. The project consisted of nine craft residencies

which took place in community settings between September

2011 and July 2012, culminating in a touring exhibition.

 

The nine makers were challenged by residencies in unusual

workspaces - including a hospital, a pub and a park visitor

centre - which acted as sources of inspiration to develop ideas

for new work. They worked with local communities, offering

making workshops that were high quality, inspirational and in

some cases, life-changing. The exhibition showcases new work

by the makers in response to their residency setting, as well

examples of tools, materials and work created in the community

sessions.

 

The project also provided opportunities for nine crafts graduates

who supported the community making sessions as well as

receiving mentoring from the resident maker. They were given a

small bursary towards the development of their practice and

have also created new work for the exhibition.

 

Making Moves aimed to provide valuable opportunities for

learning. Makers gave masterclasses and lectures to Higher

and Further education institutions as well as talks to the wider

community. They wrote about the residency experiences on a

project blog, as well as coming together for regular networking

sessions.

 

To find out more about the project visit www.makingmoves.org and the

Makers’ Residency Blog www.makingmoves.posterous.com

 

Photos by Becky Matthews

 

Residency:

 

Salvation Army

Longton, Stoke

 

Maker: Ruth Spaak

Graduate Placement: Denise Moloney

 

Ruth Spaak, glass and mixed media artist, worked with

the members of LASS (Ladies Self Support) women’s

group, based at the Salvation Army. The group responded

enthusiastically to Ruth’s unusual collection of materials to

make mixed-media wall hangings and rag rugs. The

residency was supported by the British Ceramics Biennial

(BCB) and Ruth had access to ceramic materials and

resources from BCB and the former Spode factory site,

which informed the piece she has created for this

exhibition. Denise Moloney worked with Ruth, learning

new skills in delivering workshops in community settings.

 

Making Moves, Creating Futures for Craft

 

Making Moves is a West Midlands craft development initiative

involving four regional partnerships, led by Staffordshire County

Council and Craftspace, a Birmingham based craft development

organisation. The project consisted of nine craft residencies

which took place in community settings between September

2011 and July 2012, culminating in a touring exhibition.

 

The nine makers were challenged by residencies in unusual

workspaces - including a hospital, a pub and a park visitor

centre - which acted as sources of inspiration to develop ideas

for new work. They worked with local communities, offering

making workshops that were high quality, inspirational and in

some cases, life-changing. The exhibition showcases new work

by the makers in response to their residency setting, as well

examples of tools, materials and work created in the community

sessions.

 

The project also provided opportunities for nine crafts graduates

who supported the community making sessions as well as

receiving mentoring from the resident maker. They were given a

small bursary towards the development of their practice and

have also created new work for the exhibition.

 

Making Moves aimed to provide valuable opportunities for

learning. Makers gave masterclasses and lectures to Higher

and Further education institutions as well as talks to the wider

community. They wrote about the residency experiences on a

project blog, as well as coming together for regular networking

sessions.

 

To find out more about the project visit www.makingmoves.org and the

Makers’ Residency Blog www.makingmoves.posterous.com

 

Photos by Becky Matthews

 

OLYMPUS DIGITAL CAMERA

Residency:

 

Jephson Gardens

Leamington Spa

 

Maker: Deirdre Nelson

Graduate Placement: Stewart Easton

 

Textile artist, Deirdre Nelson’s residency was based in the

Glasshouse Studio attached to the Temperate House in

Jephson Gardens. Deirdre, together with Stewart Easton,

worked with members of the intergenerational Hispanic

community group, Club Amigos, to make a collective

tablecloth ‘Las Mantel Mas Grande de Leamington’ (The

Biggest Tablecloth in Leamington) using drawing, digital

print and stitch. Deirdre and Stewart also worked with

second generation Portuguese children from Sydenham

Primary School, to create embroidered napkins

celebrating the elephants that used to live in Leamington.

