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christy-florist婚禮場地佈置WEDDING&EVENT-Decorations@裝飾POSTER婚慶Ideas宴會婚禮場地禮堂BANNER結婚FoamBoard大型噴畫style場地場合擺酒宴會DECO香港HK婚宴構思統籌晚會GARPHIC網頁|繄蘼鮮花批發花店TRACKBACK_URL_FOR THIS POSTS佈置網誌一覽CHRISTY-FLORIST_VENUS_EVENT_DECORATIONS繄蘼鮮花批發及專業婚禮場地佈置設計公司Since1989WHATSAPP//TEL94503374 敬請預約
地址香港九龍尖沙咀漆咸道南45至51號其士大廈尖東堡商場地庫B65舖 masterwin@ymail.com
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christy-florist婚禮場地佈置WEDDING&EVENT-Decorations@裝飾POSTER婚慶Ideas宴會婚禮場地禮堂BANNER結婚FoamBoard大型噴畫style場地場合擺酒宴會DECO香港HK婚宴構思統籌晚會GARPHIC網頁|繄蘼鮮花批發花店TRACKBACK_URL_FOR THIS POSTS佈置網誌一覽CHRISTY-FLORIST_VENUS_EVENT_DECORATIONS繄蘼鮮花批發及專業婚禮場地佈置設計公司Since1989WHATSAPP//TEL94503374 敬請預約
地址香港九龍尖沙咀漆咸道南45至51號其士大廈尖東堡商場地庫B65舖 masterwin@ymail.com
Www.facebook.com/florist.christy
http//www.flickr.com/photos/94503374/
//blog.xuite.net/wedding_decorations/hkblog
http//www.weshare.hk/94503374decoration
http//christyflorist.tumblr.com/
http//eventdecoration.pixnet.net/blog
http//plus.google.com/106737217008195886143
//youtu.be/W1AXoqcKAZA //
youtu.be/VNilzfUuWwQ?t=1m49s
www.youtube.com/watch?v=e0lR1RKfTcw
www.flickr.com/photos/wedding-decoration
eventdecoration.pixnet.net/blog/
//printing-style.blogspot.hk/
Mexico, Oaxaca, La Mixteca
terracotta
Overall: 11.5 x 7 cm (4 1/2 x 2 3/4 in.)
Gift of Malcolm L. McBride
These two folios from a manuscript of the "Kalpasutra," a text sacred to Shvetambara Jains, illustrate scenes from the life of Mahavira, the last of the twenty-four Jinas (omniscient, spiritually liberated teachers revered by Jains). In one, Queen Trishala, having just given birth to Mahavira, reclines on a bed and cradles her newborn son. The goat-headed deity Harinegameshin, protector of childbirth, stands behind her. Harinegameshin played an important role in the birth of Mahavira, transferring the embryo from the womb of a woman of the Hindu brahman caste (unsuitable for a future Jina) to that of Queen Trishala, a member of the royal kshatriya caste. The other folio illustrates Mahavira plucking out his hair as he renounces all forms of vanity and material comfort in order to follow the path of asceticism that will lead to his omniscience and liberation. Standing in a rocky landscape, which the artist has depicted in water-like forms, Mahavira hands his long strands of hair to the god Shakra (Indra), who sits nearby.
Each page H: 3 3/4 x W: 10 1/8 in. (9.5 x 25.7 cm)
medium: pigments and ink on paper
Walters Art Museum, 2002, by gift.
Video URL: youtu.be/Gh_8JwULLGo
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Bellows was no stranger to Sharkey’s Athletic Club, a raucous saloon with a backroom boxing ring, located near his studio. Founded by Tom “Sailor” Sharkey, an ex-fighter who had also served in the US Navy, the club attracted men seeking to watch or participate in matches. Because public boxing was illegal in New York at the time, a private event had to be arranged in order for a bout to take place. Participation was usually limited to members of a particular club, but whenever an outsider competed, he was given temporary membership and known as a “stag.” Although boxing had its share of detractors who considered it uncouth at best or barbaric at worst, its proponents—among them President Theodore Roosevelt—regarded it a healthy manifestation of manliness. Around the time Bellows painted <em>Stag at Sharkey’s, </em>boxing was moving from a predominantly working-class enterprise to one with greater genteel appeal. For some contemporaries, boxing was a powerful analogy for the notion that only the strongest and fittest would flourish in modern society.
America, 20th century
oil on canvas
Framed: 110 x 140.5 x 8.5 cm (43 5/16 x 55 5/16 x 3 3/8 in.); Unframed: 92 x 122.6 cm (36 1/4 x 48 1/4 in.)
Did you know...
George Bellows was raised in Columbus, Ohio, and attended Ohio State University where he played baseball and basketball.
Hinman B. Hurlbut Collection
The richly brocaded robe and elaborate headdress of this lama, or revered teacher of Tibetan Buddhism, proclaim his high status. Indeed, the inscription on the base identifies him as Namgyal Dragpa Zangpo, a great scholar of the Kalachakra Tantra who lived in the 14th-15th century. Known from a range of Tibetan historical sources, Namgyal Dragpa Zangpo came from a prominent family and rose to a high office within the Kagyu monastic tradition. In this idealized portrait, probably made after his death, the prayer beads he holds emphasizes his religious knowledge.
H: 5 1/2 x W: 4 7/16 x D: 3 1/4 in. (13.97 x 11.27 x 8.26 cm)
medium: gilded copper alloy with traces of resin
given to Walters Art Museum, 2014.
A range of techniques were used to create textural variation in this lace cloth: <em>buratto</em>, bobbin, and crochet. Figural motifs appear within the inserted buratto bands. Different birds, with crosses visible on their chests, crowned double-headed eagles, and feline figures facing a vessel may allude to the heraldic symbols of a particular family.
Italy, 19th century
Needle lace, burato (twined ground and darned in two directions), bobbin lace insert and edging, and crochet insert; bleached linen (est.)
Overall: 62.4 x 132.3 cm (24 9/16 x 52 1/16 in.)
Did you know...
This cloth was given to the museum by Louise Tifft Brown, a native Clevelander who became an expert in lace while living in Venice for 35 years.
Bequest of Louise Tifft Brown
Known as a <em>situla</em>, or bucket, this bronze vessel features an ovoid body with a flaring neck. The separately made foot is quite elaborate and unusually shaped for this type of vessel. More typical is the handle, designed to swing upward from its two attachments, each finely cast in the form of a frontal siren with earrings and very small, simplified wings.
Etruscan
bronze
without handle: 16.6 cm (6 9/16 in.)
Did you know...
The handle includes a loop with attached chain, perhaps meant for hanging.
John L. Severance Fund
