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We all learned that the heart is a pump that sends blood through vessels to nourish the body. That pump needs direction as to when and how fast to work.12.

Arrhythmia

   

Canteiro de Obras do PAC. Manguinhos, Rio de Janeiro - Brasil

In the foreground, the distraught young man stands at the edge of the rushing river. Desperate for money, he has sold his lover, a slave girl, but finds himself destitute again. A group of onlookers watch the distressed man from the courtyard in front of the mosque. They will jump into the water to save him before he can drown.

Mughal India, court of Akbar (reigned 1556–1605)

 

gum tempera, ink, and gold on paper

Overall: 20.3 x 14 cm (8 x 5 1/2 in.); Painting only: 11.7 x 10.1 cm (4 5/8 x 4 in.)

 

Did you know...

Gigantic fish and a crocodile lurk in the swirling waters of the Tigris.

 

Gift of Mrs. A. Dean Perry

clevelandart.org/art/1962.279.306.a

William Johnston

1732–1772

30 x 25 in. (76.2 x 63.5 cm)

 

medium: Oil on canvas

 

Metropolitan Museum of Art, New York, NY 64.114.1 1964

Anonymous Gift, 1964

www.metmuseum.org/art/collection/search/11273

[URL including ]

 

FT Due Diligence Live 2023: Connecting leaders in finance & investing, 17 October 2023, London.

This masterfully composed landscape in light colors and delicate brushwork is an image of the water-rich Jiangnan region in southeast China, where Wu Bin was active as an artist. Embedded in rolling hills along lakesides and streams nestle cityscapes hosting numerous spring festivities. Lantern displays and street performances in the villages salute the New Year, and are interwoven with scenes of farming, fishing, and silk making. In one scene in the middle ground, an ox made of clay under a canopy is lead in a procession to an architectural compound, a ceremony known as <em>whipping the spring ox</em> in hope for a good harvest. This handscroll bears five collector seals by the Qianlong emperor indicating his appreciation for the painting.

China, Ming dynasty (1368–1644)

 

handscroll; ink and light color on paper

Image: 34.3 x 252.8 cm (13 1/2 x 99 1/2 in.); Overall: 35 x 1022.2 cm (13 3/4 x 402 7/16 in.)

 

Purchase from the J. H. Wade Fund

clevelandart.org/art/1959.45

Standing, carrying a patera in the right hand and an eagle on the left wrist. The god wears not only a himation which passes under his right arm and over his left shoulder, but also a chiton. He has a very long beard. His hair is bound by a plain band; at the front, small lumps represent curls. The complete drapery is unusual and may be due to provincial origin. There is no sign of tooling after casting.

 

H: 3 1/8 in. (8 cm)

medium: bronze

 

Walters Art Museum, 1931, by bequest.

art.thewalters.org/detail/31689

[URL including ]

 

FT Due Diligence Live 2023: Connecting leaders in finance & investing, 17 October 2023, London.

France, 19th century

 

lithograph

 

Mr. and Mrs. Lewis B. Williams Collection

clevelandart.org/art/1956.642

June 16, 2017 at 03:36PM

May 16, 2014 at 03:58PM

Study of a Tulip (Wit en root boode), c. 1645. Pieter Holsteyn II (Dutch, c.1612–1673). Point of brush and transparent and opaque watercolors with traces of graphite and gum glazing on antique laid paper; sheet: 31.2 x 20.6 cm (12 5/16 x 8 1/8 in.). The Cleveland Museum of Art, Nancy F. and Joseph P. Keithley Collection Gift 2020.130

 

More at clevelandart.org/art/2020.130

The royal feast is set in a green landscape dotted with flowers and blossoming bushes against a gold sky with wisps of blue and white clouds. The group of figures in the upper left includes a falconer, horses, attendants, and two hunting cheetahs, while servers transport food and drink in gold and ceramic vessels, some presumably Chinese blue and white porcelain. Possibly this banquet was offered after a courtly hunt, a prestigious symbol of power and wealth. Among the groups of men sitting on elaborate carpets are three Chinese officials, identifiable by their black hats, kneeling together on the ground. Although their presence indicates the presence of foreign cultures within the Timurid court, the painting also reveals that not all are welcome to the feast; in the bottom half of the page a guard wields a stick to drive a group of men out of the garden.

Iran, Shiraz, Timurid period (1370-1501)

 

Opaque watercolor, ink, gold, and silver on paper

Overall: 32.7 x 22 cm (12 7/8 x 8 11/16 in.); Image: 26.1 x 20.7 cm (10 1/4 x 8 1/8 in.)

 

Did you know...

The painting on this folio is the first half of a double-page frontispiece now detached from a <em>Shahnama </em>(Book of Kings) manuscript. CMA 1956.10 is the left half of the frontispiece.

 

John L. Severance Fund

clevelandart.org/art/1956.10.a

July 25, 2017 at 03:00AM

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