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Gian Lorenzo Bernini was an Italian sculptor, urban planner, architect, painter, set designer, and playwright during the Renaissance. He designed many churches, monuments, and the canopy over the high altar at St. Peter's Basilica in Rome.

20th century

 

bronze

Diameter: 4.2 cm (1 5/8 in.)

 

Did you know...

Naples was a center of medal and coinage minting for several centuries in the Kingdom of the Two Sicilies.

 

Gift of Mrs. Jerome B. Zerbe

clevelandart.org/art/1918.582

H. 2 7/8 in. (7.3 cm)

 

medium: Pressed glass, diamond thumbprint

 

Metropolitan Museum of Art, New York, NY 46.140.36 1946

Gift of Mrs. Emily Winthrop Miles, 1946

www.metmuseum.org/art/collection/search/9796

Celia Laighton Thaxter

American, Portsmouth, New Hampshire 1835–1894 Isle of Shoals, New Hampshire

H. 6 1/2 in. (16.5 cm)

 

medium: Glazed and painted earthenware

 

Metropolitan Museum of Art, New York, NY 1997.337 1997

Purchase, Barrie A. and Deedee Wigmore Foundation Gift, 1997

www.metmuseum.org/art/collection/search/15980

Each of the four gospels in this book opens on a page with brilliantly illuminated borders depicting the author of the text as well as birds-principally peacocks, symbols of the immortality of the soul-and fountains, representing the fountain of life and the salvation of the soul. This volume consists of 428 leaves with texts in Greek. Its level of sophistication suggests that it was probably written and decorated in a monastery in Constantinople.

Byzantium, Constantinople

 

ink, tempera, and gold on vellum; leather binding

Sheet: 28 x 23 cm (11 x 9 1/16 in.)

 

Did you know...

Gospel Books were carried in procession through Byzantine churches.

 

Purchase from the J. H. Wade Fund

clevelandart.org/art/1942.152.96.a

Celadons, spoons, seals, and bronze mirrors were the most common burial objects in tombs during the Goryeo period (918–1392). Once used to contain colored powder, rouge, and eyebrow gel for makeup, this small container was one of the standard goods that furnished elites' tombs. Both women and men used the grain powder of rice or millet for whitening their skin, safflower extract for rouge, and plant ash or soot for eyebrow gel. Yet, natural-looking makeup seems to have been the most favorable one in Korea according to the travelogue by Xu Jing (1091–1153), the Chinese diplomat who visited Korea in 1123.

Korea, Goryeo dynasty (918–1392)

 

inlaid celadon ware

Diameter: 8.3 cm (3 1/4 in.); Overall: 2.6 cm (1 in.)

 

Did you know...

This ceramic container was used to store either incense or cosmetics.

 

Gift of John L. Severance

clevelandart.org/art/1928.169.a

Dimensions unavailable

 

medium: Paper, painted by hand and mounted on linen

 

Metropolitan Museum of Art, New York, NY 14.106.14a, b 1914

Cadwalader Fund, 1914

www.metmuseum.org/art/collection/search/9670

Italy, Venice, 16th century

 

Overall: 91.5 x 34 cm (36 x 13 3/8 in.)

 

The Charles G. King Jr. collection; Gift of Ralph King in memory of Charles G. King Jr.

clevelandart.org/art/1918.362

temporal: Moderne vor 1945

49,3 × 39,7 cm

mat: Aquarell auf Papier

class: Zeichenkunst

type: Zeichnung

provenance: 1946 Nachlass der Künstlerin, Graz. – 2014 Ankauf Galerie Eugen Lendl, Graz

 

Österreichische Galerie Belvedere

sammlung.belvedere.at/objects/53709/steyr

Kids that read Succeed! Reading a book is a great excuse for peace and quiet. What will you be reading today on#InternationalLiteracyDay ?

June 08, 2016 at 09:40AM

Jade disks of later centuries developed from the Neolithic period’s plain design to incorporate dense surface decoration. This example bears raised dots with finely incised spirals--so-called grain patterns--arranged in diagonal rows.

China, Warring States period (475–221 BCE)

 

jade (nephrite)

Diameter: 18.4 cm (7 1/4 in.)

