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A small boy, accompanied by his mother, is closing his hands in greeting to an old monk who has a young attendant standing behind him. Scholars believe the scene is a meeting between the fourth patriarch of Chan Buddhism, Daoxin 道信, and the little boy, who was the reincarnation of an old monk named Zaisong daozhe 栽松道者 (Pine Planter). They had encountered before, during which Daoxin advised the Pine Planter to endure a reincarnation as he was too old to reach enlightenment. This painting is done by Yintuoluo, an artist renowned for his simple and unadorned style.
China, Yuan dynasty (1271-1368)
section of a handscroll mounted as a hanging scroll, ink on paper
Image: 32.7 x 44.6 cm (12 7/8 x 17 9/16 in.); Overall: 245 x 62 cm (96 7/16 x 24 7/16 in.)
Did you know...
This painting is just a section of a handscroll that has been remounted as a hanging scroll.
Purchase from the J. H. Wade Fund
This ornament is made of a spondylus shell, from which the exterior surface has been carved away to reveal a layer of bright orange. The pampas cat inlaid on the surface in multicolored shell and stone has bean-shaped spots on his body, and grasps a gold gourd or fruit. In both Paracas and Nasca art, the small, non-domesticated pampas cat is strongly associated with beans and other crops. Perhaps it was thought to guard the fields from rodents and other pests.
Peru, South Coast, Nasca
Spondylus shell with shell, stone, and gold inlay
Overall: 7.5 x 7.4 cm (2 15/16 x 2 15/16 in.)
In memory of Mr. and Mrs. Henry Humphreys, gift of their daughter Helen
James G. Harwood was regarded as a promising young Baltimore artist when he died mysteriously of gun-shot wounds at the age of 28. Little is known of his career other than that he had studied for a year in New York with William Merritt Chase (1849-1916) and had also enrolled for two years at the Académie Julian in Paris, a popular destination for Americans training in Paris.
In this scene, Harwood has portrayed the Maryland Fifth Regiment marching up Charles Street in Baltimore on a rainy day. Two dates have been suggested for this work, the Defenders' Day celebration in September 1889 or the celebration of the ending of the Spanish-American War on September 7, 1898. On both occasions, it rained.
Approx. H: 41 x W: 26 1/2 in. (104.14 x 67.31 cm)
medium: oil on canvas
Walters Art Museum, 1977, by gift.
This was one of the main reasons I decided to start this project. I saw a handful of cars with their company info plastered all over their cars without the website address.
Lines
Url of Photo: flic.kr/p/JsxEVA
Description: This picture is of my children when we were visiting a unique outdoor museum of plants and trees. I snapped this picture when they were up in a tree-house.
What editing was done with the photo?
Severe cropping to help get rid of some of the external noise from the other children, trees and flowers. I attempted to adjust the color and shadowing to help bring the features of my children out to help bring them more to light and focus of the picture.
How did the photo meet the requirements?
I believe that this photo met the requirements for a lines photo due to all of the lines that were evident through the construction of the tree house. The bottom lines point up towards my children, the focus point, and the lines that they are putting their faces through, I believe, helps bring more focus to them because they are the wildcard in the pictures and the ‘change’ in the lines that are present.
What was the value of this assignment?
Looking at the original picture and comparing it to the edited picture really brings the focus on my children rather than all of the noise beside, under and above them. So this assignment helps with realizing where the true focus is in a more busy picture as well as to help me realize about where the lines are pointing to try and get the better angle with those lines.
Two magnificent lions arrived at a pond, and the male turns back, sensing that something has alerted the deer. From a hunting lodge, a princess aims her musket in their direction. <br><br>On the far banks of the pond is an abstract phallic sculpture (linga) on a spouted pedestal, indicating the sacred presence of the Hindu god Shiva. In front of the linga is an image of Shiva’s mount, the bull Nandi. The linga and bull bear traces of worship: horizontal marks in saffron, turmeric, and gold that communicate the worshiper’s religious affiliation and an inverted lotus flower. Devotion to Shiva is a prerequisite for the abundance of the land.
Northwestern India, Rajasthan, Rajput Kingdom of Kota
Gum tempera, ink, and gold on paper
Sheet: 34.3 x 27.3 cm (13 1/2 x 10 3/4 in.); Sheet with border: 38.1 x 31.1 cm (15 x 12 1/4 in.)
Did you know...
On the distant horizon a European rides an elephant, while a dog runs alongside.
Purchase from the J. H. Wade Fund
Japanese
H: 2 13/16 x W: 1 15/16 x D: 1 1/4 in. (7.2 x 5 x 3.1 cm)
medium: sperm whale tooth (?)
culture: Japanese
Walters Art Museum, 1931, by bequest.
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Highly ambiguous, this drawing can be read in a number of ways, and the caption only serves to make the image more enigmatic. The central character of this vignette wears an elaborate costume and covers his mouth in a gesture of deep contemplation. We are given access to his thoughts: "I have hurt Pamela." But if the dancing girl behind him is Pamela, she looks anything but hurt! Either Pamela is not really hurt, and the man is presumptuous in his belief that she is, or this woman is the object of Pamela's disaffection. The lack of any setting further enhances the mystery. Although it is called "Actors," a title curators assigned it when they originally catalogued it into the collection in the 1930s, there is nothing to indicate that this is a scene from a play, and it could just as easily represent an event during carnival season or a masquerade ball.
H: 13 1/8 x W: 8 3/8 in. (33.3 x 21.2 cm)
medium: transparent watercolor with graphite underdrawing, brown iron gall ink and red ink on cream, moderately thick, smooth wove paper
by bequest to Walters Art Museum, 1931.
[1] The Diary of George A. Lucas, p. 146.
Luxurious personal objects were an essential part of a privileged wardrobe during the 1700s and early 1800s, emphasizing their owner’s refinement and wealth. Especially popular were <em>étuis</em>, small ornamented cases containing miniature sewing, writing, or grooming implements that hung at a woman’s waist from an ornate clasp, known as a <em>chatelaine</em>. Despite its glittering surface, this small expensive set disguised a system based on the labor and suffering of enslaved or indentured people, whether in gold and stone mines or the shop where it was made.
England, 18th century
Did you know...
Stored inside this case are grooming and writing instruments such as a clasp knife, scissors, an ivory tablet, a pencil, a threading needle used for lacing corsets, and an ear scoop.
Gift of Mr. and Mrs. J. H. Wade