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Alfred Jacob Miller was a prolific sketcher. He filled many journals with drawings and captions from the time he was studying in Paris and Rome (1833) until the 1870's. The varied interests of Miller are clearly reflected in these sketches: rural sites, studies after Old Master paintings, illustrations of literature, and comical scenes and characters.
This sketch comes from the family album of L. Vernon Miller, which contains works that have passed down through the Miller family directly from the artist.
H: 7 5/8 x W: 9 3/4 in. (19.4 x 24.7 cm)
medium: pencil, ink, and wash on paper
given to Walters Art Museum, 1994.
[1] passed directly from the artist down through his family.
christy-florist婚禮場地佈置WEDDING&EVENT-Decorations@裝飾POSTER婚慶Ideas宴會婚禮場地禮堂BANNER結婚FoamBoard大型噴畫style場地場合擺酒宴會DECO香港HK婚宴構思統籌晚會GARPHIC網頁|繄蘼鮮花批發花店TRACKBACK_URL_FOR THIS POSTS佈置網誌一覽CHRISTY-FLORIST_VENUS_EVENT_DECORATIONS繄蘼鮮花批發及專業婚禮場地佈置設計公司Since1989WHATSAPP//TEL94503374 敬請預約
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This steatite scarab has a flat underside with a vertically arranged bottom inscription with a personal wish formula. The top of the piece has a very detailed, deeply incised design with slightly irregular line flow and almost balanced proportions. The workmanship is good and the piece is simply made.
The piece functioned as a provider individualized amulet and should provide its owner with the special support of the goddess Bastet. It originally would have been mounted or threaded.
Egyptian
H: 1/4 x W: 7/16 x L: 9/16 in. (0.7 x 1.1 x 1.5 cm)
medium: light red-beige steatite with green-blue glaze
culture: Egyptian
dynasty: 26th-27th Dynasty
Walters Art Museum, 1931, by bequest.
These elements once belonged to a full suit of armor that would have been made for a young boy. Decorated with etching, embossing, and gilding, the original suit would have been impressive. Dressing your sons in small custom suits of armor was popular with the wealthiest nobles. They would have been worn for parades and ceremonial occasions and once outgrown were often kept as mementos. Made for the left arm, the rerebrace or upper cannon protected the upper arm, the couter the elbow, and the lower cannon the forearm.
Germany, Augsburg, mostly 17th Century (some modern)
etched and lightly embossed steel with traces of gilding, leather
Overall: 17 cm (6 11/16 in.)
Did you know...
Small-scale suits of armor would help prepare a young boy for knighthood.
Gift of Mr. and Mrs. John L. Severance
During a hunting party, Dido and Aeneas are caught in a storm and flee to shelter. Cupid and Hymen, the god of marriage, bless them from above. Servants are working to attend to the frightened horses while on a branch, the owl of evil beats his wings ominously.
Belgium, 17th century
tapestry weave: silk and wool
Overall: 416.4 x 418.8 cm (163 15/16 x 164 7/8 in.)
Did you know...
This tapestry is one from a series of eight that depicts the tragic love story of Dido and Aeneas. They were gifted to the museum for display in the armor court.
Gift of Mrs. Francis F. Prentiss, in memory of Dr. Dudley P. Allen
Parthian Empire (247 BCE–224 CE)
bronze
Diameter: 2.6 cm (1 in.)
Joint Expeditions-Iraq Excavations Fund
Edgar Melville Ward
1839–1915
23 7/8 x 21 in. (60.5 x 53.3 cm)
medium: Oil on canvas
Metropolitan Museum of Art, New York, NY 00.6 1900
Gift of Several Gentlemen, 1900
christy-florist婚禮場地佈置WEDDING&EVENT-Decorations@裝飾POSTER婚慶Ideas宴會婚禮場地禮堂BANNER結婚FoamBoard大型噴畫style場地場合擺酒宴會DECO香港HK婚宴構思統籌晚會GARPHIC網頁|繄蘼鮮花批發花店TRACKBACK_URL_FOR THIS POSTS佈置網誌一覽CHRISTY-FLORIST_VENUS_EVENT_DECORATIONS繄蘼鮮花批發及專業婚禮場地佈置設計公司Since1989WHATSAPP//TEL94503374 敬請預約
地址香港九龍尖沙咀漆咸道南45至51號其士大廈尖東堡商場地庫B65舖 masterwin@ymail.com
Www.facebook.com/florist.christy
http//www.flickr.com/photos/94503374/
//blog.xuite.net/wedding_decorations/hkblog
http//www.weshare.hk/94503374decoration
http//christyflorist.tumblr.com/
http//eventdecoration.pixnet.net/blog
http//plus.google.com/106737217008195886143
//youtu.be/W1AXoqcKAZA //
youtu.be/VNilzfUuWwQ?t=1m49s
www.youtube.com/watch?v=e0lR1RKfTcw
www.flickr.com/photos/wedding-decoration
eventdecoration.pixnet.net/blog/
//printing-style.blogspot.hk/
These two folios from a manuscript of the "Kalpasutra," a text sacred to Shvetambara Jains, illustrate scenes from the life of Mahavira, the last of the twenty-four Jinas (omniscient, spiritually liberated teachers revered by Jains). In one, Queen Trishala, having just given birth to Mahavira, reclines on a bed and cradles her newborn son. The goat-headed deity Harinegameshin, protector of childbirth, stands behind her. Harinegameshin played an important role in the birth of Mahavira, transferring the embryo from the womb of a woman of the Hindu brahman caste (unsuitable for a future Jina) to that of Queen Trishala, a member of the royal kshatriya caste. The other folio illustrates Mahavira plucking out his hair as he renounces all forms of vanity and material comfort in order to follow the path of asceticism that will lead to his omniscience and liberation. Standing in a rocky landscape, which the artist has depicted in water-like forms, Mahavira hands his long strands of hair to the god Shakra (Indra), who sits nearby.
Each page H: 3 3/4 x W: 10 1/8 in. (9.5 x 25.7 cm)
medium: pigments and ink on paper
Walters Art Museum, 2002, by gift.
John William Hill
American (born England), London 1812–1879 West Nyack, New York
18 3/8 x 14 1/4 in. (46.7 x 36.2 cm)
medium: Watercolor, gouache, black ink, graphite, and gum arabic on off-white wove paper
Metropolitan Museum of Art, New York, NY 54.90.157 1954
The Edward W. C. Arnold Collection of New York Prints, Maps, and Pictures, Bequest of Edward W. C. Arnold, 1954
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