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Versatile dancer of the stage and screen, Ada-May (Ada May Weeks) first headlined on Broadway in the 1924 musical “Lollipop.” A native of Long Island, she danced in public at age 5, and by high school had mastered ballroom, ballet, tap, and “aesthetic” (modern) dance. At age 14, she understudied Marilyn Miller in “Around the World” and worked as a solo dancer for Ziegfeld in the Midnight Frolic. Ada-May discovered a talent for comedy and quickly adapted to speaking parts, playing effectively in minor roles in “Fancy Free,” “Listen Lester,” and “Jim Jam Jems.” In 1927 she played a lead role in “Rio Rita,” the musical hit that opened the new Ziegfeld Theater.

 

Attribution: Broadway Photographs: Art Photography & the American Stage, 1900-1930. www./broadway.cas.sc.edu

 

Photography by Alfred Cheney Johnston.

 

Source: Retrografix.com, Twitter @retrografixcom

Johnny Depp is an amazing, versatile actor with enourmous talent! He is the best actor of all time and of course my all time FAVORITE!! Johnny Depp I would LOVE to meet you!

Some background:

The VF-1 was developed by Stonewell/Bellcom/Shinnakasu for the U.N. Spacy by using alien Overtechnology obtained from the SDF-1 Macross alien spaceship. The space-capable VF-1's combat debut was on February 7, 2009, during the Battle of South Ataria Island - the first battle of Space War I - and remained the mainstay fighter of the U.N. Spacy for the entire conflict. Introduced in 2008, the VF-1 would be out of frontline service just five years later, though.

 

The VF-1 proved to be an extremely capable craft, successfully combating a variety of Zentraedi mecha even in most sorties which saw UN Spacy forces significantly outnumbered. The versatility of the Valkyrie design enabled the variable fighter to act as both large-scale infantry and as air/space superiority fighter. The basic VF-1 was built and deployed in four minor variants (designated A, J, and S single-seater and the D two-seater/trainer) and its success was increased by continued development of various enhancements including the GBP-1S "Armored" Valkyrie exoskeleton with enhanced protection and integrated missile launchers, the so-called FAST (“Fuel And Sensor Tray”) packs that created the fully space-capable "Super" Valkyries and the additional RÖ-X2 heavy cannon pack weapon system for the VF-1S “Super Valkyrie”.

 

After the end of Space War I, the VF-1 continued to be manufactured both in the Sol system and throughout the UNG space colonies. At the end of 2015 the final rollout of the VF-1 was celebrated at a special ceremony, commemorating this most famous of variable fighters. The VF-1 Valkryie was built from 2006 to 2013 with a total production of 5,459 VF-1 variable fighters with several original variants (VF-1A = 5,093, VF-1D = 85, VF-1J = 49, VF-1S = 30, VF-1G = 12, VE-1 = 122, VT-1 = 68), even though these machines were frequently updated and modified during their career, leading to a wide range of sub-variants and different standards.

 

Although the VF-1 would be replaced in 2020 as the primary Variable Fighter of the U.N. Spacy, a long service record and continued production after the war proved the lasting worth of the design. One of these post-war designs became the VF-1EX, a replica variant of the VF-1J with up-to-date avionics and instrumentation. It was only built in small numbers in the late 2040s and was a dedicated variant for advanced training with dissimilar mock aerial and ground fighting.

 

The only operator of this type was Xaos (sometimes spelled as Chaos), a private and independent military and civilian contractor. Xaos was originally a fold navigation business that began venturing into fold wave communication and information, expanding rapidly during the 2050s and entering new business fields like flight tests and providing aggressor aircraft for military training. They were almost entirely independent from the New United Nations Spacy (NUNS) and was led by the mysterious Lady M. During the Vár Syndrome outbreak, Echo Squadron and Delta Flight and the tactical sound unit Thrones and Walküre were formed to counteract its effects in the Brísingr Globular Cluster.

 

The VF-1EX was restricted to its primary objective and never saw real combat. The replica unit retained the overall basic performance of the original VF-1 Valkyrie, the specifications being more than sufficient for training and mock combat. The only difference was the addition of the contemporary military EG-01M/MP EX-Gear system for the pilot as an emergency standard, an exoskeleton unit with personal inner-wear, two variable geometry wings, two hybrid jet/rocket engines, mechanical hardware for the head, torso, arms and legs. This feature gave the VF-1EX its new designation.