 

Making Moves, Creating Futures for Craft

 

Making Moves is a West Midlands craft development initiative

involving four regional partnerships, led by Staffordshire County

Council and Craftspace, a Birmingham based craft development

organisation. The project consisted of nine craft residencies

which took place in community settings between September

2011 and July 2012, culminating in this touring exhibition.

 

The nine makers were challenged by residencies in unusual

workspaces - including a hospital, a pub and a park visitor

centre - which acted as sources of inspiration to develop ideas

for new work. They worked with local communities, offering

making workshops that were high quality, inspirational and in

some cases, life-changing. This exhibition showcases new work

by the makers in response to their residency setting, as well

examples of tools, materials and work created in the community

sessions.

 

The project also provided opportunities for nine crafts graduates

who supported the community making sessions as well as

receiving mentoring from the resident maker. They were given a

small bursary towards the development of their practice and

have also created new work for the exhibition.

 

Making Moves aimed to provide valuable opportunities for

learning. Makers gave masterclasses and lectures to Higher

and Further education institutions as well as talks to the wider

community. They wrote about the residency experiences on a

project blog, as well as coming together for regular networking

sessions.

 

To find out more about the project visit www.makingmoves.org and the

Makers’ Residency Blog www.makingmoves.posterous.com

FB: michelle.robinson/pg/michelle.robinson.images.and.art

 

IG: @simply.mich.robinson / @mich/robinson

War Memorial Visitors

Centre, Coventry

 

Maker: Gizella K Warburton

Graduate Placement: Sandra Owens

 

The Coventry residency took place in the new Visitors

Centre at War Memorial Park. Gizella worked with a

range of park users including war veterans, young people

and families. Gizella is a textiles and mixed - media artist

and ran a lively range of workshops, offering skills in

monoprinting, collage, graffitti art and textiles. Sandra

Owens led sessions with clay and a fallen tree was

brought in to decorate with ceramic pieces.

 

Making Moves, Creating Futures for Craft

 

Making Moves is a West Midlands craft development initiative

involving four regional partnerships, led by Staffordshire County

Council and Craftspace, a Birmingham based craft development

organisation. The project consisted of nine craft residencies

which took place in community settings between September

2011 and July 2012, culminating in this touring exhibition.

 

The nine makers were challenged by residencies in unusual

workspaces - including a hospital, a pub and a park visitor

centre - which acted as sources of inspiration to develop ideas

for new work. They worked with local communities, offering

making workshops that were high quality, inspirational and in

some cases, life-changing. This exhibition showcases new work

by the makers in response to their residency setting, as well

examples of tools, materials and work created in the community

sessions.

 

The project also provided opportunities for nine crafts graduates

who supported the community making sessions as well as

receiving mentoring from the resident maker. They were given a

small bursary towards the development of their practice and

have also created new work for the exhibition.

 

Making Moves aimed to provide valuable opportunities for

learning. Makers gave masterclasses and lectures to Higher

and Further education institutions as well as talks to the wider

community. They wrote about the residency experiences on a

project blog, as well as coming together for regular networking

sessions.

 

To find out more about the project visit www.makingmoves.org and the

Makers’ Residency Blog www.makingmoves.posterous.com

Residency:

 

Salvation Army

Longton, Stoke

 

Maker: Ruth Spaak

Graduate Placement: Denise Moloney

 

Ruth Spaak, glass and mixed media artist, worked with

the members of LASS (Ladies Self Support) women’s

group, based at the Salvation Army. The group responded

enthusiastically to Ruth’s unusual collection of materials to

make mixed-media wall hangings and rag rugs. The

residency was supported by the British Ceramics Biennial

(BCB) and Ruth had access to ceramic materials and

resources from BCB and the former Spode factory site,

which informed the piece she has created for this

exhibition. Denise Moloney worked with Ruth, learning

new skills in delivering workshops in community settings.

 

Making Moves, Creating Futures for Craft

 

Making Moves is a West Midlands craft development initiative

involving four regional partnerships, led by Staffordshire County

Council and Craftspace, a Birmingham based craft development

organisation. The project consisted of nine craft residencies

which took place in community settings between September

2011 and July 2012, culminating in a touring exhibition.

