View allAll Photos Tagged VisualArtist
Ericka College girl 28
Model: Ericka Guereni
Photographer: Ernesto De la Vega “Kaede”
Nikon D5100
Lens: 18 – 55
Siento nostalgia al hablar de ella, tal vez por que ya casi no la veo, siempre estamos ocupados trabajando, con proyectos intentado hacer algo grande por nosotros...
Ericka College girl 16
Model: Ericka Guereni
Photographer: Ernesto De la Vega “Kaede”
Nikon D5100
Lens: 18 – 55
Ericka es una de las pocas amigas que a pesar de los años nos seguimos hablando, ya no como antes que nos veíamos cuando menos una vez a la semana pero de repente t...
Lloyd McNeill (born in Washington, D.C.) is a Jazz flutist and visual artist currently based in New York City. He is generally recognized as a jazz flutist of eminent ability, alongside James Newton, Yusef Lateef, Sam Rivers and Eric Dolphy.
www.flickr.com/photos/28986981@N05/14398437036/in/photoli...
lmcneill1.weebly.com/ www.hipwax.com/music/patch/flute_lm.html
Artis zoo, Amsterdam
Sketches on the back of my entry ticket, pen and black watercolor (when you bring everything but you sketchbook)
#sketch #pinguins #penguins #artis #artiszoo #amsterdam #penandwatercolor #blackandwhite #drawing #visualartist #maartjejaquet
Ericka College girl 20
Model: Ericka Guereni
Photographer: Ernesto De la Vega “Kaede”
Nikon D5100
Lens: 18 – 55
Cuando miro sus ojos recuerdo muchos momentos que vivimos, no solo los buenos, también recuerdo momentos tristes, enojo, etc. en algunos casos cosas por las que fui ...
gerhard richter
bilder einer epoche
bucerius kunst forum exhibition catalogue (french edition)
somogy éditions d'art (2012)
© Luis Campillo 2016
Model Ane Sehnsucht.
Outfit by SEHNSUCHT www.anesehnsucht.com
Self Portrait - Pieces of Me
Photography, MAU, Hair & Post Processing Done By Me - Florbela : FFX © Florbela's Fotographix
I can still remember this walk home, during an amazing sunrise when I was coming up Main St / Science World - it was a perfect Night , with a Perfect Morning ending with my Favourite Shadow Portrait.
- A Photographers Self Portrait
Florbelas Fotographix © FFX photography
Follow me on Twitter : www.twitter.com/msffx
Andy Warhol Bridge in the rain, Pittsburgh, Pennsylvania, USA The Andy Warhol Bridge (also known as the Seventh Street Bridge) spans the Allegheny River in downtown Pittsburgh, Pennsylvania. It is said to be the only bridge on the United States named for a visual artist. It is one of the three bridges in Pittsburgh collectively known as “The Three Sisters” because the bridges are of identical construction (the Rachel Carson Bridge and the Roberto Clemente Bridge are the other two).
A two hander play about two mismatched roommates who are not exactly a friendship made in heaven (or Manchester) where this story is set. Think the odd couple.
Joanie beds herself down for the night in her skip; after 6 failed marriages, this is preferable. Being up-cycled by Waynetta is the first time Joanie has landed on her feet, her regular position is on her back. Everything Joanie owns fits into her Fanny Bag. House training Joanie is going to be like training a feral cat – but Joanie is one glamour pussy.
Waynetta lives alone in an apartment left to her by her late Nana Cakey. After ending her last bad relationship, she now chills out watching gogglebox and occasionally dabbles lazily with contemporary art. Her medium is Pizza and coffee accidentally stained upon Junk mail. She sells her art on Shabby junk art websites to make her living. So
grab your work colleagues, mates or other halves and join 'The Peculiar Pair' in Wilsons Den.
Address: Wilsons Social, 42-44 Oldham Street, Northern Quarter, Manchester.