Furthermore, the VF-1EX was also outfitted with other electronic contingency functions like AI-assisted flight and remote override controls. Some of these features could be disabled according to necessity or pilot preferences. The gun pod unit was retained but was usually only loaded with paintball rounds for mock combat. For the same purpose, one of the original Mauler RÖV-20 anti-aircraft laser cannon in the "head unit" was replaced by a long-range laser target designator. AMM-1 missiles with dummy warheads or other training ordnance could be added to the wing hardpoints, but the VF-1EX was never seen being equipped this way - it remained an agile dogfighter.

  

General characteristics:

All-environment variable fighter and tactical combat Battroid. 3-mode variable transformation; variable geometry wing; vertical take-off and landing; control-configurable vehicle; single-axis thrust vectoring; three "magic hand" manipulators for maintenance use; retractable canopy shield for Battroid mode and atmospheric reentry; EG-01M/MP EX-Gear system; option of GBP-1S system, atmospheric-escape booster, or FAST Pack system.

 

Accommodation:

Single pilot in Marty & Beck Mk-7 zero/zero ejection seat

 

Dimensions:

Battroid Mode:

Height 12.68 meters

Width 7.3 meters

Length 4.0 meters

Fighter Mode:

Length 14.23 meters

Wingspan 14.78 meters (at 20° minimum sweep)

Height 3.84 meters

 

Empty weight: 13.25 metric tons

Standard take-off mass: 18.5 metric tons

MTOW: 37.0 metric tons

 

Power Plant:

2x Shinnakasu Heavy Industry/P&W/Roice FF-2001 thermonuclear reaction turbine engines, output 650 MW each, rated at 11,500 kg in standard or in overboost (225.63 kN x 2);

4x Shinnakasu Heavy Industry NBS-1 high-thrust vernier thrusters (1 x counter reverse vernier thruster nozzle mounted on the side of each leg nacelle/air intake, 1 x wing thruster roll control system on each wingtip);

18x P&W LHP04 low-thrust vernier thrusters beneath multipurpose hook/handles

 

Performance:

Battroid Mode: maximum walking speed 160 km/h

Fighter Mode: at 10,000 m Mach 2.71; at 30,000+ m Mach 3.87

g limit: in space +7

Thrust-to-weight ratio: empty 3.47; standard TOW 2.49; maximum TOW 1.24

 

Transformation:

Standard time from Fighter to Battroid (automated): under 5 sec.

Min. time from Fighter to Battroid (manual): 0.9 sec.

 

Armament:

1x Mauler RÖV-20 anti-aircraft laser cannon in the "head" unit, firing 6,000 pulses per minute

1x Howard GU-11 55 mm three-barrel Gatling gun pod with 200 RPG, fired at 1,200 rpm

4x underwing hardpoints for a wide variety of ordnance

  

The kit and its assembly:

The VF-1EX Valkyrie is a Variable Fighter introduced in the Macross Δ television series, and it's, as described above, a replica training variant that resembles outwardly the VF-1J. There's even a Hasegawa 1:72 kit from 2016 of this obscure variant.

However, what I tried to recreate is a virtual (and purely fictional/non-canonical) VF-1EX, re-skinned by someone called David L. on the basis of a virtual VF-1S 3D model with a 2 m wing span (sounds like ~1:8 scale) for the Phoenix R/C simulator software. Check this for reference: www.supermotoxl.com/projects-articles/ready-to-drive-fly-...). How bizarre can things be/become? And how sick is a hardware model of it, though...?

 

I found the complex livery very attractive and had the plan to build a 1:100 model for some years now. But it took this long to gather enough mojo to tackle this project, due to the tricolor paint scheme's complex nature...

The "canvas" for this stunt is a vintage Arii 1:100 VF-1 kit, built OOB except for some standard mods. The kit was actually a VF-1A, but I had a spare VF-1J head unit in store as a suitable replacement. Externally, some dorsal blade aerials and vanes on the nose were added, the attachment points under the wings for the pylons were PSRed away. A pilot figure was added to the cockpit because this model would be displayed in flight. As a consequence, the ventral gun pod received an adapter at its tail and I added one of my home-brew wire displays, created on the basis of the kit's OOB plastic base.