 

The nine makers were challenged by residencies in unusual

workspaces - including a hospital, a pub and a park visitor

centre - which acted as sources of inspiration to develop ideas

for new work. They worked with local communities, offering

making workshops that were high quality, inspirational and in

some cases, life-changing. The exhibition showcases new work

by the makers in response to their residency setting, as well

examples of tools, materials and work created in the community

sessions.

 

The project also provided opportunities for nine crafts graduates

who supported the community making sessions as well as

receiving mentoring from the resident maker. They were given a

small bursary towards the development of their practice and

have also created new work for the exhibition.

 

Making Moves aimed to provide valuable opportunities for

learning. Makers gave masterclasses and lectures to Higher

and Further education institutions as well as talks to the wider

community. They wrote about the residency experiences on a

project blog, as well as coming together for regular networking

sessions.

 

To find out more about the project visit www.makingmoves.org and the

Makers’ Residency Blog www.makingmoves.posterous.com

 

Photos by Becky Matthews

 

Model: BMG Vancouver - Brittney A

Assistant: Janaye K

 

Hair & Make Up by Me

Styling & Creative Concept by Me

Photography & Post Processing by Me

 

Copyright : FFX 2008 © florbela's fotographix

A large group of school girls on a field trip. It was fun observing how they'd face their teacher's scorn every time someone would take a little detour or break the line, which was quite often.

 

More images: Facebook page.

“Sometimes I wish more people had Asperger’s, at least for the sake of the climate” -Greta Thunberg

 

Watercolor ink on paper

 

instagram loanaibarra

contact ibarraloana@gmail.com

Prins Hendrikkade 29/12/2013 17h53

This building reminds me always of the KOSMOS in the 1990's. Today it's an arts centre with the name DE APPEL and part of the Amsterdam Light Festival. This projection is part of the boat route.

 

Amsterdam Light Festival 2013-2014

Amsterdam Light Festival is a winter light festival for all ages. For 50 days, the historical center of Amsterdam will present a unique décor for this international light and water festival.

Corresponding to the theme, ‘Building with Light’, 30 light sculptures and projections by international artists have been selected for this second edition. The boat tour, Water Colors, will exhibit artworks along, the Amsterdam canals and the Amstel River, while the walking route, Illuminade, will take place in the center of the city.

Amsterdam Light Festival will take place from Friday 6 December 2013 to Sunday 19 January 2014.

www.amsterdamlightfestival.com

 

2000 Light Years from Home

Artist: Gerald van der Kaap

Location: De Appel Arts Centre

For the Amsterdam Light Festival, Gerald van der Kaap creates a new work on the facade of the Appel arts centre. The light projection '2000 Light Years from Home' will show his versatility as an artist in an unexpected way. It will be a remix of some of the patterns he designed for his veejay performances over the years: varying combinations of rectangles, moving test-cards creating irregular grid-like patters. In between there will be subliminal messages.

Gerald van der Kaap (Enschede, The Netherlands, 1959) is a Dutch visual artist who calls himself a non-genre artist. He takes photographs, creates computer images, directed television programs, published magazines, composes music, experiments with new media and does interventions in the public space.

Working with Jim Bond

 

Residency:

 

Boars Head Pub

Kidderminster

Maker: Jim Bond

Graduate Placement: Michelle Taylor

 

The Kidderminster residency was at the Boars Head

Pub, which actively supports the local arts scene. Jim

Bond is a kinetic sculptor and used the residency to work

with two different groups; KAF Creatives, a group of

visual artists and the Phoenix women’s group. Jim

developed a range of activities to build their skills using

life drawing, clay modelling and plaster moulds. Michelle

Taylor also brought lots of useful knowledge of ceramics

and mould-making to the community sessions.

 

Making Moves is a West Midlands craft development initiative

involving four regional partnerships, led by Staffordshire County

Council and Craftspace, a Birmingham based craft development

organisation. The project consisted of nine craft residencies

which took place in community settings between September

2011 and July 2012, culminating in a touring exhibition.