Dates and Times:
Thursday 9th, Friday 10th, Friday 17th with Q&A afterwards, Friday 24th, Thursday 30th and Friday 31st of July 6.30 pm till 7.30 pm
For more details and tickets www.greatermanchesterfringe.co.uk
© Luis Campillo 2015
Model Ane Sehnsucht. www.anesehnsucht.com
Oval Maidan of Churchgate, Mumbai in its Sunday best; captured in all its wide-angled glory while a game of cricket drones on behind. The High Court & Rajabai Clock Tower stand tall in the background.
More images: Facebook page.
Residency:
Soho House
Birmingham
Maker: Karina Thompson
Graduate Placement: Lauren Crawford
Textile artist Karina Thompson was based at Soho House,
the home of Matthew Boulton, a leading figure in the
Industrial Revolution. Karina’s own practice involves
exploring scientific data through digital stitch and the use
of digital technology in the 21st Century. Karina has also
had a longstanding interest in Matthew Boulton and his
contribution to manufacturing. Weaver Lauren Crawford
supported Karina and together they worked with women
from the Asian Textiles Group using the interior of
Matthew Boulton’s house for inspiration.
Making Moves, Creating Futures for Craft
Making Moves is a West Midlands craft development initiative
involving four regional partnerships, led by Staffordshire County
Council and Craftspace, a Birmingham based craft development
organisation. The project consisted of nine craft residencies
which took place in community settings between September
2011 and July 2012, culminating in a touring exhibition.
The nine makers were challenged by residencies in unusual
workspaces - including a hospital, a pub and a park visitor
centre - which acted as sources of inspiration to develop ideas
for new work. They worked with local communities, offering
making workshops that were high quality, inspirational and in
some cases, life-changing. The exhibition showcases new work
by the makers in response to their residency setting, as well
examples of tools, materials and work created in the community
sessions.
The project also provided opportunities for nine crafts graduates
who supported the community making sessions as well as
receiving mentoring from the resident maker. They were given a
small bursary towards the development of their practice and
have also created new work for the exhibition.
Making Moves aimed to provide valuable opportunities for
learning. Makers gave masterclasses and lectures to Higher
and Further education institutions as well as talks to the wider
community. They wrote about the residency experiences on a
project blog, as well as coming together for regular networking
sessions.
To find out more about the project visit www.makingmoves.org and the
Makers’ Residency Blog www.makingmoves.posterous.com
Photos by Becky Matthews
D843_002b
08/04/2017 : Le Puy-Sainte-Réparade, Château La Coste : exposition Mountains and Seas (Ai Weiwei)
Yuyi
Residency:
Soho House
Birmingham
Maker: Karina Thompson
Graduate Placement: Lauren Crawford
Textile artist Karina Thompson was based at Soho House,
the home of Matthew Boulton, a leading figure in the
Industrial Revolution. Karina’s own practice involves
exploring scientific data through digital stitch and the use
of digital technology in the 21st Century. Karina has also
had a longstanding interest in Matthew Boulton and his
contribution to manufacturing. Weaver Lauren Crawford
supported Karina and together they worked with women
from the Asian Textiles Group using the interior of
Matthew Boulton’s house for inspiration.
Making Moves, Creating Futures for Craft
Making Moves is a West Midlands craft development initiative
involving four regional partnerships, led by Staffordshire County
Council and Craftspace, a Birmingham based craft development
organisation. The project consisted of nine craft residencies
which took place in community settings between September
2011 and July 2012, culminating in a touring exhibition.
The nine makers were challenged by residencies in unusual
workspaces - including a hospital, a pub and a park visitor
centre - which acted as sources of inspiration to develop ideas
for new work. They worked with local communities, offering
making workshops that were high quality, inspirational and in
some cases, life-changing. The exhibition showcases new work
by the makers in response to their residency setting, as well
examples of tools, materials and work created in the community
sessions.
The project also provided opportunities for nine crafts graduates
who supported the community making sessions as well as
receiving mentoring from the resident maker. They were given a
small bursary towards the development of their practice and
have also created new work for the exhibition.
Making Moves aimed to provide valuable opportunities for
learning. Makers gave masterclasses and lectures to Higher
and Further education institutions as well as talks to the wider
community. They wrote about the residency experiences on a
project blog, as well as coming together for regular networking
sessions.