  

Painting and markings:

As mentioned above, this VF-1 is based on a re-skinned virtual R/C model, and its creator apparently took inspiration from a canonical VF fighter, namely a VF-31C "Siegfried", and specifically the "Mirage Farina Jenius Custom" version from the Macross Δ series that plays around 2051. Screenshots from the demo flight video under the link above provided various perspectives as painting reference, but the actual implementation on the tiny model caused serious headaches.

The VF-1's shapes are rather round and curvy, the model's jagged surface and small size prohibited masking. The kit is IMHO also best built and painted in single sub-assemblies, but upon closer inspection the screenshots revealed some marking inconsistencies (apparently edited from various videos?), and certain areas were left uncertain, e .g. the inside of the legs or the whole belly area. Therefore, this model is just a personal interpretation of the design, and as such I also deviated in the markings.

 

The paints became Humbrol 20 (Crimson) and 58 (Magenta), plus Revell 301 (Semi-gloss White), and they were applied with brushes. To replicate the edgy and rather fragmented pattern I initially laid down the two reds in a rather rough and thin fashion and painted the white dorsal and ventral areas. Once thoroughly dry, the white edges were quasi-masked with white decal material, either with stripes of various widths or tailored from sheet material, e. g. for the "wedges" on the wings and fins and the dorsal "swallow tail". This went more smoothly than expected, with a very convincing and clean result that i'd never had achieved with brushes alone, even with masking attempts, which would probably have led to chaos and too much paint on the model.

 

Other details like the grey leading edges or the air intakes were created with grey and black decal material, too.

No weathering was done, since the aircraft would be clean and in pristine condition, but I used a soft pencil to emphasize the engraved panel lines, esp. on white background. The gun pod became grey and the exhausts, painted in Revell 91 (Iron), were treated with graphite for a darker shade and a more metallic look.

 

Stencils came from the kit's OOB sheet, but only a few, since there was already a lot "going on" on the VF-1's hull. The flash-shaped Xaos insignia and the NUNS markings on legs and wings were printed at home - as well as the small black vernier thrusters all around the hull, for a uniform look. The USN style Modex and the small letter code on the fins came from an Colorado Decals F-5 sheet, for an aggressor aircraft.

 

Finally, the kit was sealed overall with semi-gloss acrlyic varnish (which turned out glossier than expected...) and position lights etc. added with translucent paint on top of a silver base.

  

Well, while the VF-1 was built OOB with no major mods and just some cosmetical upgrades, the paint scheme and its finish were more demanding - and I am happy that the "decal masking" trick worked so fine. The paint scheme surely is attractive, even though it IMHO does not really takes the VF-1's lines into account. Nevertheless, I am certain that there are not many models that are actually based on a virtual 1:8 scale 3D model of an iconic SF fighter, so that this VF-1EX might be unique.

 

versatile rail motor car АМ140 was used as the base for the АМ-140-01 ПК (АМ140ПК), new rail motor car of higher comfort www.flickr.com/photos/cetus13/54475933087/in/dateposted/

Both rail motor cars of АМ140 family are produced by Sinara-Transport Machines Holding (part of the Sinara Group) on the Sverdlovsk Track Repair and Mechanical Plant (ОАО "Свердловский путевой ремонтно-механический завод "Ремпутьмаш", код 1598).

Speed, 140 km/h

Twin diesel generator 540kW,

electric transmission

Number of drive/brake axles 4/4

This table for a Haas VM-3 Mold Making VMC is fresh off one of the large 10-pallet HMCs in the Haas machine shop. The top and bottom of the table are machined in a single setup to ensure parallelism between the table’s top and the mounting points for the guide trucks on the bottom. The VM table features T-slots in both the X and Y directions, plus precision dowel pin bores and a tapped hole pattern for fixturing versatility.

Versatile tool helps people with hand or finger disabilities to eat, write, groom and perform other daily activities. Particularly beneficial for anyone who has arthritis, missing fingers or an arm in a cast. Provides a comfortable grip on a pen, pencil, razor, toothbrush or other utensil. Can...

 

wheelchairshandy.com/sammons-preston-arthwriter-hand-aid/

We have jazzed up some of the crates we have, which are pieces from old furniture in China, with vintage knobs or decoupaged paper...each one is unique, so you can enjoy putting together the perfect selection for your home--whatever you choose to put inside!

My wedding dress has proved to be a good investment. I don’t remember exactly how much I paid . . . maybe $120? (It was on the clearance rack.) Granted, this isn’t a traditional dress; it’s more of a cocktail frock. But I’ve gotten a ton of remixes from it: dressy, business creative, and casual.

