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February 11, 2015 at 04:20PM

Shot and styled by myself/March 2014

gambar tiada kaitan dengan tajuk entry.. url shortening for wp to

twitter plugin ada problem la pulak. patut la duk kuar segala

perkataan2 alien je kat timeline twitter aku.. terpaksa melakukan

sedikit adjustment.. have to register to bit.ly.. clingy ada prob ngan

aku nye wordpress..

June 18, 2017 at 12:05PM

August 06, 2017 at 09:47PM

username : "Maia C",

title : "Alexander the Great",

content url : "https://www.flickr.com/photos/maiac/3468973861/"

 

Singh Sahib Prof. Darshan Singh Ji Khalsa (Photo)

Guanyin is a bodhisattva, a divine being who has attained enlightenment but chooses to stay in the world to help others. Guanyin (an abbreviation of Guanshiyin: “Perceiver of the World’s Sounds”) responds to the calls of those in peril.

 

Here, Guanyin sits in an attitude of tranquil ease, an arm resting on one knee while gazing at the moon’s reflection in the water below; the bodhisattva’s rippling garments puddle downward in a seemingly liquid cascade. In China, devotion to Guanyin, who came to be represented as an androgynous or female being, was popularized through sacred texts ("sutras"), miracle tales, and legends by which the deity became associated with natural elements, such as water and the moon, that evoke themes of impermanence and change.

 

The sculpture is a technical marvel. The entire figure, down to the slender fingers, is hollow and made in a technique similar to papier-mâché. Layers of cloth soaked in lacquer, derived from a tree resin, were wrapped over an internal clay support that was removed after the lacquer had hardened. X-radiography shows that the hollow interior was covered in a pigment containing red mercury, called cinnabar, that may have had both sacred and preservative functions.

Chinese

 

H: 50 x W: 34 1/4 x D: 22 5/8 in. (127 x 87 x 57.5 cm)

medium: dry lacquer, gold, and paint

culture: Chinese

dynasty: Ming [Ming] Dynasty

 

given to Walters Art Museum, 2006.

art.thewalters.org/detail/4483

Dieses Bild von Tim Reckmann kann frei unter der angegebenen Creative Commons Lizenz genutzt werden. Viele Tausend weitere Fotos findest Du auch auf www.ccnull.de. Darüber hinausgehende Lizenzen (z.B. Nutzung ohne Kennzeichnung oder Social Media Nutzung) werden exklusiv auf www.a59.de angeboten. Der Einbindung der Bilder via Framing, Embedding oder Deep-Link wird ausdrücklich widersprochen.

Pamoramic shot of the café

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地址香港九龍尖沙咀漆咸道南45至51號其士大廈尖東堡商場地庫B65舖 masterwin@ymail.com

Www.facebook.com/florist.christy

http//www.flickr.com/photos/94503374/

//blog.xuite.net/wedding_decorations/hkblog

http//www.weshare.hk/94503374decoration

http//christyflorist.tumblr.com/

http//eventdecoration.pixnet.net/blog

http//plus.google.com/106737217008195886143

//youtu.be/W1AXoqcKAZA //

youtu.be/VNilzfUuWwQ?t=1m49s

www.youtube.com/watch?v=e0lR1RKfTcw

www.flickr.com/photos/wedding-decoration

eventdecoration.pixnet.net/blog/

//printing-style.blogspot.hk/

December 24, 2014 at 12:30PM

King Siddhartha is depicted on this page with his wife, Trishala, who had a series of auspicious dreams associated with her pregnancy. Her child Mahavira would grow up to become the historical founder of the Jain religion in the 500s BC. The royal couple is resplendently enthroned and bedecked in jewelry. Queen Trishala’s bodice was painted with a green pigment made from copper and vinegar; its high acid content caused the paper itself to disintegrate. The lavish use of gold and lapis lazuli indicates that it was a costly production.

Western India, Gujarat, last quarter of the 15th century

 

Gum tempera, ink, and gold on paper

Overall: 12.5 x 25.7 cm (4 15/16 x 10 1/8 in.)

 

Edward L. Whittemore Fund

clevelandart.org/art/1932.119.24.a

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