 

The nine makers were challenged by residencies in unusual

workspaces - including a hospital, a pub and a park visitor

centre - which acted as sources of inspiration to develop ideas

for new work. They worked with local communities, offering

making workshops that were high quality, inspirational and in

some cases, life-changing. The exhibition showcases new work

by the makers in response to their residency setting, as well

examples of tools, materials and work created in the community

sessions.

 

The project also provided opportunities for nine crafts graduates

who supported the community making sessions as well as

receiving mentoring from the resident maker. They were given a

small bursary towards the development of their practice and

have also created new work for the exhibition.

 

Making Moves aimed to provide valuable opportunities for

learning. Makers gave masterclasses and lectures to Higher

and Further education institutions as well as talks to the wider

community. They wrote about the residency experiences on a

project blog, as well as coming together for regular networking

sessions.

 

To find out more about the project visit www.makingmoves.org and the

Makers’ Residency Blog www.makingmoves.posterous.com

 

Photos by Becky Matthews

“I am a forest, and a night of dark trees: but he who is not afraid of my darkness, will find banks full of roses under my cypresses.” ― Friedrich Nietzsche

 

www.facebook.com/michelle.robinson.images.and.art/

 

IG @simply.mich.robinson / @mich.robinson

Installation shot from the exhibition "Ectopia" @ Rogaland Kunstsenter. Curated by Geir Haraldseth. jan 29 - march 1.

Model Britney A

 

Hair & MAU by me ++

Photography & Post Processing by me Florbela Exposed.

Jephson Gardens

Leamington Spa

Maker: Deirdre Nelson

 

Textile artist, Deirdre Nelson’s residency was based in the

Glasshouse Studio attached to the Temperate House in

Jephson Gardens. Deirdre, together with Stewart Easton,

worked with members of the intergenerational Hispanic

community group, Club Amigos, to make a collective

tablecloth ‘Las Mantel Mas Grande de Leamington’ (The

Biggest Tablecloth in Leamington) using drawing, digital

print and stitch. Deirdre and Stewart also worked with

second generation Portuguese children from Sydenham

Primary School, to create embroidered napkins

celebrating the elephants that used to live in Leamington.

 

Making Moves, Creating Futures for Craft

 

Making Moves is a West Midlands craft development initiative

involving four regional partnerships, led by Staffordshire County

Council and Craftspace, a Birmingham based craft development

organisation. The project consisted of nine craft residencies

which took place in community settings between September

2011 and July 2012, culminating in a touring exhibition.

 

The nine makers were challenged by residencies in unusual

workspaces - including a hospital, a pub and a park visitor

centre - which acted as sources of inspiration to develop ideas

for new work. They worked with local communities, offering

making workshops that were high quality, inspirational and in

some cases, life-changing. The exhibition showcases new work

by the makers in response to their residency setting, as well

examples of tools, materials and work created in the community

sessions.

 

The project also provided opportunities for nine crafts graduates

who supported the community making sessions as well as

receiving mentoring from the resident maker. They were given a

small bursary towards the development of their practice and

have also created new work for the exhibition.

 

Making Moves aimed to provide valuable opportunities for

learning. Makers gave masterclasses and lectures to Higher

and Further education institutions as well as talks to the wider

community. They wrote about the residency experiences on a

project blog, as well as coming together for regular networking

sessions.

 

To find out more about the project visit www.makingmoves.org and the

Makers’ Residency Blog www.makingmoves.posterous.com

 

Photos by Becky Matthews

Un ami, peintre et sculpteur, à SCVLPTVRE au Palais des congrès la fin de semaine dernière.

 

A friend, painter and sculptor, at SCVLPTVRE, at the Palais des Congrès last week-end.