To find out more about the project visit www.makingmoves.org and the
Makers’ Residency Blog www.makingmoves.posterous.com
Photos by Becky Matthews
Working with Jim Bond
Residency:
Boars Head Pub
Kidderminster
Maker: Jim Bond
Graduate Placement: Michelle Taylor
The Kidderminster residency was at the Boars Head
Pub, which actively supports the local arts scene. Jim
Bond is a kinetic sculptor and used the residency to work
with two different groups; KAF Creatives, a group of
visual artists and the Phoenix women’s group. Jim
developed a range of activities to build their skills using
life drawing, clay modelling and plaster moulds. Michelle
Taylor also brought lots of useful knowledge of ceramics
and mould-making to the community sessions.
Making Moves is a West Midlands craft development initiative
involving four regional partnerships, led by Staffordshire County
Council and Craftspace, a Birmingham based craft development
organisation. The project consisted of nine craft residencies
which took place in community settings between September
2011 and July 2012, culminating in a touring exhibition.
The nine makers were challenged by residencies in unusual
workspaces - including a hospital, a pub and a park visitor
centre - which acted as sources of inspiration to develop ideas
for new work. They worked with local communities, offering
making workshops that were high quality, inspirational and in
some cases, life-changing. The exhibition showcases new work
by the makers in response to their residency setting, as well
examples of tools, materials and work created in the community
sessions.
The project also provided opportunities for nine crafts graduates
who supported the community making sessions as well as
receiving mentoring from the resident maker. They were given a
small bursary towards the development of their practice and
have also created new work for the exhibition.
Making Moves aimed to provide valuable opportunities for
learning. Makers gave masterclasses and lectures to Higher
and Further education institutions as well as talks to the wider
community. They wrote about the residency experiences on a
project blog, as well as coming together for regular networking
sessions.
To find out more about the project visit www.makingmoves.org and the
Makers’ Residency Blog www.makingmoves.posterous.com
Photos by Becky Matthews
Working with Karina Thompson
Residency:
Soho House
Birmingham
Maker: Karina Thompson
Graduate Placement: Lauren Crawford
Textile artist Karina Thompson was based at Soho House,
the home of Matthew Boulton, a leading figure in the
Industrial Revolution. Karina’s own practice involves
exploring scientific data through digital stitch and the use
of digital technology in the 21st Century. Karina has also
had a longstanding interest in Matthew Boulton and his
contribution to manufacturing. Weaver Lauren Crawford
supported Karina and together they worked with women
from the Asian Textiles Group using the interior of
Matthew Boulton’s house for inspiration.
Making Moves, Creating Futures for Craft
Making Moves is a West Midlands craft development initiative
involving four regional partnerships, led by Staffordshire County
Council and Craftspace, a Birmingham based craft development
organisation. The project consisted of nine craft residencies
which took place in community settings between September
2011 and July 2012, culminating in a touring exhibition.
The nine makers were challenged by residencies in unusual
workspaces - including a hospital, a pub and a park visitor
centre - which acted as sources of inspiration to develop ideas
for new work. They worked with local communities, offering
making workshops that were high quality, inspirational and in
some cases, life-changing. The exhibition showcases new work
by the makers in response to their residency setting, as well
examples of tools, materials and work created in the community
sessions.
The project also provided opportunities for nine crafts graduates
who supported the community making sessions as well as
receiving mentoring from the resident maker. They were given a
small bursary towards the development of their practice and
have also created new work for the exhibition.
Making Moves aimed to provide valuable opportunities for
learning. Makers gave masterclasses and lectures to Higher
and Further education institutions as well as talks to the wider
community. They wrote about the residency experiences on a
project blog, as well as coming together for regular networking
sessions.
To find out more about the project visit www.makingmoves.org and the
Makers’ Residency Blog www.makingmoves.posterous.com
Photos by Becky Matthews
"Nothing whets the intelligence more than a passionate suspicion, nothing develops all the faculties of an immature mind more than a trail running away into the dark.”
― Stefan Zweig
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