 

Today, I wore it to birdwatch at the Eureka boardwalk and then shed the boots, rolled up the leggings, and played tag with the surf.

 

Jacket, H&M (thrifted). Sweater, thrifted. Dress, Parker. Leggings, We Love Colors. Boots, Style & Co (thrifted). Sunglasses, Target. Scarf, Claire’s. Bag, Allstate Leather.

Versatile leggings outfit for comfortable wear and smart appearance that seems an everyday look for females these days. The leggings give a nice leggy look worn with heels .

The forward double drum winch of the ASD Tug 2811 ensures exceptional towing performance.

 

The vessel, though, is designed not only to handle the largest of vessels in restricted waters, it is also equipped to undertake a wide range of support duties.

 

These include offshore and coastal towage, fire fighting and pollution control, paving the way for optimal flexibility and operational versatility.

 

©️Damen (Image and notes from Damen Facebook page).

sometimes worn vertically and sometimes horizontally.

These pillows have served to elevate my leg and provide a suitable bed for Andy.

 

We will celebrate National Feral Cat Day with him on Wednesday.

 

Hey! I can drive tomorrow!

2018 collection

 

expressive

intuitive

chaos speed knitting

& action crochet

freeform top

mini vest

 

made of 1 skein

of NORO multicolor

wool/silk mix

& additional matching

uni color materials

Pistachio Dukkah is a Egyptian spice mix which is very versatile in it's use. Made using a nut of your choice and other spices, this spice mix is a must have in your pantry. Click on the link for the recipe.

www.whiskaffair.com/2015/12/pistachio-dukkah.html

Texture for CC versatile challenge.

These are the dark green leaves of the Holm Oak. An evergreen oak tree. :)

Mr. Tempelman of the large Dutch recumbent shop Ligfiets Shop Tempelman rode this Versatile velomobile in the uphill race at the 2005 International Velomobile Meeting in Giessen, Germany

Excellent graining, tambour door lower cabinet, lockable drop down secretary with key? Gimme me break man! Available--- contact me via email kennyk@k2modern.com.

  

The KD dance Classic V Neck is the most versatile top you will ever wear. It can be worn over the shoulder or pulled down for an off shoulder look. It can cover your belly or be worn effortlessly showing it off. Comfortable and confident jumping from office casual to an after work engagement in a flash. KD dance clothes are constructed to last and snap back to new after each wash even after heavy workout. Which is why KD dance is known as the finest maker of knit dancewear in the world. Worn by professional dancers in New York, San Francisco, Tokyo, Moscow, Paris, London, Rome and Los Angeles, performers from Cher, Jennifer Lopez and Britney Spears have worn KD dance on stage. Celebrities that have shopped at the KD dance store in SoHo New York include: Christy Turlington, Mikhail Baryshnikov and Rodney Yee. But what really matters is that dancing or dinning, in KD dance the beauty is you.

 

If you are discovering KD dance for the first time we have matching Tights, Tanks, Wraps, Leg Warmers, Shrugs also available here on Amazon. KD dance was created in 1980, same year the original movie Fame was released by young dancers knitting clothing for fellow dancers on tour with the Oakland Ballet. In 1980 Michael Jackson had a #1 Hit with Rock With You and the first computer modem was released.

 

2010 marks the 30th Anniversary of our timeless knits featured in Vogue, W, Allure, Harpers Bazaar, Glamour, Shape, Fitness & even Psychology Today. Our Gauze like knit makes our clothing completely versatile and customizable to create looks all your own. Which is why Dancing or Dinning in KD dance the beauty is you.

 

Nous voyons ici Silvy Pelletier, danseuse et choregraphe, qui enseigne a Scream Dance Academy, a Montreal. Elle confection aussi des bijoux. Creatrice et designer pour la marque VY creations. marque VY creations.

 

Photography by Garvey Rich

 

You can find us at KDdance.com or KDdance2.com

Black and white publicity photograph of Anne Murray with her hand to her chin. She is a highly successful retired Canadian singer known for her versatile contributions to country, pop, and adult contemporary music.

 

The photo of Anne Murray was likely taken around 1980 or in the early 1980s. The hairstyle and style of clothing are consistent with the early 1980s. A similar photo used for press purposes has been dated to 1980. Other press photos from this era are also dated to 1981, 1984, 1985, and 1986.