 

www.sylvainbigras.com/

 

Heavy Rain Over the Nudist Beach (Part 2)

On Monday, December 19th, we partnered with Lenovo computers to build out the ultimate art-themed smackdown. Hosted at Villain in Williamsburg, guests stepped into a fully imagined warehouse art party. That night it was all about participation. We created a series of art activities to get guests making art and meeting each other. Guests captured the revelry of the night in Ventikoland’s projection photo booth. After some savory Espolón cocktails and tacos the art battle was ready to begin. 2 amazing artists competed head-to-head in a series of timed challenges and a head-to-head battle of creative awesomeness. Interludes were provided by a pop & lock round girl, battling breakdancers, and a duo of beatboxers.

 

Event Design by Adam Aleksander Presents

Photography by Lukas Maverick Greyson

 

Working with Jim Bond

 

Residency:

 

Boars Head Pub

Kidderminster

Maker: Jim Bond

Graduate Placement: Michelle Taylor

 

The Kidderminster residency was at the Boars Head

Pub, which actively supports the local arts scene. Jim

Bond is a kinetic sculptor and used the residency to work

with two different groups; KAF Creatives, a group of

visual artists and the Phoenix women’s group. Jim

developed a range of activities to build their skills using

life drawing, clay modelling and plaster moulds. Michelle

Taylor also brought lots of useful knowledge of ceramics

and mould-making to the community sessions.

 

Making Moves is a West Midlands craft development initiative

involving four regional partnerships, led by Staffordshire County

Council and Craftspace, a Birmingham based craft development

organisation. The project consisted of nine craft residencies

which took place in community settings between September

2011 and July 2012, culminating in a touring exhibition.

 

The nine makers were challenged by residencies in unusual

workspaces - including a hospital, a pub and a park visitor

centre - which acted as sources of inspiration to develop ideas

for new work. They worked with local communities, offering

making workshops that were high quality, inspirational and in

some cases, life-changing. The exhibition showcases new work

by the makers in response to their residency setting, as well

examples of tools, materials and work created in the community

sessions.

 

The project also provided opportunities for nine crafts graduates

who supported the community making sessions as well as

receiving mentoring from the resident maker. They were given a

small bursary towards the development of their practice and

have also created new work for the exhibition.

 

Making Moves aimed to provide valuable opportunities for

learning. Makers gave masterclasses and lectures to Higher

and Further education institutions as well as talks to the wider

community. They wrote about the residency experiences on a

project blog, as well as coming together for regular networking

sessions.

 

To find out more about the project visit www.makingmoves.org and the

Makers’ Residency Blog www.makingmoves.posterous.com

 

Photos by Becky Matthews

"we'll be hair today, we'll be hair tomorrow"

 

May 25 was her birthday. 🌷Mother🌷

 

illustration, watercolor, mixedmedia on paper 29cm x 49cm

 

conntact ibarraloana@gmail.com

instagram loanaibarra

facebook www.facebook.com/LIM.LoanaIbarraMazari

 

Liz Atkin is a visual arts technician and printmaker featured in The Weight of Being: Vulnerability, Resilience and Mental Health in Art at Two Temple Place, London (running until April 19, 2026). Her cyanotype prints explore the physical and mental health benefits of cold water sea swimming, capturing the "sharp embrace" of the North Sea.

I asked Liz to hold a postcard of her work in front of the original print displayed.

 

Blog: kingsdavis.medium.com/

UNAVAILABLE(BURNT) 50X65CMS PAPER MXD MEDIAS

The mustached misanthrope with a typewriter and a hammer. Madness and Genius. And you can’t talk about that without celebrating a man who stared too long into the abyss... and smiled back. Friedrich Nietzsche.

 

That’s Nee-chuh if you’re feeling polite, Nee-chee if you’re American, and Nitch if you’re trying to sound like you read him in the original German.

 

Born in 1844, back when trains were still new and people thought syphilis was just bad luck. He was a preacher’s kid but he sure didn’t stay in the pews long. He walked outta that church with a fistful of lightning and a book full of questions. See, Nietzsche didn’t believe in God. Or maybe he did, but he thought the guy was already dead, and we were the ones who did it. He wrote things like “God is dead—and we have killed him.” That’s not a confession. That’s a dare.