 

Did you know...

The disk's outer rim is incised with a 47-character poem written in seal script, dated to the <em>gengyin </em>year of the Qianlong emperor's reign [1770].

 

Anonymous Gift

clevelandart.org/art/1952.567

This leaf was taken from a gradual, a large volume containing songs for the mass. This single leaf shows the introductory passage for Easter Sunday. The initial <em>R</em> is filled with the representation of the resurrection of Christ. The depiction of Saint Francis of Assisi in the floral decoration points to an origin from a Franciscan monastery. Due to the great plague, the mendicant orders to which the Franciscans belonged were the recipients of civil charitable donations. Naples, where the leaf is said to have been made, was struck by a severe earthquake around the middle of the 1300s, in addition to the plague.

Italy, Naples

 

ink, tempera, and gold on parchment

Sheet: 55 x 40 cm (21 5/8 x 15 3/4 in.)

 

Did you know...

The Virgin Mary is shown twice on this leaf, once at the top standing to the side of the open tomb and again in the bottom border, crowned and holding the infant Christ.

 

Purchase from the J. H. Wade Fund

clevelandart.org/art/1954.145.a

41 3/4 x 22 5/8 x 22 1/2 in. (106 x 57.5 x 57.2 cm)

 

medium: Mahogany, white pine

 

Metropolitan Museum of Art, New York, NY 30.120.58 1930

The Sylmaris Collection, Gift of George Coe Graves, 1930

www.metmuseum.org/art/collection/search/1590

April 28, 2016 at 08:56PM

The scene depicted on this tsuba is of a fisherman using a cormorant bird to catch fish. As this activity has traditionally occurred at night, the fisherman holds a torch over the water to help the bird find the fish. In his other hand, he holds a rope attached to the bird. A ring is tied around the bird's neck to prevent it from swallowing the fish it catches. The bird with its head submerged can be seen at the lower left of the tsuba. On the back, a cormorant has emerged from the water with a fish in his mouth. While cormorant fishing is no longer a primary means of catching fish, the practice has continued as a tourist attraction in areas such as Gifu in central Japan. Cormorant fishing is a summer activity.

Japanese

 

H: 3 × W: 2 11/16 × D: 1/4 in. (7.6 × 6.9 × 0.6 cm)

medium: sentoku (copper-tin alloy), copper, shibuichi (silver-copper alloy), gold

culture: Japanese

 

Walters Art Museum, 1931, by bequest.

art.thewalters.org/detail/5294

February 19, 2016 at 09:49PM

[url=http://store.gingerscraps.net/Tropical-Paradise-Core-Bundle-by-Connie-Prince.html] Tropical Paradise- Core Bundle by Connie Prince [/url]

 

[url=http://store.gingerscraps.net/Blend-Volume-3-12x12-Temps-CU-Ok-by-Connie-Prince.html] Blend Volume 3 - 12x12 Temps (CU Ok) by Connie Prince [/url]

 

Prayer nuts or "paternosters" are generally made from boxwood and carved with extreme refinement and delicacy with openwork Gothic tracery. They came into fashion as private devotional accessories in the Netherlands in about 1500 to 1530. About 50 prayer nuts are still known to survive.

Northern Netherlands (Holland)

 

boxwood

Overall: 5.8 x 4.8 cm (2 5/16 x 1 7/8 in.)

 

Did you know...

This miniature masterpiece was held and caressed within the palm of the holder as they prayed and meditated on their faith. What do you use to focus or engage in quiet concentration?

 

Purchase from the J. H. Wade Fund

clevelandart.org/art/1961.87

Japan, Edo period (1615–1868)

 

bamboo, metal, brass, pewter (?), and iron

Overall: 20.4 cm (8 1/16 in.)

 

Did you know...

A famous Japanese poem describes the Tatsuta River dyed in crimson, a reference to autumn maple leaves floating on its surface, and a likely source for the imagery on this pipe.

 

Gift of Laurence H. Norton, Robert C. Norton, and Miriam Norton White in memory of Mr. and Mrs. D. Z. Norton

clevelandart.org/art/1939.308

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