 

Career Overview - Global Success Murray has sold over 55 million album copies worldwide during her career spanning more than 40 years.

 

Awards - She has won numerous accolades, including four Grammy Awards and a record 26 Juno Awards. In 1984, she was promoted to Companion of the Order of Canada, one of the nation's highest civilian honors.

 

Paving the Way Murray is recognized as one of the pioneering Canadian female artists who achieved international success, inspiring later stars like Céline Dion and Shania Twain.

Notable Hits Her famous songs include the breakout hit "Snowbird" (1970), "Danny's Song," "A Love Song," and her Grammy-winning number-one hit, "You Needed Me" (1978). Retirement She retired from touring and recording in 2008, performing her final public concert in Toronto in May of that year.

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Anne Murray (born June 20, 1945) is a retired Canadian country, pop and adult contemporary music singer who has sold over 55 million album copies worldwide during her over 40-year career. She has won four Grammys including the Grammy Award for Best Female Pop Vocal Performance in 1979. While released at the very end of 1969, “Snowbird” became a massive hit in 1970, reaching (#1) on Billboard’s Adult Contemporary chart and making Murray the first Canadian woman to earn a gold record in the United States. This song typified her signature crossover sound. Murray skillfully blended country, pop, and adult contemporary styles, appealing to a wide audience. She had 28 songs on the Billboard Hot 100 chart, eight (#1) hits on the Adult Contemporary chart, and 25 Top 10 hits on the Hot Country Songs chart throughout her career.

 

Murray released 14 albums in the 1970s, with several reaching the Top 10 in Canada, including the chart-toppers “Annie” (1972) and “Let’s Keep It That Way” (1978). Known for her warm alto voice, wholesome image, and stylistic versatility, Anne Murray became a “queen of middle-of-the-road (MOR) and country radio” during the 1970s and 1980s. She was cited as an influence by subsequent Canadian stars like k.d. lang, Jann Arden, Shania Twain, and Sarah McLachlan.

 

LINK to video - Anne Murray - Snowbird [LIVE, 1996] - www.youtube.com/watch?v=wFKmqmYcRLM&list=RDwFKmqmYcRL...

 

LINK to video - Anne Murray: from small town singer to Snowbird superstar | Life story and performances - www.youtube.com/watch?v=AMjlbq5EeyA

 

LINK to video - Anne Murray never thought she'd have a new album - www.youtube.com/watch?v=Et7yfsSM3s8

Grace Kelly

 

Noel Cruz is one of the most versatile & distinguished repaint artists in the doll community. He is most recognized for his character & celebrity based dolls due to their uncanny resemblance to the people they portray. His dolls are derived from several models like Gene, Tyler, Sydney, etc, by various doll-makers such as Robert Tonner & Franklin Mint. His repaints as well as his portraits are done with intricate detail to the point of being naturally lifelike in essence. Highly regarded among collectors and artists alike, Noel attempts to raise the bar and bring a fresh take to the common mass produced doll with every face he paints. Noel's specialty is with one of a kind repaints. The beauty of repaints is that almost no two are exactly alike just as no two artists are alike.

 

Visit my web site at www.ncruz.com

I needed a bird for the CC Versatile challenge... this one sat still and did not fly away as I clicked the shutter! :-)

New look! No fenders, black saddle and rack from another bike, new bar tape, and first time playing with shellac. Also threw a fixed cog on the flip side and clips and straps on the pedals. This is a versatile bike.

It's that time of year again! Gear up for fall with this versatile boots.

Durable synthetic upper provides targeted support and a glove-like fit.

100% premium wool fleece wicks moisture away keeping feet dry and comfortable in warm or cold climates.

Foam insole covered in a genuine fleece sock liner means ultra comfort and warmth.

Taller height is cozy and comfortable against bare legs.

Wear with the shaft straight up or rolled down to add stylish flair.

Designed to be worn barefoot to maximize the benefits of wool fleece.

Rubber outsole delivers long-lasting durability on a variety of surfaces.

This beautiful and functional art car, Chundra, even comes with a swing! [050413]

The K class was a branch line steam locomotive that ran on Victorian Railways from 1922 to 1979. Although its design was entirely conventional and its specifications unremarkable, the K class was in practice a remarkably versatile and dependable locomotive. It went on to outlast every other class of steam locomotive in regular service on the VR, and no fewer than 21 examples of the 53 originally built have survived into preservation.