 

But Nietzsche wasn’t some cold-hearted philosopher with chalk on his elbows. He wrote like a poet with a toothache. He was trying to build a world where people didn’t need a shepherd, or a rulebook, or a finish line in the sky. He believed in the Übermensch (the “Overman”) someone who could look life square in the eye and say, "I’ll make my own meaning, thank you very much." I personally think of Nietzsche as a funny one too. He writes philosophical satire as several ancient satirist/philosophers did, you know, both against philosophy and out of love for philosophy. Nietzsche can be interpreted as a satirist of philosophy. And satirizing philosophy constitutes his genuine pursuit of wisdom. He claimed several times that laughter is the only remedy to suffering, that comedy and philosophy is a tool with which we can ameliorate and make sense of pain and adversity.

 

A lot of folks misunderstood him. Some twisted his words into things he never meant, like a bad cover song of a brilliant tune. The Nazis tried to claim him, but Nietzsche hated nationalism. Hated obedience. Hated anything that smelled like a uniform.

 

He went mad in 1889. Walked through the streets of Turin, Italy, saw a horse being beaten, ran up, threw his arms around it, and collapsed. Never spoke again. Spent the last 11 years of his life silent. Maybe he said everything he needed to.

 

You ever wonder what it sounds like to write with fire and cry with thunder? That was Nietzsche. And whether you agree with him or not the man could turn a phrase like a knife in the dark.

 

ink, watercolor on paper

contact ibarraloana@gmail.com

Staring at the inmensity of the Amazonian jungle down the Amazon river.

 

edamak.mx

“When mental [illness] increases until it reaches the danger point, do not exhaust yourself by efforts to trace back to original causes. Better accept them as inevitable and save your strength to fight against the effects.”

― George Sand

 

www.facebook.com/michelle.robinson.images.and.art/

 

IG @ @simply.mich.robinson / @mich.robinson

Adrian+Shane are in the April 2011 print version of American art and design magazine 'Print'.

Residency:

 

Jephson Gardens

Leamington Spa

 

Maker: Deirdre Nelson

Graduate Placement: Stewart Easton

 

Textile artist, Deirdre Nelson’s residency was based in the

Glasshouse Studio attached to the Temperate House in

Jephson Gardens. Deirdre, together with Stewart Easton,

worked with members of the intergenerational Hispanic

community group, Club Amigos, to make a collective

tablecloth ‘Las Mantel Mas Grande de Leamington’ (The

Biggest Tablecloth in Leamington) using drawing, digital

print and stitch. Deirdre and Stewart also worked with

second generation Portuguese children from Sydenham

Primary School, to create embroidered napkins

celebrating the elephants that used to live in Leamington.

 

Making Moves, Creating Futures for Craft

 

Making Moves is a West Midlands craft development initiative

involving four regional partnerships, led by Staffordshire County

Council and Craftspace, a Birmingham based craft development

organisation. The project consisted of nine craft residencies

which took place in community settings between September

2011 and July 2012, culminating in this touring exhibition.

 

The nine makers were challenged by residencies in unusual

workspaces - including a hospital, a pub and a park visitor

centre - which acted as sources of inspiration to develop ideas

for new work. They worked with local communities, offering

making workshops that were high quality, inspirational and in

some cases, life-changing. This exhibition showcases new work

by the makers in response to their residency setting, as well

examples of tools, materials and work created in the community

sessions.

 

The project also provided opportunities for nine crafts graduates

who supported the community making sessions as well as

receiving mentoring from the resident maker. They were given a

small bursary towards the development of their practice and

have also created new work for the exhibition.

 

Making Moves aimed to provide valuable opportunities for

learning. Makers gave masterclasses and lectures to Higher

and Further education institutions as well as talks to the wider

community. They wrote about the residency experiences on a

project blog, as well as coming together for regular networking

sessions.

 

To find out more about the project visit www.makingmoves.org and the

Makers’ Residency Blog www.makingmoves.posterous.com

Raindrops sliding across a window in the wind.

 

With the Sony A7S.

 

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