The K class is credited with working virtually every line in the VR system and hauling almost every kind of train.

A total of ten were built from 1922-23. They were put to work on goods services on steeply graded branch lines where their superior tractive effort and high factor of adhesion were put to good use.

The design was modified in 1925 into the N class 2-8-2, in response to a new Victorian Railways policy that all new locomotives be capable of conversion from broad to standard gauge in the event of the Victorian Railways network being standardised. (The K, with its firebox mounted between the frames, was unsuitable for standard gauge conversion.)

The K class proved to be such a successful locomotive than during World War II when the VR faced a shortage of motive power on the branchline network, it built a further 43 K class locomotives even though the K was not gauge convertible. The decision to build more Ks reflected their greater versatility: they had the same tractive effort as the N class but unlike the longer wheelbase N class the K could be turned on the smallest (53 ft) turntables.

Although originally designed as a goods locomotive, their maximum permissible speed was raised in the 1950s from 45 to 50 mph (72 to 80 km/h) for branchline passenger service, further increasing their versatility.

The success of the K class was such that even in 1953, when dieselisation was already underway on Victorian Railways, the basic design of the K class was updated into the J class 2-8-0, the final class of steam locomotives to be introduced to the Victorian Railways.

 

You may imagine him chained to his view camera, but "well-known pro Ansel Adams" was in reality a bit of a gear hound like the rest of us. Here he's taken up the Hasselblad 500C just a year after its introduction. (Also, remember he was an official advisor to Polaroid and wrote books about it.)

 

He had a long relationship with Zeiss products—shooting this famous 1937 image with a handheld Contax. I can't find the reference, but the Super Ikonta B he picked up was "commandeered" by his wife Virginia for family photos. But especially in later years, the Hasselblad seems to have been his regular (lift-able) companion, used for the graffiti image from his 80th year which closes his book Examples: The Making of 40 Photographs.

Nikon FG

Nikon lens series E 50mm f/1.8

ILFORD PAN 100

Fresh from helping out elsewhere during the busy Festival weeks, Lothian Trident 628 is seen back on the familiar territory of service 14. This one of the last dual-door buses (for those rear platform lovers the middle door is exit only!), and part of a diminishing fleet of buses still in the harleyquin (or hurleyquin!) livery.

 

Service 14's origins goes way back to Edinburgh tram days, when routes 13 and 14 served the Granton, Ferry Road, Bonnington and Leith Walk areas. However although the replacement bus route retained number 14, its southern end was altered to serve Newington, Prestonfield, Craigmillar and Niddrie and for a time Newcraighall. Nowadays the route runs between the 'council' estates of Muirhouse and Greendykes and 628 is seen at the latter's leafy terminus.

 

The harleyquin livery did not quite fit in with traditional 'Edinburghers' - it appeared to offer more identity with a dress design than with an historic city such as Edinburgh!

  

The Finlay® 893+ is a highly versatile and aggressive heavy duty screener engineered and built for working in large scale quarrying, mining, construction and demolition debris, topsoil, recycling, sand, gravel, coal, ore and aggregate applications.

 

The plant has the capacity to process at a rate of up to 800 tonnes per hour and can be fed either by a tracked mobile crusher, shovel or an excavator. Depending on the application the working angle of the aggressive screenbox can be hydraulically adjusted to between 14 – 18°.

 

A key feature of this screening machine is the capability to change the working angle of the hopper/feeder. The working positioned can be lowered so that it can work with ease with a mobile crusher.

 

The hopper/feeder working position can be raised to provide a reduced feeder angle when operated in direct mode from an excavator or shovel. The screen box top deck can be fitted with a variety of screening media including; Mesh, Punch plate, Bofor bars & Tines. The bottom deck can be fitted with mesh, punch plate & cascade fingers.

 

This fully self-contained plant can be hydraulically folded and ready for transport in less than 30 minutes making it the ideal machine for large scale contract screening projects where a highly productive and dependable screen is paramount.

A cupcake can suit any occasion

 

Land Rover has revealed the new Discovery Sport, the world’s most versatile and capable premium compact SUV. The first member of the new Discovery family, Discovery Sport, features 5+2 seating in a footprint no larger than existing 5-seat premium SUVs.

 

Read all about it on www.LandRoverMENA.com

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